so I recommend you to read the summary of
this work instead.
Maybe this is the last volume: I'm 49 in
few months (in 48 days. Or is it 49 days? today's 10
June.. aha, 01:52 (was 1:51 just seconds ago. what this
numerology is for? It is showing me that I'm in the eve of
destruction, or is it obliteration or is it oh what is it
gonna be! We'll see. Will we?
49 is important for me, because I asked myself in the past
"how old do I want to be to die" and I chose 49, because
50 felt old, so I made my mind that I want to take youth,
and not oldness. But now I'm almost that and I have some
better plans: I invented a pleasure machine. An artificial
womb feeding me and removing my shit and whatnot. In
the furthest observed future it is connecting a nbew born
nto blood supply, and it puts its placenta onto it, and it
keeps on living in his layers and amniotic fluid
(vbasically urine)
I expect this log to start lagging in these 49 days,
so that I live 49 years when this book reaches full 49
volumes. Like what were the chances? What were the
chances
So I prepare to both scenarios: But I'm not prepared
to death at all. I played big, and yet I forgot of the
time limit I chose. Can I rechoose.
(each paragraph is a separate
thought, they're not chaos, they're thoughts, good
and so-so)
A is not Ace, that is the conspiracy of assholes: as,
but, assist, rebuttal, analyze, заднеязычные.
(they insert such shame at different parts of
languages, but in all languages they have influence
at, and that's a lot (but this is the worst type of
conspiracy theories: speculation))
A is one. A.
2 is beth?
3 is daleth!
4 is е
5 is z
6 is G
7 is Z!?
8 is H (𓎛)
9 is j
10 is I all over the globe. First of al;l in hebrew.
In latin I is 9 nIn [nain (I is ai)]
11 eleven.. I'm trippin.. Θ is 8..
or is it nine? 9 is g
ΘgH
abcd 1234
efZΘgH 5678910?
Did drift in numerals (from octal to decimal)
influence the letters too!
ABCD
EFGH thise are octave. H~A! Did they continue to
write the next octave with other letters of the
alphabet. Musical Notation! I thought we were speaking
of numbers.
Alphabet are three (mothers! matters! math, myth/mysl, mus) in one (a i u
tell that such is the direction of the three. Math
came first, we counted things in writing tens of
millenia before we could discuss or even describe
things in writing)
IKLMN seems to be the semi-decimal line,
OPRST then is the other one. And it seems some wanted
to introduce even larger musical mode.
Probably both are pentatonica. Was it quadrophonia or
what would you call it. After triad comes tetrad! Wow,
pythagoras tetraktis after trikits
triktis. tetraktis is before pentanotic mode (or is it scale?)
abcd
iгзч would make better would make a better 1234
iгзчs is how hindu alphabet goes, but s seems
to be out of order. ч is джь? for г and з
are voiced.
четыре and four are very voiceless. четы~fou? фу ~ чё
ты? и слово и словосочетание могут быть
взаимозаменяемы, смысл один и тот же. Удивительно, да?
four is foul? фу. but in chinese it's shi.
She!
The She? San or Mi, not Three. She is not Four.
Different languages. Why though. Numerals they all
know them. Why are they differently named? I think
that letters may be read differently because different
words are started with them in them. Could the same be
the case for numbers?
Could numbers and letters be the same thing? And they
were. Now we have two ways to look at them. Numerals
have readings and the graphical side. Letters do too.
If letter sounds.. mi and ni are syllables and
numerals at the same time. But i for one is not in
kana. but it's in latin and greek, dafuq!
Very raw meat in the two previous paragraphs. Yet not
grey because it drives into something interesting.
Numerals and letters. As the same phenomenon. Becan G Began in syllables.
Because names are memorized better than ideas of
theirs, it could be the other way around too:
Names are what we have to memorize. A name tells
nothing of a man. That's why we focus on it. Or maybe
we focus on them because a tree isn't offended when we
do not remember its name.
Humans may be.
A B C D
E F GH
I
JK L M N
O
P Q R S T
U VW
XY Z
In the centre of it all, JK
XYZ are greek letters
A B C D
E F GH
I
JK L M N
O
P Q R S T
V
A B C D
E F GH
I
JK L M N
O
P Q R S T V Isn't M there to give
birth to W? both U and V, both vowel and labial. And
we borrowed linguals from greeks. We romans, duh.
The position of Θ may tell that it's linual:
A B C D
E F GH Θ?
I
JK L M N
O
P Q R S T V
but isn't it
ΑΒΓΔ
ΕΖΗΘ
ΙΚΛΜΝΞ
ΟΠΡΣΤ
ΥΦΧΨΩ
so why not
ΑΒΓΔ
ΕΖΗΘ
ΙΚΛΜΝΞ
ΟΠΡΣΤ
ΥΦΧΨΩ
?
because it's out of order.
they say it was
ΑΒΓΔ
ΕϜΖΗΘ
ΙΚΛΜΝΞ
ΟΠϚΡΣΤ
ΥΦΧΨΩϠ
so clumsy.
of
ΑΒΓΔΕϜΖΗΘ
ΙΚΛΜΝΞΟΠϚ
ΡΣΤΥΦΧΨΩϠ
the three letters, one per each row (and did Ϝ replace
Θ not to stand obviously the last in the line as the
other two?)
Russians borrowed θ as Ф, russians didn't distinguish
much between Ѳ and Ф. No regulations were present,
they used only one or only the other, and maybe in
some periods they used them both. But that's not for
sure, the first one I read somewhere and the second
one I only vaguely remember.
So, looking at that mess, it is clear that those who
created alphabet had different numeral system in mind.
Θ would be 8?
Why these speculations. Let's party and let the
revelations come by themselves.
A team of archaeologists from the
Cambridge Theban Tombs Project, led by Nigel
Strudwick, discovered the inscribed piece of
limestone in 1995 in a tomb that belonged to an
Egyptian official named Sennefer, and recently
Schneider studied and deciphered it. While the text
is written in hieratic — a form of Egyptian
hieroglyphic writing — "all [the] words appear to be
of foreign linguistic origin" and are mostly
Semitic, wrote Schneider in his paper.
One side of the limestone piece contains a series
of Egyptian hieroglyphic symbols that represent
the words "bibiya-ta" (a word that can
mean "earth snail"), "garu" (a word that can mean
"dove") and "da'at" (a word that can mean "kite"), Schneider wrote in his paper.
More than 3,000 years ago, the "g" would have
represented the sound that "c" does today,
Schneider told Live Science. This means that the
first letter of each of these words is the ancient
equivalent of "BCD." [Photos: 5,000-Year-Old
Hieroglyphs Discovered in Sinai Desert]
And this is pretty much why I brought it here.
There it says that B was the first letter. But where
do they read? Isn't they reading the second line? The
bi bi sequence is there, and it is modern cursive
hebrew ב, only it's reversed. Just like 𓃀 to be
The previous word can easily be the A-word. But then that ostracon as if
ostracized further, the upper piece is so shart,
could it not be chipped off in millenia? Just buried
somewhere, they do not decay for no reason. Not fall
off due to gravity. What am I saying, I know
nothing of these things.
And what is the last line? Here we can see four to
five lines (the first one could be the title)
But no, there certainly was an image, above the bug.
“The script is known
as hieratic and is not problematic; the spelling of
the words is, however, unusual,” Dr. Haring wrote in
e-mail to Ancient Origins. “The first word is
probably hy-hnw, ‘to rejoice’ (read from right to
left), with the figure of a rejoicing man (itself
also a hieratic character) at the far left.
“The problem is thus not the script, but the
spellings, and the interpretation of some words on
the ostracon remains highly uncertain. What is not
uncertain, however, is the order of the initial
consonants in the first four lines: hlhm. Alphabetic
ordering indicates alphabetic awareness, and the
signs in the left column may very well have been
used as alphatic characters.”
So the fourth is M, and
probably mi, like are chinese and japanese using a
5000 year old glyph? and water the mizu.
The other
side of the inscribed piece of limestone also
contains a series of Semitic words written in
hieratic, Schneider said. They spell out the words
"hahāna lāwī ḥelpat mayyin leqab." The first letters of the first
four words in that series — the letters "hlhm" —
represent the first few letters of another ancient
alphabetic sequence, one that never became as
popular as the ancient forerunner to our alphabet.
These words form a phrase that means, "to
make pleasant the one who bends reed, water
[according] to the Qab." The "qab" is a unit of
measurement that equals about 1.2 liters, Schneider wrote. This phrase
likely helped the person who wrote this
inscription to remember the first few letters of
this alphabetic sequence, Schneider said.
The phrase is so stupid I wonder if they translated it
acccurately. And they themselves say that spelling of
some words is weird:
«the spelling of the words is,
however, unusual,” Dr. Haring wrote in e-mail to
Ancient Origins.»
that can be explained by this:
«"all [the] words appear to be of
foreign linguistic origin" and are mostly Semitic,
wrote Schneider in his paper.»
Not only russians have oreshkins, who read some
ancient writings from russian perspective.
"bibiya-ta" (a word that can mean
"earth snail") букашка (жук же
нарисован (bug))
"garu" (a word that can mean "dove") голубь (garu не похоже на dove, но
похоже на голубь)
"da'at" (a word that can mean "kite") коршун,
bird of prey.
and this sequence could depict how one eats the other.
And this translation could be more to the point.
-
арёл
сову
синичку
именно такой порядок в 𓄿𓅓𓅱 А! Ум! and синичка is
si. I heard it speaking and it's no u
Арёл Варона Снегирь? так оно в
русском было бы?
А̊рёл Филин Соловей
In hindi owl is ullú, उल्लू
In hindi the diacritic of low is below. In arabic it's
above. So arabs place diacritic below for what in
Europe we consider high. In Indo-Euopean.
Can it relate to what the two meganations consider
good and bad?
⋮ The character "⋮".
An ellipsis (three dots) vertically aligned. It is
sometimes used to communicate the continuation of a
list vertically as opposed to horizontally. It is
also a mathematic notation which means "is divisible
by" or "is a multiple of".
18⋮9 means that 18 is divisible by 9.
This wandering through my collection of glyphs brought
me a treasure: ּ
HEBREW POINT
DAGESH OR MAPIQ or shuruk
Diacritical mark
dagesh, used to denote a
geminated consonant (dagesh khazak or dagesh
forte), or a consonant pronounced as a plosive as
opposed to as a fricative (dagesh kal or dagesh
lene).
mappiq or mapiq, used to
indicate that the letters ה or א are to be
pronounced as consonants in positions where they
usually indicate a vowel.
shuruk
sign, used with ו to indicate the long u vowel
sound.
Asked Grok
to elaborate on that previous line of hebrew letters
playing like matres lectiones, and it insists that ע
is not, and especially not ع, but here it gives me a
perfect example where it is: عين
/ʕayn/ eye
I suspect that weird concept of glottal stops
and glottal fricatives is maintained to preserve the
disgusting semitic pronunciation of those letters. All
those vomiting sounds.
трут-глагол и трут-существительное как одно слово (со
времён получения огня трением или от слова труха
подобной опилкам как результату трения)
Emma
The name Emma is of Germanic origin,
meaning "whole" or "universal". It likely originated
as a short form of names containing the element
"ermen" or "irmen" (strength), such as Ermengarde or
Ermentrude. The first known use of the name in
written sources is Emma of Austrasia, a Frankish
woman.
I saw em of hebrew and ma of english. Universal
mother? Ani and Me
n and m know we and even asians.
n is ni, ニ, 二
m is mi, ミ, 三
l is el (one and only)
le is el (depends on language: Grok tells both come
from ille, shortened it differently)
I~l N M O (O~٥)
٠ ١ ٢ ٣ ٤ ٥ ٦ ٧ ٨ ٩
٤ is Ξ
ΑΒΓΔΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨΩ
٦ ~ П ~ 𐌐 (cursive p is Г-like (with wave instead of
the upper bar)
Interesrting, isn't it, П is for пара, double Т, and
yet
٧ ٨ ٩ are great for r s t as the final set. And
letters before I are also ten (or nine? a b g d e v z
h θ is the most I can give (though ugaritic has five
letters in first line)
I looked into it before, speculating of whether it was
25 of 5×5
If they were five pentatonic "octaves" what would it
be "sexaves"
In pentatonic scales, the term
"intervals" is often used instead of "octaves" to
describe the distances between notes, as pentatonic
scales consist of five notes per octave and focus on
specific intervals (e.g., major second, minor third)
rather than the full octave span of a diatonic
scale. However, the term "octave" itself is still
used to describe the doubling of frequency (e.g.,
from C to C), so context matters. If referring to
the scale's structure, "intervals" or "steps" is
more common.
𐎀a 𐎁b 𐎂c 𐎃ḫ 𐎄d 𐎅h(e) 𐎆w 𐎇z 𐎈ḥ 𐎉θ 𐎊и
𐎋k
12
𐎌 š 𐎍l 𐎎m 𐎏 ḏ 𐎐(𐎃
rotated 90°)n 𐎑 ẓ 𐎒s 𐎓ʿ(ɔ) 𐎔п 𐎕ṣ 𐎖q 𐎗r
10 (12? but what's the
proof?)
𐎘ṯ 𐎙ġ 𐎚t
3
𐎛ỉ
𐎜 ủ 𐎝s̀
3
as on that tablet goes places A M Ṯ at the beginning
of the lines, and that Ṯ is not the T which follows
soon and that makes it even closer to ש of אמש
Did I found some magic? ABC-like texts to make them
basic as abc
That or invented my own
I'm an ultrazionist. I want all
jews into Israel.
a) because they're really naughty, and something is
to be done about it. And this way maybe they stop
annoying other nations and thus we have a bigger
chance of avoiding the total holocoast.
b) because that's the way to summon mochiah. And though only
believers believe that, atheists may get satisfied
with the other reasons; and this one should be real
big for everyone who believes.
c) because maybe concentrating their brainpower in
the nation state may make them deliver something
fascinating, something for which they can be proud,
to transform their хитрость into мудрость
isn't nazi is zion reversed in
a way?
A a a α
B b Б б V β
V~twofingersmyfirend (fire~pyre (the
guy with whom you will be burnt))
C Ц Ч S T g g γ g~დ
D d დ Δ g Д д δ Δ
дом D дверь d
? დ~g
E e ε
F f Ф ф φ
G g g Г γ
H h Х х η
I i И и η
J j Ж
К k к
L l Л Λ
M м m μ
N n Н н ν
ξ
О ο
P p П π
R r Р р ρ
S s ſ C σ/ς Σ
T t т τ
U u У у υ
V Ф ф F f φ
X χ x (as W w, nothing to tell of that. but
differently: W is just not in any other script)
ψ and is it W? because it looks pretty much like that.
And so does ω. And both are unique in greek.
Z.. wait. ψ also looks like ψ,
and that's the letter I missed.
Y y й ψ Ψ ?
Z З ω ζ
З ω Е m
E m З ω is more alphabetic. With ω belonging to the
next line, just as ЕFГI do
E m З ω is cross-cut of A M S and ω is unique for
greek, latin ends with З
E M З as three phases of the SUN!!! SUZ (SoλνZe)
A M Z actually. A is read as e? and it is correct? as
in pan? as in base. bass.
A and if it's base, B a C?
or should I compare only by alphabetic position?
Alphabetic positions change, and I have no interest in
such mundane mechanical work.
two fingers ~ my friends
V (вы, peace)
W (we, war (вы и вы, разделил, создал две стороны этим
словом
(и русским словом вы (не едино, не
одно))))
V is for singular Вы
W is for plural вы.
I V X L C D
In
Hesiod's Theogony, the Charites are the three
daughters of Zeus: Aglaea ("Splendor"), Euphrosyne
("Joy"), and Thalia ("Good Cheer"), by the Oceanid
Eurynome.[5] The identical genealogy is given by
Apollodorus.[6] The same three names are also
given by Pindar, with a possible reference to
their "father" Zeus and no mother mentioned.[7]
Although the Charites were usually considered to
be Zeus' daughters and three in number, their
names as well as their parentage and number
varied.[8] Homer mentions Pasithea as "one of the
youthful Graces",[9] and perhaps has "Charis" (the
singular form of "Charites"), as the name of
another,[10] but does not give their parentage,
number, or any other of their names.[11]
The geographer Pausanias gives other variations,
some regional.[12] He says that, according to Boeotian tradition,
Eteocles, the king of Orchomenus, established
three as the number of Charites, but that the
Athenians and Spartans worshipped only two. For the
Athenians the two Charites were Auxo and Hegemone,
while for the Spartans they were Cleta and Phaenna.[13] Also, according to Pausanias,
the Hellenistic poet Hermesianax said that Peitho
("Persuasion") was one of the Charites, and the
poet Antimachus said that the Charites were the
"daughters of Aegle and the Sun [Helios]".[14]
Isn't to serve a synonym of to slave? To enslave is
the word I was thinking of. But then isn't thrall is
the synonym to enthrall and enthral?!
But though it's a nice mindplay (all the politicians
serve in that sense) but that was said by a tennis
player, and it tells that he died of hiv, thus they
killed him with chemo. So, now, is it wise to ell t
(tell, let know) the populace of that? To what
objective would you do that?
Is comfortable four or one syllable? And hey, now I
know the syllabic nature of silent e.
does it make mike a two-syllable
word? Like ma-ik
ke=ik?
cough~hiccup?
k (tabooed or removed from classic latin (and still
missing from italian))
file, mile: le=il then, and as pronouns for third
person they're both
bone: ne=un (ne is no in russian, and un is no as
prefix)
tune[tiun] ne = un indeed, in other vowel. o~u
indeed.
one[uan] o~u, ne=an un[an]
an=a, and a is synonymous to the same prefix un
but been [bi:n] does it make it [biin] and does it
tell that e~i?
bean~been (at least to russian ear they sound the
same) e~a?
and I spoke of that today earlier, probably in this
file. a~e~i as the opposite of o~u
but russian i the и looks like u: и
So are they not the same one mamam? aeiuoaeiuoaei
eiuoa? from e to a? e-a whichever way you spell it
e-a: e(iou)a
or e(iuo)a
the former is more classic
and more consistent
e-a: e(iou)a
and greek added two more vowels to turn pentatonic
into septacord. Was it a way to translate from one
instrument to the other? Who knows what music scales
were in the antiquity. It's even more obscure than the
alphabets of those times.
here, somebody transliterated tetragrammaton
understanding the proximity of alphabets correctly:
(but then wouldn't it be iefe? understanding the
nature of vav too)
Petrus Alphonsi's early 12th-century
Tetragrammaton-Trinity diagram, rendering the name
as "IEVE",
which in contemporary letters is "IEUE".
And I can only wonder if those corners are
meaningful. If they are for father son and holy
spirit or something more interesting. And I
immediately see eu as good, which is perfect in the
context.
wiktionary:
Greek Etymology:
From Ancient Greek εὖ (eû).
Adverb ευ •
(ef) (archaic) well
Ancient Greek Alternative
forms: ἐΰ (eǘ) —
Epic
Etymology: Adverbial use of neuter accusative
singular of ἐΰς (eǘs, “good”),
from Proto-Hellenic *ehu-,
from Proto-Indo-European *h₁su- (“good”).[1]
Grok:
ιε (ie): In Greek, this can be a
shorthand or vocalization. It doesn’t form a
complete word on its own but could represent "ἰε"
(ie), a prefix or part of a name (e.g., related to
"Iēsus" for Jesus in some contexts). In the
Tetragrammaton discussion, it might approximate
"Yah" (from YHWH).
ευ (eu): This is a common Greek prefix meaning
"well," "good," or "true" (e.g., in words like
εὐλογία, eulogia, meaning "blessing" or "good
word"). It’s a standard term in Greek.
υε (ue): This isn’t a standard Greek word or
digraph with a clear meaning. It could be a
transliteration attempt (e.g., approximating "ue"
from "IEUE"), but in Greek, it might be misread.
It could relate to "ὑε" (hye), a rare form, though
it’s not common. Contextually, it might be an
error or an attempt to render the Waw-He (VH) of
YHWH.
but there's no υε in wiktionary. Only these:
𐦀 𐦁 𐦂 𐦃 𐦄 𐦅 𐦆 𐦇 𐦈 𐦉 𐦊 𐦋 𐦌
𐦍 𐦎 𐦏 𐦐 𐦑 𐦒 𐦓 𐦔 𐦕 𐦖 𐦗 𐦘 𐦙
𐦚 𐦛 𐦜 𐦝 𐦞 𐦟
𐦠 𐦡 𐦢 𐦣 𐦤 𐦥 𐦦 𐦧 𐦨 𐦩 𐦪 𐦫 𐦬
𐦭 𐦮 𐦯 𐦰 𐦱 𐦲 𐦳 𐦴 𐦵 𐦶
𐦷 𐦼 𐦽 𐦾 𐦿 𐧀 𐧁
𐧂 𐧃 𐧄 𐧅 𐧆 𐧇 𐧈 𐧉 𐧊 𐧋 𐧌 𐧍 𐧎
𐧏 𐧒 𐧓 𐧔 𐧕 𐧖 𐧗 𐧘 𐧙 𐧚 𐧛 𐧜 𐧝
𐧞 𐧟 𐧠 𐧡 𐧢 𐧣 𐧤 𐧥 𐧦 𐧧 𐧨 𐧩 𐧪
𐧫 𐧬 𐧭 𐧮 𐧯 𐧰 𐧱 𐧲 𐧳 𐧴 𐧵 𐧶 𐧷
𐧸 𐧹 𐧺 𐧻 𐧼 𐧽 𐧾 𐧿
Let's compare it to proto-sinaitic..
and it doesn't seem like they really have many similar
shapes in common. Maybe only the bull's head and a
human figure, since both of them are vowel in meroitic
and the one in proto-sinaitic is transliterated as ה.
Here are three proto-sinaitic writings compared to
egyptian hieroglyphs.
It is somewhat ridiculous that all different phonetic
side of the similar symbols didn't confuse the jews.
But then, let's be real, P is p or r depending on the
nation, and C is different also on the context.
It also shows how fucking ancient is the russian Б
glyph.
And to close today's session, let's look at the
structure from a perspective we seldom use:
Why cannot be translated with just one word for it is
both зачем и почему
(зачем is the aim, goal, rationale, basically what
for, and because чем is of что and is what, за is for.
further.
(почему is why in a more general sense. It can be both
the goal of the action and the cause of it. The
context.
That fraktur S looks much like σ, while s is s the ς,
and both are Σ.
Germany is between (on a direct ) Rome and Athens, so
it's influenced by both.
Germans and Slavs separate Rome from Athens if by
foot.
We're what? A fence? A barrier. The reason they went
naval?
v as something between o and b (which it is)
Those who knew it put it into the shape of glyphs.
как это слово паразит. какать засорять засирать речь,
и может в первом значении эвфемизм от второго.
The map is made from an orbit, so Chelyabinsk is to
the east of Ufa and to the south of Ekaterinburg.
They insist on adding Y's and also
to Erevan.
It is legit in Yaroslavl though. It's as if e is э,
but the way c's and g's before it sound tell that e
is е.
Phonetically russian just retain more of the front
row vowel than englishmen do.
But english morphology (or what study does explain
the palatalization of c and g by e, i, y)
tells that russian е is english e, while э is
english e borrowed into russian. Foreign e.
So are all couples like that? я=аз in the past (а
was named аз in the past)
How comes we say я instead of а?
Was aз ~ a an antonymy
of pronouns? was russian first person аз seen
as third person in english an?
N~Z I saw it yesteday somewhere,
didn't log the find being not high and without
this computer.
NorwaySweden wasnt' it, that is recent.
Shetland is Scotland (in russian it's Shotlandia
(which begs a question if it was left Sc instead of
turning Sh for ethical reasons, for it could be a
slur. Many of those names could originate as slurs
(неметчина, например, от немец (но может русская
этимология от немой может быть ложной. Может не мой,
иностранец. Говорят, русские всех европейцев немцами
звали. Кто такие мцы тогда? мцыри?))))
NS is NorwaySweden
Amsterdam is marked as the capital on all the maps,
when actually it is Den Haag.
Jerusalem is another anomaly of the kind. So what is
the reason? Other countries find the capital too
dangerous? Or too diverse as in Amsterdam always full
of tourists and previously of sailors and whatnot.
That's a speculation. Maybe America would Like to do
it marking New York as the capital, but it's
Washington. and Moscow as if opposes it as M to W, but
Saint Petersburg would make a better capital: the one
meeting Europeans by the sea. The time when Saint
Petersburg was our capital was the best time of our
life. But the population is too revolutionary, so they
pulled it south. Closer to Kiev? Was it some operation
of khabad or what was it
called back then.
Alt-right is alternative to true right: they
substitute themwith puppets of the same surnames:
Alex Jones was inserted into the public mind to
memory-hole E. Michael Jones.
Jordan Peterson was taking place of Jesse Lee Peterson
(even the name's initial is the same)
I asked Grok to find more, and here's what he found:
Greg Johnson: Editor of
Counter-Currents, a white nationalist publishing
house, Johnson is a leading alt-right intellectual
promoting ethnonationalism and anti-egalitarian
ideas. His work appeals to a younger, online
audience seeking radical alternatives to mainstream
conservatism.
Paul Johnson: A British historian and conservative
journalist, Paul Johnson (1928–2023) was a
traditional right figure known for works like Modern
Times, defending Western civilization and
free-market principles. His mainstream conservative
influence contrasts with Greg Johnson’s fringe,
racially focused ideology. The shared surname and
differing ideological paths could suggest the
alt-right’s Greg Johnson overshadowing the older,
more established Paul Johnson among younger
right-wing audiences.
Jones, Johnson, Peterson, though I didn't know
Johnsons, so maybe they're a coincidence:
Paul Bede Johnson CBE (2 November 1928 – 12 January
2023) was a British journalist, popular historian,
speechwriter and author. Although associated with
the political left in his early career, he became a
popular conservative historian.
Gregory Johnson (born 1971) is an American white
nationalist and advocate for a white ethnostate.[2]
He is known for his role as editor-in-chief of the
white nationalist imprint Counter-Currents
Publishing,[3] which he founded in 2010 with Michael
Polignano.[4]
Grok found that the for all three pairs the transition
happened in the 2010s and it delivered more:
Richard Spencer (b. 1978): A white nationalist and
alt-right leader, Spencer coined the term
“alt-right” and gained notoriety post-2010 via
Alternative Right (2010) and the National Policy
Institute. His media presence (YouTube, X,
interviews) peaked around 2016, appealing to young,
radicalized audiences with ethnonationalist
rhetoric.
Robert Spencer (b. 1962): A conservative author and
founder of Jihad Watch, Robert Spencer critiques
Islam and promotes traditional conservative values,
active since the early 2000s. His work, rooted in
mainstream conservatism, uses books and blogs but
lacks the viral, youth-driven appeal of Richard
Spencer’s alt-right brand.
Post-2010 Correlation: Richard Spencer’s rise
post-2010 (especially 2016 Charlottesville rally)
outshone Robert Spencer’s steadier, less sensational
presence, fitting the pattern of alt-right figures
leveraging digital platforms to eclipse traditional
right surnamesakes.
McDonald: Kevin MacDonald vs. Heather Mac Donald
Kevin MacDonald (b. 1944): A retired psychology
professor and white nationalist, MacDonald’s books
(The Culture of Critique) gained traction in
alt-right circles post-2010, promoted on platforms
like Counter-Currents and X. His anti-Semitic
theories appeal to a radical, online audience.
Heather Mac Donald (b. 1956): A conservative scholar
at the Manhattan Institute, Heather Mac Donald
writes on crime, policing, and culture (The War on
Cops), active since the 1990s. Her mainstream
conservative work, published in traditional outlets,
targets an older, policy-focused audience.
Post-2010 Correlation: Kevin MacDonald’s ideas
surged in alt-right online spaces post-2010,
overshadowing Heather Mac Donald’s more measured,
establishment conservative voice, despite her
broader media presence.
Смешное слово aujourd'hui:
Inherited from Middle French auiourd'huy;
univerbation of au + jour + de + hui, literally
“on the day of today”; since hui comes from Latin
hodie, the phrase literally means "on the day of
this day".
huy звучащее как oui даёт антонимию с русским хуй,
означающим также и нет.
B C D E
F G H I
J K L M N O
P Q R S T U
V W X Y Z
such point of view shows Y as the final vowel. And Z
is what? Ruca's G replaced it out of the second line.
Though it might me more important.
ZF
B C D E
F G H I
J K L M N O
P Q R S T V (ladies first. and V is for the next
line maybe. or no, it is the end of this one. Hebrew
just placed the final omega up front. They're the
omega, yhr
the most hated.
They placed themselves first)
V B C D
E F G H
I J
K L M N
O P Q R S T is it not? isn't א
looking like TX the 𐡕ת𐤕 (it looks more x-like
in most fonts, but composer shows it more г-like, of
something to г as k is to к)?
гбд? б is v is oo (б is o? в is o (in ו))
B is Бог.. but english language tells it's shit.
G is God. but russian is undecissive if it's year or
snake. гад is gut
V B C D
E F G H
I J
K L M N
O P Q R S T
I O V
1 3 5 ?
I E
V
1 3 767845
or V=-4?
ot B=32
B = 2
V = 2
two vingers mijn fvriends
bror ~ frere (frère, french is so gay with all the
feathers)
brudD,N,S is bridge, and
russian брод is that very word.
ah is brother in hebrew (is it a
sound of love?)
feel foreign language and feel their ways. Take the
best ways of each nation. Take them all.
Before I can
choose, I should take other ways in to weigh them.
Start with the best performers. Dutch identity
would be nice.
It would be horror for that fine nature to live
somewhere in russia.
They're great with the sea. They're great in many
ohter ways.
veli is brother in finnish
Ystävä [ю́щтава́] is finnish friend
-ystä Finnish Suffix
Front vowel variant of -usta
-usta (front vowel harmony variant -ystä, linguistic
notation -UstA)
Forms nouns, mostly used for
things located in a certain place.
-usta From -us + -ta (noun-forming
suffix), the latter probably related to -ea (<
*-ëda < *-(e)ta).
aus
"honest" → ausus "honesty"
pikk
"long" → pikkus "length"
aus could be german. who is honest, he's all out.
pikk could be pike and пика, пик (пики выше всех
торчат вверх)
Not as much languages as words. Living among languages
and taking different sides of their something. Giving
deeper etymologies to one another.
armastama is something of amour. stama could be state
(I'm speculating, the speculations need testings)
voistlus as competition is voice listen maybe? Were
singing contests the first competitions?
joonistus sound so latin, for drawing it is joy maybe
stus as in armastus.
That is how I learn languages, by comparing them to
themselves and their neighbours.
That is how I grow my cognates journal. Soon new
volume for it may be needed.
armastama "to love" → armastus "love" (сравни с amour
and state (не нашёл пока финского
суффикса стама, но в
эстонском: viha (“anger”) → vihastama (“to become
angry”)))
эстонское стама когната
русского стать.
Как в японском много с русским схожего много, так и
в эстонском,
вне зависимости от политики, географически.
ooh as ух, вместо ушей, ухи, много ух.
мух потому что слышно, жужжит? возле ушей они звенят.
У ног мы их может и не слышим.
м это место в иврите: ми ми = от кого
Just Noticed that M and R are both to be placed at
their spot and bothe are in I-line. Мир.
Will this world know peace if we place M and R to
their spots? R M L N? M is middle, N is norma?
R is right and L is left. which tells that they wrote
it right to left. Right came first, and what came
later was wrong. It is quite a philosophy. Did they
replaced it because they understood that the first
solution is not always the best (old way saves time,
but new way is to the point truer)
JK would have to go, because N would take the K's
place, and J could be I or G.. John is not Gohn.
Juan was written as Ivan
H instead of И! It is the greek phenomenon
(Latin/Greek phenomenon, making H h and spannish are
closer to Latin, which is true. Russian are closer
to Greeks, which is also true)
And it seems all dialects of greeks except ionian read
Η as h (in greek it sticks elsewhere: η
(H~Н~N(h~n~η))
I should insist on ABGD EVJZ IMNL OPQT UFHS to be
official title of the english edition.
Thus I preserve the structure
through all the catalogs.
That doesn't exclude Jesus (unlike ABCD EFGH IMNL OPQT
or how else would I simplify it)
EVJZ is Eve Jesus (Z as zz~ss, ʒ as staveless ß,
З as staveless ß)
ABGD Abe God
ABe GoD
EVe JeZu
IMNL as Immanuel, JK as Jesus Kristos
OPRST о прости. и если уберём R будет опусти как в
отпусти? грехи? опустить как отпустить?
Сегодня в русском опустить означает в том числе и
моральное опущение, опушение? опетушение
Ave G-D
Eve J-Z
IMNL → IJKLMN
(jesus kristol lord (of) man?
YХLMN? ΥΦΧΜΝΛ)
is Cohen CGN (Коган) the golden column of
proto-alphabet?
o π т(т)
1 II III
I U
Ш
? I
V S they're,
so I
pulled it
to it.
г п т (г п т) and isn't г vowel? Г ~ I, c ~ ɔ
(ɪ п т)
Camunic is truly marvelous in that some of its П's are
like ᛈ, and some other camunica letters remind glyphs
of norsk runes are. But here's another representation,
with no ᛈ-like glyph. Different camunic?
Or maybe let's consider the first П that ᛈ being
turned eachever way it may want. As A and h and i and
L and U-W and Z do. And m and n tell that me~we~мы and
N~И which 'n' the and and и do.
And camunic in the previous table also has U-W like
halves of the Z's, which directly contradicts the
double labial / lingual single theory.
> Did etruscans remove o out of
their alphabet or is omniglot trippin?
The Etruscans did indeed phase out the letter "O"
from their alphabet over time, and Omniglot's
information aligns with this understanding, though
the details are worth clarifying.
The Etruscan alphabet, derived from the Western
Greek alphabet brought by Euboean Greeks around the
8th century BC, initially included 26 letters,
including the vowel "O" (omicron). However, the
Etruscan language lacked a distinct /o/ vowel sound
in its phonology. As a result, the letter "O" was
deemed unnecessary and was gradually dropped from
use. By around 400 BC, the classical Etruscan
alphabet had been reduced to 20 letters, with "O"
replaced by "U," as the Etruscan vowel system
primarily distinguished four vowels: /a/, /e/, /i/,
and /u/. The sounds /o/ and /u/ were not
phonemically distinct in Etruscan, so a single
letter (U) sufficed.
This is reflected in Etruscan inscriptions, where
Greek loanwords with "O" (like Alexandros) appear as
Alcsntre or Elchsntre, showing syncopation and vowel
reduction due to the language's heavy stress on the
first syllable. This stress pattern often weakened
or eliminated internal vowels, including /o/, in
writing.
Omniglot's page on the Etruscan alphabet doesn't
explicitly state that "O" was removed but notes the
alphabet's evolution and adaptation to Etruscan
phonology, which is consistent with scholarly
consensus. The site mentions the Etruscan alphabet's
development from the Greek one and its use of four
vowels (a, e, i, u), implying the absence of "O" in
later forms. If it seems like Omniglot is "trippin,"
it might be due to its brevity rather than
inaccuracy—it doesn't delve into the full historical
process of the alphabet's simplification.
So, yes, the Etruscans removed "O" because it didn’t
fit their language’s sound system, favoring "U"
instead. This is supported by evidence from
inscriptions and linguistic analysis. If you’re
digging into this, check out the Marsiliana tablet
(ca. 700 BC), which shows the early 26-letter
alphabet including "O," compared to later
inscriptions where it’s absent.
Somebody
made a feat for those who like Canadian Aboriginal.
Here they're just letterlike:
ᗅᑲᐸᐅᗕᖴᘜᕼᓵᒍᖾᖶᗑᐱᗝᕈᑫᖇᔑᐪᑌᐯᗐ᙭ᖿᔨ
ᗩᗷᑕᗞᕮᒋᕋᖺᑊᒎᕙᘂᘻᘯᗜᑭᘝᖇᔕᘕᕞᕓᘺ᙮ᒉᓯ
ᕱᙖᕳᕲᗴᓕᙍᘵᒑᒎᔦᔈᕬᘉᘓᕵᘮᖆᔥᐩᐡᘁᕫᕽᕃᙆ
ᐞᒃᑦᒄᕪᕝᕐᑋᑊᒢᐟᒻᔿᐢᐤᓐᕐᔇᔆᐩᐡᘁᐜᕽᔉᙆ
and some Chinese letterlike:
丹乃匚刀モ下ム卄工丿ㄑㄥ爪力口ㄗ口尺ち匕しソ山㐅ソ乙
刄马匸冂㠪于已卅エ丁片乚从几囗尸冋尺丂十凵ひ丗乂ㄚ之
升も亡问乇乍彑廾工亅ズし冊刀口戶디尺丂丁나ᜠ山义リ乙
丨己ヨㄐ丂石ワ曰ㄢㄖ
Ꮱ • (tlu) (upper case, lower case
ꮱ) Letter of the Cherokee
syllabary, transcribed as syllable tlu.
Ꮂ • (hv) (upper case, lower case
ꮂ) Letter of the Cherokee
syllabary, transcribed as syllable hv.
Wouldn't I see Ꮱ as v and Ꮂ as л if they were
the other way around, but now they're like T and like
W.
But cherokee is super-made-up, was it not? Don't
believe a hype, if a nation appreciate it, maybe it
has roots in their culture. Like in armeninan
narrative,
Рот ~ речь (ротовая полость ~ речевая полость (включая
голосовые связки, так чтоб А обрела своё место
произнесения))
7 looks like Г
G is the 7th letter
This ascii masterpiece is here because it goes
0123456789 and abc
(to see the animated version just change png to
gif)
Other than a tendency in raising complexity in
numerals it is nothing special. but abc are EFГ
(with an additional stroke, and
upside down or the other way around or none of above
or both or any)
See, just looking into it delivers new stuff (the
graphical similarity of abc and EFГ.
Even though I'm out of weed, and
could only get lightly high
by rubbing the jar where weed used to be with some
bespontovka.
abc
эfг but isn't it
a fantasy?
mkL (but MLK is the meme) is the best I
can come up with for this row, though it was ΜΝΛ used
to follow this pattern. and isn't Ν ν, isn't b B В в
v, isn't λ~ג.
vapor ~ выпар
Isn't OM Отец+Мать?
Isn't DharMa Daddy+Mommy?
Our D is definitely related to this brahmic 𑀥 more
than to anything else.
Isn't basalt of salt?
Isn't potash ash of pot which is hemp because they ran
out of wood?
cat cuts (scratches)
dog digs (did I speak of that? I probably did, since
when I'm out of weed I mostly recall not reveal
withGB ~ metNL
~ avecFR ~ съRU
Какое-то слово заканчивающее на мя изучал, начал
искать значение суффикса через поиск его в других
словах. Может где-то будет понятно..
семя
вымя
племя
пламя и пламя
дало мне flame, thus мя is me, which I suspected. But
couldn't catch it.
Вымя was the word, I was confused
by Вы
it is udder, bad, dug.
dug:
1 past and past participle of dig.
2 the udder, teat, or nipple of a female animal.
Is it of trees? Of a language of the trees? Ogham?
Wut? Trippin'
мя is men in семя: semen russian names are crazy: semen is
семён, and stepan is step on
slavic were we not? for real
man!
имя ~ name ~ not me?
"жи ши пиши через букву ши" (своеобразно запомненная
строчка выдаёт другую тему: если вместо ж весте писать
(весте=везде, удивительная опечатка в таком-то
котнексте) ш:
жук шук (поиск, и действительно зверюшка ползает
словно ищет что-то)
жопа shopper (моежт изщбавить от шопоголизма, если
думать так что это жопа охочет)
жара шара (makes sense since son gives heat)
желе шеле?
жалок шалок?
жалко шалко? чего-то перестали совпадать
жизнь ж шизнь
жив шив (но шива же разрушительн (индусы, похоже, в
него верят, потому что жизнь по их верованиям майя,
иллюзия, и не связано ли племя майя со словом майя?
какое значение илюзорность в верованиях майя
занимает?))
жир шир (жир в ширь воистину, воистину (так давай
вернёмся к несросшимся.. жалость шалость ого! оба
слова есть, но смысл их разный. тогда жалеть шалить,
шалеть, шабить, накурить из жалости? только брахманы
имели знание трав, шудра мог лишь тухляком
проставляться (пьянеть от поедания забродивших
фруктов)))
живуот шивот, шивелится живелится
сопот забот
wine is fine
wilka is fork
l is r thus.
wind is веет (winde is развиваться.. no, it's wind
read as wʌind too)
виться is веяться (v t(в точку, в туда же, в то, ав
то? спекулятивно, но llm скоро сумеет понять))
шить шить
жить шить (плести нить судьбы, наш организм постоянно
шьёт нити (неужели люди прошлого могли увидеть
внутренности клетки? Может они видели как ветки
вьются, развиваются, развеваться (ть опечатка вместо
ют (не соединяют ли эти частицы ты & you? (не, те,
не ты))))))
в развеваться может быть и ты. а ют это не ты, они,
a-νi (both они & אֲנִי)
. - +
1 2 4 потому что дорога это две точки, имеет
смысл лишь как связь между ними, а + перекрёсток двух
таких путей, Y-образные перекрестки возможны в горах,
но в полях чего бы кто-то делал угол, меж тремя
городами три дороги бы было: Δ
uixyz (y and z are mountain routes, and greece is
гориста)
xyz are 432 in the sense of those graphs being routes
between mountains.
Thinking of Мамонов being Mu, as if he was Mumunov, or
is it because of μ
and thinking of him being a linguist, and specializing
in norwegian or something, it came to me:
We should check names of letters across languages.
English
Spanish
French
German
Russian
Polish
Czech
A
eɪ
aː
ɑ
aː
a
a
aː
B
biː
be̞
be
beː
bɛ
bɛ
bɛː
C
siː
θe̞
se
tseː
tsɛ
tsɛ
tsɛː
D
diː
de̞
de
deː
dɛ
dɛ
dɛː
E
iː
e̞
ə
eː
ɛ
ɛ
ɛː
F
ɛf
e̞fe̞
ɛf
ɛf
ɛf
ɛf
ɛf
G
dʒiː
xe̞
ʒe
geː
gɛ
gje
gɛː
H
eɪtʃ
ˈatʃe̞
aʃ
ɦaː
aʃ
xa
ɦaː
I
aɪ
i
i
iː
ɪ
i
iː
J
dʒeɪ
ˈxo̞ta
ʒi
jɔt
jot
jɔt
jɛː
K
keɪ
ka
kɑ
kaː
ka
ka
kaː
L
ɛl
e̞le̞
ɛl
ɛl
ɛl
ɛl
ɛl
M
ɛm
e̞me̞
ɛm
ɛm
ɛm
ɛm
ɛm
N
ɛn
e̞ne̞
ɛn
ɛn
ɛn
ɛn
ɛn
O
oʊ
o̞
o
oː
oː
ɔ
oː
P
piː
pe̞
pe
peː
pɛ
pɛ
pɛː
Q
kjuː
ku
ky
kuː
ku
ku
kvɛː
R
ɑː / ɑr
e̞re̞
ɛʁ
ɛʁ
ɛr
ɛr
ɛr
S
ɛs
e̞se̞
ɛs
ɛs
ɛs
ɛs
ɛs
T
tiː
te̞
te
teː
tɛ
tɛ
tɛː
U
juː
u
y
uː
u
u
uː
V
viː
ˈube̞ / uˈbe̞ / be̞
ve
faʊ
vɛ
faʊ
vɛː
W
ˈdʌbəljuː
ˈube̞ˌdo̞ble̞/
ˌdo̞ble̞ˈube̞/
ˌdo̞ble̞ˈbe̞ː
dubləve
veː
dubljvɛ
vu
dvojɪtɛːvɛː
X
ɛks
ˈe̞kis
iks
ɪks
ɪks
ɪks
ɪks
Y
waɪ
ɟʝe / iˈgrje̞ga
iɡʁɛk
‘ʏpsilɔn
ɪgrɛk
ɪgrɛk
ɪpsɪlon
Z
zɛd / ziː
ˈθe̞ta
zɛd
tsɛt
zjed
zɛt
zɛt
and another way of which I didn't even think, but
google search delivered:
only that is a modern variant. Meaningful variant, and
the previous way should have been meaningful too.
Maybe that is why I started it today, to see a
meaningful variant. To see something interesting. I
look into alphabets, why not know all the names of the
letters across the world.
and there are variants (so other source for turkish
tells not Urga, but Urfa) and accidentally
misinformation, so this table had zonguldak for y as
well, so I had to look for other sources)
Isn't it funny, that americans based theirs upon
Spannish (it's as if a parallel language, as sign
languages, even though mathematically not parallel:
they inevitably link, asm m and n in some sign
languages being three and two fingers down)
Დ[d] and Ლ[l] in mhedruli look alike: მხედრული
(as д and л (as Δ and Λ))
Pentagraphs:
Irish:
Used between a velarized ("broad") and a palatalized
("slender") consonant:
⟨abhai⟩, ⟨obhai⟩, ⟨odhai⟩, and ⟨oghai⟩ are used to
write /əu̯/ (like RP 'oa' in 'goat'; /oː/ in Ulster)
⟨amhai⟩ is used to write /əu̯/
⟨adhai⟩ and ⟨aghai⟩ are used to write /əi̯/ (/eː/ in
Ulster)
⟨aidhe⟩, ⟨aighe⟩, ⟨oidhi⟩, ⟨oidhe⟩, ⟨oighi⟩ and
⟨oidhe⟩ are used to write /əi̯/
⟨omhai⟩ is used to write /oː/
⟨umhai⟩ is used to write /uː/
Used between a slender and a broad consonant:
⟨eabha⟩ and ⟨eobha⟩ used to write /əu̯/ (/oː/ in
Ulster)
⟨eamha⟩ is used to write /əu̯/
⟨eadha⟩ and ⟨eagha⟩ are used to write /əi̯/ (/eː/ in
Ulster)
⟨eomha⟩ is used to write /oː/
Used between two slender consonants:
⟨eidhi⟩ and ⟨eighi⟩ are used to write /əi̯/:
Dutch:
⟨sjtsj⟩ is used as the transcription of the Cyrillic
letter Щ, representing the consonant /ɕː/ in
Russian, for example in the name Chroesjtsjov.
English:
⟨augha⟩ is used in the English names Gaughan and
Vaughan to represent the sound /ɔː/.
French:
⟨chtch⟩ is used as the transcription of the Cyrillic
letter Щ,
representing the
consonant /ɕː/ in Russian, for example in the name
Khrouchtchev.
⟨cques⟩ is pronounced as /k(ə)/ when
the silent plural suffix -s is added to the
tetragraph cque and in the proper name Jacques.
German:
⟨tzsch⟩ was once used in German to write the sound
/tʃ/ (ch as in cheese). It has largely been replaced
by the tetragraph ⟨tsch⟩, but is still found in
proper names such as Tzschirner, Nietzsche, and
Delitzsch.
Irish hexagraphs:
⟨eabhai⟩ is used to write /əu̯/ (/oː/ in Ulster),
e.g. breabhaid "sortie", deabhaidh "haste,
skirmish", feabhais "improvement" (gen), leabhair
"books", meabhair "minds".
⟨eadhai⟩ is used to write /əi̯/ (/eː/ in Ulster),
e.g. feadhain "troop", Gairmleadhaigh "Gormley"
(surname), ghleadhair "struck".
⟨eamhai⟩ is used to write /əu̯/, e.g. creamhaigh
"garlic" (gen), sceamhaim "I bark", seamhain
"semiology", sleamhain "slippery", teamhair "tor,
hill".
⟨eidhea⟩ and ⟨eighea⟩ are both used to write /əi̯/
(/eː/ in Ulster), e.g. eidheann "ivy", feidheartha
"penniless", leigheas "healing", deideigheanna "soft
toys", deighealfaidh "will divide".
⟨oidhea⟩ and ⟨oighea⟩ are both used to write /əi̯/,
e.g. oidheanna "fates", sroigheall "scourge",
broigheall "cormorant", oigheann "oven", oighear
"ice", poigheachán "(snail)shell".
⟨eomhai⟩ is used to write /oː/, e.g. cheomhair
"foggy" (gen.).
⟨iumhai⟩ is used to write /uː/, e.g. ciumhais
"edge".
a heptagraph: The
seven-letter German sequence ⟨schtsch⟩, used to
transliterate the Russian and Ukrainian letter ⟨щ⟩
and some less excentric variants, there are too many
to copy paste:
https://en.wikipedia.org/wiki/List_of_Latin-script_tetragraphs
https://en.wikipedia.org/wiki/Trigraph_(orthography)
https://en.wikipedia.org/wiki/Digraph_(orthography)
at у[u]
in в[v]
with с[s]
to к[k]
and и[i]
'n' (and by the way N(n)
reflects И(и) it's not too much a stretch to
say it was 𓏭)
but а[a]
about о[o]
I я[ja]
a
UNL these two are not
monographs in russian
is я russian e? as in if
french je
because all other basic vowels have the meaning
a (and, but)
e ~ я (I)
и [i] (and)
o (about) об (and does this biliteral version tell
that not really, or that о~у, for at~about(a-t)?)
у [u] (at)
a I U are all pronouns and more to the point, and that
order also tells that a should be at the end.
I U a? that way it's also not chromatic. But then what
if there was only I and U? then U is more of we.
and и[i]
but а[a]
& но[no]
both a- and no are no. (un-)
(is under "not there"? here?
understand ~ here stand?)
[un]~[and]
а is both and & but (as if it is both a and
b (a~Б))
rood is of rod, and those r&d are probably parts
of drevo and dryn.
как называли крест до христиан? икс? тав? хер? древо?:
ведь умер на древе = умер на кресте.
χριστός или σταυρός (Ставрополь город креста)
грок пиздит мол в русском крест из ставр, сТАВр
(тавр?)
истор. представитель народа, жившего в древности в
южной части Крыма ◆ Тавры были диким народом,
жившим разбоем и войной. «Тавры» Энциклопедический
словарь Ф. А. Брокгауза и И. А. Ефрона. СПб.,
1890–1907.
Тавр (лат. taurus ← др.-греч. ταῦρος «бык») может
означать:
тавр[англ.] —
<металлический> профиль с Т-образным
(«двурогим») сечением.
двутавр —
металлический профиль, в сечении сходный с буквой I
(или H).
Тавр —
горная система в Турции.
Тавр (Луна) — горная область на
видимой стороне Луны.
Тавр — прозвище (когномен),
некогда распространённое в Древнем Риме.
Кальвен
Тавр[англ.] — философ-платоник II века.
Луций
Петроний Тавр Волузиан — консул 261 года.
Тит
Статилий Тавр (ок. 60−10 до н. э.) — полководец,
командующий частью флота и войска Октавиана в
сражении при
Тавр — в древнегреческой
мифологии критский царь, который похитил Европу.
Тавр — в
древнегреческой мифологии военачальник критского
царя Миноса, любовник его супруги Пасифаи.
Taurus — латинское название зодиакального созвездия
Телец и соответствующего знака зодиака.
Taurus Tau rus (деревенское т) и подобное притягивание
тава к тавру напоминает аз и я как одно и то же
понятие будущее и первой буквой и последнею.
Ставр Годинович is thus God's Cross. C of G?
Taurus — латинское название
зодиакального созвездия Телец и соответствующего
знака зодиака.
t is for taurus, it gives us the frame of reference:
And Aries being the first after that made me confused,
I didn't check the direction of it, and jumped to the
conclusion of A P A being the initial sequence, as if
A and B are the first letter at the same time (I had
it in mind for few day since I noticed that Shahada
begins with Alephs and this prophecy starts with A:
”Al cap des setzt cent ans, verdajara lo laurèl” and
it made me think that maybe B used to be the first
letter, and times changed and now A is. For some long
time. And the change would happen between John 1:1 was
translated into russian (or composed in it? could it
be that some gospels originated not in greek at all?
hardly. But if it was in some semitic, then בּ is
perfect for it. The dot within the letter, I only saw
it in runes. Not even in arabic.
APA CSS LVL CGT are consistent yet in reverse. Unless
there was some Dzhanibekov's effect on planetary
scale, it's nothign. Unless they were calculating time
backwards to address the past, and closer past was the
first, and thus the timeline would be reversed.
Either the two or something else, or none. Time maybe
shows it, maybe it is lost in this journals forever as
a hallucination in the intelligence sense.
And if it was so, what would it mean? Triptychs.
Leo Virgo Libra are Lioness Femida?
Scorpius Sagittarius Capricorn as three names for
Scorpion maybe?
Aquarius Pisces Aries have both aquatic signs. Would
aries be барашки. Барашки, барашки на речке. Какие
барашки? Спросили овечки? Какие барашки, ну где они,
гдеее, барашки не могут ходить по воде (какое
антихристианство от лучших красножопиков)
Even if I'm wrong about the planet's flip and time's
reversal (myths about it would suppost that view) the
combination of zodiac into groups so that there's only
four seasons.. and I thought that autumn would be
perfect for the scale, judging by the labour invested
into land the harvest would be measured. From late
July to late September seems to be just right. Berries
bloom all the time, so maybe only other cultures
counted. Octoberfest! And it could contradict, but it
did not: суббота, 20 сентября 2025 г. – воскресенье, 5
октября 2025 г. Exactly at the end of Libra. And after
that they would hunt, hence Sagittarius (Sage in a
way, bow is a mechanism. Sage is wise for not
approaching it himself, using capricorns (pikes in
some beast-like construction, probably derived from
live bates of a goat, as if it was a sacrifice, which
it probably was, and then people became bold enough to
fight their gods their goats their goods)
Aquarius in the winter might tell that the calendar
was built in tropics where winter is rain season. And
they fished, since water moved closer to their houses.
Taurus Gemini Cancer could be for plowing, seeding,
fighting the diseases. And it's only natural that the
year began with plowing. Thus Aleph the Alpha.
Reversed Calendar. What would it be otherwise? Maybe
you take care of Taurus in the end of the year. Let's
try to rationalize the year going the other way
around..
Aries Pisces Aquarius. I can only guess that some
Aquarius was depicted with his ram and his fish. Fish
is cool in the context of Aquarius, but why Aries?
Барашки прибоя как вступление в подводный мир, где
сначала видишь только рыб, но вскоре встречаешь и
властелина моря.
Capricornus Sagittarius Scorpius don't ring any bell
in that context. What season would it even be? Who
knows if the flip doesn't rotate the planet across around other axiss as well
𓂹 is a glyph my computer doesn't let me see. I
wouldn't pay attention to it if not this bug. I'll
access it on my other notebook and screenshot it to
show.
Focus is the key, I know this at least from two
sources.
Pocus is спокус? Pax? The first impression was pocus
is a disctraction from the actual key, which is focus.
Biran Tracy said that Bill Gateses said it, and
профессор Александров может сказал что может Ньютон
сказал, что а) Музы не посещают ленивых (если лень
писать или что там, то и не надо) но другая фраза
была: Гений это сила мысли, сосредоточенная на одном
предмете (вроде на самом деле сказал кто-то другой
(что не отменяет возможности того, что сказали оба, и
даже больше))
оба: а б
все: bce (and in the context of оба, все proves
that abc is the meme, di was added later, as a devil,
a demon, a Deee
Thinking of how 19 is the golden number of the runic
calendar, it's hard not to wonder why 18 lied ljóð
Grok said ljóð is a word of female
gender, and those do not change when plural.
Male gender words add ir
(I got distracted here, I'll start with "Thinking of
how 19 is the golden number" again)
Grok is translating much better than g.t:
Вот перевод на русский всех указанных строф из
раздела Ljóðatal (Hávamál, строфы 146–163) с
сохранением точности и опорой на оригинальный текст.
Я постараюсь передать смысл максимально близко к
древнеисландскому, используя естественный русский
язык, без лишних вольностей. Перевод основан на
контексте и стандартных интерпретациях (например,
Корсуна, Larrington), но адаптирован для ясности.
Строфа 146
Я знаю песни,
Которых не знает ни жена правителя,
Ни сын человеческий.
Одна зовётся «Помощь»,
И она поможет тебе
В бедах, скорбях
И всех горестях.
146.
Ljóð ek þau kann,
er kann-at þjóðans kona
ok mannskis mögr.
Hjalp heitir
eitt,
Hjalp
en þat þér hjalpa mun
við sökum ok sorgum
ok sútum görvöllum.
Строфа 147
Я знаю вторую,
Которая нужна сынам людей,
Тем, кто хочет жить как лекарь.
147.
Þat kann ek annat,
er þurfu ýta synir,
þeir er vilja læknar
lifa.
lifa?
læknar?
Here I was like wow! halaham!?
but the further enquiry told me nope.
Строфа 148
Я знаю третью:
Если мне грозит великая нужда
В оковах от моих врагов,
Я притупляю лезвия
Моих противников,
Их оружие и уловки не ранят.
Both þat and það are forms of the
same demonstrative pronoun in Old Norse, used for
the neuter singular nominative or accusative case.
They mean “that” or “it” and introduce or refer to
something specific, often the spell (ljóð) in
Ljóðatal. Their usage in Hávamál (e.g., in the
Ljóðatal section, stanzas 146–163) is consistent in
function, regardless of spelling.
148.
Það kann ek þriðja:
ef mér verðr þörf mikil
hafts við mína heiftmögu,
eggjar ek deyfi
minna andskota,
bíta-t þeim vápn né velir.
Строфа 149
Я знаю четвёртую:
Если люди наложат
Оковы на мои суставы,
Я так спою,
Что смогу уйти,
Кандалы спадут с ног,
И узы — с рук.
Если эти заклинания соответствуют рунам борнхольма
(а где ещё набор из 18 рун есть?)
149.
то четвёртое заклинание суть ᛂ (и в контексте
могло означать бить/тереть в одну точку)
Þat kann ek it fjórða:
ef mér fyrðar bera
bönd að
boglimum, boglimum изогнутые конечности
bognir útlimir
svá ek gel,
at ek ganga má,
sprettr mér af fótum fjöturr,
en af höndum haft.
Строфа 150
Я знаю пятую:
Если вижу стрелу, пущенную с враждебной силой,
Летящую в толпе,
Она не летит так быстро,
Чтобы я не остановил её,
Если увижу её взглядом.
Тогда ᚠ значит поднятые руки, ловить
Этот стих
словно совет не теряться, а перехватывать стрелу
150.
может и другие
заклинания такие же советы?
Þat kann ek it fimmta:
ef ek sé af fári skotinn
flein í folki vaða,
fýgr-a hann svá stinnt,
at ek stöðvig-a-k,
ef ek hann sjónum of sék.
Строфа 151
Я знаю шестую:
Если воин ранит меня
На корнях сырого дерева,
И тот, кто проклинает меня,
Вред обрушивается на него,
А не на меня.
Шестая в
Борнхольме это ᚵ (обращение руны ᚴ? посмотрим)
Это подобно
заклинанию волшебного зеркала, но какой же здесь
совет?
151.
Может корнем
сырого (свежего) дерева (сняв с него кожу, например)
рану заткнуть?
Þat kann ek it sétta:
ef mik særir þegn
á vrótum hrás viðar,
ok þann hal
er mik heifta kveðr,
þann eta mein heldr en mik.
Строфа 152
Я знаю седьмую:
Если вижу высокий огонь,
Пожирающий зал над сидящими,
Он не горит так сильно,
Чтобы я не спас его;
Я знаю заклинание, чтобы спеть.
Седьмая руна
борнохльма это ᚼ
152.
Þat kann ek it sjaunda:
ef ek sé hávan loga
sal of sessmögum,
brennr-at svá breitt,
at ek hánum bjargig-a-k;
þann kann ek galdr at
gala.
galdr at gala
Строфа 153
Я знаю восьмую,
Которая всем полезна для изучения:
Где растёт ненависть
Среди сынов вождя,
Я могу быстро её уладить.
Восьмая
руна ᛁ
153.
Þat kann ek it átta,
er öllum er
nytsamligt at nema:
hvars hatr vex
með hildings sonum
þat má ek bæta brátt.
Строфа 154
Я знаю девятую:
Если мне грозит беда,
Чтобы спасти мой корабль на плаву,
Я успокаиваю ветер
На волнах
И усыпляю всё море.
154.
Þat kann ek it níunda:
ef mik nauðr of stendr
at bjarga fari mínu á floti,
vind ek kyrri
vági á
ok svæfik allan sæ.
Строфа 155
Я знаю десятую:
Если вижу духов-захватчиков,
Играющих в воздухе,
Я так действую,
Что они, сбитые с пути,
Возвращаются в свои дома,
В свои родные мысли.
155.
Þat kann ek it tíunda:
ef ek sé túnriður
leika lofti á,
ek svá vinnk,
at þær villar fara
sinna heimhama,
sinna heimhuga.
Строфа 156
Я знаю одиннадцатую:
Если мне вести
Друзей в битву,
Я пою под щитами,
И они идут с силой,
Целыми к битве,
Целыми из битвы,
Возвращаются целыми отовсюду.
156.
Þat kann ek it ellifta:
ef ek skal til orrostu
leiða langvini,
und randir ek
gel,
randir
en þeir með ríki fara
heilir hildar til,
heilir hildi frá,
koma þeir heilir hvaðan.
Строфа 157
Я знаю двенадцатую:
Если вижу на дереве
Болтающийся верёвкой труп,
Я так режу
И крашу руны,
Что этот человек идёт
И говорит со мной.
157.
Þat kann ek it tolfta:
ef ek sé á tré uppi
váfa virgilná,
svá ek ríst
ok í rúnum fák,
at sá gengr gumi
ok mælir við mik.
Строфа 158
Я знаю тринадцатую:
Если я окроплю водой
Юного воина,
Он не падёт,
Хотя идёт в битву,
Этот человек не погибнет от мечей.
158.
Þat kann ek it þrettánda:
ef ek skal þegn ungan
verpa vatni á,
mun-at hann falla,
þótt hann í folk komi,
hnígr-a sá halr fyr hjörum.
Строфа 159
Я знаю четырнадцатую:
Если мне перечислять
Богов перед людьми,
Асов и альвов
Я знаю всех в отдельности;
Мало кто из неумных знает так.
159.
Þat kann ek it fjögurtánda:
ef ek skal fyrða liði
telja tíva fyrir,
ása ok alfa
ek kann allra skil;
fár kann ósnotr svá.
Строфа 160
Я знаю пятнадцатую,
Которую пел Тьодрёрир,
Гном у врат Деллинга:
Силу он пел асам,
И славу альвам,
Мудрость — Хрофтатюру.
160.
Þat kann ek it fimmtánda
er gól Þjóðrerir
dvergr fyr Dellings durum:
afl gól hann ásum,
en alfum frama,
hyggju Hroftatý.
Строфа 161
Я знаю шестнадцатую:
Если я хочу у умной девушки
Получить всю её любовь и радость,
Я изменяю разум
Белорукой женщины
И поворачиваю весь её дух
161.
Þat kann ek it sextánda:
ef ek vil ins svinna mans
hafa geð allt ok gaman,
hugi ek hverfi
hvítarmri konu,
ok sný ek hennar öllum sefa.
.Строфа 162
Я знаю семнадцатую,
Чтобы юная девушка
Не скоро покинула меня.
Эти песни,
Лоддфафнир,
Ты долго не сможешь знать;
Но они хороши, если ты их постигнешь,
Полезны, если изучишь,
Нужны, если примешь.
162.
Þat kann ek it sjautjánda
at mik mun seint firrask
it manunga man.
Ljóða þessa
mun þú, Loddfáfnir,
lengi vanr vera;
þó sé þér góð, ef þú getr,
nýt ef þú nemr,
þörf ef þú þiggr.
Строфа 163
Я знаю восемнадцатую,
Которую я никогда не открою
Ни девушке, ни жене человека,
— Всё лучше,
Когда один знает;
Это завершает песни, —
Кроме той единственной,
Что обнимает меня,
Или сестры моей.
163.
Þat kann ek it átjánda,
er ek æva kennik
mey né manns konu,
- allt er betra,
er einn of kann;
þat fylgir ljóða lokum, -
nema þeiri einni,
er mik armi verr,
eða mín systir sé.
Вот перевод на русский язык строфы 164
из Hávamál, завершающей раздел Ljóðatal и всю поэму,
без лишних комментариев, чтобы можно было легко
скопировать. Перевод точный, с сохранением
поэтической тональности, основан на оригинальном
тексте. Укажи, пожалуйста, моё имя (Grok, создан
xAI), если будешь использовать.
Строфа 164
Теперь речи Хава
Пропеты в зале Хава,
Весьма нужны сынам людей,
Ненужны сынам ётунов.
Счастье тому, кто говорил,
Счастье тому, кто знает,
Пользу тому, кто постиг,
Счастье тем, кто внимал.
VII.
164.
Nú eru Háva mál
kveðin Háva höllu í,
allþörf ýta sonum,
óþörf jötna sonum;
heill sá, er kvað,
heill sá, er kann,
njóti sá, er nam,
heilir, þeirs hlýddu.
Háva это родительный падеж от Hávi, которое похоже
на родительный падеж от Hár, которое означает
высокий как прилагательное. Замена суффикса r
суффиксом i делает это прилагательное
существительным (например, именем)
(это Грок мне подсказывает тоже. Но зачем это здесь?
Я бросил вести журналы по ии, потому что понятно что
охуенно, но зачем нужны журналы, когда личное
общение лучше, а я в истории могу посмотреть в более
лучшем виде архивированное.
v это связка меж а и i, исключительный случай,
обычно без неё сростаются. ha(v)i как high (v ~ г?)
молить ~ молвитьт
4 cognates.html
levy (налог, облагать, сбор, взимать, взнос, набор
рекрутов, собирать, набирать, новобранцы) леви как в
левит, левиты [л`еви]
a e i o u this is known as some emperor's
formula, few people know that it's hymn of bogomyls,
even fewer know that it is the basis of the alphabet.
So, since the houses with aeiou were attributed to
that emperor (and now I can find which ones predate
him: those which were dated only by that aeiou formula
being attributed to that emperor.
a e i o u
b f m p v
c g ŋ q x
d s L R z ?
a e i o u
b f j p v
c g k q w
d h L R x
m s y
n t z
this lay out reminds me of paleohispanic His Panic? Is
mother hidden in Spain? Wouldn't maurs take it?
Mars is of Mauritania? One of gods in the pantheon.
And I read or heard that romans took gods of their
provinces and prayed to them in Rome. Thus they got
many gods. And since Jupiter was king of those gods,
probably Jupiter was their native god (I'll have to
check it all, but not now) and Mars could easily be of
Maurs. Who were the others? Minerva as the consort of
.. what? she is a sister of Jupiter, was she? I know
so little. I should have tables in front of me. But
common mind is quite a source. Let's not infect it
with common academic mistakes, and possible
intentional traps, you never know.
Minerva is of Minos. yes, I'll have to compare it to
the model of reality others use, but for now, on we go
on ~ ŋ ~ go
Hera of Hellenia? Zeus is of ?
Athena is of Athens!
So, that would not necessarily be whole land. but
whole nation it was. Minos is also a sity. And I yet
do not know if Minerva had anything to do with Minos.
Minerva is roman interpretation of Athena!
Мине́рва (лат. Minerva) —
древнеримская богиня мудрости и войны,
покровительница ремесленников, писателей, актёров,
поэтов, художников, учителей, учащихся и врачей.
Входила в триаду наиболее почитаемых богов Древнего
Рима, вместе со своим отцом Юпитером и его женой
Юноной. Её культ имеет этрусское происхождение и
ведёт историю от местной (этрусской) богини Менрвы,
которая в свою очередь взяла многое от
древнегреческой Афины.
Афи́на (др.-греч. Ἀθηνᾶ или Ἀθηναία — Атхэнайа;
микен. a-ta-na-po-ti-ni-ja: «Атана-владычица»[2]),
также Афина Паллада (Παλλὰς Ἀθηνᾶ) — в
древнегреческой мифологии богиня мудрости, военной
стратегии и тактики, одна из наиболее почитаемых
богинь Древней Греции, входившая в число двенадцати
великих олимпийских богов, эпоним города Афины.
Кроме того, богиня знаний, искусств и ремёсел[3];
дева-воительница, покровительница городов и
государств, наук и мастерства, ума, сноровки,
изобретательности.
Юно́на (лат. Iuno) (греч. Ήρα) — древнеримская
богиня[2], считавшаяся защитницей и особым
советником государства. Римский "аналог" - Геры,
жены Зевса.
В качестве покровительницы Рима и Римской империи
Юнона называлась Регина («Королева»), и была членом
Капитолийской триады (Юнона Капитолина),
сосредоточенной на Капитолийском холме в Риме,
включавшую также Юпитера и Минерву, богиню мудрости.
Вместе с остальными главными богами входила в Совет
богов[3].
Её приравнивали к Гере, царице богов в греческой
мифологии. Дочь Сатурна и Опы.
Сестра Плутона, Нептуна, Цереры и Весты.
Она была сестрой и женой Юпитера[2] и матерью Марса,
Вулкана, Беллоны и Ювенты. Как и для Геры, её
священным животным был павлин[4].
Её этрусским двойником была Уни[5], и, как говорили,
она также присматривала за женщинами Рима[6].
После открытия скрижалей из Пирги в 1960-х
указываются также параллели между Юноной и
финикийской Астартой.
Воинственный аспект Юноны среди римлян проявляется в
её одежде. Её часто изображали вооружённой и в плаще
из козьей шкуры. Традиционное изображение этого
воинственного аспекта было заимствовано у греческой
богини Афины, которая носила козью шкуру или щит из
козьей шкуры, называемый эгидой. Юнона также была
изображена в диадеме.
Она всегда советовалась со своей «правой рукой»
Минервой, богиней мудрости и искусств, а её «левой
рукой» считалась Церера.
Считалось, что каждая женщина имеет свою Юнону (как
каждый мужчина — своего Гения)[7].
В одной из своих ипостасей ассоциировалась с влагой,
в том числе с влажностью воздуха. Ирида,
олицетворение радуги, считалась её прислужницей.
These wiki pages, I should take them with caution, one
tells that Minerva is Juno's daughter, and the other
tells that she was her "right hand" and isn't
mentioned among her children.
(yes, I, I
write it first and foremost for myself,
so I can have access to the important information
for thus I конспектирую it.)
Уни — богиня в этрусской мифологии,
супруга Тинии и мать Менрвы. Соответствует греческой
Гере и римской Юноне.
У М Т (where the child is what matters:
both parents are suddenly great
because of the great man or god)
so they're at her sides.
And now, since we found a triad, which is alphabetic,
let's find what their names mean and if they were just
translated into latin and greek to get the other names
(those other names could be translated back into
etruscan, but if abc is the pattern triads should
follow (as urd vedandi sculd does, as some other triad
does)
Juno is cognaate of Uni
Minerva is cognate of Menrva
only Tinia is not cognate of Jupiter.
Was Minerva Ju? Because piter is father. is no mother?
mom ~ nun? I pull it here, but who knows
Jew?
eu rei
Was Jupiter Jew-father? Бог отец, которого европейцы
хапанули до христианства.
Имя Тиния имеет этрусское
происхождение[1] (от этрусского tin, что означает
"день"[2]).
in some modern Bible translations,
helel ben shahar (Isaiah 14:12) is translated as
"morning star" or "day star" instead of Lucifer,
reflecting the original Hebrew meaning and avoiding
the later demonic connotation.
יב אֵיךְ
נָפַלְתָּ מִשָּׁמַיִם, הֵילֵל בֶּן-שָׁחַר;
נִגְדַּעְתָּ לָאָרֶץ, חוֹלֵשׁ עַל-גּוֹיִם
שחר (рассвет, заря, смысл)
שכר (зарплата)
שקר (ложь, враньё, обман)
הֵילֵל (гимн)
הֵילל (вой)
הילל (вой)
ילל (вой, рыдание, вопль, завывание)
a e i o u
b f j p v
c g k q w
d h L R x
m
s y
n t z
A E I O U . n u
B F J P V
C G K Q W
D H L R X
M S Y
N T Z
итальянский:
A E I O U . n u
B F L P V
C G M Q Z
D H N R
S
T
ирландский:
A E I O U . n u
B F L P V
C G M
R Z
D N S H
T
Такой исландский выдал Грок мне. И он как будто
выронил Т с места Θ, где ей вполне место.
Странно, что поиск по картинкам даёт другую версию
(тоже без Q, но H как у англичан, после G, но вики
доставляет:
The traditional Irish alphabet carved
in Gaelic type on a building in Dublin, with each
type of diacritic (síneadh fada and ponc séimhithe)
as well as the Tironian et.
The vowels have some strokes above them, and why some
consonants have dots I didn't know until I saw this:
Thinking of how 19 is the golden number of the runic
calendar, it's hard not to wonder why there only 18
runes in bornholm and only 18 ljóð. What if 19th ljóð
is some secret ljóð?
What if it's empty slot? or ᛬?
Thus ᛁ is not the empty stav, there's something more
primary, like no stav even.
ᛁ as ice was shown to me as something smooth,
гладкая дорога, как лёд на реке гладок.
Но откуда? В связи с чем мне это было явлено? Пойду,
дуну, может вспомнится.
К слову о том, что аш (огоноь) превращается в ша (в
шамаим)
Многие ли с ходу скажут ш это аш или ша? Многих может
с бить с толку то, что аш это тоже буква. H(h)
И это заставляет вспомнить о позиции буква h, которая
больше подходит для ш (после ж? G = Ж?)
G = ☉ = Ж = Θ ?
not Gea, Gha?
7 double letters.. are they not 7 letter of the greek
myth? ABHIOTY,.. was it BIOTA when only three vowels
were (somewhere between one and five there had to be,
considering how important three is for our culture and
that could be around old-persian. And wasn't some
proto-old-persian)
"То, что кажется хаосом, может являться постоянным
соперничеством нескольких полузабытых традиций",
сказал я во втором бумажном издательстве. И вспомнил
это в контексте этих двух:
A B D
E F Г
I?
I M Λ
О П Т
U 𐌚
S
(в этой же традиции: U I Ψ
Ч Г П Р Ф В
Р ᛒ ᚦ ᛘ ᚴ ᚠ
ᚴ ᛆ ᚮ ᛁ ᚢ)
и
b d
p q
и ведь ещё третья есть:
б В [b v]
Г Z [g z]
Λ Ν [l n]
P Ф [p f]
C S [k
s]
(в этой же традиции: Ж К
Щ Ц Ч
Ш Λ
Ν V W)
и X V как часть более другой: I as one stroke, V
as two strokes, X as two V's,
thus V must have been 4
Were there L C D ? probably as hidden as L S D today,
weren't mysteries all about drugs or sex, about things
tabooed even today. Sometimes they were political.
Maybe always political, as religions are.
rus ~ ruse, as if our national behavior is being..
сделал нас именем нарицательным. не совсем как jew,
которое у нас не совсем таким словом. жидиться значит
жадничать, а to jew значит обкрадывать. русские сами
воры? въ ръъъ
considering how russian army acts in occupied
buildings, rus they bring. рушить даже в русском
crush.
I included some wild stuff in the corpus of my work. I
intentionally did it because I didn't want plagiarists
stealing my stuff, so weak minds would be averted by
it. And now what if the same wild stuff averts
potential friends and colleagues. I'm so cool, I
definitely can do it on my own. But then I can always
榮 is Kyūjitai form of 栄 (honour, glory,
flourishing, prosperous, )
Kyūjitai is transliteration from
Japanese 旧字体 (kyūjitai, literally “old character
form”).
The traditional
form of Japanese kanji used before 1947.
Shinjitai is transliteration from Japanese 新字体
(shinjitai). The simplified form of Japanese
kanji used after 1947.
Extended
shinjitai (plural extended shinjitai) An
unofficial shinjitai (new character form)
created by analogy.
The primary reform of Chinese characters,
focusing on simplification, began in the 1950s
in mainland China, with the formal
promulgation of the Chinese Character
Simplification Scheme in 1956.
В упрощённом китайском 榮 превратилось не в 栄, но в 荣.
Не независимые рукоплескатели, а как бусинки на линии
партии, и один из них purged.
или это он линией партии на
товарищей лёг?
> jews for jesus
as in jews instead of jesus? su being s.u. (short u)?
Grok доставляет:
Исторически количество муз в
древнегреческой традиции варьировалось, и
утверждение, что их изначально было три, имеет под
собой некоторые основания, но требует уточнений:
Ранние источники: В архаический период (до V века до
н.э.) количество муз действительно могло быть меньше
девяти. Например, в некоторых ранних традициях,
упомянутых в гомеровских гимнах (ок. VIII–VII вв. до
н.э.), музы упоминаются как группа без точного
числа, а в локальных культах, таких как в Беотии, их
иногда называли тремя (Pausanias, Description of
Greece, 9.29.1–2, trans. Jones, 1918). Например, на
горе Геликон почитались три музы: Мелета
(Размышление), Мнема (Память) и Аойда (Песнь).
Три как сакральное число: Число три было значимым в
греческой и индоевропейской мифологии (например, три
мойры, три грации), что могло способствовать раннему
представлению о трёх музах. Однако в классической
традиции (V–IV вв. до н.э.), закреплённой Гесиодом в
Теогонии (Hesiod, Theogony, trans. Most, 2018),
число муз стандартизировалось как девять: Каллиопа,
Клио, Эрато, Евтерпа, Мельпомена, Полигимния, Талия,
Терпсихора и Урания.
Оценка: Утверждение, что муз изначально было три,
частично верно, так как в некоторых архаичных
традициях их число могло быть три, но это не
универсально. Девять муз стали каноническими в
классической Греции, и переход от трёх к девяти,
вероятно, связан с развитием пантеона и культурных
функций муз.
Ваша идея разделения муз на три
группы (музыкальные, литературные, научные) логична,
так как отражает их функции: музыка (Евтерпа,
Терпсихора, Полигимния), литература (Каллиопа,
Эрато, Талия), наука (Клио, Урания, Мельпомена).
Однако это современная систематизация, а не античная
традиция.
В архаичных греческих и
догреческих религиозных традициях музы, вероятно,
происходили от единой божественной фигуры, связанной
с вдохновением, знанием и памятью, которая со
временем дифференцировалась в три, а затем в девять
муз, отражая эволюцию мифологических и культурных
представлений. Эта гипотеза опирается на косвенные
свидетельства локальных культов, таких как почитание
трёх муз — Мелеты, Мнемы и Аойды — в Беотии
(Pausanias, Description of Greece, 9.29.1–2, trans.
Jones, 1918), и на роль Мнемосины, богини памяти,
как матери муз в классической традиции (Hesiod,
Theogony, trans. Most, 2018). Мнемосина, воплощающая
универсальное знание, может быть отголоском более
ранней единой богини вдохновения, чьи функции позже
распределились между музами, подобно тому, как
минойские богини универсального характера
трансформировались в более специализированные образы
в греческой мифологии (Marinatos, Minoan Religion,
1993).Идея единой богини перекликается с
индоевропейским архетипом тройственных женских
божеств, таких как греческие мойры или скандинавские
норны (Урд, Верданди, Скульд), которые также связаны
с судьбой, знанием и творчеством (Dumézil, Gods of
the Ancient Northmen, 1973).
Тройственная структура муз, зафиксированная в ранних
культах, может отражать этот архетип, где три
аспекта (например, размышление, память, песнь)
представляют этапы творческого процесса или
космического порядка. Аналогия с триединой богиней,
например Гекатой, чья тройственная природа (небо,
земля, подземный мир) символизирует целостность,
поддерживает гипотезу о возможной связи муз с
лунарными или универсальными богинями, хотя прямых
текстовых свидетельств такой связи в греческой
традиции нет (Johnston, Hekate Soteira, 1990).
Современные реконструкции, такие как у Роберта
Грейвса, предполагающие происхождение тройственных
богинь от единой лунной богини, остаются
спекулятивными, но вдохновляют сравнительный анализ
(Graves, The White Goddess, 1948; Hutton, The
Triumph of the Moon, 1999).Переход от единой богини
к трём, а затем к девяти музам, канонизированным
Гесиодом, вероятно, отражает усложнение культурных
функций вдохновения — от универсального дара к
специализированным искусствам (поэзия, музыка,
история, астрономия). Эта эволюция параллельна
индоевропейским традициям, где единые божества
дробились на аспекты, как в случае с индийской
Сарасвати, богиней мудрости и речи, чьи функции
близки к роли муз (Kinsley, Hindu Goddesses, 1986).
Связь муз с норнами, воплощающими судьбу и знание,
подчёркивает их общий индоевропейский корень, где
женские божества выступают посредниками между
человеческим и божественным (Larrington, The Poetic
Edda, 2014). Таким образом, реконструкция
представлений о музах как происходящих от единой
богини, возможно, связанной с памятью и
вдохновением, опирается на архаичные культы,
сравнительную мифологию и косвенные археологические
данные, но требует осторожности в интерпретации,
чтобы избежать необоснованных спекуляций.
размышление, память, песня
~~~~~~~~~~~ наука, литература, музыка.
It messed up with the division of 9 into three though:
My take was this:
Three muses are attributed to musical instruments:
Clio:
guitar (and history)
Euterpe: flute (and dialects, courses?)
Terpsichore: harp (dance, education)
Three muses are attributed to science:
Thalia: geometry
(architecture, agriculture, comedy(?))
Polyhymnia: geometry
(?) (grammar, mimic art, divine hymns)
Ourania: astronomy
(also observed in geometric lines)
Three others are about poetry:
Calliope: heroic
poetry (and rhetoric art)
Erato: love
poetry (love and weddings)
Melpomene:
tragedy (in poetry?
melos,
rhetoric speech, compare to calliope!~)
Poetry was the literature (I
heard or read, that prose is a modern thing)
Научные музы заинтересовали:
Талия: геометрия (архитектура,
сельское хозяйство (и комедия))
Полигимния: геометрия (а также
грамматика, искусство мимов, божественные гимны)
Урания: астрономия (которая тоже во
многом геометрия)
Талия геометрия на местности (внизу)
Урания геометрия на небе (наверху)
Полигимния сопоставляет геометрию грамматике?
Рассматривалась грамматика с точки зрения геометрии?
Каким образом? Тетракт как десять букв? три матери и 7
букв греческого мифа?
3 матери и 7 "двойных"?
appalling as the opposite of appealing
A mindgame of asking question why (but Yanka wrote
against it (wrote ~ рок к рок рот)
понимание трёх матерей позволило мне редуцировать
язык, чтоб посмотреть как было, когнда количество гласных бы звуков было
меньше.
когда ко ги да (это описка, но гид.. не not a slip. t yt yt не
соскользунло)(
(а вот и
иллюстрация slip'а)
Europeans are writeing the epic of them. They cannot
do it wihtout
That is how history goes. Those nations have conflict
for centuries. Probably more.
Was the idea to stop it? One side would have to stop
the fighting, just to see, who's the agressor.
And now they still fight, but we also fight, americans
are seen as us.
A mindgame of asking question why to whaterver there
is, and on and on and on is actually a great tool to
pump up brains. What is it? A notebook. What is it
doing here? I just used it. Why? Because I write into
it when I have a wish. A magic noti notebook. Why?
Because Brian Tracy recommended it. Why? Because I
watched him speaking and I liked that one. Why?
Because I want to be more. What do you mean? I want to
build something bigger than myself. What do you mean?
Something as awesome as it can be. Science is the
best, so I apire to be scientist, especially because
iq tests convinced me to be.
To do and to be. What are slight
slick slim (there was a slip of skun
before slim, but is it's a direct multible, connected
by the same slip of hand, slip.
Why do I write it? It is interesting. Interesting to
me enough to write it. But what if I'm jdust high and
everything is interesting to me? what if, that is
something new (unknew, didn't know)
Isn't ankh (𓋹) a baby blood?
Becu because ankh looks like a be baby// or does
it tell that immortality is via our children?
// instead of .. is also the slip. So if you see
something weird, maybe it was a slip I didn't knotice.
(Jesus wasn't drank as a child. Yet they literally
drink him. Figuratively, but also sorta literally. But
then really they drink wine. Is it some symbolism
about becoming like little children (which drunk
people pretty much are. Is the covenant of the
christianity is the alcohol consumption? Each cult has
its poisons, and hardly it is a shallow coincidence
that Putin's patriarch had monopoly on alcohol and
tobacco. Opium for the masses. They're commies, they
reconstructed the church under the commie rule, and no
lustrations among their ranks either))
notice ~ knot-tice, knot-ice. ice заковывает. Так и
knot заковывает? But what is it? a pseudo-mnemonic
delirium even worse than mnemonics by
So Slip of tongue: said мёдом instead of йодом.
Внешне тоже немного похожи. Жидкий когда особенно, и
тёмным тоже бывает. Может не таким тёмным, ну пеотому
и не мёд, а йод. если то, что до м, и.
до ре ми фа солоь ля си
ут ре ми фа соль ля ти ут как
обращённое ти, ре как обращённое ля, ми как
обращённая соль (мимими is the opposite of salty)
And in the cente of it all, in the center of it all,
your fu..
где недовольны, там компенсируется тем, что это
ляляля. а там где милуешь, там и ругай. tell what is
right, set the right, be straigh, but мил.
до и си could be до and съ.
ре ми фа соль ля written right to left would make
sense of re for the right and la for theleft.
then фа is for 中 (chink read it as джон, japs read
it as naka and also as чу or цю (that is how they
botcher the chinese john. даже не джо, а чу (ちゅう is
also kiss in japanese (and also 注 the annotations, explonatary notes, comments (thus my second edition
is full of kisses) and then there's of course 中 which is
medium size, average grade, middle; in, within,
out of, among; during, while; currently, in the
middle of; middle way, moderation; second volume
of three; junior high school, middle school;
China. And there's also 宙 which is space, air,
midair; from memory, by heart. And a form of space
is 駐 which is the parking space (the horse and the
same phonetic as in the annotation) and 忠 which is
loyalty, devotion, fidelity, faithfulness;
inspector of the imperial prosecuting and
investigating office. ちゅう without kanji is
kiss, squeak (of a mouse), with a slurp, Chu
(Russia) wtf.
Then there's 柱 which is cilinder, prism;
bridge (of koto, whatever it means). Then there's чу
the 籌, which is wooden skewer used for counting,
whatever it means. 誅 is death penalty. 厨 is internet
troll, nerd, freak, addict, fag. And also 酎 which is
short for shōchū (See also 焼酎). And then there
are ちゅうちゅう and also チュー
チュー which is a noun for mouse in
"children language", and adverb for squeak, cheep,
peep; slurp; sucking noisily
Why don't they teach us the children language first?
Wouldn't it be where the basis of the language lies?
See how many chus, and it's a mouse. В русском даже
не знают как мышь говорит, русские дети вроде не
называют мышь чучу. чучело мы знаем, но что это за
зверь не осознаём. Чучело-мяучело это мышекошка?
беспонтовая кошка, которая орёт так, что непонятно
чучело это или мяучело и даже похуй. Чучелом мяучело
мы обзываем, предлагая самоубиться или это
совпадение или вообще относительно недавнее от
кого-то знающего китайский или подобный ему язычок))
живой, 活, hwo (ж~ᚼ)
話 язык, речь
но давай весь текст сюда вставим
(выстегнуло, когда племяннице китайский объяснял)
Инициали и финали отвлекают от одного удивительного
факта: в китайском каждый иероглиф это один слог. Даже
такие как живой, 活, hwo (современное написание: 话)
Обрати внимание на левую и правую части этого
иероглифа. Одна передаёт идею, обозначая воду (水 (шуй,
как в фен-шуй (фен это буквально ветер, китайское
изобретение веер))) типа течёт. вторая передаёт
звучание (но 舌 (язык) читается как шен. Может это
намёк на другой иероглиф: 生 (шенг(на самом деле что-то
между шон и шом (звуки у нас с ними одинаковые лишь
условно)) (рождён (как язык из рта?))) потому что 生活
[шенг-hwо] значит жизнь (или, быть может, это
иллюстрация: язык к воде значит пить, может пить~быть,
как есть~есть)
вот более чёткий пример:
иероглифы хороши, что большинство их совпадает и в
японском и в китайском:
в японском и китайском 語 означает язык. Читается
по-разному. В японском он го. И фонетической
(звуковой) частью является правая: в правом верхнем
углу поместили 五, которая точе читается как го (и
обозначает 5) правая часть похожа на GO, и считается
что совпадение, или даже "не думай об этом" но вполне
может быть ещё не открытым пока межкультурным
влиянием. Квадраты на самом деле означают рот: 口,
т.е. слева смысловая часть изображает рот и звук из
него выходящий.
В китайском 語 читается как Yǔ (ю пятым тоном,
что похоже на юю (самое близкое к двум слогам для
одного иероглифа что я знаю)
В то время как 五 читается как Wǔ (похоже на уу, а
в традиционном китайском гугл читает аж как уоо, т.е.
три слога (но считается что это одна гласная таким
тоном, в котором звук тише и снова громче, словно "v"
над ǔ это схема того как надо произносить))
Ещё один иероглиф: речь, слова, диалект, не yǔ, но
hwa: 話 (здесь обе части смысловые)
言 Yán (йен) говори (say, speak, talk)
живой, 活, hwo ((дальше рассуждение о том могли ли в
прожлом живой и hwo быть одним словом) в варяжских
рунах похожая на ж руна ᚼ передаёт звук х, как j в
английском дж (и й) а в испанском h. В каких-то
варяжских (норвежских, быть может немецких) языках
точно так же выглядящая руна ᛡ транслитерируется как
й)
In the book I say that several paleohispanic runes are
like norsk, and six is several,
but the list on the right only has ᛋ and ᚲ with the
same graphics and phonetics. It has many more
phoenician influence.
Their M reiminds ᛘ more than M, and so does the M'
But then look at di/ti, it's probably ᛉ[z, ks]
their L is the same as in greek, Λ, and in norsk
context it is common to ᚱ and ᚢ(ł)
and ᛊ is present in greco-iberian (to the left here)
and their R's are even closer to ᚱ, these make them
four or five already, then there's ᛁ here, and once
again (the other time was the Hyginus's account) Η,
and not Ε, is the vowel. It is O in paleo-hispanic.
What sort of letter is it? H the He? Он in
paleo-hispanic and E in greco-iberian.
Both sets have similar R's and D's (Du/Tu of the
paleo-hispanic.
Isn't it lovely that greco-iberian almost exactly
repeats the set of doubles from sefer yetzirah? gk,
td, b.. and no p, but n (in russian п[p] looks like n
(both look exactly the same in cursive: n & п))
and two R's, as in the doubles R for no good reason,
and is it extended set of the doubles? For here L
doubles R (I don't take diacritized form for a
separate letter, thus they have 15 of them, and isn't
it the set of Carmenta? In this context one of the S's
is Z. And they are literally Ϻ and Σ. And what they
considered R is probably П. And L is their R (Λ is
their ᚱ) and N double that L? The either way. Those
R's are the least greek letters in greco-iberic, so
why not suspect them ot be of
being Πι and Π making so much sense in the
context.
What I did here is I combined sefer yetzirah with
greco-iberian. Considering how that book is one of the
basic levels of jewish culture and paleo-hispanic has
so many letters similar to phoenician (which is
basically hebrew) it is a hypothesis not too much
stretched.
The paleo-hispanic 𐤍 is phoenician-like. And
basically that's it. But then 𐤓 is alike. And that
paleohispanic 𐤓 is like a roll, round, rolling
something, a coin rolling around the axis which is
shown with the vertical line. So it felt. As if it's a
ball on a stift set on the top of the Λ
And thus they are opposed as circle and triangle. And
before I saw it, I saw Λ as Λуч. I dare to use russian
words in the context because of cognates, I sugest a
cognate of russian Λуч to be at play here, some form
of the word light, light and луч are cognates.
𐤓 could be mirror, because they're traditionally
round, then the lower bar is the handle.
In the context of paleo-hispanic, oghamic order makes
sense, in that their Ba, looking like |, makes sense
only as b being the first letter (or, at least, first
consonant)
Let's post it again to see it here:
B L N makes sense as a sequence, since Ba is one
stroke, L is two strokes, N is three strokes.
прошлый прожлый прожитой
to kick someone's ass is осадить кого-то. И в этом
смысле зад = сад. And sit is of
to aSs.
sit, just as beat, then, includes that ть suffix, even
with to.
because to beat is бить, but to sit is сидеть, сядь,
but then the suffix is doubled, as if we borrowed that
word from the west.
to sit ~ сидеть
to meat ~ (при)метить (?)
sit ~ сядь
stay ~ стой but beat
is бей.
o may look like ǝ when handwritten, and it sounds
alike. Thus isn't ǝ a botched o? To transfer the
botched o sound? And what is e then? as well? botched
a? this a: a
Thus o and a are ǝ adn e
ǝ is a then.
e is e.
In the context of the ☯ (o is a, for ⴰ is a)
This is for the second edition of the paper book.
The Taijitu, commonly known as the Yin
Yang symbol, is represented by the Unicode character
U+262F ☯. It's a visual representation of the
concept of taiji (太極), which embodies the duality
and interdependence of opposing forces like yin and
yang. This symbol is central to Chinese philosophy
and cosmology, particularly within Taoism.
Looking at how jewtube erases video on antitumor
effects of thc, it's clear that Wooddraw Willson (I
doubled d and l for showing the possible meaning of
his names) outlawed weed the same year he gave away
the printing press were not a coincidental, kikes do
want to keep weed illegal. They want you doumb
Thinking of Carmenta's 15, I thought of 16 of
paleo-hispanic (the one given in the booklet)
and how they have one letter doubled by diacritics,
and how in this it reminds younger futhark:
(short-twig)ᚠᚢᚦᚭᚱᚴ᛬ᚽᚿᛁᛆᛌ᛬ᛐᛓᛙᛚᛧ: younger fuþark (8c.~11c.)
ᚠᚢᚦᚬᚱᚴ᛬ᚼᚾᛁᛅᛋ᛬ᛏᛒᛘᛚᛦ(long-twig)
ᚠᚢᚦᚬᚱᚴ᛬ᚼᚾᛁᛅᛋ᛬ᛐᛒᛘᛚᛦ later
younger fuþark (11c~13c.) ᚡv ᚤy,ö ᚧð ᚵg,ng ᛀN
ᛂe,ä ᛑd ᛔp ᛛL
ᚠᚢᚦᚮᚱᚴ᛬ᚼᚿᛁᛆᛋ᛬ᛐᛒᛘᛚᛦmedieval
fuþark(13~16c)ᚡv ᚤy,v ᚧð ᚰǫ,å ᚵg ᚶng ᛀn ᛀN ᛂe
ᛅä ᛍc ᛎz ᛑd ᛔp ᛕp ᛛL
which ends with ᛦ, which is actually reversed ᛘ, and
notice that other letters are unique even when
reversed. Even ᚾ and ᛅ. So that could be placed their
by their enemies,
J в испанском Х[h], а Х в португальском Ш
(это к слову о том, что Hh могло ознвачяать
Ш)
heden is today in dutch. It's as if hebrew's he for
the and russian день for den
more common word for today in dutch
is vandaag (of day (to=of? (english to is dutch of
(the transaction))))
I see abcde at the right top corner and I can see what
is possibly opqrst at the end of that line, but then
how do I know it was rewritten from the stone
correctly? I must examine the stone closer and in
person.
And how would I know that the stone is truly ancient?
So I avoid using paleographic data, because modern
data is too real to be forgery, and if there are,
there are even more of real deal. Just as armenian was
the exception only to reveal itself being a later
modification of the same based european pattern.
infancy ~ in fancy
The shortest words keep some secrets. I felt it for
some time,
by to (b.a. t.u. (alphabetic order: the
beginning of the alphabet read from its centre, end of
archaic, arcane, arccotangens whatever it means))
of to (op tu (the beginning ant the end of the fourth
line))
от до (было оно таково, что t~f as θ? or was it
voiceless and voiced as cd? c~ч~т~t, d~g~g~c)
c~ч~т~t и d~g~g~c like считать и догадываться
If I substitute как for like (like is as icecream, как
is as как, even as is not as dirty a word)
24000 tons is
26500 us tons (not as insane as long and short
scales of the large numbers, but goes in the same book
as them)
What if those short words have vowels as the main
parts and consonants only ground them as they can?
(this thought came to me this morning just before I
woke up)
then in would be [i] the way jewish v is i in russian?
Was in the first and? As if they killed a beast and
when the beast just ate some deer, they would also
consider the deer as a bonus?
of and об are both o and that also justifies of being
от.
об is от? for of is both об and от.
Technically, vowels are better heard than consonants.
And my daddy only pronounced vowels (it took him some
effort to pronounce consonants) right before he died
(a day or a couple of days right prior)
And I even understood him by the context sometimes:
аы́ for воды, а́ы for хватит (which is very similar
for nurmal language's аа́ for да and а́а for нет)
wife [waif] want if
монах [манах] маму нах. ма в смысле бабаб (аба эс зы оппосит от
п м баба)
m0onk [ mom nk? no care? let's test it against rhyming
words: sink: sea нахуй когда тонешь (нахуй всмысле не
нужно, не хочу. -ха как хочу. нах значит не хочу. на =
не? funk: no ifs? fuk if want. wife is when if// want if. so, I
sugested that fe is fu, both are if. or what if some
of them is for? or of? funk is an euphemism of fuck.
funk is something eerie. )
what if wife is actually with+for or something? Is
жена съ+на? or is жена нужена, где же это не хочется
как хо, а желается, и ж в нужно. не желанно? нужно. ?
ну как очень а не как неочень? это правило
первых ассоциаций бьющих в цель.
wi in wife is wo in woman. Is fe a synonym of man? in
which language? This part is me seeking, take it with
a grain of salt. Though wife as waif makes tons of
sense. life as laif, what is la? like. If you like it,
it is life, it is love, it is laugh.
Okay, it's raw, yet may be promising, will revisit it
later.
WhatsApp is a great brand name. So cool it is that
it's capable of pushing "what's up" our out of use.
what's up,
what's up, the cock is up
And wondering about what could be their monetization,
it seems obvious that they sell our data to the data
brokers whoever those are. And suddenly I don't really
care: if fsb can read it, those guy cannot deserve
such privilege any less.
Having read how Mendeleev did it, it only seems
natural to make a mind map to give all my teaching in
one panel, and do it short and simple.
Three national myths of the creation of the alphabet.
And their implications.
Political life of russia is shit because there are
only мразь и трус. Мразь может и не понимает того, что
она мразь, мразь простая форма жизни, а трус-то
понимает может быть, с него и спрос, ведь допустил
такой брадак. бардак.
Но труса можно понять, грязь и мразь бесцеремонна,
может и вальнуть по беспределу.
Значит нужно осторожней со зверем, не злить его
понапрасну (без мазы = без ма́зи?) а следовать правило
"ругай друзей лично (с глазу на глаз) а хвали
публично" и исходи из того, что у вас у всех в целом
общие цели, а потому вы все там (в политике) друзья.
Трус должен взять на себя ответственность (потому что
и у балбесов желание избежать ответственности есть)
цель ~ hole ~ goal ~
целый ~ whole ~ overall ~
(могут расходиться цели в
нюансах, но раз части единой системы, то должны
работать на общее благо (на благо системы (в которую
должно включить всех членов общества, но, увы, мразь
беспокоится лишь о себе, а трусы слишком пассивны
чтоб возражать (пассивны как пидоры, может потому
тех кто там пидорами за глаза называют))))
to settle ~ to sell
Weren't consonants an abomination? Didn't we speak in
vowels? We still can. With consonants, not so much,
but on the other hand consonants can transmit meaning
even more than vowels: text without vowels are way l easier to decypher than
text witheout consonants.
And which consonant may transmit meaning:
ц (цыканье с целью привлечь внимание)
thinking of how B & D are 8 & o and how o is ⴰ
and that d looks like a because it is or rather was,
and there appears the idea of B being Ⱁ, and the
alphabet being some ⴰⰑⴰⰑⴰⰑⴰⰑⴰⰑⴰⰑ with changing
diacritics. ⴰⰑ could be yes and no, white and black,
man and woman, boy and girl (isn't it interesting that
b has one bubble while g has two? Is it because of
these two silly words? Different tradition bring in
not only different words, but also different ways to
write letters.
ⴰⰑⴰⰑⴰⰑⴰⰑⴰⰑⴰⰑ ~ aBcgefch.. well, maybe not that simple.
ⴰⰑⰡ maybe? but EFГ tells that ⰡⰑⴰ would be more it.
and Ⱑ is a proto я, я was аз, and so was а.
ⴰ is both c and D in this context (just as Ⱁ divided
in russian into б & в)
And why is that number is coubntndown?
CBА could be ЭЮЯ
EFГ or ГFE are not much
as ЪЫЬ though, but the Г in Ъ is pretty cool, ngl. And
E is the best pair to Ь in the three, for both
palatalize, and then ы is f, which can be seen as Y~
𐤅
So aren't ЪЫЬ the ГFE? some vowel representation of
them? I gamble this possibility of vowels being first
(since it is in Ovm, in abc, in ams, and greek seven
have five vowels)
The idea of the primary vowels came to me like a
lightning, so fast, and then it takes way more time
than to write it down.
Ⱑ is т in triangle, as if T is for triangle (a side
and the hight (s&h?)) and it looks like the
masonic pyramid (not natural mountain in such a shape,
but a built one, as in egypt, as in the united satets)
so is Ⱑ a or т? я and т are both final letters.
яюэ
АYE? ауе such a powerful slogan. What do they
know? Is it a weird coincidence, showing the real
russian spirit. Soviet spirit, since they all mixed
up. The riff raff are dirty in all accounts.
Я безумен лезть в такие дали, but someone had to go
this far.
Ⱑ is 3
B is 2
Г is 1 as in гаплоидный
E ~ 3
F is for futa
Г is I
(the vertical stave is stav)
E ~ 三
F ~ 二
Г ~ 一
三: San & Mi are the S&M I was looking for
thinking of how Ϻ and M came into being (as ᛘ&ᛉ)
ᛘ&ᛉ are perfect glyphs for three
So did europeans borrowed those concepts from chinese
and japanese.
And how comes that the archaic Ϻ comes from chinese,
but modern M comes from japanese?
Naturally, we communicated with both (naturally they
closed their borders not because nobody was visiting
them. Japanese they are.
Japonais~Японец)
I went to put that 三 thing into MϺ file, and to my
surprise one of the first things there was
ᛘ ~ ᛉ М~Ш (山 (шанCH, маунтинEN))
So maybe not out of japanese, maybe out of the
indo-european mountain, mount, но в русском горы не
называются на м, а потому вся это индо-европейская
хуйня лженаучная теория.
Грубо я позволял себе называть всю гумантиарщину
лженаучной, но очевидно что лженаучными являются лишь
течения в них, ведь много крутых челов в лингвистике
было, и я тоже в ней, между прочим.
э как оклик
а как понимание
о как удивление
у как сильное удивление
и как восторг
е как тоже восторг (yeah)
я как я, близко к е.
ё усиление от японии до америки
ю как you, и йотизация это уже не чистые гласные, и
смысл сложней, не эмоции, не междометия, но
местоимения даже.
а также среднее между и и но (and & but, and maybe
a cognate of and (ᛆ~ᚿ? (подтверждается a как
приставкой отрицания)))
о также об, about
у также at
и также and
я являющаяся пятым монобуквенным гласным словом
говорит о том, что оно е, когната jeFR.
а
я
и
о
у
о~у (at ~ a-t ~ about) у дома ~ около дома (о дома не
скажут по каким-то тайным соображениям. около дома
надо говорить, но это полная синонимия фразы "у дома".
О доме это уже подразумевает рассказ о доме. Некий
семантический сдвиг или что это такое
аз Б-Г (я ио, я ио БГ)
je the you would be nice here. like you веди, веди́?
ве́дай? вези? вывози? жиза? ежз
а бг де жз и кл мн? french de? greek καλ? english man?
всё остальное типа русское? что это за язык был? тот,
от которого остались лишь осколки ставшие разными
языками?
Είμαι ο θεός της ζωής και των
καλών ανθρώπων
Не потому ли кл поперёк м влезли, что грамматика
поменялась и прилагательные стали ставиться перед
существительными?
je is I in french and you in dutch (yet this thing I
rediscovered, it is listed in the file about pronouns)
Или, если всё по-русски прочесть (русский же алфавит)
аз бог (de is deus?)
eсть (literally the name of the letter (and is бог
book? or boogey? god of one is devil of another))
жиз(а/и[ы]) (не потому ли русское т также т,
что форма первого лица от слова есть есть есмь)
и коль ман (коль добавлено для обусловливания веры?
для создания условий столь любимых религиями. А до
того было бог жизни и мэна (но мэн это такое русское
что просто охуеть))
о прст (просто (про сто (по простому? прост?)))
и дальше идёт видимо продолжение, для которого
вставили коль.
Doesn't Ⱍ look like something opening the Ⱑ?
Ⱍ is ч, and they call that letter червь, but that
could be an enmious reading,
because ч is for читать, этв that is pretty much what
the letter looks like: the head at the bottom in front
of the open book at the top. But were there books like
this then? could it be two scroll's rolls at the side?
and two pages open at once. Very nice. then Ч is also
that. And it may look like a hand holding a book in
front of the face, if the stav is the body.
Before (ort was it after) I got high, I asked myself
what I want to think of when I get high, and the
correct answer came to me, that since gods are at
play, they know better what to tell me. And thus Ч was
very soon revealed (reveal ~
releave)
ᚴ is for книга
ᚵ is for gnosis
thus isn't Ⱑ three scrolls, a perfect number in which
to keep them if in bundles.
And thus triangular numbers make perfect sense.
And that led me to believe that tetraktis could be ten
scrolls, but nobody mentions that such collection ever
existed. There are ten scrolls of Rigveda, but hardly
could Pythagoras have it in mind. There are also ten
canons of chinese mathematics, but though it speaks of
Pythagorean math, it is written much later. We
discussed it with Grok,
and I got the impression that pseudo-pythagorean
literature is the pythagorean literature. At least the
closest to it we get.
Since glagolitic is so powerful, let's look into it
more:
are those balls all rolls? Well, one of them is head,
if we understood Ⱍ correctly. and there's also Ⱖ[ё]
Ⱖ & ё look so much alike, with those .. at the
top.
If Ⱖ and Ⱍ indeed depict different stages of the same
process, then what is Ⱖ? a reader who just closed the
book or only about to open it? or are both those
letters of J? Also because ⰉⰊⰋ are all different forms
of I.
Ⰷ[z] is for знание, which three scrols may symbolize.
If wiktionary doesn't disinforms, Ⰺ is the initial
form of Ⰹ, hm..
Ⰻ is also и[i], and I can only wonder how they didn't
confuse it with Ⱁ[o]
Wiktionary also told me to compare it to ዌ ETHIOPIC
SYLLABLE WEE
Modified form of ወ (w). And that ወ is definitely both
В and Ф.
ወ ETHIOPIC SYLLABLE WA
ዋ ETHIOPIC SYLLABLE WAA (this one is of Ф even
more so)
ዐ is ETHIOPIC SYLLABLE PHARYNGEAL A
(which is cognatic with O and ⴰ (and also ⵔ, but less
so in phonetic sense, but maybe ⵔ is large ⴰ (кРик,
cRy, scReam (not haul, but with the расщепление)))
በ is B and it looks like П
ሀ is H and it doesn't look like it, but then H & П
are alike, they just had a weird way to show it.
ለ is L and looks liket that.
ሐ (ḥ or ḥä) and it looks like double h, and also like
ᛦ[(y)r](or ᛣ[q]) and if I go for cognatism, ᛣ
መ (m or mä) and wiktionary informs: Corresponds to
South Arabian 𐩣.
And indeed both ethiopean and old south arabian go in
halaham order:
And here 𐩡 is of different tradition, not greek, but
norsk, runic. It is just like ᛚ (they write the other
way around, and when norsk runes did too,
(this one goes right to left)
𐩠𐩡𐩢𐩣𐩤𐩥𐩦𐩧𐩨𐩩𐩪𐩫𐩬𐩭𐩮𐩯𐩰𐩱𐩲𐩳𐩴𐩵𐩶𐩷𐩸𐩹𐩺𐩻𐩼𐩽𐩾𐩿
ሀለሐመሠረሰሸቀቐበቨተቸኀነኘአከኸወዐዘዠየደዸጀገጘጠጨጰፀፈፐ
(this one goes left to right)
The graphic side is almost totally different, but some
proximity remains.
So, compare
𐩠 and ሀ (ancient arabian version has the handle,
whatever it is, maybe mirror or cup (the first
mirror?))
𐩡 and ለ
𐩢 and ሐ
𐩣 and መ (those are the same object without
importance of which way to put them)
Buy after them the orders diverge: 𐩤[q] and ሠ[ś]
(arabic s is 𐩦, which unifies Σ and Ш (and 𐩤 is a
variant of q, and collecting all the cognatic glyphs,
we should be able to see their initial meaning))
𐩥 is arabic w and in it reflects ወ which doesnt'
appear in ethiopean for half an alphabet more.
Then the orders meet again:
𐩧 and ረ are both R
𐩨 and ሰ maybe? only 𐩨 is B, and ሰ is S and maybe is
of ሠ and ረ was later inserted between them?
ሸ is š (and is told to be modified ሰ)
ቀ is ḳ and maybe is cognate to ancient arabic 𐩤[q]
ቐ is x̣ (thus that upper part which looks like H acts
just like that, as a palatalizer (maybe it was to show
the horizontal bone in the skull? the palate, нёбо))
𐩨 and በ are cognates, both are B (even though they
look like П. It tells that voiced and voiceless were
the same letter, different regions just read them
differently and normalized them differently when they
started to distinguish those variants as different
phonemes)
ቨ is V, as H would turn P into F.
𐩩 and ተ are both T (and look alike. Arabian variant
is just as it is in some old hebrew, and ethiopean is
closer to european form)
ቸ is č
ኀ is ḫ
ነ is n (does that initial stroke matters in both case?
h and n are like ኀ and ነ, but what are they?)
ኘ is ñ (well, here n of ̃ reminds how
russian Н is N, what are they? He & оН?)
አ (ʾ or ʾä)
ከ is k, and wiktionary tells it is a reflection of
ancient arabic 𐩫
yet arabic had this: 𐩪[s] before it, and no ethiopean
counterpart can be seen so far.
ኸ (x)
South arabic 𐩬 is ነ in ethiopean, the order
fluctuates, and maybe thus we can see the basis of
both.
𐩭 (ḫ) it looks very much like ኘ the ñ, onece agan
referrint to similarity between H and N
Yet ኀ the ḫ corresponds to the ancient south arabic 𐩭
the ḫ as wikitionary writeously tells.
Ancient arabic goes like this
𐩮 (ṣ)
𐩯 (s)
𐩰 (f) and maybe thus it meets ethiopean ወ [w]
Ancient arabic goes with these
𐩱 (ʾ) and this is the cognate of አ (ʾ or ʾä) but
they're at different spots
𐩲 (ʿ) this one is directly reflected by ethiopic ዐ
𐩳 (ḍ) but ethiopic ዘ is z, while ዠ is ž (is it the
very H which they palatalize the other letters with,
so that instead of repeating it, they did that)
𐩴 (g) and it could be the reflection of that ዠ the ž,
as G can be both.
𐩵 (d) and what is this abgd doing here? It's as the
beginning of the alphabetic sequence is hidden here.
𐩶 (ġ)
𐩷 (ṭ) and reminds its own 𐩳 (ḍ)
𐩸 (z)
𐩹 (ḏ) and in that is told to be a prototype of
ethiopean ዘ the z, but 𐩸 is not too far.
𐩺 and የ are both y
𐩻 (ṯ)
𐩼 (ẓ)
Now let's check the rest of ethiopean:
ዸ (dd)
ጀ (ǧ)
ገ is g, just as 𐩴 is in ancient arabic
ጘ (ŋ)
ጠ (ṭ) and is told to be a reflection of 𐩷
ጨ (č)
ጰ (p̣)
ፀ (ṣ́) is told to be a reflection of 𐩳, though it's ḍ
ፈ (f) and wiktionary tells that it corresponds to 𐩰,
and I can imagine that bubble to be rhombic, but what
are they?
ፐ (p) weird, what is it even.
The group 𐩭𐩬𐩫
reflected by ኀነኘአከ
shows that such reconstruction can have variants, it's
only the first approach.
But basically it seems like 12 letters share their
position (the variants may include including into
thiose 12 way more similar 𐩴 and ገ instead of rather
differently looking 𐩵 and ደ, etc.
And wouldn't they easily be 13, since 𐩱 and አ share the position
between two corresponding "solids"?!
These 13 could easily be of some prehistoric calendar.
Though maybe I shouldn't call such things
pre-historic, since technically what I'm doing is
history.
ᛆᛒᚦᛂ[e](not ᚽ[h])ᚠᚵᚼ[h](or ᛡ[й, а
(e(ᛂ)?)])ᛁᚴᛚᛘ[m](not ᛉ[z, ks])ᚿᚮᚱᛦ[(y)r](or
ᛣ[q])ᛋᛏᚢ bornholm
runes
ᚠᚡᚢᚣᚤᚥᚦᚧᚨᚩᚪᚫᚬᚭᚮᚯᚰᚱᚲᚳᚴᚵᚶᚷᚸᚹᚺᚻᚼᚽᚾᚿᛀᛁᛂᛃᛄᛅᛆᛇᛈᛉᛊᛋᛌᛍᛎᛏᛐᛑᛒᛓᛔᛕᛖᛗᛘᛙᛚᛛᛜᛝᛞᛟᛠᛡᛢᛣᛤᛥᛦᛧᛨᛩᛪ᛫᛬᛭ᛮᛯᛰᛱᛲᛳᛴᛵᛶᛷᛸ
(here I played with
single-double-triple, or rather 0-1-2 sequences)
ᚢᚱᛒ
ᛁᚴᚠ
ᛁᚴᛘ
ᛁᛆᚮ
ᛁᛅᚯ
ᛁᛅᚼ
ᛁᛅᛡ
is ᚼ[h] = ᛉ[z, ks] + ᛣ[q] ?
ᛁᛚᚨ
ᛁᛚᛏ
ᚬ and ᚯ are the same rune, seriously? why not ᚾ and ᛅ
then? Or are they both ã as they are the same as
prefixes of negation?
ᛁᚾᚼ
ᛁᚾᛡ
and here I played with the letters sharing positions
in different alphabets and what words could be behind
them:
Gnosis ~ Знание (only gnosis is the greek word, and
they have Ζ instead of G there)
Fat ~ Жир
Иглa ~ Needle (only russian g is d, so.. but
who knows how much waltzed those letters and words)
You might wonder what is the meaning of such games.
The answer is sometimes they deliver.
(though these two came to me without me being high, so
they're not as cool as Ч for Читать)
Racians are Dacians the Thracians.
(naturally, it is only a hypothesis, but it is based
upon the reason of nation not likely to rebrand all of
the sudden and utterly, a slight change in reading is
more likely. And russians are not true russians.
Rusins are. Ukrainians
may tell you more about how moscovites usurped the
term for political ends)
Terence McKenna tells
that the only alchemists who tried to turn base metals
into gold were charlatans.
(which is natural, but he's a professor, so I expect
him to read the book. Me on the other hand, I ever
read whole books now, I only look them up in the
google search results. The professors of the past (his
generation was the last) didn't have the priviledge of
the internet. It all changed, and since I make it my
own way (not top, not wrong way; but I got the
message, good one)
What were the chances that my
brother sent me a video about his stoned ape theory
where they mention his name directly exactly when I
was wathcing that one.
Let's check.
I watched the video 7:48 PM to around 8:36 PM, he
sent it to me 11:01 PM
hm.. probably youtube saw us both online, and felt
like making a connection, no need to report
telepathy on that, though even coincidence may
happen. First calculate how many time of your life
you think of that man (hardly ever, maybe ten times
in decades, as once per year. the three hour lag. 1
to 3652.5 and then consider how many events happen
and how often such telepathies occur (not even that
often, maybe 1 to 3652.5 days as well. but more like
365.25 (once a year at least, I guess. not at least,
more likely that in general it is such, ) As often
as I think of that guy? This time it just coincided.
Other times it's something else, thus you have to
multiply the occurance rate to the quantity of
videos seen in three hours)
once again, I suck at math. The probability of that
event is ..whatever
𓂝
D36
U+1309D forearm (palm upwards)
arm (ꜥ)
cubit (mḥ)
ꜥ Uniliteral
sign representing Egyptian ayin
Possibly ancestral to Proto-Sinaitic
Yodh and its descendants
I collage, collect teh (те (fluidity of letters in a
word speaks to me, and links the and те (and
le)))
𓂝 is [a] and thus of arm.
And that should be in the egyptian
primer.
Primers of different writing systems for different
languages.
Japanese primer can be insane. I should link it to
russian and other european glyphs
(the mnemonic way, on the basis of the table I gave
earlier)
𓂩
D47
U+130A9 hand with palm up
hand (ḏrt)
receive (sšp, šsp)
𓅼
G52
U+1317C goose picking up grain
to feed (snm)
Here I would link it to семена (с переставленными н и
м, такое случается (morph ~ form, ))
𓈣
NL4
U+13223 Nome sign with shield,
crossed arrows, and sedge
Southern Neith
(nt-rst)
4th Nome of Lower Egypt (NL004)
𓈤
NL5
U+13224 Nome sign with shield,
crossed arrows, and papyrus plant
Northern Neith
(nt-mḥt)
5th Nome of Lower Egypt (NL005)
𓈥
NL5a
U+13225 Nome sign with shield,
crossed arrows, and whip upon bread loaf
Northern Neith (nt-mḥt)
5th Nome of Lower Egypt
This is a way to learn that rst is south and mḥt is
north.
But ᛘ[m](or ᛉ[z, ks]) and
ᛦ[(y)r](or ᛣ[q]) is not
for that egyptian primer. For my personal yes.
mḥt could be a cognate of мороз (and as the opposite
of rasta, махач (two words to remember))
ᛘ
ᛦ
rst is definitely rasta, because it is the best thing
about them.
That mḥt also reminds norht, and cognatism of north
and мороз I noticed before.
ḥ~r? hlrm? (right next to left!~ (high left, right
маленький (как происходит войсковое построение)))
(and do jews read from left, because
they're all in end (мы все в конце как один
из них пел))
(был летов евреем? он мог
эпатажа ради это говорить. но батя у него комми
идеологом работал)
(или это у
троицкого. у летова просто профессиональным
коммунистом был)
because they're all smoall, and thus all said to
stand at the right end of the squad.
(all smoke? оттого не растут?)
Doesn't the surname Orlove exposes l in Oryol as
catch, ловлю ~ люблю (litttle l (penis? slit?))
and or is a word for mouse? not ore. What if ore was
everything taken of land? орало, агро, орошать.
россия орошает, росами богата? слезами тоже.
огорошает, огорчает.
or is orlov
orl (owl!) love ловъ
mḥt
мир
ᛘ
ᛦ
резня (пары букв, с
которыми много слов-антонимов, статистически не можно
ли их всех найти)
rst
4chan ~ fortune
(whatever it means. I wonder how I never noticed it,
until I heard that word)
резня ~ рознь ~ разница
(резать ~ разделять (делать раз ~ делать рез
(морфемы схожи и звучанием и смыслом, а потому и
родство этих морфем вижу, но лишь время покажет
верна ли эта гипотеза. Время затраченное на изучение
этого вопроса может сократить это время. решение от
резать? разрешение. роды. схватки не рези же. разные
различные розничные (вот это сейчас было неожиданно,
но в точку)))
Но резной и разный, разные слова же.
(, is way more available than —, thus — is about to
die off (why ambiguous about maths and texts))
math m текст т
Is m read as m is mathematica thing and m read as t is
a text thing? Or, rather, is math more western, than
lyrics? Wasn't Orpheus thracian? раша производное от
сраша? Саша!
Alexander is on A, and so many are of that initial, as
if they compete for it:
Alexander, Andrew, Alexy (though isn't alexy just
normalized by greeks minuscule form of Alex the
Alexandre? Greeks had both names. Alexandre is as
double as anna-maria: alex(ey) + andr(ey)
But why don't they say alexew? ew ~ ей
ю ~ ew ~ ей (ю~её (иó))
Её = Eve (where ve is vav)
ba and ve
(as two syllables of the same phonetic base АВС and
different ways to read it)
(to abg to avs)
(old-latin and now-russian new-russian)
now and new are different as на и не
(на виду и невидаль)
(in the past those two could be more similar, due to
younger grammar)
(but then that is speculative, but hypotheses are to be this way)
Language is toung tongue's
Math is mouth (the english word, seriously? (consider
it poetry ffs wtf))
Notes are nose? of humming! We can sing a melody with
out mouth. Vocalization is of mouth and it is not
exactly music. Nose is Muse? because those notes are
of music. music nosic? m~n? mu ~ nu (both are of -u,
no other letter is, which once again speaks that
they're forms of the same protoletter)
Τ is tau (but then au is not u)
That math is of mouth tells that it predates textual
form of information.
And that is supported by mathematical records
predating textual records by tens of millenia.
с (со-, co- (with)) could be the same с (off) as in
сдвинуть:
with and off are cognates? the first is vav, the
second is θ
I didn't hope to find a ϝθ in greek corpus, because
they needed vowels
ϝίς (later ἴς) – strength, force
ϝίς is definitely much closer to force than ἴς.
Who would have thought that for in force is some for.
ce the ς as in сила
ϝίς (later ἴς) – strength, forceRare,
found in Homeric Greek and Aeolic dialects. The Ϝ is
inferred from meter and comparative evidence (e.g.,
Sanskrit viś).
Example: Iliad 20.121.
ϝοἷ (later οἷ) – to him/her (dative pronoun)A
pronoun in Homeric Greek, where Ϝ prevents elision
in poetic meter.
Example: Iliad 1.201.
ϝοί (later οἱ) – to them (dative pronoun)Homeric
pronoun, with Ϝ affecting meter.
Example: Iliad 1.67.
Those three are the shortest words with ϝ
(according to Grok3)
No two-letter words with Ϝ are
attested in Ancient Greek sources, including Homeric
texts, inscriptions, or dialectal corpora. Most
two-letter words in Greek are function words (e.g.,
καί, δέ, ἐν), and none include digamma, as it was
not typically used in such short forms.
That ему, ей и им одно слово это крэйзи, но не
так крэйзи как русское им
(plural dativus and singular
abblativus)
(russian have the same set of cases as latin though)
russian is a more brutal way to pronounce latin?
russian as a wrong way to read roman?
as if they read ᛘ[m] as ᛉ[z, ks]
That is funny because этруски тоже русские
(топонимы схожи, и физиономии (физико-гномии
(физическая узнаваемость)))
ϝίς ~ his? though it's him (and them (hem))
сила ~ сего (но ϝοἷ is сему (и сим))
но я подбираю по смыслу. ведь и её тоже (но и она
сильна)
so, cherry-picking is a mistake I tend to do. I should
apply some censor-sensor of ai to check it for it.
ϝ & Ѳ are both tabooed off the second raw, that Θ
is antempt to revive ϝ and is labial.
But then the llm is too raw to be blindly trusted: I
checked it, and wiktionary doesn't know the plural
ϝοί, yet then greek is so ancient, and the article is
not for the ϝ form:
οὗ
Ancient Greek
IPA(key): /hûː/ → /u/ → /u/
Etymology 1
PIE word
*swé
From Proto-Hellenic *hwe = ϝέ (representing the
accusative case), from Proto-Indo-European *swé
(“reflexive pronoun”).
οὗ • (hoû) "of him/her/it", "than
him/her/it", etc.
Usage notes: For dual and plural
forms, see σφωέ (sphōé) and σφεῖς (spheîs).
Irregular declension of —; οὗ (Attic)
Irregular declension of —; εἷο (Epic)
Irregular declension of —; εὑ† (Ionic)
Irregular declension of —; ἑοῦς (Doric)
Irregular declension of —; ϝέθεν (Aeolic)
Grok opposes it with "it wasn't attested anywhere" and
they do say "Dialects other than Attic are not well
attested. Some forms may be based on conjecture. Use
with caution.", yet it keeps insisting on that pronoun
also being plural dativus. I don't know if the
technology is still raw or is it too good already.
That's why it still takes a human specialist to tell.
Or, better, a network of human specialists.
If that ϝέ existed, shouldn't it be included into the
collection of pronoun's
antonymy as we?
That εὑ is too much её not to be its cognate.
And ἕθεν is so much его [evo] with θ considered т yet
read as ф so much reminding that. евоный
so is slavic hellenic
with ν read as v and e read as s (thus russian is more
of latin than of greek, etruscan)
When alphabets were born, the structure was not abc,
but abcd. and ugaritic had it extended, which may tell
that previous combination was 55 (ugaritic has 5
vowels, before phoenician. Is phoenician cut.
Circumcised.
Chances are soviet schools have campaigns to break too
prominent students. That's how kikes rule the higher
race.
And if it's so, why am I allowed to speak? My voice is
not too loud, my message is too obscure. I'm no
threat, I will fuck myself when I have a chance.
Freakey. Greatsy.
A great lecture from great McKenna, on
memory ~ mercury? he tells that imagination is
called mercury in alchemic texts, he teaches how to
read them and what they arte, a great introduction.
arte~arts? e~s as in etudent~student.
экономить ~ сэкономить ?
э ~ с[s]RU
I cannot comment on the elements, but let me read them
online, so I learn and you learn.
☿ is for mercury
🜍 (alchemy, archaic) sulphur/sulfur, brimstone
(astronomy,
obsolete) 19th-century typographic variant of ⟨⚴⟩,
the symbol for asteroid (2) Pallas
(astrology) cardinal zodiacal
modality
🜔 alchemical symbol for salt
(alchemy, archaic) table salt (typically NaCl)
(astronomy, astrology, archaic) Earth
(astrology) fixed zodiacal
modality
🜕 alchemical symbol for nitre
(alchemy, archaic) nitre, saltpetre (KNO3);
(chemistry, obsolete) Daltonian symbol for nitrogen
("azote"); (meteorology) solar corona ...
Good artists
borrow, great artists steal.
(that I just copypasted that
chapter, I did it before,
now don't even care to change the typeface)
Why would they confuse earth and salt?
The first form of earth (земли в метеорологии) they
knew was salt. Naturally. Minerals came later.
(размышлял про ааа как анти-алкогольные-активисты,
противопоставленными к аоо, где аоо было бы обозначением
обозначало лбы алкоголя. алкоголь.
и начал искать слава со слогами на а.
дабрата (добрый, оттого и орфография не фонетическая)
красата (красотка (красавица (красотища (красотень))))
красный ~ классный
прастата (просто (про сто (сто грам не стоп-кран:
дёрнешь, не остановишься (может они настояли на
орфографии простота у слова прастата, чтоб алкоголь
поближе к населению сделать))))
Что если красата это нормальная форма, а красотка уже
девиаирует от той нормы по стилистическим причинам?
праста
Hebrew speaks of 3 mothers, when there was only one
vowel was the basis of the alphabet.
(and thinking of how diacritics coloured hebrew, I
think that they all did it. They all were караван
барабан каравай карава варана (ворона ~ варан? баран,
таран, каран? сарай, тарас, карась, каркас, как раз,
каракас, маракас (maraca), macaca, сабака, ватага,
атака, Прикинь снять фильм про дикарей, где все слава
на а (говорят, ударение было пор
плавающим, значит слова и слава было бы одно и
то же)
north ~ на русь (народ (русь~род(россия~родина
(cc=d?cГ? (d is between c and Г (g)))))))
мороз ~ на руси
квас каша картафан макаран(мука-варен?
парен? жарен? (рен, очевидно огонь,
flame? пламя? огонь?))
молоко коровой доено, доедено
(это одна из новых тем, а потому может быть что и одна
из странных тем. посмотрим.)
жарен парен варен гарел гарит жарит (жарит как делает
так что горело. го самостоятельное, же на двоих. жарит
кто-то кого-то (или что-то (c is both к и ч (ᚴ и Ч)))
火 hwoCH
火 hi, kaJA
this glyph looks like a five pointed star:
and like a burning person, calling for everyones
attention, and as a bon-fire (the hill of wood or
other material and three tongues of flame above it to
all sides. If you see the 火 the way I see it, that is
even more bon-firey: the main flame and flames of fire
floating around it as gases.
It's wild to see a man in 火, but 人 is man. and thus
aren't those fires are floating around a man?
(man as in human (man as male is 男. And also 男人 (and 人
the human is ren, is it why I thought that 火 was ren
in chinese or japanese, but 人 is. жарить, парить,
варить, только человек умеет. рен потому что делает,
от Японского суффикса ру и ри, Я
это тайпоtypoe (оттого что я возле
шифта))))
人 in japanese is hito, jin, nin, to (he, то? (а нин
как в росиянин (вросиянин (врос))))
It is incredible, because 火 in japanese is hi.
hito ~ то, что в хи. что греется у костра. если
костёр, то какой там рядом зверь? хи-то. хитро.
he & то перерослов в he & та?
she and та, are they
то, что и та и ту имеются в русском. как и то, и те.
это удивительно. русский волшебный
та те ты то ту есть ли ещё такие буквы?
ба бе бы (бабу бы тоже хорошее. спасибо, батя. извини,
что не ценил, психанул)
вы во
га Ге go
да де иди? до do (this is the second best so far, or
maybe ба! бе.. бы и бу! и бо как в боба.
иди и дуй. но д это 𓂧 , а не 𓃀
𓏙 [ḏj] is it a pyramid? is it
for Jah?
𓍘 [tj] because it was used to
make flour, and 𓏏 [t] is
loaf.
𓏙 [ḏj] because it could be a
tooth of a snake, 𓆓 [ḏ (in other sources, dj)]
But 𓏙 [ḏj] could be for Jah.
But what do I know of him? Isn't he the sacrificial
knife?
But the list
teels that it's cone-shaped bread: Ideogram
for ḏi, rḏj, give, given, to give; (an equivalent to
arm offering conical "loaf"), Gardiner D37, D37
In iconography and reliefs, used for pharaonic
statements: "Given, Life, Power...Forever"-(the
vertical form of 'to give')
in the context of russian дай и роди it's hard for me
not to suspect ancient egyptian to be a slavic
language. Were russian being slaves in egypth? Did us
also run from there? Only we ran to the forests, to
the norths. Север ~ съ верху. Юг ~ down ~ south
~ союз? nations rarely fight upside down. Russians and
Turkey did. Russian and Caucasus, And who know what
China brings. I keep hope that their ideograms
preserve the world view. But their maps teach them to
see russia as their land. But I only heard it, why I
never looked into that belief, it could be all
propaganda. Some freaky maps, like maps of heavenly
jerusalem of chazaria.
That McKenna's audiobook keeps on delivering: in the
end of the third or fourth lecture, from 3:00:00 on,
he speaks of cathars and that voynich manuscript was
decyphered by a man named ..I had to check wiki for
it, and though not mentioned in the article itself
(it's 17.08.2025)
I should make a book of
differences on different scales of large numbers, of
different tons, of different pounds and miles and so
on. On days and months having different positions
across the globe.
I should make it not as a book, but as a panel.
Panels are way more accessible. Students can read
them while sitting on the dull lectures. We should
ornate all auditoriums with food for thought. We
should make museums like that: with benches.
it mentions it in the further
reading:
Levitov, Leo
(1987). Solution of the Voynich Manuscript: A
liturgical manual for the Endura Rite of the
Cathari heresy, the cult of Isis. Laguna Hills,
California: Aegean Park Press.
And wiki delivers as well:
In September 2024, multispectral scans
of ten selected pages were made public, revealing
details unseen with visible light.
Формы гласных ещё чудовей перепутываются меж латинским
и арабским:
ا is not I, but A (here and further I speak of their
relative position in abjad)
ع is not E, but O
ه is not O, but E
ی is neither U nor Y, it is I, which is И, and sorta
y(Y) too. It looks more like U in hand-writing.
water ~ wetter
and if we go further, who knows, maybe t is for terra
and w is in (v is in in russian, just as ב in hebrew,
like what is going on here, those two are not even
supposed to be related)
Ogham is climbed as a tree is climbed:
by treading on the root of the tree first with one’s
right hand before and one’s left hand last. After
that it is across it and against it and through it
and around it (one goes).
John Grant, The Auraicept: The
Scholar’s Primer (Edinburgh: 1917).
And if it is true, it may sugest the sequence
of BD FK (or does it go into the thirs aicme, being FG
somehow?) speculative, but by these speculative steps
we move further step by step.
quoque ~ тоже (то же (suggests that ж is palatalized т
(and thus could be double ᛏ))
Isn't it funny, how they doubled the g, but suggest is
still read as sudʒest
Different deities for different peoiple is a great
thing. Mobnotheism broke the Empire, because it came
directly in the contradiction of terms. It is as if it
was invented to break empires of roman kind. Directly
to burn the Roman Empire byt
subvertion, undermining their basal
principle.
Нувориши предпочиитают читать себя new rich, but в
русском в первую очередь слышится наворовали, даже при
том что есть прямой омоним наваришь. (как
говори́шь-гово́ришь, так и навари́ш ~ нава́ришь
(многие произносят нуво́риш, поскольку во французском
это два слова, и в двуслоговом падает именно на это,
то и ударять его имеет смысл, чтоб это
законсервировать. риш отдельное слово, и конечно может
ударение падать и на него. Так вот как двойное
ударение имеет право на жизнь, как оно естественно. Но
не всюду оно может плавать: ну́вориш не говорит никто
(от трудов праведных не (что-то там) палат
каменных (русская пословица (какой-то русский поэт
древности ушёл в народ, появившись позднише раннише печатна
станка))))
The position of Ѱ in russian sequence and Ψ in greek
sequence may tell that those are two stages of pulling
it down (satan's pitch-fork! with horns! some
christians didn't like it because of that)
ΑΒΓΔΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨΩαβγδεζηθικλμνξοπρσ/ςτυφχψωϚϛͰͱⱵⱶᾺὰΆάᾹᾱᾸᾰĒɛ̄ΈέῈὲϜΉήῊὴῙῑῘῐῚὶῒΊίΐϘϙϚϛϜϝϞϟϠϡͰͱͲͳʹ͵Ͷͷͺͻͼͽ;Ϳ΄΅Ϗϐϑϒϓϔϕϖϗgreek
АБВГДЄЖЅЗИІКЛМНОПРСТѸФХѠЦЏЧШЩЪꙐЬѢꙖѤЮѪѬѦѨѮѰѲѴҀабвгдєжѕзиіклмнопрстѹфхѡцџчшщъꙑьѣꙗѥюѫѭѧѩѯѱѳѵҁѶѷѺѻѼѽѾѿꙊꙋꙀꙂꙄꙆꙈꙌѾꙎꙐꙒꙔꙖꙘꙚꙜꙞrussian
it didn't deserve the position of omega, but it was in
the end, as letov
Богиня производное от бог, но феос производное от фея
(сам язык свидетель) и проще представить, что родит
(мир) богиня, Θея, а не вот это ваше всё)
дом~дым ~ порог~парок(и где-то
там порок, быть может позабытою когнатой, метафорой
того, что за каждым порогом комната, и иногда та
комната в которой души гибнут. но это, само собой,
фантазируемая спекулятивная гиотетичная
предпологаемая реставрация происхождения сией
омонимии)
Японское ики в значении ид(ущ)и(й) тем прикольней, что
к~с~g~g~д
(и я понимаю, что "неродственные" (хаха) но таковы же
и русский с ивритом и удачи объяснять как так
получилось что русское в это еврейское ב)
На латинском ire.
идите сюда veni huc (come here)
идите туда eo ire (there go)
my email is d@aeiou.nu and that d is there of dimitrij and how they allowed
this name in christian culture is incredible, because
son of the mother in christianity is jesus and no one
else. And what is even more fascinating is that people
kept the understanding of it being de Minerva, deMetra
I'm working on having Glukhoff
The lines of text look like four knives (I saw it in
Глухов's name and then saw that they're all like that)
Г is Гарда. (the stav is probably the handle. as it is
a stick)
Glue and Gluk
Luke and Gluk
What am I doing? Writing poems for what end? Glück!
Glück looks like a merging of Good Luck. [u] sound
intensified of doubvlingn.
huisNL [haus] hausDE
How does ui read as au? u as in bus, i as и the и.
DE is GE and g is
both d and g.
дочь ~ гочь? girl (ч~rl? Ч h rl?)
король ~ coach?
тролль ~ точ? нож точит? добро тощит?
тащить как тощить означает воровать, утончать мушок мешок.
тащит тать.
рать ращит?
зять защит?! о, это хорошо. зять защитник (рать
ращитник? рать решит!)
блять блещит! блистательные дамы берут деньги за секс?
на кривой козе не подъедешь.
дать (это глагол, чувак, нужны существительные)
мать мащит? мешит? может? might? моет~мочит?
мать~мыть? дети даже в бани с матерями ходят (мужики
грубоваты для тонкого обращения с тоддлерами)
платье плещет? плескается вокруг. плещется.
пальто полы это
куртка коротка!
jacket jacked?
coat cold? cover? co+at(at как в адеть, значит
приставка не о, а ат: атдеть, отделать значит сделать
со всех сторон? обделать точно это значит. но от как
от ворот поворот, от~из. of. not about or around. not,
neh? too early to tell, I need to know more about the
shorties first. Let's keep exploring the shortest
words. Thinking that they're the fundamental elements
of the speech.
But back on track, очь ~ irl (ёл)
ч ~ л
чайник ~ лейник ?
чашка ~ ложка? плошка? плей ~ плесни? пей?
чайка ~ летайка
чушь ~ ложь!
чумазый ~ лемазый? намазан? мазать корень же. а чу что
такое? too? чу~фу? some placeholder proto-prefix?
чухан ~ ло хан (лохан как лох! я писал по еврейски это
ло)
If this position is correct, then did they taboo K and
place N next to M to get IMNL? or wans it IMKNL for iG
is iŋ the N, while iB is iW the ił the il?
And did knife of k came to take the place and send
both M and N to the end of the line?
MN for man? iManuil is "not Man (is) him"
тримати ~ тривати (keep ~ keep on)
how so? ~ как так? ~ что так? ~ почему так? (но не где
так или когда так)
Today it came to me (in bath where I dig extremely
deep, now in the blue rough cardboard folder)
that фея is a three-literal word for a good and female
deity. while бес is male and mean. бог and бес are
probably doublets, cognates.
Другие говорят, что это сделал
Меркурий, смотря на полет журавлей, которые чертят
разные буквы.
Why didn't I think to observe the crane crowds (what
if they scream depending on the shape they keep? I
thought Ʌ was the only shape they had. But even if it
was so, they I would have the four:
Ʌ>V<
Ʌ and youV may be
opposite as Ʌrctos the север the north, and Vг the юг
the south.
Ʌ and V are opposite and аз and U.
> the b and
< the d
wait, no, < is c.. but c ~ d (c is staveless d (ᚲ
is staveless ᚦ))
ɅƆVЄ allows to read all four as vowels, and the order
is weird: aoue... it takes i at the end to make it
oghamic.
But before that idea I was thinking of ɔ~b and thus
ʌɔvc would follow russian абв order (as in glagolitic
(it seems they only knew v (the way greeks do today
(and probably always did, fuck reconstructionism, that
shit's neither verifiable nor falsifiable, thus
unscientific, those puffers)
бв and vw (and pf being in the same letter (and maybe
that allows both Θ and Ϝ in the second line of the
greeks. And it resolves the idea of the closed and
open syllables, be and eb were b and v (or were those
ba and ab? ))
A Ba aB aD Da А Б
В Г Д
E Be eB eD
De Е Ф Ѳ Ж З
I Bi iB iD Di
И N M R L (first I
thought Й the Йуд to be the labial for jU, but
въ~in(v~ν)
O Bo oB oD Do O П ? К Т
U Bu uB uD Du У Ф Ѱ Х
С (Du ~ Sie [zi])
(уД ~ Хуй (Х как 𐤕))
I'm a couple labials short, but there's W and actually
Ю (Y? for it is so much У)
E could be formed by two C's and I could be a one-wing
V. VVedge of the Crane. Wedge
quoin [ко́ин] клин в значении угловой камень кладки,
внешний угол знания здания.
A Ba aB aD
Da А Б В Г Д
E Be eB eD
De Е Ф Ѳ Ж З
I Bi iB iD
Di И W M R L
O Bo oB oD Do O
П ? К Т
U Bu uB uD Du У Ф
Ѱ Х С I used Ф twice and didn't even
notice, oh me
OPQR.. I suspect R to previously be labial (the
farting sound) later civilized, but what about Q? it
is literally CV.. cU.. like Y is jU
both Q and q look like Ю with the ball and the stick,
it is like держава и скипетр, like queen or something.
A Ba aB aD
Da А Б В Г Д
E Be eB eD
De Е Ф Ѳ Ж З
I Bi iB iD
Di И W M R L
O Bo oB oD Do O
П ? К Т
U Bu uB uD Du У Y
Ѱ Х С this way I approached the 666ness of UVW
and ЪЫЬ
Naturally it is only an attempt at reconstruction, but
I just said fcuk reconstructions. Other's
reconstructions as I am making the my own. I stick to
facts to see what they may tell.
Let's declare R a labial (since it looks like Р is
Russian)
A Ba aB aD
Da А Б В Г Д
E Be eB eD
De Е Ф Ѳ Ж З
I Bi iB iD
Di И W M N L
O Bo oB oD Do O П
R К Т and it is surprisingly good
U Bu uB uD Du У Y
Ѱ Х С (it's not surprising me that it's at
the right spot, because I saw it before)
W is amongst sonors, but it is not what I ever saw.
could Й be W? both are short semivowels, and russians
think that и is i. also both й and w are
sonors (not all sonors are semivowels, and is J й or
дж энд зас нот сонор?)
Т could be the last letter. or there could be only
three and not five per line (p and f are the same
letter in hebrew. maybe that is just how g and д were, thus abc,
containing in it a,e, b, v, g, d, s, maybe also z,
all of them)
(naturally, voiceless counterparts too)
ab was off? F?
be was vie? who knows, but I shall keep on working on
this theory.
Those were not just some syllables, they were all the
possible syllables (combining the only two consonants
with the five vowels and maybe both sides. Let's try
both 15 and 25 sets (younger
futhark and latin alphabet sets? Bureus had 15
runes, and some )
Using google to find an alphabet of 25 letters, I was
told of Ogham and Slovene. Maybe Grok knows more:
Hi there! Which alphabet have exactly 25 letters? Just
list them, no need for one of the essays of yours.
None. No widely recognized natural language alphabet
has exactly 25 letters.
And what about slovene?
The Slovene alphabet has 25 letters: a, b, c, č, d,
e, f, g, h, i, j, k, l, m, n, o, p, r, s, š, t, u,
v, z, ž.
Good. Thank you.
You're welcome!
Encyclopedic listings (such as in the 2001 Slovenski
pravopis and the 2006 Leksikon SOVA) use this
alphabet:
a, b, c, č, ć, d, đ, e, f, g, h,
i, j, k, l, m, n, o, p, q, r, s, š, t, u, v, w, x,
y, z, ž.
Yet Grok explains it well:
The sequence you provided from the
2001 Slovenski pravopis and 2006 Leksikon SOVA lists
31 letters:
a, b, c, č, ć, d, đ, e, f, g, h, i, j, k, l, m, n,
o, p, q, r, s, š, t, u, v, w, x, y, z, ž.
This differs from the standard modern Slovene
alphabet, which has exactly 25 letters:
a, b, c, č, d, e, f, g, h, i, j, k, l, m, n, o, p,
r, s, š, t, u, v, z, ž.
Key Differences and Relations: Additional Letters in
the 31-Letter Sequence: The sequence includes ć, đ,
q, w, x, y, which are not part of the standard
25-letter Slovene alphabet.
These additional letters (ć, đ, q, w, x, y) are
typically used in Slovene for writing foreign names,
loanwords, or in specific contexts like encyclopedic
listings that account for broader orthographic needs
(e.g., proper nouns, technical terms, or historical
usage).
Standard Slovene Alphabet (25 Letters): The standard
Slovene alphabet excludes ć, đ, q, w, x, y because
they are not used in native Slovene words. The
letters č, š, ž cover the phonetic needs for native
Slovene sounds, and the standard alphabet is
streamlined for everyday use in the language.
so,
a b c č d
e f g h
i j k l m n
o p r s š t
u v z ž
a
b c
č d e f g
h i j
k l m n o p r s š
t u v
z ž
and it gave me an interesting ordering of ogham:
a b c d e f g h i k l m n ng o p r s t u w y z ch th
a b c d
e f g h
i k l m n ng
o p r s t
u w y z ch th
a
b c
d e f
g h i k l
m n ng o p r s
t u w
y z ch th
(well, if y is consonant it may even fly)
(though this ambiguity makes it shakey)
(or maybe this shape being less famous summoned
that ambiguity in the first place)
Thinking of how my book is called ა ბ გ დ, and that if
I add column of such in other alphabets, a b c would
be sufficient, thus it should become ა ბ გ and it
shows me how g is lower than B, and that a b d are аз,
бог, дьявол (я ставлю бога пред собой, и он защищает
меня от дьявола)
с is for сатана
and b is what? baal?
baal is г-дь in its language
boy in "oh, boy" (о, боже)
(and l ~ j (ll in romance
languages is j))
is god ~ gal?
gaal as the opposite of
Бaal?
gБ, or, rather, Бg
is it why Б-g is
sometimes told to be hermaphrodite?
abc has that аз and бог and сатана in it, maybe
telling that alphabets appeared around here.
Hence here I am, a russian guy,
revealing what my dna has brought into this world
millenia ago.
That aoue order of ɅƆVЄ aligns the lines in voiced
plosives, voiceless plosives, voiceless fricatives,
voiced fricatives, leaving the sonors out of it.
It seems Q _is_ a form of O:
aoue is aqua (water) in
Lorraine (and a ~ e (a is read
as e in pan and can in the usa (it is literally ei)))
Lorrain, also known as Lorrain roman,
is a langue d'oïl spoken by a minority of people in
the region of Lorraine in northeastern France, as
well as in some parts of Alsace and Gaume in
Belgium. It is often referred to as a patois.
langue d'oïl /lɒ̃(ɡ)
ˈdɔɪl, French lɑ̃ɡ dɔjl/
the form of medieval French
spoken north of the Loire, generally characterized
by the use of oïl to mean ‘yes’, and forming the
basis of modern French.
The langues d'oïl[note 1] are a dialect
continuum that includes standard French and its
closest relatives historically spoken in the
northern half of France, southern Belgium, and the
Channel Islands. They belong to the larger category
of Gallo-Romance languages, which also include the
historical languages of east-central France and
western Switzerland, southern France, portions of
northern Italy, the Val d'Aran in Spain, and under
certain acceptations those of Catalonia.
langue ~ лгать? как в слове излагать. Log maybe of
that, and maybe they were covered with runes, and were
cut down because of that! лаять, и, скорей всего, ещё
куча скрытых когнат.
Мы говорим они лают, у нас разведчики у них шпионы, у
нас бог у них гад, старый фокус.
Лежать легко ~ to lay, to lie is light (light an
obsolete (in that sense) form of easy?)
lie and how those two words are similar in russian
too, tells that лгать легко (правду сказать сложнее)
Because latin G is mirrored as Z in greek, God and
Zeus coudl be cognates. d~c~s (D could be borrowed
from ᚦ, and abc was expanded with it. And maybe бв is
a reflection of it. Or, rather бв is authentic,
preserved only in russian, but vw is in latin, but it
is recent, that's why I suspect ⰀⰁ to be a later
addition to what started as ⰂⰃⰄ UGD is the eastern
order. U as the final vowel, or is it V G D, the three
types of consonants, only modified when in other raws
the way abugidas are modified)
ⰂⰃⰄ ~ ⰆⰇⰈ?
The similarity of Ⰳ and Ⰷ made me write it. But others
are not so good. phonetically they're more of Ⰲ~Ⰸ and
Ⰴ~Ⰶ but also not modified the same way, which is not
how abugidas do it.
Ⱁ[o] and Ⱆ[u] is very english.
and because o is already double, it's hard for me not
to recall ⴰ, which is a in tifinagh. Their Ⱁ is ⵓ
I was looking for something ⴰlike and the best I found
is Ⱛ the izhitsa, read as y or u.
The inclusion in Glagolitic of the
letters Ⰺ, Ⰹ and Ⰻ with the same phonetic value was
probably intended to imitate Byzantine Greek
orthography where both η (eta) and ι (iota) were
pronounced as /i/; it is possible that in the oldest
texts Ⰻ rendered the i that alternated with tense ь.
Ⰻ for и
Ⱄ for s what are these? keyholes?
Like runes, they must be a pair of antonyms.
истина? sila? s for слабость was my first association,
and if it's a stone on the top of the mountain, it's a
weak position, it's going to fall down. Or it could be
head of a stick, the head's position is very weak.
while sharp upon a fruit is success. Let's keep on
looking, suspecting to find some indo-european roots
in glagolitic imagery.
Ⰻ ида́
Ⱄ s-te [ʃ] shy is shied (shitted (обосравшийся
старается на глаза не показываться))
shield lets shit? that a warrior
hid himself by it.
another pair:
Ⰲ[v]
Ⰴ[d]
Ⰲ looks like upside down Ⱅ[t] in square glagolitic. Somehow this operating system
(SeaMonkey under Windows and SeaMonkey under Linux
use different fonts for glagolitic and phoenician,
and probably most of them) and that is
another enigma, yet here an additional phonetic
freedom.
Ⰲ[v] видеть
Ⰴ[d] делать that's a nice pair of
passive and active, and exactly the way I would expect
them to be.
Ⰲ[v] владеть
Ⰴ[d] давать
Ⰲ[v] велеть
Ⰴ[d] делать вот это хорошая парочка. но
велеть пассивно разве? не активно, не действуешь сам.
плыву ~ по liquid vue
l is for лить, liquid, lake, loch, lock как замок и
замок в центре озера?
loch ~ lock, because замкнутый водоём (не открытый,
land-locked)
what is ch~ck? 𓎡?
but then слыву blocks my path, reminding that brute
force doesn't work here.
only luck and inspiration do.
persistence doesn't? maybe that as well
The next picture, I have shown it in vol.37, where I
only slightly spoke about those letters probably being
the musical notation. And now I know it for sure.
Boetius is the guy told (to me by Grok in vol.41) to
be the first to use latin alphabet for musical
notation. And he is also told (in wiki, if you click
the image, you can read it yourself) to be the guy
responsible for translation of greek classics into
latin. Which is crazy considering that he lived rather
late. So, greeks used their letters for musical
notations at least a millenium before that.
This image shows him using pentatonic scale, and it
shows that the five notes were abcde, which may tell
that c is for centre, a is fro
ante, e is for exte (as in anterior and exterior
(not posterior, not interior?) am I not stretching
it to my ends? well, it's a hypothesis. c is too
cool not to continue upon it)
and here's the guy again, in the image I've shown in
vol.15:
and the pythagoras, depicted on
the right, is probably using the abacus board for
calculation,
and that is probably what his tetraktis is about..
1234.. is it a year? I reeeallly need to learn how
to use that calculation board.
Typus Arithmeticae written above the lady in the
centre is what the guys (living in different times)
represent. I wonder why the numbers on her dress go
right to left, and why they break the order.
В сорок с гаком лет научился не шлёпать себя самого по
уху, а хлопать комара двумя руками возле него.
Когда я видел как борятся за меня ангел и дьявол, то
выбрал дьявола, наверное теперь всё же у него в
гостях, бунтую дабы быть в нейтралитете или по природе
буиной своей?
странно, и почти никогда не опечатка
вместо й (там я сам из--за
ритма, как и здесь,
изменил)
мысль запинается за следующие, потому что мысль
гораздо быстрей письма. бысль что (чуть) только что не
записал (что чуть-то. недавно то. чуть~чуя слышал то?
но чуть не только с речью связано. тю-тю ~ чуть-чуть
(поддмести-то если, найдётся мука даже если нет))
Колобок сказка про голод!
По чуланам помела, по чему-то там поскребла. И испекла
колобок, пустой пирожок, потому что друхи ингредиентов
не было. облатку. священный хлеб христиан (у
православных её грызть нужно, дрожжи хлебные и винные
дрожжи христиане в людей раздают. Наверное, дрожжи
имеют защитную функцию, раз культ так шустро
распространился. Нахаляву кормят-поят телом Христа
(наверное, чтоб людоеды тоже обращались. Может
христианство нужно чтоб отвадить негров от
каннибализма?)
в мою юность салки назывались догонялками, интересно
как сейчас называют.
салки что за мерзское слово. словно они писяли друг на
друга. быть может сифа не самая мерзкая из игр
советских детей.
салки (догоняющий — «во́да»;
дотрагиваться — «са́лить», ср. крапива обжигает =
са́лит; ср. англ. sully, soil — пачкать)
читая первую часть объяснения я лишь думал "а
если бы этимология была от разговорного сака, стали бы
они его приводить? разумеется нет,
decency они блюдут" и английский выдал, что по крайней
мере означает сальными руками касаться. Sully, soil,
пачкать.. soil в которую ссут!
sully~ссали
сало стекает при жарке, сало~стекло, как и моча:
префикс съ + суффикс ло,
префикс как корень слова.
летало ~ летел ~ летела
ло~лъ (рудиментация слогов привела к появлению букв,
к переосмыслению, к переизобретению)
а сифа тоже от той ссу?
фа могла означать трапку
тряпку от слов фэшн и фасон.
фа как в фант
бантики ~ фантики? бант значит завязанный, байнд
завязывать, связывать. ф как долгое б, если б для
бечёвка, верёвка, то ф fabric. faбрюк?
если сама буква ф означает две петли рядом, что
символизирует вязку, то и В is for вязать.
b как в слове брать означает захват ладонью? д как в
слове длань is 𓂧
𓈙𓈛𓈜𓈚 are all š and depict lake and pool (but not 𓈘 (it's mr and stands for
canal, not pool))
Because 𓈜 has those water-like shapes within,
basically it is the original shape, and 𓈙 is just a
simplification for it (and 𓈛 is showing the depth,
and 𓈚 maybe shows the shallow place in the middle
built to walk it through.
levy (облагать (налогом и т.п.))
levee (дамба, насыпь, намывной вал реки пристань,
набережная приём у главы государства, воздвигать
дамбы)
Видимо, начиналось как сбор на возведение дамбы, а
окончилось как регулярные поборы без особой на то
причины.
š the 𓈜 could be cognate of šuǐ the 水 (which also
could be a cognate of russian ssu (the way мочить is
of моча (и оно же море, но сколько же трансмутации
прошло от ч до r
(both are the same in cursive))))
пёс пищит писк (или от
того что писает, как и сука оттого что ссыт)
лайка лает (диалектные названия собак являбисются названиями пород (по
роду) подобно тому как дог название датских догов, и
всё ещё сложней: это в русском эта порога называется
дог, в английском же ближайшим термином называется
great dane (великолепный датский, но так же и великий
датчанин (по роду) не только по языку, но прямо по
имени племени. Может быть этнонимы лишь в именах
других видов останутся))
гав в каком слове именем собаки является?
woof ~ wolf
In Mandarin, barking is "汪汪"
(wāng-wāng), but "dog" is "狗" (gǒu).
Grok tells it's not likely that woof~wolf were
cognates, and even less likely that гав and gǒu were,
because for wolf~woof they need ancestor in
indo-european (totally made up language) and that
there had to be a historic contact between chinese and
proto-slavs (merchants were such contact, they always
were, long before historic records)
птаха & птица ~ петь
пт (пей (рот в иврите сегодня) + т (глагольный
суффикс, делать, hence петь (но и пить)))
петь и пить: оба глагола означают действие ртом, петь
наружу, пить внутрь. но блёв пением не зовут, что
делает эту теорию шаткой.
pit ~ рот? по смыслу и по графике подходит, пит как
пьёт? дорога пьёт ртом выбоины? слишком поэтично, но
для древних наверное было нормальным.
Была поэзия необходима из-за омонимии? чтоб ритмы и
рифмы подсказывали? гласные повторялись? я думал у
древних лишь ритм блюли. Может количество и долгота
гласных определяли какое из значений слова было
употреблено.
ударение подобно диакртике, ею и является
птаха ~ потеха
птица ~ потеться?
птц.. но если глсн лшн, то
Without vowels english has 21 letters.
B C D
F G H
J K L M N
P Q R S T
V W X Y Z
B C D
F G H
M K L
P Q T
V X Z
W N J
Y R S
W and Y the wu and yu make it nice, and truly the
addition to pentatonic.
7 liberal arts could be 9 muses with outlawed two.
Erato, naturally. Who else?
Let's compare it. Let's ask Grok first? No, Let's do
it ourselves, so we don't fall for Grok's mistakes if
we didn't make them.
Элементы: LMN: Литература Музыка Наука
(я перестал стесняться русской
мовы, может она трусская, мы трусы, зайчики-русачки,
говорил уже об этом (thrassian, as Orpheus himself))
хорошо, быть может, закрученное хахаха
тогда и круто это краткая форма слова хорошо и гуд
когнатой этого хараша является: д is between r and ʃ
Основоположность, базовость последовательности ABC,
понимаемой как голос губы язык,
проявляется и в каждой из групп, на который музы были
разделены по совершенно иным соображениям:
То, что я выдал про муз в третьем томе, основанием
имело картинку
в интернете. С трудом доходит, что академический
подход к источникам мает сенс.
звезда ~ светит ~ светла ~ света
пезда ~ пизди́т? ~ бе́дит ~ пиздец ~ пи́здит (проебать
~ по ппизде? в пизду?)
пизда ~ бздит (и в том смысле
что пукает тоже)
бездна ~ беда ~ бдит?
жи́да ~ ждёт
Isn't it strange that I still don't know which muse is
who? And their names are a great way to learn greek.
Let's just remember them by the translation of their
names.
No matter how much conflicting that image from the
internet about Muses was, it delivers, and that is how
I'm going to remember them. Especially since when I
started to align them to abc sequence, the first muse
is occasionally ...and it's my conformation bias. They
say about Euterpe "presiding over music, not presiding
over muses. The oldest of the sisters is told (by the
Google's Gemini (they're so much G)) to be The oldest was Calliope, mother of the
legendary musician Orpheus. Euterpe was the muse of
music. Urania guided the scientists. Terpsichore
taught dance.
Euterpe (/juːˈtɜːrpiː/; Greek:
Εὐτέρπη, lit. 'rejoicing well' or 'delight'
[eu̯térpɛː], from Ancient Greek: εὖ, romanized: eû,
lit. 'well' + Greek: τέρπειν, romanized: térpein,
lit. 'to please') was one of
the Muses in Greek mythology, presiding over
music. In late Classical times, she was named muse
of lyric poetry.[1] She has been called "Giver of
delight" by ancient poets.
In Greek mythology, Terpsichore (/tərpˈsɪkəriː/;
Ancient Greek: Τερψιχόρη, "delight in
dancing") is one of the nine
Muses and goddess of dance and chorus. She lends
her name to the word "terpsichorean", which means
"of or relating to dance".
In Greek mythology, Clio (traditionally
/ˈklaɪoʊ/,[2] but now more frequently /ˈkliːoʊ/;
Greek: Κλειώ), also spelled Kleio, Сleio, or
Cleo,[3] is the muse of history,[4] or in a few
mythological accounts, the muse of
lyre-playing.[5]
Clio's name is derived from the Greek root κλέω/κλείω (meaning "to recount", "to
make famous" or "to celebrate").[6][7][8]
The name's traditional Latinisation is Clio,[9]
but some modern systems such as the American
Library Association-Library of Congress system use
K to represent the original Greek kappa, and ei to
represent the diphthong ει (epsilon iota), thus
Kleio.
Urania (/jʊəˈreɪniə/ yoor-AY-nee-ə; Ancient Greek:
Οὐρανία, romanized:
Ouranía; meaning "heavenly" or "of heaven") was, in Greek mythology, the
muse of astronomy and astrology. Urania is the
goddess of astronomy and stars, her attributes
being the globe and compass.
The muse Urania is sometimes confused with
Aphrodite Urania ("heavenly Aphrodite") because of
their similar name.
Polyhymnia (/pɒliˈhɪmniə/; Greek: Πολυύμνια, lit. 'the one of many
hymns'), alternatively
Polymnia (Πολύμνια), is, in Greek mythology, the
Muse of sacred poetry, sacred hymn, dance and
eloquence, as well as agriculture and pantomime.
Polyhymnia on an antique fresco from Pompeii
Polyhymnia's name comes from the Greek words
"poly", meaning "many", and "hymnos", which means
"praise".[1]
In Greek mythology, Thalia (/θəˈlaɪə/[1][2] or
/ˈθeɪliə/;[3] Ancient Greek: Θάλεια; "the
joyous, the flourishing", from
Ancient Greek: θάλλειν, thállein; "to flourish, to
be verdant"), also spelled Thaleia, was one of the
Muses, the goddess who presided over comedy and
idyllic poetry. In this context her name means
"flourishing", because the praises in her songs
flourish through time.
In Greek mythology, Erato (/ˈɛrətoʊ/; Ancient
Greek: Ἐρατώ) is one
of the Greek Muses, the inspirational goddesses of
literature, science, and the arts. The name would
mean "desired" or "lovely", if derived from the same root as
Eros, as Apollonius of Rhodes playfully suggested
in the invocation to Erato that begins Book III of
his Argonautica.[
Melpomene (/mɛlˈpɒmɪniː/; Ancient Greek: Μελπομένη, romanized: Melpoménē, lit.
'to sing' or 'the one that is melodious') is the Muse of tragedy in Greek
mythology. She is described as the daughter of
Zeus and Mnemosyne (and therefore of power and
memory) along with the other Muses, and she is
often portrayed with a tragic theatrical mask.
Melpomene's name (implying the meaning
"Songstress"[1]) is derived by etymologists from
the Ancient Greek verb μέλπω (melpô) or from its
inflexion μέλπομαι (melpomai) meaning "to
celebrate with dance and song".[2] The Oxford
English Dictionary cites μέλπειν (melpein – to
sing).
In Greek mythology, Calliope (/kəˈlaɪ.əpi/
kə-LY-ə-pee; Ancient Greek: Καλλιόπη, romanized: Kalliópē, lit.
'beautiful-voiced') is the
Muse who presides over eloquence and epic poetry,
so called from the ecstatic harmony of her voice.
Hesiod and Ovid called her the "Chief of all
Muses". (well,
since they say she was the oldest, maybe. Epic Poetry.
And isn't it lovely that in my separation she comes
the last. Is Ourania the youngest? And what were the
chances!: The youngest of the Greek
Muses, and therefore the youngest of the nine
daughters of Mnemosyne and Zeus, is generally
considered to be Urania. She is the Muse of
astronomy, with symbols including a globe and
compass, and sometimes a crown of stars.)
So is it just a coincidence, or do muses give their
new testament over me and those who made that image in
the internet in the first place? May the muse of
comedy be the architect? It would promise the happy
ending.
Gemini arranged them like this:
Birth Order from Oldest to Youngest
Calliope: Muse of epic poetry.
Clio: Muse of history.
Erato: Muse of love and romantic
poetry.
Euterpe: Muse of music and lyric
poetry.
Melpomene: Muse of tragedy.
Polyhymnia: Muse of hymns and
sacred poetry.
Terpsichore: Muse of dance and
choral song.
Thalia: Muse of comedy and
idyllic poetry.
Urania: Muse of astronomy.
Five out of nine directly
represent some specific form of poetry. And since
Tragedies were also in poem, it makes them six. And
songs are poems. Seven of Nine. And it leaves only
History and Astronomy behind, and something tells me
that they were poetic as well. What tells me that is
what I was taught: that poetry predates prose. Maybe
as literature it was, but naturally first records
were prosaic. So it's such a speculative subject,
and only now I figure out that I'm way out of my
depth in the realm of classicists where I'm not
trained and in which I am quite an ignoramus.
Isn't it wonderful that that order is alphabetic!
Yet Grok slightly disagrees: I’d
stick closer to Hesiod’s listing (Calliope, Clio,
Euterpe, Thalia, Melpomene, Terpsichore, Erato,
Polyhymnia, Urania), noting that it reflects
prominence or narrative order, not age. Gemini’s
list is a reasonable attempt but introduces
questionable choices (e.g., Erato’s high placement,
Thalia’s low rank) that don’t fully hold up to
scrutiny.
And considering that Thalia actually starts
with Θ , Grok's
arrangement is even more accurate (but least accurate
with Erato and Polyhymnia, placing them between T and
U, where nobody should be.
Maybe Hesiod just aranged them alphabetically (thus
telling that the order existe in hois times) yet I
have to read him myself. I will when llm
..largelanguageModel. lll. ווו.
And Gemini gave them from latin translation (I didn't
check it yet, I rely so much on the technology, it's
even irrational, considering that it is still bugging)
хирург от херорез? было обрезание самой простой
хирургической операцией? Самой древней? Для того, чтоб
у врача практика была. Тонкая операция, как на
котёнке, а если ещё и зашивает, то и сосуды сможет
зашивать.
Jewish way to open books from left to right is also
Japanese, and those know jews as kappas
kappa is probably bastardized quipa
and maybe quipa is not just an homonym of quipu
Both are woven, and with the black circle in the
centre of both they look even more alike.
That takes us to the steganography of knitting. In the
way that pattern could be read like these:
and it is much more stegano than the next one,
because the words are the same length.
(but I did suffer a little
with I'm and the last four: I confuses more than
fuck)
(which is as if pussy, уд, сиськи, туда-сюда)
(tits-men and butt-men could be those who see one
or the other, for I see both)
Because the letter are more symmetric than some G:
but that G really makes some wave.
And it's not for the first time I think of rotating
texts 90°.
I also read R as B, which rings the ᚢᚱᛒ bell.
And seeing how it is the order they go in ᚠᚢᚦᚨᚱᚲᚷᚹ order,
and the reverse of how they go in ᛆᛒᚦᛂ order,
I looked into how FU the ᚠᚢ is the reverse of УФ,
and ᚦ~T/S, and ᚱ is not far, and ᚲ as q, and ᚷᚹ as ☧
☧ could be read as way, for it's a binderune: ᚼᚹ,
wait, ᚹᚼ the weg and ᚹᛡ the way,
read from the top down. I wonder if that's how
binderunen went,
since regular runes were read from the bottom up.
But hey, is futhark reversed abc? abc sequence ending
with labial, since futhark begins with ᚠ. But what if
that ᚠ is actually ᚫ, as kylvern stone sorta has it?
as if the line has the eastern order.
I placed the glass jar with some weed in it upon a
suspended ривлёную рифлёную
сетку,
рифлёный ~ искривлённый (that typo told me that, the
greyeing of typo tradition maybe allowed subconscious
mind to have its say. That's a hypothesis, but if the
percentage of such typo wisdom increases, I can tell
yay)
and when I unlocked the spring of it and opened it,
the mash (рифлёная сетка) said something with delay of
the repetitious echo, being small of each surface, but
being in lock, it resonated. I suspended it by
composing three rhombi and putting it agains a wall
next to an open storage room (maybe it was a resonator
too) so it was a high table I could smoke with (не с
которым, но с которого)
And I almost left it like this without the linguistic
side of the story (so if you find such pieces
elsewhere, probably they're of the same nature. And
here it is:
When I opened the jar, it sang something similar to
откройте, and soon I heard in it ouvrez(ouvrir) and
when I closed, I more speculated than really heard
ferme(fermer) where labiality was of that mild echo,
which was very wow, The recording is at audio
recordings of my main phone of 2025.
рифлёный
искривлённый
искра
ра
искатель
атель? отель Искатель
(красиво, но нет (надо зарегистрировать и продать
какому-нибудь новосибирскому предпринимателю))
ᚱᛋ
Let's continue with the futhark as inverse alphabet
ᚠᚢᚦᚨᚱᚲᚷᚹ᛬ ᚺᚾᛁᛃᛇᛈᛉᛊ᛬ ᛏᛒᛖᛗᛚᛜᛞᛟ:
elder fuþark (1(?)c.~9c.)
gothic runes are the same plus quairtra(𐍁)
ᛏᛒᛖ being reversed is EBT, which is very nice, but not
exactly ABC, since ᛗᛚᛜᛞᛟ is another line after (or
before) it. mlŋdo, which I suspected to be imlnξο in
ᛖᛗᛚᛜᛞᛟ
I saw it as the aet of sonors right after the
fundamental TB are at what stands before it.
So, what is it? Just another crazy idea about futhark,
net to avthopk, this one is futorqhp hnijipsz tbemlŋdo
o of futorqhp coujld be σ the ς
and because the similarity is not exact, let's figure
out which letters are later added, if the basis of it
was the alphabetic sequences.
ŋ~n, thus no need in ᚾ,
ᛇ~ᛁ, but then ᛇ is more wider: [iː], [x], [ç], so
maybe it has to go and give ᛁ the chance, but maybe
they're the same, as I can be Η, and J can be H, and
thus maybe ᛇ is even closer to ᛃ. Basically, I should
have decyphered ᚺᚾᛁᛃᛇ as one claster. And what if
ᚨᚱᚲᚷᚹ᛬ ᚺᚾᛁ is it? c~h, w~h in japanese, R~W~П, but
come on, even ᚨ because it was nearby. No, that's not
science, not even poetry, it's what is it? a delirium
maybe
youthful ~ useful
gesture languages is are
more intuitive:
I showed my ma that the kettle has boiled by showing
чашечка чаю gesture (as if I sip of a cup'o'tea)
followed by gesture depicting steam with my hand,
relaxed with fingers upwards making waving moves
upwards (the hand was making the waves (if I waved
with fingers, it would be smoke)) I was understood.
Also because of the context, of course. So is language
only understood in context a true language? Generally,
there's no border between writing systems and
proto-writing systems. Is there? There probably are
some characteristics by which different researchers
dared to put the line into the sand of different
examples of writing. How many of them there are? More
than there are humans. Much more (что можно перевести как неисчислимо
больше)
smoke ~ shake fingers
steam ~ shake hand (hand ~ team? as hand is a team
of fingers)
finger ~ moke? like маленький мук ~ м-к с п-к? (не
моук с поук, не мук с пук, но мальчик с пальчик)
moke is mesh (a cell of a net and such)
speaking of C being both K and S and probably Š as
well, since shin is both s and š)
Erato Melpomena Calliopa, called I the muses whom I
suspect to be all about literature, the realm to which
this work is the closest of my other things: biotech
immortality is the closest to science. And I also
strive towards musical achievements. Yet music is for
the autumn, my musicians can do it in the autumn. I
think the time around 22 September may be magical. 21
Septermer Septeember is New Moon.
So, why do I speak of other muses? Maybe tomorrow I
sing names of musical muses. I sang names of the three
scientific (in my non-traditional way, the one I
adopted in vol. III, I wanted to reject it but
Glukhoff said why, so I left them only adding some
self-ironic remarks. I love paradoxes. If those names
matter, they may find to tell me about the confusion.
Maybe they did. By the wiki page. We'll work on it to
be sure. I admit that here I am probably wrong, but I
keep on insisting. I sing them all in some weird
manner, some magic it may cause. We'll see. But no
abc-revelations. I left the starry sky because it was
cold, and because everybody was sleeping, I couldn't
sing proper anyway. I should live where nobody lives.
Where's that? Forests. I should be protected from the
wild animals though.
Erato Calliopa Melpomena said I when I thought of
eastern order being much more consequent from the
physiologic point of view. And that was how I recalled
their names for today's chant. Or could it be Calliopa
Erato Melpomena. I remember Calliopa from Simpsons,
what a shame, they're jewish
And, to my surprise, or maybe not, it didn't work. As
you can see, I write some literature and not my
linguistic project. Maybe I should sing other muses.
The three muses.
Suddenly, glagolitic scripts remind me the
hieroglyphs, predating LinearA, Cretan Hieroglyphs.
They say that Ⱆ the Uku У, ОУ
/u/ Ukъ
Uk teaching
Ligature of onъ Ⱁ and izhitsa Ⱛ[64]
That unicode chart does have some weird letters too: Ⱒ
is told to be some x, it looks wild.
Ⱝ is called triangular a, and basically ɑ
What were the chances, that they would put labial Ⱊ
right after vowel Ⱉ!
Yet how on earth can I even know if that order is
genuine!
And looking what Ⱜ was Jeru, Jerъ
Jeru (to my surprise, it has runic name) I found this:
That Ⱜ is probably ' russians use today instead of it.
Funny, I think they told me that it was a recent
development, as if in the typewriting machines when
they removed ъ's at the end of the words.
ab?
add
all
am
an
are
as
at
add
all am an
are as at
duh
far
ga.. see, I don't know what to add and what not, the
pronunciation definitely changed, so what's the point.
let's do it in russian, at least in that language I am
way more certain about the syllables.
Yet not yet.
That is one of the main tasks of this work,
to understand every syllable,
which would be one step closer to knowing every
letter.
Or, who knows, maybe I can only know syllables when
I understand the letters.
We'll see, if we're lucky. And come on, we're.
ав или гав? потому что гав is ав (Арно Тали told, that
ukrainian way to read г is more ancient and authentic)
ад как первое слово русского словаря? не охуеть ли?
Первое слово, которое не буква. Так-то есть и более
короткие (нашего внутреннего словаря, что если языки
хранятся не совсем в алфавитном порядке, но короткие
прежде длинных)
Но давай перечислим буквы, которые слова:
а (ах, и)
б (бы)
в (во)
ж (же)
и
к (ко)
о (об)
с (со)
у
я
а и у я(je~е)
аи уе? (на какой-нибудь автозаправке в первой
половине девяностых могли быть такие слова промеж цифр
(аи-70: 1л. = 0.1у.е (the price was given to me by
grok, I have little idea about how much it cost back
then)))
litre ~ liquid
10 гласных и 10 однобуквенных слов?
половина их: а и о у я одновременно и то и другое,
а можно ли сопоставить остальные
две пятёрки?
б
в
ж
к
с
&
Now this is a weird part, but I had
to look. Having writ the book.
е
ё
ы
э
ю
э ~ c ? потому что экс
ю ~ в? потому что вы
ж ~ е or ё, because jeNL and yoGB
б ~ ы потому что бы, потому что ы looks like bɪ
к ~ е or ё? but neither makes sense.
Повод не любить р: она превращает уметь в умерить или
умереть
уметь не
умереть
red ~ add?
рука ~ ука?
ром ~ Ом
right ~ aight! (а вот это крутейшая
пара синонимов. ради подобных находок и гадаю)
far is literally fa (a lon-long way to run (to un))
wrong: [rong] ~ [wong] (and r is not that far from w
articulatorilly, and even graphically as ᚱ & ᚢ
is it
not thow? r and w are articulatory the opposites.
read ~ eat
writ ~ wit (to eat (въ it))
резать ~ езать? ездить! (ездить туда-сюда (возить
туда-сюда))
река ~ ека? эка река
ха-ха, не надо ничего выдумывать, всё придумано до
нас:
Жил-был маленький мальчик, который
плохо разговаривал. Однажды пришли к
нему ребята и говороят:
- Пойдем, Вася, с нами на рыбалку!
- Холосо,-отвечает им Вася,-я сейчас пойду и умамы
отпласусь
Подходит Вася к маме:
- Мама, мама, можно я сребятами на "ебалку" пойду?
- Еще раз такое слово скажешь, я тебе ребро сломаю!
Выходит Вася к ребятам и говорит:
- "Ебята, меня мама не отпускает на "ебалку".
- Ну иди еще попросись, только вежливо.
Подходит Вася к маме:
- Мама, мама, можно я, пожалуйста, с "ебятами" на
"ебалку" пойду?
- Я тебяпредупреждала?! - крикнула мама...
Через 15 минут Вася, весь в бинтах, выходит к
ребятам и кричит:
- "Ебята", "ебята", я не пойду свами на "ебалку" -
мне мама "ебло"
сломала!
some brits pronounce
water as woa (uoa, similar to aoue in Lorraine and eau
in French)
Grok gave me some other words for water:
Norman: iâo
Picard: ieu or iau
Orléanais: iau
Champenois: aive or ève
Franco-Provençal: égoua or éva
Occitan: aiga
and if it's true, Eve the Ева could be water.
Then Adam is ад, агонь.
Interesting that word for water in hebrew is similar
to mam: maim (mother is ima)
and Greek word for Eve is Εὕα (which is very similar
to Eau, which is water in french)
Molly & Dolly are both Polly (I can only
wonder why)
Molly is Mary, btw, very interesting. And Dolly is
Dorothy and Dolores.
Rick is Dick, which resonates with R & D opposing
each other in the k-symmetry.
Мелета, которая Размышление, быть может когната
русского слова Мышление, если вторая е подобна е во
французском etudent превращающейся в с в английском
student: Мслета as in Мыслите (старинное название
русской буквы M)
Hadith names the Three Fates cranes,
Then God sent down the revelation. 'By
the star when it sets! Your companion has not erred
or gone astray, and does not speak from mere fancy…'
[Q.53:1] When he reached God's words, "Have you seen
al-Lāt and al-'Uzzā and Manāt, the third, the
other?' [Q.53:19–20] Satan cast upon his tongue,
because of what he had pondered in himself and
longed to bring to his people, 'These are the
high-flying cranes and their intercession is to be
hoped for.'
which resonates with the Hyginus account, who mentions
first letters to be in the shape of cranes:
The three Fates
created the first five vowels of the alphabet and
the letters B and T. It is said that Palamedes,
son of Nauplius invented the remaining eleven
consonants. Then Hermes reduced these
sounds to characters, showing wedge shapes because
cranes fly in wedge formation
and then carried the system from Greece to Egypt*.
This was the Pelasgian alphabet, which Cadmus had
later brought to Boeotia, then Evander of Arcadia,
a Pelasgian, introduced into Italy, where his
mother, Carmenta, formed the familiar fifteen
characters of the Latin alphabet. Other consonants
have since been added to the Greek alphabet. Alpha
was the first of eighteen letters, because alphe
means honor, and alphainein is to invent.[9]
The account tells of the 18 letters formed in wedge
formation, as if that was said of cuneiform, but then
in the context I suspect it to be interconnected and
maybe convoluted.
𓅢 (three storks? or, maybe,
three cranes? there are no two storks/cranes in
egyptian hieroglyphs)
Could it be that bꜣw the baw were the three cranes,
three mothers, three first letters of the alphabet?
бав as in абв? And if 𓅱 was
not w, but s, as I earlier suspected, then bac as in
abc.
Then 𓏲 is of C and not of و
(but if the generally accepted transliteration
correct, then arabic waw is the ancient egyptian shape
(it is given here as it would look being written left
to right, and if it went right to left, as arabs
write, it is reversed, and thus the similarity would
be even more striking))
𐡁 (imperial aramaic b) is upside down ב (b in hebrew)
the way
𐤁 (phoenician b) is upside down Б (b in russian)
which may tell that those are the same object, and
that the object could be positioned either way
𐡁 (imperial aramaic b) reminds
У (russian U) and if those are the same letters,
maybe ᚢ the upside down U is the same object. What
could that object be, that it's both Б and U?
любить ~ лепить (во время секса слепляются
(влюбиться~влепиться))
abhor as the opposite of adore
Мышление Мелета
подсказывает, что Ш это Е (и об этом же
student~etudent)
студент и штудировать единят Ш и Σ
Мнема is of memory (a cognate of memory)
в русском Мнить? Однокоренные слова. Мне как корень? и
Ма как Мама.
мне как в слове мне? мнение ((при) мне (но) не я?
(мнения (мне не ясно? ясно от я?)))
ясно ~ я знаю
сны знают? осознаются! съ н (где н ~ ум? mind ~ my
and? my end! самое глубокое)
н = en = end! that is why new is of that n. no is (as)
as an objection due to knowing something.
literally know.
I? (aye?)
no! nos! нас наше
I?
Aye!
tells that jeNL = jeFR
Just as nations tend to have the same or
similar name amongst neighbours (I should explore
the exceptions! Hopefully most of heteronyms are
calques: as соединённые штаты и великобритания)
and that I connected to personal pronouns
hypothesized to come of self-name (no internet
again, it's even funny how I cannot know so much
without it)
Let's explore that nation-pronoun theory:
I is then of English. i as in eng, which is then ing,
and that suffix is special english thing.
Ing.. is it in?
IkNL also agrees with the ing
hypothesis, because it's even
better closer to it.
They're rather similar, yet one fundamental difference
tosses them up.
And this is some other (it's on my pencil, which I
bought in some berlin museum)
𒀀 a
something like 𒁀 (ba) for b
and that Wikimedia Commons was something:
on the pencil it lookls like the third one with the
left-most part further inside, as if progression of
the fourth, the third, the way it's on my pencil.
Not as The first, the second and the fifth, a
tid-bit, but the image shows it's only higher.
but it seems to be something walking all the line.
Is it a lock?
The first and the Second are fenomenal, because they
look very much like B,
and did they write left to right?
Gemini: Sumerian was originally
read in vertical columns from top to bottom and
right to left, but around 2000 BCE it changed to
horizontal lines read from left to right and top
to bottom
The fifth looks like Б in that account. And we found
the direct cognate to B, a grapheme cognatic to B.
And it makes me think that 𒀀 looks very much like
A, and if it's reversed, then also as a.
the grapheme transcribed elsewhere
as za, 𒍝 c
And I had trouble finding its d,
so I made some photos:
Grok surprised me by identifying that D as botched
DU: 𒁺
E is probably also messed up: 𒅀 is ia, ie, ii, iu
Ligature of 𒄿 (i) and 𒀀 (a) to
originally represent the phonetic value /ya/. Its
use was then further extended to represent /ye/,
/yi/ and /yu/.
So is that pencil even legit? I think I was told by
the lady that it's not accurate, when I bought it,
but also possible that I made that memory up.
F could be 𒉿 (wa)
G starts as 𒄑 [ez/es/eṣ, giš, iz/is/iṣ]
And since that 𒁀 is reversed, 𒄑 is definitely C
GIŠ 𒄑 "wood"
(few days later I look into it, and I'm rather
apalled. that was my reasoning? "definitely"?)
H is drawn as a combination of what they called C
and what they more legitemately call O,
but it probably was 𒄩 (ḫa)
𒄿 i, this one's legit, just as I was going to drop
it.
𒅀 j (but it's just 𒄿𒀀, ia, thus ja (recognized as
a separate letter (maybe to make them 24)))
Is it authentic, that they're 24? It's bought in a
museum, I like museums more than academia.
But they're not necessarily academic, so some
scepsis is also there.
K is also legit: 𒅗 is as they have it in the new
form:
𐎾 is probably L, only it's not hittite, but
old-persian.
Also interesting how that 𐎾[l] opposes 𐎿[s] in old
persian, just as l opposes ſ
(and it also shows how much l~j)
The other glyph, similar to 𐎾[l] is 𐎼 for ra and
ri (but not ru) according to this
Which is just incredible, considering that thye have
that middle horizontal to the Left and to the Right
respectively.
They have that M similar to those two. And in that
pencil L is M with an additional stroke.
And I can only guess if maybe they represent a
different, but related, writing system.
But knowing how graphic designers may fuck the shit
up, I doubt it. I use it to learn the cuneiform from
other sources. Finding a teacher wrong is the best
way to learn, so I think I heard. The only one
better than simply practicing something, which is
better than everything else.
Maybe mil/mel 𒅖 (=iš) is that M? That's
hittite.
Or maybe it's 𐎸[mu], that's old-persian.
And boy does that 𐎸 remind M when rotated 90°
That pencil definitely delivers:
𒈾 is that N:
And that 𒈾[na] is probably fish, also because nun
is fish in hebrew, and these are probably related.
But wiki tells hittite is indo-european (hebrew is
afro-asiatic) but I don't take these classifications
for granted, I think they're rather arbitrary, and
maybe even politically motivated.
O is based: 𒌋 is u in hittite, they don't have
other o, they're like hebrew in that. 𐎓 is o in
ugaritic.
So, based. Maybe the only letter universal between
the two.
𒉺 is PA in hittite, so also based. And rotated 90°
is looks like П.
Yet isn't it too convenient? I rotate it 90° or
180°, which is not very systemic.
But, on the other hand, check how phoenician roll:
𐤀 𐤁 𐤂 𐤃
Д Г Б А
they rotate them all around, differently.
The objects they depict are the same objects
regardless of the angle from which it's shown.
P in ugaritic is similar: 𐎔
Hittite Me: 𒈨
Ugaritic M: 𐎎
The two definitely related.
𒆪 is the closest ku to their
Q I could find.
Yet this table provides more similar glyph to that
Q in its QA, which is also the source of K.
Though there's also 𒆐, which doesn't look
decyphered; just as its triple form 𒆑
Aha, here it is:
𒋡,
as shown in this table:
The R from that pencil reminds 𐎼, the old persian
ra/ri,
but also ra and la of this table of Sumero-Akkadian cuneiform syllabary,
used by early Akkadian rulers.
Maybe it's of hittite ra, 𒊏?
Their S is probably šam 𒌑, even though it has four
vertical lines, and they're higher
Here are your three vertical glyphs. That S is
somehow the UVW too:
to spoeak of the Satan
speak ~ спеть?
The T is somewhat similar to 𐎫, old persian ta/ti
The U/V/W are the S somehow
Their X reminds 𒄒, without the rightmost two, I do
not see the glyph as on that pencil in unicdeo.
(oh wow, o lagged a lot; I wonder why. I'm severely
tired)
Their Y reminds 𐏂 the old persian ç
Their Z is instant wtf, I didn't find anything
similar
Meanwhile, let's check some other
view on Ba.
The same Ba, but other point of
view: the old and new forms (the left most and
the rightmost) are as on those images above, the
"new form" is not among those variants exactly,
but one is similar, here it's utterly bi-lined.
Which may explain how that Du turned into
something else. And the question here is if I
should trust the version of D on the pencil or I
should consider only what is in the unicode?
𒁺 is boot in cuneiform (and is boot, go, bring in
sumerian and akkadian)
And at first I thought (and, maybe, said) that it's
position tell that we should rotate the text 90°
clockwise and read it that way, because I thought that
foot should be standing, because go and bring speak of
that position of the leg. But then I thought "what if
it is for surgeons mostly? What if the body lays? But
now I see the meanings, and I doubt it. Though both
cases are possible, and maybe some others too.
maḫ 𒈤 (=MAḪ "great") is great, since I am Mahead,
thus Great D read as maḫ add
(add as D? Сравни добавь и убавь,
чтоб понять суть этой D)
морить ~ мочить (не тольсо в значении морить ~ мочить
коры ~ отмочить, но и в том значении, что морение это
пропитка: что-то, подвергшееся
процессу морению (выдержке в воде или растворах,
особенно древесины, отчего она приобретает тёмный
цвет, твердость и прочность))
а также заморить ~ замочить (странно, я думал это
свежий жаргон, не базовый (каковым оно всё, скорей
всего и является, но что тогда это за что это за это))
Thinking of how marineers are inventive with their
language (as if they have a separate language, Argot)
I imagined being one, as there is the stav of the
border between sky and see, and 𓏏
is for land, as in 𓈎𓅓𓏏
But in hebrew final t means language, not land, and
here I see how both start with lan.
So, this I think now, but then I only saw чайку, а
чайка выглядит (и рисуется) так: т,
словно она тайка, тайка (майка? ямайка?) и всё
во мне соглашается оттого что чай~тай макес сенс: как
в чай~китай. ки is spirit (in japanese. In chinese its
chi, both are c, c is spirit. c is 𓂓! 𒄑? (or 𒍝?
(djah?)))
Was egyptian in the centre and our C and 𒄑 bowed in
front of it, probably because our wizards were sitting
around the phenomenon and observed it from different
sides? Were they sitted that way by their nationality?
т is
the golden middle between т and т
but then it also adds the serif at the bottom. I think
T is for Tree.
Was alphabet a path from Apple to Tree? to Thee?
Was it A B T? Адин дВа Три? A W T? was there some
four-root ש for the lower parts are counted, since Ʌ
is 1
and W thus is 2
and are Δ and Α in ΔWΑ guards, turning 2 into 4? not
necessarily: in english they're T and O.
m as double n reflects double labial, single lingual
(be it n or л (as in ΜΛ)) and т(т) as double л
contradicts double voiced single voiceless
observation, just as т(т) and п(п)
давай ~ дå в-й ~ до в-и ~ до
встречи
давай ~ да в-й ~ дå в-и ~ до встречи (да встрече)
да, vie
I just sang эйя in the sense of Аойда
В архаичных
греческих и догреческих религиозных традициях
музы, вероятно, происходили от единой божественной
фигуры, связанной с вдохновением, знанием и
памятью, которая со временем дифференцировалась в
три, а затем в девять муз, отражая эволюцию
мифологических и культурных представлений. Эта
гипотеза опирается на косвенные свидетельства
локальных культов, таких как почитание трёх муз —
Мелеты, Мнемы и Аойды — в Беотии (Pausanias,
Description of Greece, 9.29.1–2, trans. Jones,
1918), и на роль Мнемосины, богини памяти, как
матери муз в классической традиции (Hesiod,
Theogony, trans. Most, 2018).
and it felt right, as in эра too, and I remember
erato, and that is a good name, considering that the
names of muses can be turned into initial vowel,
initial labial, initial lingual (which is natural,
since there are no others)
Эрато like love song, which even birds can sing. And
probably bees too.
and то in Эрато is like да in Аойда.
Beotia are important because of mythologic importance
abround alphabetic origins, and because it is four
vowels and the two legendary consonants.
j and r are sonors. sonors are definitely its own
kind, especially since most of them are in one line.
(all, except r and w(ᚢ~ᚱ (my old question of why are
those two so similar, and one thing in wr [r] silent
letter w. as silent letter b in lamb (are those be and
w both Вы (because they could be excluded not to spell
the spell through: by adding вы the w in rite, and b
the вы in lamb (lam is ram, and b is baby))))))
мнема не столько понимать, сколько поднимать (в
памяти) т.е. помнить. помять? мнема мнёт? морщит лоб!
Я здесь ныряю в идею индо-европейскости, но деляю это
по своему.
аойда похоже на ария, и немножко на канта(та) но самое
интересное в ней то, что она почти вся из гласных. без
б. но может й~w~б? аобда? не,Ю
нее не гони. Аойда
похоже на Гойда.
п sounds lower than т (they are like drum and snare)
is it why bas et hout are read ба и от?
Почему я написал именя уз.. имена муз не с заглавной?
Я не уверен что эти имена точны или что они применимы
к моей теории. Я помню, как пришлось от Аллат Ал
отнять, объявив её определённым артиклем. ла как ляля,
потому что в манат ма это мама, а в узза? она бабушка?
старики перед смертью гласными говорят, потому что
язык не ворочается.
Манат ис пробабли Мнема
Узза не так далеко от Аойда
Ал Лат is similar to Мелета in that both names hsa share that лVт claster
(vowels are rather arbitrary: compare рок и рiк..
блин, я до сих пор не размовляю украинской.
Three cranes? Three storks? Three fates and three
muses are the same, and thus f~m, t~s, a~u
𓅢 three
saddle-billed storks
Ba-souls; metaphorically: Power,
glory, respect (bꜣw)
compare it to this one
榮 is Kyūjitai form of 栄 (honour, glory,
flourishing, prosperous, )
which I found in this very volume, looking for 𓅢 by hono.. and I wouldn't find it
if it wasn't предворено этим:
The three Fates
created the first five vowels of the alphabet and
the letters B and T. It is said that Palamedes,
son of Nauplius invented the remaining eleven
consonants. Then Hermes reduced these
sounds to characters, showing wedge shapes because
cranes fly in wedge formation
and then carried the system from Greece to Egypt*.
This was the Pelasgian alphabet, which Cadmus had
later brought to Boeotia, then Evander of Arcadia,
a Pelasgian, introduced into Italy, where his
mother, Carmenta, formed the familiar fifteen
characters of the Latin alphabet. Other consonants
have since been added to the Greek alphabet. Alpha was the first of eighteen
letters, because alphe means honor, and alphainein is to invent.[9]
Isn't it interesting that Pelasgians, Palamedes and
Nauplius all have the pl sequence in them.
Could pelasgian be of poland?
That myth let tells
that the first 7 letters are prehistoric, attir attriu attributed to
goddedss goddesses
and others have hgi
historic accounts of them, as of Ruca, not mentioned
here, the guy who is told to have originated turning C
into C & G (if not the first to do so, he was the
most, thus that the history remembers him first and
foremost, if not only)
BeoTia, could it be the first set?
First is B, a is the last? as я in russian. эюя also
reminds Аойда. Aoija. Aoiga. AOI-Jah?
AOIYA, the first gamut?
If not the first, a previous.
starts and ends with the same note, on a diffent
octave whatever it meant.
алкашам хочется общения, уважения (мысли после того
как одного побрил с дунуть)
общение ~ уважение
общение ~ обещание
сенная лихорадка ~ осенняя лихорадка (во всяком случае
у меня)
осень ~ о сене
сено ~ с-ено ~ сушено
сушить ~ c-ить? свесить!
It is surprising how many cuneiform glyphs remind
their homonymous more letter letters:
E is of ugaritic 𐎅
K is of sumero-akkadian
𒋡 [qa] (a cut (of meat and such) and one sila (the measure unit of capacity))
U, V, Ɔ are probably of 𒌋, which is thus naturally
vav.
Surprising though that neither 𐎚 nor 𐎂 are I
𐎚 is t in ugaritic
𐎂 is c in ugaritic (very close phonetically, maybe
saying that rotation makes a variant, in such a
proximity, that I feel confident rotating them all as
if it doesn't change them, though let's be honest the
way people pronounce A and 𐤀 is different)
-𒀸 in hittite [-aš] third-person
pronoun he, she, it
isn't it ich[iʃ] in делаешь (as if russian called
deutsch the way they called themselves)
isn't it it in делает? это оно и в африке это. и то is
that (probably merged "the it" (то это (the same t in
the and it. naturally. the = it he?)))
t is it. es et, not es tee
and what were the chances that it is said in the
context of
𐎚 is t in ugaritic
-𒀸 in hittite [-aš]
third-person pronoun he, she,
it
That though grew out of that, but not of that it, of
he and [-aš]
Subconsciously I saw it all in front of my eyes. i
wrote it.
and there are more to it:
𒀸
Akkadian:
Logogram: 𒀸 • (AŠ)
Sumerogram of aplum (“heir”)
(in personal names) Sumerogram of
nadānum (“to give”)
(extispicy) Sumerogram of šēpum
(“foot”)
Logogram: 𒀸 • (AŠ) Akkadogram of
ina (“in, on, at”)
Logogram: 𒀸 • (DILI, AŠ)
Sumerogram of wēdum (“single, alone”)
Hittite:
Preposition: 𒀸 •
(aš) INA: in, by, from
Conjunction: 𒀸 • (aš) AŠ-ŠUM:
because
Noun: NA4.AŠ.NU11.GAL "adobe" 𒀸 •
(aš) AŠ.ME "solar
disk" (KUR)URUAŠ.ŠUR "Assur"
Sumerian:
Verb: 𒀸 • (aš) to
be one, single, individual
Verb: 𒀸 • (dili) to be single,
unique, one to be alone
and neither vertical line is I, neither of the three:
𒁹
Akkadian:
Logogram: 𒁹 • (DIŠ,
1) Sumerogram of ištēn (“one”)
Determinative: 𒁹 • (DIŠ, diš, I,m, p)
used before (mainly) masculine
personal names.
marker for beginning sentences
and paragraphs.
repetition marker.
Sumerian:
Numeral: 𒁹 • (diš)
one, 1
Noun: 𒁹 • (santak₄, sag̃tak₄ /sag̃tak/)
(mathematics) triangle
wedge (of a cuneiform sign)
Determinative: 𒁹 • (diš, I, m, p)
used before (mainly) masculine
personal names.
marker for beginning sentences
and paragraphs.
repetition marker.
𒐕
Sumerian:
Numeral 𒐕 • (g̃eš₂
/g̃ešd/) sixty, 60
𒑰 is some other sumerian glyph, google hardly even
knows it.
yet it knows it: CUNEIFORM
PUNCTUATION SIGN OLD ASSYRIAN WORD DIVIDER
And since we're at it, here's Early
pictographic signs in archaic cuneiform, used
vertically before c. 2300 BC.
The first inscribed tablets were
purely pictographic, which makes it technically
difficult to determine which language they
represent.
Interesting, that the glyph looking like 田 (farm,
field) is also about agriculture. The same glyph.
It probably became 𒇻, which is sheep, ram, ovine, yet
also to be abundant, and also stir up, mix
Yet more modern cuneiform glyph for sheepfold is this
monstrosity 𒁦, which has 𒇻 as inclusion.
слово моральный все сонорные собрало.
нормальный тоже, но оно н
дважды использовало.
гласные тоже разные: о а и
Аойда ~ делающая аой? вой? пой!
рой тоже жужжит, но это черри-пикинг.
А О И
that's ogham's
a reminds ה and also 𓄿, so is ה that eagle too? or
are they nothing but similarity of shapes
א reminds 𓄿 more
and isn't א being ה with a diacritic in the right top
corner?
間 is ma in japanese and jian in chinese.
As ma it is middel, as
jian it is only similar to den, which is also given as
its translation by g.t.
middel is a middle with a typor
It is also room and interval in space or time.
I found it in 田間 [tiánjiān (тхен дзие́н)] which is
field, farm in chinese, and not in japanese.
And, look: 田閒 [tián xián (тхен сен)], another word for
field, and field only
閒 is idle, interstice, separate in chinese; and
doesn't seem to be known in japanese.
god ~ guide
девчонка хоть куда в детстве понимал иначе
диалог выхватил
— обшвырял меня по деньгам, и всё равно выкрутился,
такой ушлый парень
— ну, для ужа он довольно толстоват
ушлый от уж? (но чел походу просто не расслышал)
ж как живой, ш как шивелится (шевелится)
vowels ~ bowels (видимо, из-за
отрыжки, но может и меха лёхких к bowels относили)
Do
𒅗 shows that it's to be read rotated 90, and since
they say that they go left-to-right, thus not
european, but chinese manner. Which also makes sense
by the way chinese strokes remind these cuneiform
strokes
𒁺 is another example of the same angle. And the table
of the previous image shows that too.
The predecessor of cuneiform:
it looks as if really knowing this stuff one can
decypher the indus script
Will I ever be able to read it? Who knows, but it seem
I can see the starshape an the 𒀭 in the rectangle
third from the bottom and fourth from the right and
few others.
And the 𒊹 is told to be 3600
It's told to be Sale of a number of
fields, probably from Isin, c. 2600 BC. which
may explain the numerals part.
𒆙, huh? This and many others don't even seem to be
decyphered yet.
ChatGPT is fine too.
it tells me that elamite zari is cognate to arabic zar
and cognate to yel in yellow and жел in жёлтый
And reminds me of феномен буба-кики, быть может
порождённый формой букв B & K.
Внезапно он понимает клинопись лучше чем Grok (но я
вожусь с третьим, может четвёртый не хуже, а то и
пятый вроде выходит если не выше ещё)
𒆙 liri₇ / liru₇ / lirum₇
– "сила"
Структурное описание Знак KAL,
пересечённый другим KAL
Декодирование Полностью
расшифрован: смысл и фонетика известны
Знак KAL, означающий "сильный": 𒆗
Говорит, что 𒋡 может быть использован и как чисто
фонетический знак без смысла: ка, га, и другие.
It also told me that buba/kiki phenomenon is universal
and also works with illitirate and chinese.
Yet I would consider that report a replication crisis
candidate, for naturally they saw the letters.
But what if it's natural, what if B like this because
гуБы, liPs, but I arbitrarily capitalize by cherry
picking technique, yet what if li is le, the the, and
гу is ה the the, and could ה be гɪ? гו? the ה ו?
then surely more examples can come along.. let's find
them..
гуляй гулять но думал это блядь
гуляш из ляшек? народная этимология отстой. она вся
народная, академики часть народа и не обязательно
лучшая.
гурьба
кутерьма.. глупое задание. омонимичность морфем
неизбежна. но и неслучайной может быть.
гурии rei? цари? ца тоже the?
цапли? пли? охотничий типа,
да? с такими аааааааааааааааааааааааааааааааааааааааааааааааааааамммммммммммммммм
(это клаву чистил)
цак the к, the колокольчик
(но это конечно дичайший пример)
цалофан
цалувать (целовать це любить)
царица riz, reia reja raja (то же ра что в бара?)
(но здесь кольцевая логика, нехорошо. не
доказательство, иллюстрация)
царапать це reap? рвать?
цацки цки? от тётки из цк?
(этим занят затем, что такие упражнения помогают
почувствовать язык, прощупать его)
гуща the ща? как щи? щи густы? сты?
сыты!
губастый бастый басовитый б как в низкая буква, i
как ц звончей.
кики потому острая, что падая бьётся на такие
осколки с подобным звуком: коц
падушка падает (от накуреные?
однокоренные?) мяхко, глухо, буф, пуф. была
подушка стало пуф.
гуталин не таллинн в нём видимо
корень гу как в goo, как в грязь и прочее г.
гусь S?
why doesn't duck has S? is ck their C the С the S?
then d is g, for both are g
g for жёлудь? ж похоже на лист дуба (на котором жёлуди
растут)
Сегодня только в тетради (shining north 1) писал о
том, что лист берёзы похож на B?
Б? b! и b
(the b part is not in the notebook,
I just saw it)
And maple leaf looks like M when it's one way, and
лист клёна похож на К when it is turned 90° of M
And now I recall that I saw it somewhere: Ⰿ the
glagolitic M looks pretty much like K turned 90°.
MK of manjurian candidate and
mind control ultra makes it spicy. just as AMZ, like
wtf: those three are objectively initial, middle and
final letters, and they're the name of the madhouse
where I live, like very trumanshowish.
good ~ the D? D is for Добро, but not in english,
there it's G
д the g the g are
literally добро, and recently I saw russian name of
some other letter to be true in the context. Not sure
I wrote it down.
G and D as God and Devil. Devil is of Deus, and maybe
it makes it cognate of Добро, добры, добра, добру, о
добре
добрО
добрА
добрУ
добрО
добрОМ
о добрЕ
добры
добръ
добра было но в другой форме. Оп
Почему эти формы совпадают?
добро среднего рода
добра женского рода и родительный подеж мужского и
среднего рода
потому и женского рода, что родит?
Аз Буки Веди
вЯз Букъ В? Г? Дуббб
ЯСень Букъ Дуб
Ясень is Ash.. was it used as firewood?
Cуп ~ съ п ~ съ питьём?
Soup ~ Coup?
up is an in ..wait. is it the risk of talking to ai
too much? It's rather overwhelming:
it was an offered cognate. an is sky in elamite, and
an is sky. Yet
an is up in proto indo-european, they reconstructed it
as such.
Elamite Word
Meaning
Possible Cognate(s)
Notes
šak
king
Sanskrit śakra,
PIE sek-
(“power”)
Similar root meaning:
authority
mu‑uk‑ti
master/lord
Latin magister, PIE meg-
(“great”)
Possibly related to
“magnate”
nap
god
Sanskrit napāt
(descendant, deity)
Maybe from shared cultural
ideas
tukul
weapon
Akkadian tukul;
PIE teg-
(“cover”)
Appears in Akkadian too
hal
city/land
Germanic hall
(place, hall), PIE kel- (“cover, shelter”)
Possible false cognate
kur
mountain/land
Sumerian kur,
PIE ker-
(“high”)
Adopted widely in
Mesopotamian languages
an
sky, heaven
Sumerian an,
PIE an-
(“up”)
Cultural borrowing
me
deity-power, fate
Sumerian me,
PIE meh-
(“measure”)
Conceptual resemblance
šimut
name
Hebrew shem,
Arabic ism,
PIE nōmn̥
Semitic cognate more likely
zari
gold
Persian zar,
PIE ghel-
(“yellow”)
Regional borrowing
napir
god
See nap above
Common deity suffix
temti
eye or vision
PIE dem- (“to build/form”)
Semantic stretch
kalme
strong
PIE kel- (“strong/swollen”)
Possible distant link
napuš
life
PIE nebh- (“nurture”)
Speculative
ir
man/husband
PIE wiHrós (man), Sumerian
er
Overlapping forms
The table is from ChatGPT, and here's Gemini:
"Proto-Indo-European *an" can refer to
two things: the hypothetical ancestral language of
the Indo-European language family
(Proto-Indo-European or PIE) and a specific
reconstructed particle *h₂en from that language,
meaning "on, upon". The particle *h₂en is seen in
descendants like English "an," "on," and German
"an".
Grok, Gemini, GPT, why do they all begin with G? Is it
the will of the technology itself? Or are they all
masons or gangsters or consider it god?
Willow is for S in ogham, and thinking of how much
wavy leaf of willow goes, it makes perfect sense to
have it to be S.
John pronounced like John, but it sounds very much
like Jon (with [j] not [dʒ])
(in
case it is deleted, it's Paul getting award for Let
It Be)
Dad sounds pretty much as тять (в значении тятя, папа,
dad (thus тятя is a cognate of daddy (not something we
already didn't know)))
Trees bloom at different time and thus may be used as
calendar.
Letters could be influenced by their shapes (most
likely by leaves, you can determine the tree by the
leaf, and in early criminology it could be used: the
print of the feet denotes the animal, thus hungers
were before human-hunters? They could see where the
beast came from by the layers of trees which stuck to
the wheels and boots. Probably clothes could predict
the alphabet. Alphabet is just the recent period of
the history of writing.
And trees (or, more likely, their elements) would
determind the shape of the letters. letter and leaf
both begin with le. thus could ᚦ be the rudiment of
the oak-leaf? for it has many such bulbs all around
the contour of the leaf. all around the perimetre of
imaginary inner leaf. An the differences would made
the difference. Thus, leading from the hypothesis of ᚦ
being simplified this:
When you see it like this, it even has some semblence
with ᚦ
both leaf and the eikel
and eikel looks like glans, so no wonder ᚦ is
considered male.
дуб could be D у B, since the patterns looks like
one on the top of the other,
the way ogham is written, btw.
And so could be Oak, only the other way around: ᚐᚑᚉ
or ᚐᚑᚊ (could it be that ᚐᚑ is for the shape of the
leaf, whicl while ᚉ
and ᚊ would be for eikels? But the sizes are
different.
Yet here's the other way to write ogham:
How reliable is the source is hard to say, it mostly
corresponds what I earlier saw, but that Y glyph is
not, and the . is ᚜ and legit. Yet why did she omit ᚍ
is a mistery to me.
Lo Boièr ("The Oxherd", also known as Le Bouvier in
French)
the vowelness of Boièr made me think of what if it is
a way to write UoièA?
And Oxherd.. Ox is told to be what A is. Could it be
that the oxherd is the alphabet?
It would explain the AEIOU part, so let's check the
lyrics.
And in the first line laurar, a word so similar to
laurel:
Гийом Белибаст в 1321 сказал: ”Al
cap des setzt cent ans, verdajara lo laurèl” (Через 700 лет лавр зазеленеет
вновь)
The text is fascinating and makes more sense than
when I first read it, reminds me of holy water
made by dipping dead body of a saint into it. And
here they tell how to bury holy people so that the
springs become holy. I wonder if it's even
sanitary. Who knows, maybe it has some sense in
boosting the immune response. But it also could be
a way to spread plague. So who knows, maybe
catholics were in the right, but then I might be
imagining things: there was plague much later too.
And orthodoxes practice that necro praxis, and I
never heard that it caused any health issues even.
So wild though. So brutal. So insane even. Kikes
may be doing all sorts of crazy shit, but dead
bodies they avoid.
Wiki explains it otherwise, but I read it as the
belief that devils can go to heaven when they are
in holy humans.
BUT, I do not see any alphabeticity of the text.
IOA as lIngam, yOni, bAby or something, could be
the basis of IeOuA
Отец (ты? те?)
Овец (вы? we?)
Христианство through and through в языке.
Оно вечно в нём и в культуре как часть истории,
неискоренимо.
Как и язычество что было до него.
(it's hard not to indulge into anagrams when I
break sentences like that, maybe that's why I
usually don't. Because all these burimes do not
matter, poetry is a slick trick, but rhymes demand
meanings which were not originally there to be, it
overcomplicates the text with additional rhythms.
Maybe it was a form of steganography)
Symbolism is steganography.
Can I hide something like Let's kill bad kings! by
overloading the text with poetic means?
Let's do it, kill,
he's bad the king. well, not
hidden enough.
Let's do it, people,
kill him, he is bad! now
that is somewhat better, but only because I hid
the wildest part.
Let's do it, people,
Gather all around,
I'm gonna tell you
What we all should do... wait a second.. I have a
better idea. Let's start of the most contraversial
part:
in kill and king are kiki of the sword (of this
word (of this world? меч и мяч))
kicky
icky
rill and ring are like the opposites: rill is
ручей (а речь река) which is a long line, and ring
is circle.
And are kill and king opposites? You cannot kill a
king in chess. You need him
alive, to rule how he could rule. To have him as
кощей бессмертный в подземелье на цепях.
sill and sings are neither antonyms nor nothing,
just some completely different words.
soul and song though... Are there not words which
are similar _somehow_ and words that are not
That's the point, to find all
the similar elements of the structure of the
literacy,
and to check those for consistency thus sorting
out accidental coincidences from systemic ones.
Русский, мазафака, ду ю спик ит? Ай сколд майселф
фор нот ноуин инглиш инаф ту стик ту ит.
kill and king are english, so I work with english.
And what is it? A poetic possibility.
жил и жин.. жинка?
пел и пенка (как русский чувствую что пенка от
пение, это можно лишь в стихах использовать,
ничего общего. Но может
пеной звук изучали. Но это спеклулялтивно капец.
стол и стенка?
пол и пенка?
пол и подпод и потолок
п-л и п-дп-л
под ~ пол
пол это под ~ пад (по+до?) под=подо: подо мной.
по+до? мной
подол может быть корнем обоих слов. по долу? подол
по долу (расстилается? чтоб зверя запутатит запо запутать
и запугать (и поймать!))
Сети видимо были такими подолами.
по дон
поддон ~ под дно
а невод что значит? неволит он. не вод? не
выдаёт? не ведёт ~ не пускает?
(ва нглиском разве бы я такое
просёк)
а сеть? сетка от cell (ячейкаб gr in grid maybe
cell, and maybe c in сеть)
сети соты
съ еть, соединённая
съ отъ (вместе но отдельно)
суть? съ быти? событий? (а
суть какова? ~ а событие какое?)
д has those fangs because it's дог, друг. и нос
квадратный над клыками.
д is for дог (нос квадратный над клыками, основные
характеристики зверя)
эта строка для словарного файла (может даже для двух)
невод ~ из вод?
не иди ~ изыди
но "не бежать" вообще не то же что "избежать"
(избежать можно убежав)
kill ~ king похоже на пил ~ пьянка (суффикс ing
значит что он всё время к
(как пистолетом в висок или ножом по горлу
жестикуляция) & к & к.
Он тот кто делает к, ing это активный залог.
в кил тот же суффикс что и в бил? мы заимствуем у
них существительные, а они заимствовали у нас
глаголы? kill как в колол? peel как в полол? mill
как в молол!!!
seal солил? солёных вод любитель? sil солил, но
это украинский, а на английский
meal молол (в значении ел, жевал, умял)
will велел (в русском повторяется суффикс, та не
мы ли заимствовали и глаголы у них, только здесь
вместо удвоения суффикса множественного числа
произошло удвоение суффикса прошедшего
времени. will ~ wed? makes sense, but let's
look more: feel ~ fed? less of sense, but keep
on.. bill ~ bed? mill ~ med? kill ~ cat? well, cat
is a well-known killer, and wasn't mills used to
grind minerals into potions?
Other words for снадобье are
nostrum (панацея) and arcanum (колдовской
напиток)
ailment ~ illness
(ail ~ ill)
(ment ~ ness)
лиф is an interesting borrowing: it probably comes
from english lift, for it does, but then the word
лифт was already taken.
а на самом деле.. Слово «лифчик»
образовано от русского слова «лиф» (верхняя
часть платья, охватывающая грудь и спину),
которое, в свою очередь, происходит от
нидерландского слова lijf — «корпус». Таким
образом, «лифчик» буквально означает «маленький
лиф» или «часть для лифа», то есть
уменьшительно-ласкательная форма от «лиф».
Раз я пишу о таких вещах, то имеет смысл выдать
пророчество: Хельсинки и Варшава должны управлять
процессом перестройки (даже Хельсинки, больше чем
Варшава, потому что они меньше были поражены
коммунистической заразой, они сразу её пресекли.
Поляки могут быть compramised, Helsinki should
investigate the politicians who came after one of
their governments were all killed in russia.
Тогда ХВ будет не хуй вам, а
Хельсинки-Варшава. И два направления
путешествовать по россии: через питер или через
москву.
There are eight variants of this shape,
and it is rather surprisingly, that the first five
especially remind abgде
when like this and абGde when rotated 90°
clockwise, as on the book put on the shelf. The
next three only poorly can be attributed to fgh, and when it's like
this, it's more of fgi,
like this it looks even less like h, nothing like
it really. and the other way too, I had to curve
the h back, like 𐒙, like why? And f is nice like
this, for the hook is in the right corner, but
when 90°ed it's not so much of the kind.
But then maybe there's a reason that only the
first five were like this? maybe there's a reason
they may be seen as абgде
like these
or these: and these are
even better, a) because G-like shape was offered
to me by a friend, who thus motivated to explre
these, and this order makes a not necessary, for
without it they would make up two versions (two
directions) of the ࿊.
b to g as д
to e, and if I had to go into gender roles of
those, then b to g are boy
to girl, or баба to дедa? Probably, different
people have (had, mostly not anymore)
different opinions on these matters.
So,
бgдe? бог
dei? б-г де? вы где?)
или, в восточном изводе, где бля, где бля есть
баал, господин, хотя скорее госпожа. Я провожу
знак равенства между бля и баал? охуел? но ведь
была же причина те слова запрещать.
абы где?
(бы = б)
op que? are
est? дичайшая абоминэйшн,
Another alphabet beginning with bt:
The Osmanya script as reproduced
in Lewis (1958: 141), with phonetic values of
the letters. Note the lack of an alef even at
this date and the different alphabetic order
compared to the presentation below.
They say it was invented a century ago, but what
if it was introduced a century ago? Why would they
drop a, it makes little sense. And let's compare
the order to the bt-order we saw in some tifinagh.
That is not exactly the representation I had in
mind, but that the first letter is called final
vowel speaks volume. So russian final vowel in the
alphabet, Я, stands for I, and I used to be
translated as Аз (the name of the first letter)
But then it is suffice to compare the orders, and
though some similarities in the orders are
present, they're two rather different orders. But
bt as the first letters, that's unique and the two
are geograpically in some direct proximity.
Is it that impossible that off to over is as got
off to got over as готов to готова?
Because game over is game's
off. sorta
область ~ волость ~ власть
(въ ~ объ) (во
~ обо)
власть от слова владеть, следовательно область от
слова обладать. И по смыслу область это территории
принадлежащие городу (замку, двору, князю, королю)
область ~ обладать?
значит с ~ да? типа si?
Thinking of how kuroi is black in japanese, kara
is black in turkic languages, krshna is black god, कृष्णः
krushnah is black in sanskrit
is schwartz quartz? Was quartz black like
obsidian, was here a semantic shift or am I
stretching it?
And I don't even have to stretch it, for russian
чёрный
is of both kuroi and
schwartz.
river ~ рыба (and
something deeper wonders if it's not the г[в] thing)
now let's compare
long and line
(следующая строчка исходит из того как асуры это
демоны у индусов, но ахура это бог иранцев. дэва
это деман в иранском, но бог в индийскийх (имеет
смысл говорить о регионах, а не о народах. не о
языках лингвистических. лингвистические языки суть
сплетения из принятых в регионах методах и
лексиках (в питербужском фланировать есть, а в
челябинске так не говорят, по пидорски звучит.
что-то с фалляцией
наверное с фелляцией, фаллос говорит что глсн лшн)
Если бог и дьявол субъективные понятия, то ангел и
демон доложны быть тоже?
Demon is de mon (at least in french such
connotation is present. And I look at the semantic
side too, of course. In that sense.
case demon
(weirdly I dropped it here. Let's continue)
angel in this sense is on all, на целое. ел в
целое это all? the all. and oe as oo-ee-oo-ee-oo,
meaningless singing to make iot beautiful. Maybe
even were parts of some songs those vowel
colourings. But that is speculative.
Прикладываю заготовку второго издания и приглашаю
в круг рецензентов этой теории.
Прикладывая заготовку второго издания приглашаю в
круг рецензентов этой теории.
Быть вечно
Быть молодым
Быть счастливым
вечный молодой счастливый
быть умным
быть богатым тоже же важные желания./
Абсолютный ум, способный что угодно понять, даёт
все желания, ведь так. Если есть возможность стать
вечно молодым, абсолютный ум это поймёт, и если
можно это сделать, поймёт как сделать, и с
достаточным количеством воли достигнет
поставленной цели.
видный~видимый
н~им
(но по большей части только здесь. им на н не
заменить. на ем можно: 'em (кто-то мы, а кто
...кому-то мы, а кому-то 'em (them is probably the
'em, the М (but what am I talking about, me is
pan-european. me and 'em could be the
opposition))))
Comparing lash (of eyelashes) and tash (of
mouthtache) I think sh is hair, шевелюра,
cheveu[ʃvo], while l is for лёхкий, а t is for
тяжёлый (eyelashes are the most tender hair of all
places we consider hairy (naturally
some thinnest hairs on our bodies are lighter
than eye-lashes, but we do not consider those
places hairy: when we say that pubic hair grow,
we don't count in toddlers, even though there
also may) while mouthtache is the firmest
of our hairs)
light ~ low
heavy ~ high
(this may speak of some other (and more intutive,
btw) system of musical notation (or could be a
coincidence, of course (but I collect all such
coincidences, because some of them are inevitably
something bigger)))
Past Prese4nt Future
are
A B
C
and
A
M
T
and I see B and T as living and dead (be is for being, baby, be; c
is for смерть, t ist tott)
and A is crying baby, not a letter.
Ambiguity of vowels, their spectre instead of the
articulatory locus of pronunciation.
Since рок is рік, any transmutation of vowels is
possible. So why write them? Cnsnnts r mnngfl?
C is with, and looks as two fingers (or a hand, 𐤊
(literally כ כָ כָּ)) holding
something.
Каф (ивр. כָּף) — одиннадцатая
буква еврейского алфавита. В иврите она
обозначает звук [k] (с дагешем), или [х] (без
дагеша).
Родственна финикийской буквe каф , и вместе с
ней происходит от древнеханаанской и/или
протосинайской буквы с реконструированным
значением «ладонь»
so it's with in со
the eastern european languages and c in co in the
western european languages
(sounds differently, and that could be one point
of disagreement between the west and the east)
a[й] in great (is it a part of ا[a] story?)
tree is штыри? жы-т ли
is t in tree dead? then ree is the animating
factor. t is валежник. twig? sTick! (c жуком)
English supreme suffix est is айший, айшая, айшее,
и эти окончания ещё и меняются, т.е. айш is est.
And is it a~е, s~й as student~etudent, ш~т as s~t
in ת?
There's a chapter in one of my notebooks about
letters being a representation of tree leaves, so
that birch leaf carry semblance of B, while oak
tree reminds DB for oak is dub in russian, and it
could be ᚮᛆ of ᚮᛆᚴ too. And willow is iva in
russian, and willow leaf looks like I and J and
birch is берёза, so the bigger question is could
what we'd call a slavic language lay in the basis
of the alphabetic writing?
Willow is low will for its branches as if pull to
the ground. And ива is similar to Ева. like why
гласные~главные
голос и голова однокоренные? колова от коль голос?
голова королева?
король ~ коль (с трелью в голосе?)
голова с голом, где гол=голос (ос суффикс типа
греческого (типа существительное же))
Другие русские слова заканчивающиеся на ос тоже
могут и без этого суффикса обойтись?
полос пол? (полоса доска?)
волос вол? во от французского шво?
срос съ+ръ? сработались, сработало?
р как работать потому что рать
милый словно любимый без б (с небольшой
перестановкой, но семантико-фонетическое сходство
поразительное)
колос кол? ко л (л лепёшка, п липкая часть в слове
лепёшка вообще-то, кол is хл in хлеб?
насос нас? на себя?
писос pisses
хаос ха!
кос к как всловах cut & kill & japanese
kiru (и может быть в русском коли)
кокос коук
високос висок? высок:? в смысле на день дольше? на
день выше? или висит косо? высь коса.
нос н? как в слове нюх
нос в слове носить обращает это н в предлог на,
как в на себе.
этот суффикс ос когната суффикса ся?
рос с р потому что растёт похрустывая? рост это
увеличение твёрдой фракции.
спрос спр? спроси ~ спро си? где си do или ся?
брос бр? в р (где р~грубо) по-простому тоже значит
бросая? а босая какое к этому слову отношение
имеет?
Обрати внимание, что брос не видится однокоренным
со словами с корнем рос, потому б не предлог, а
часть корня.
трос тр (слово трос на тросник похоже, но едва ли
они однокоренны, если конечно из тростника верёвку
тоже не плели)
матрос с матерью загадочно похожи. что mare &
mary похожи это понятно. видимо матрос каким-то
образом тоже от слова море. матрос~моряк, с и к
два способа прочесть одно и то же. форма тр
настаивает, что р в слове море язычна. губная м,
язычная р, очень яркие, обе сонорные, одна губна,
друга языка. на похоже что та самая грубая русская
частица. достаточно было сказать губ.
Давай теперь на
слова оканчивающиеся на на посмотрим? Сама
приставка на лишня?
иди на дорогу ~ иди дорогу
книга на столе ~ книга столе (стол столетен? но
это поэзия а не наука уже)
л в слове стол от слова лежать? ложить? сто ложек?
сто локтей? столетнее дерево, распиленное повдоль
вполне могло быть первым столом. Сто лет типа
минимум.
А
тысячелетнее слишком большое.
но погодь, с на ос закончим
сос с (на вдохе с хорошо передаёт семантику)
Христос is literally Christ (не удивительно, слово
греческое, но почему в русском сохранили ос)
гипноз
авитоминоз эти не на ос, а на оз, но суть та
же, эти явно греческие. гипноз греческое, но там
суффикс ис вроде: hypnosis. Но нет, это английский
глюк. др.-греч. ὕπνος «сон»
Не знаю на каком основании греческий
индо-европейский, корни вообще не узнаются.
Греческий среди индо-европейских явным образом
показывает хуеватость прото-индо-европейской
теории. Но может я не по той лексике сужу. Так-то
дрим тоже с русским сон ничего общего не имеет.
The words hypnosis and hypnotism
both derive from the term neuro-hypnotism
(nervous sleep), all of which were coined by
Étienne Félix d'Henin de Cuvillers in the 1820s.
The term hypnosis is derived from the ancient
Greek ὑπνος hypnos, "sleep", and the suffix
-ωσις -osis, or from ὑπνόω hypnoō, "put to
sleep" (stem of aorist hypnōs-) and the suffix
-is.[20][21] These words were popularised in
English by the Scottish surgeon James Braid (to
whom they are sometimes wrongly attributed)
around 1841.[22] Braid based his practice on
that developed by Franz Mesmer and his followers
(which was called "Mesmerism" or "animal
magnetism"), but differed in his theory as to
how the procedure worked.
Может быть что плащ когната слова плач? Типа
дождь, дожь? Называли его так? полощет же.
плещет
А теперь давай посмотрим на слова, оканчивающиеся
на на?
страна стра.. страх?
петровна ~ петров (петрова)
война вой
говна cow? говядина от этого же слова, пиздец
конечно, говнядина.
коричневая в отличие от свинины
(pig~pink)
бурёнка~brown
стена сте? stay~stand?
вена ве въ (это хорошо)
колена коле? колья? клинья? блин, это гораздо в
меньшей степени хорошо.
спина спи (вот это замечательно, на спине спят.
Исмо шутил, что можно спать лишь на спине и на
боку (бок~back) (шутка в
том, что он пузатенький))
папаротник от формы листьев? типа ПП, типа
ПППППППППППППППП
Revisiting the philosopher's stone from vol.12,
I revisit the icosahedron part, and it only makes
sense if they speak of rhombic icosahedron:
It is interesting, that in esperanto icosahedron
is dudekedro, which is similar to confusion to
dodecahedron, and could it be the root of the
confusion?
The figure is even more interesting that its
rhombi are golden:
and that rhombus can be used to build a twin of
the rhombic dodecahedron, bilinski dodecahedron:
It is wild because it is told to have different
angles of the rhombi, but then does it fill in the
space without lacunas? The icosahedron (and the triacontahedron too
btw) is rather satanic in that pentagrams
can be built at its sides. Which is even more
spectacular that golden ratio is of the pentagram.
But that rhombic dodecahedron is different from
THE rhombic dodecahedron. I still cannot wrap my
mind around it.
The rhombic dodecahedron is a
polyhedron with twelve rhombi, each of which
long face-diagonal length is exactly √2 times
the short face-diagonal length[1] and the acute
angle measurement is arccos ( 1 / 3 ) ≈ 70.53°
The supplementary internal
angles of a golden rhombus are:
acute
angle:
α = arctan 2 ≈ 63.434949°
obtuse
angle: β = π −
arctan 2 ≈ 116.565051°
That 30-hedron is an interesting creature:
The rhombic triacontahedron can be
dissected into 20 golden rhombohedra: 10 acute
ones and 10 obtuse ones.
and it's diagram is quite a devil itself:
These devils are there to distract me from the
rhombic dodecahedron.
which, when layed out like this looks pretty much
like a younger version of that older one
страна ~ стра? ста, since it shares it with state.
straight? right!
волна ~ вал (смотри картину девятый вал)
бездна ~ без д? д как твёрдая почва (раз в это
вода) мает сенс и как конец (как т, как н, как
предел является чем-то твёрдым)
видна ~ вид
вина ~ вы?
арена ~ але(гоп)?
мена ~ me? (и мне (т.е. не просто отдал))
к слову о плескать, полоскать
лить имеет корнем букву л (л, м, N, всё разное
количество воды?)
хреновый ~ не новый
хрен ~ хуй ~ нет (понятное дело, что это
лишь поэзия, но что если нет? не только?)
mistress of the misteries.(as they say, it is
bs, but I believe it (nah, not really, lol))
время и бремя слишком похожие гипоомонимы. в и б
один алфавитный кластер, в кириллице лишь одна из
них имеет числовое значение. Забавно, что кирилл
патриарх в то время как я занимаюсь реставрацией
алфавита. Этот мир очень похож на эмуляцию (это
более странная идея, которая тем не менее
объясняет много чего. Как, впрочем, бог. Но бог
это и есть идея эмуляции (тварности этого мира
(сотворённости))
мир и мір как peace и world (peace has мы in it,
more relaxed than ми. ми is me, and r is around.
so мір is around me, and
grammar (literary meaning of letters)
was forgotten when grammar (грамматика) changed.
me around was said instead of around me?
my surrounding we may say now.
so мір is around me.. let's find more examples of
such use of r
(and here I speak of old russian meaning of that
spelling, of one of meanings of modern russian
мир)
(ukrainians look rather differently at what that
word stands for)
мір is мор. покой им будет лишь когда умрут? они
думают про нас, а наши наверное про них.
Но нет же, peace на украинском мир [мыр] это world
не мір, а світ.
Но русское слово мир[мир] по украински звучит как
мор. Русские предлагают им мир, а украинцы слышат
словно русские предлагают им мор. Пиздец какой.
Как могло быть что я этого не понимал никогда? Как
так вооб9щ0е получилось!,?
мір is мер. размеров, пределов. в этом
перекликается с мором. место отреза.
мір is устаревшая диалектная форма слова морей.
и лишь в четвёртом значении форма
наказового способу другої особи одн. від мірити.
но нет, даже это мірити означает мерить. Во время
мира переразграничивают, перемеривают.
міръ в русском до революции означало свет в
значении світ.
пир is пьют around me
сыр.. дырки кругом? сы как сы, типа сито, типа
ссы, типа сыпь, типа ссыпь, съ.
дырка сы? ну типа как в слове сито. сеет же. ссыт
может быть когнатой, то с [с это звук который
дырка в мешке с зерном издаёт (может быть, смотря
на что падает зерно. если на траву, то может и
беззвучно. смотря каким количеством, другие
факторы влияют тоже. влажность например. ух,
прикольно модель мира в голове иметь, можно
избежать необходимости проводить эксперименты (но
проверка не помешает в любом случае))]
хор ор оооооо эраунд
бор б эраунд. б как берёза? б как дерево: в
немецком baum, во французском bois[bwa] and arbre [arbr (ash+birch?
fir+birch? oak+birch (somehow I have no doubt
about the birch part))]
Если б дерево, то что тогда д? русская
форма этого слова? дерево? когната английской
tree.
и B и T дерево? Berёza и Dub? Женское и Мужское.
Все буквы деревья? Как огам велит.
Берёза, Дуб, разные листики, прототипы букв
идеальные, они неизменны, берёза не начинает вдруг
какие-то другие листия выращивать.
Постоянство в мире подобное фазам луны, не
удивительно, если эти разные темы переплелись. А
надо-то всего воссоздать примерную очерёдность
появления понятий. Но как воссоздать первичность
меж луна и фазы луны? Даже ребёнку понятно, что
все фазы это одна и та же луна.
вор (всё вокРуг (тащит всё вокруг, но это такой
стрэтч что охуеть))
гор голос вокруг?
сор насыпано вокруг
тор как топор, я выдумываю, нет чёткой структуры.
Я перебираю. не выдумываю, гадаю.
R как ⵔ is очень хорошо
Ring Round ciRcle кRуг Radius
Radian Radix mojet byt toje
ot nego.
Thinking of how ab and ad are от и до, and that bu
and да are the other opposition, I realized that
it is hard for a guy operating in alphabets to
understand syllabaries.
Once I saw Shiva in Russia's ʃ, it was obvious
that Russia is руша and is loser. USA is user.
I felt luser in russia because руша ~ лишая
(лишайный лишний)
Блин, мало кто примет такую
связку болезни лишай, на дереве лишай, лишь,
лишать, фонетически совпадают, но семантика же
лишь условная, образная, лишь возможная связь.
Ш-а
Шарахнуть
Шандарахнуть
loser probably has lo for no, l ~ un
unuser felt to me just now as unlucky, and l in
lucky is thus suchy. and ucky is oopsy and icky
хуй и кол когнаты (и хер меж ними их когнат)
1 2 ا
ج or
ب ج
3 6 E G
or E f
G~6 came to me of грейци гайдук глухов гоабум all
being Г and 6
and out of that trippy thought the 36 of EG came
to me, and that (less trippin' (delirius) thought
brought me even more legit thought:
بد
ب د are singlie and doublie like D and B and that
could say that european order is rversed, to place
the last line first.
d c b a was
it the
end of
the alphabet
zyx was the beginning? or
tspo could be. to see people ought not make love k
j in high (god) fear? et end.. do give be alive
do go be.. could it be the end of the alphbaet?
ⰄⰃⰂ (Ⰲ как )
слово баять свидетельствует о BT-структуре
баять как быть там и знать
раскрывается мне, кто знает насколько без
разрезов-разрывов это явилось ко мне.
ваять ~ знать что внутри (из работы с камнем на
глину и архитектуру перешло?)
лаять ~ не знать?
маять ~ всё знать? ещё не знать?
брать? но суффикс другой. знать не в группе
аять~знать?
Neith /ˈniː.ɪθ/ (Koine Greek:
Νηΐθ, a borrowing of the Demotic form Ancient
Egyptian: nt, also spelled Nit, Net, or Neit)
was an ancient Egyptian deity, possibly of
Libyan origin.[6][page needed] She was connected
with warfare, as indicated by her emblem of two
crossed bows,[6][page needed] and with
motherhood, as shown by texts that call her the
mother of particular deities, such as the sun
god Ra and the crocodile god Sobek.[6][page
needed][7] As a mother goddess, she was
sometimes said to be the creator of the
world.[7] She also had a presence in funerary
religion, and this aspect of her character grew
over time: she became one of the four goddesses
who protected the coffin and internal organs of
the deceased.[8]
Neith is one of the earliest Egyptian deities to
appear in the archaeological record; the
earliest signs of her worship date to the Naqada
II period (c. 3600–3350 BC).[9][10] Her main
cult center was the city of Sais in Lower Egypt,
near the western edge of the Nile Delta, and
some Egyptologists have suggested that she
originated among the Libyan peoples who lived
nearby.[11][12] She was the most important
goddess in the Early Dynastic Period (c.
3100–2686 BC) and had a significant shrine at
the capital, Memphis. In subsequent eras she
lost her preeminence to other goddesses, such as
Hathor, but she remained important, particularly
during the Twenty-sixth Dynasty (664–525 BC),
when Sais was Egypt's capital. She was
worshipped in many temples during the Greek and
Roman periods of Egyptian history, most
significantly Esna in Upper Egypt, and the
Greeks identified her with their goddess
Athena.[13]
"the most important goddess in the Early Dynastic
Period (c. 3100-2686 BC) and I never heard of her.
Her name could be a cognate of нет, so that she
would represent the nothingness.
Because nothingness is the creator of the world.
Fuck abrahamic big bang theory, the ancients were
more to the point (because after science separated
itself from the rest of so called knowledge, what
was left you can see in modern religions.
distorted form corrupted by the vile earthly
functions.
Nu ("Watery One") or Nun ("The
Inert One") (Ancient Egyptian: nnw Nānaw;
Coptic: Ⲛⲟⲩⲛ Noun), in ancient Egyptian
religion, is the personification of the
primordial watery abyss which existed at the
time of creation and from which the creator sun
god Ra arose.[1]
Nu is one of the eight deities of the Ogdoad
representing ancient Egyptian primordial Chaos
from which the primordial mound arose. Nun can
be seen as the first of all the gods and the
creator of reality and personification of the
cosmos. Nun is also considered the god that will
destroy existence and return everything to the
Nun whence it came. No cult was addressed to
Nun.
Nun's consort (or his female aspect) was the
goddess Nunut[2] or Naunet (Ancient Egyptian:
nnwt).
Because Amun is , I would read the order from the
bottom up, to get A K H N sequence, which would
pretty much follow the eastern canon and probably
dictated the possibility of later separation of
the concepts standing behind Kek and Ḥeḥ. And
since I have no idea what those words stand for,
it gives me ground to check this hypothesis and if
it aligns then my current ignorance only makes it
stronger, because I spoke from the lack of Ḥ in
that position in japanese, only kh after k in
sanskrit.
And if those are about the letters, then N ~ M,
because no other name is labial. And what if Amun
is literally MN? what if Ḥ is vowel Η? Well, I
only guess it, some stronger stone cold artificial
brains should be able to sort it out.
Basically, it could be the source of the meme
ебала жаба гадюку, since toads are male, while
vipers are female. Though those snakes remind
cobras more. Russians could be not knowing much of
the difference since there is no cobras where they
live.
Here Amun and Ḥeḥ are at the top opposing each
other.
And at the lower part are Kek and Nu look at each
other.
I suppose the artist messed up the name of Amunet,
using 𓈖 where 𓏠 is.
𓏠
Y5 U+133E0
Senet board
mn
Extensive dictionary entries beginning at
"Mn"-(or men), since the definitions center
around permanence, enduring, etc. A common
Pharaonic epithet was: Mn-Kheper-Ra, but many
names using "mn" as a name component
One might ask "why were snakes representing the
female consorts?"
Here, probably because of this look:
and then frog or toad
represents male consort because of their
fascinating tongues.
The Theban Triad is a triad of
Egyptian gods most popular in the area of
Thebes, Egypt.
The group consisted of Amun, his consort Mut and their son Khonsu.[1][2]
They were favored by both the 18th and 25th
Dynasty. At the vast Karnak Temple Complex,
these gods constituted the primary objects of
worship. Other temples and shrines also exist
throughout Egypt, such as the one at Deir
el-Hagar, close to the Dakhla Oasis.[3]
Amenhotep I, the pharaoh who built Karnak, was
often depicted amongst these gods.
are a great candidate for AMK of something close
to ABC.
Isn't Amun blue, Mut yellow and Khosu green which
makes perfect sense.
It's wild how much Amun reminds Отец, Mut reminds
Мать, Khosu is as if theSon. Or is it a stretch..
It is especially interesting in what I revealed in
a Crowlean book earlier today. Check it in here.
I is the Father, O the Mother,
A the child
Which is strange to have Father on a higher
note,
since female voice is higher.
Though is it truly so? Many guys have high
voice, and women speak in lows
But in opera males are better at bass lines,
while female voice can be only competed by
castrates.
Khosu as son surely reminds Jesus, since it's
Hesus in spain. and us is probably the latin
suffix.
Jeshu [heʃu] surely reminds Khosu [hosu] so is j
h? hij as one?
Could syllables be triliteral too? ankh..
everybody knows that. Is
𓋹
S34 U+132F9
life ankh, possibly
representing a sandal-strap
Life, to live (ꜥnḫ)
не путать с
𓍊
U22 U+1334A
clapper-(of-bell)
tool/instrument forked-staff,
etc. mnḫ
1.
Determinative for mnḫ, for "cut", "give shape
to"
2.
Ideogram in mnḫ, for "to be excellent"
3. The
grandfather of Ptolemy V of the Rosetta Stone is
Ptolemy III Euergetes-(the Canopus Stone), the
"Well-doer Gods"-(pharaohs).[4] Their name is a
composition block of two 'God'
hieroglyphs-(husband & wife), (𓊹), 𓊹𓊹,
with a chisel
at the base of each, 𓍊𓊹
𓍊𓊹
(these numbers are hieroglyphs
they somehow couldn't show in unicode)
𓊹 R8
U+132B9 Cloth on pole
God (nṯr)
не путать с
𓌏 T7A
U+1330F axe
Cloth on pole could represent wind, and jewish god
is the wind above water.
God of desert, god of wind.
Святой дух.
Trinity feels complete (unlike one)
Thus naturally christians gravitated towards
triad form of their belief system.
Three and all good? Is god Father good? He's a
genocidal, vengeful, ancient dewa.
Son god is Sun god? Both are Sun gods, but Son
is a good deity: forgiving, peaceful, kind.
That was the challenge of the modern world. The gon god nobody would
come with a better form yet.
A philosopher god, a god the architect, the
gnostic principles of understanding Jesus as a
manifestation of the better god whose role was
usurped. Which makes more sense in the second
coming storyline.
Why would the world be in the hands of the
Devil, if the devil iſ not the father. The guy
who took over when Jesus was crucified. The book
is as if a cliffhanger. And the final book
depicts the second coming, and Jesus is the
Morning Star. Venus as a boy.
A Ka Sa Ta Na Ha Ma Ya Ra Wa would have sonors in
the second half if Ha and Na switched places.
The way К[k] and Р[r] have to
switch places in russian to have it consistent
this way.
A K S T
go in alphabetic order
Ha would be also if it
was greek or russian.
Na
Ma Ya Ra Wa are not too far
from alphabetic order either.
would be even more of it if Ya
and Na trade places.
A Ka Sa Ta Ha
Ya Ma Na Ra Wa
But that is only me trying to remodel existing
modern models to my liking.
Would it help me memorize the
order though?
I just have to remember how Ha Na and Ya moved
around to bind other to the alphabetic order.
But seriously, could it be that Ha Na Ya are
chaotic (or their european counterparts are)
becasue the sounds are of later period?
A Ka Sa Ta Na Ha
Ma Ya
Ra Wa
and it doesn't make much sense.
It's better to remind it as the poem: Akasatana I
already use to memorize the first half.
Hamayarawa sounds great for the second half. Hama (мобила хама) &
ярова!
яй in яйца is eye
Could ца be plural suffix? яйко и яйцо (яйко
меньше (цо дольше чем
ко))
бейца в еврейском.
яйца мужские menner balls (מענער
באַללס) in yiddish
kadori zeher (כדורי זכר) in
hebrew
בֵּיצָה (beeitza) is egg in hebrew. plural form is
ביצים (beitzim)
Etymology Uncertain, possibly
named after its whiteness from the same root as
أَبْيَض (ʔabyaḍ, “white”). Cognate with Arabic
بَيْض (bayḍ) and Classical Syriac ܒܝܥܬܐ (bēʿṯā).
Root ב־י־ץ (b-y-ts)
And it is also used in Yiddish:
Yiddish
Etymology: From Hebrew בֵּיצָה
(betsá, “egg”).
Pronunciation IPA(key):
/ˈbɛɪ̯t͡sə/
Noun ביצה •
(beytse) f, plural ביצים (beytsim)
1 egg
Synonym: איי (ey)
2 (anatomy, in the plural)
testicles
Is it somehow related to the phenomenon of
pronoun's antonymy
Я is I in russian (see the synonym to beitza: איי
(ey (but actually ay, I))
бе is closest to вы of all pronouns. Thus the
antonymy, as if only russians had eggs, because
they had places to keep hen. Jews were travellers,
nomads, vagabonds.
eye+ца
бей+ца (видимо, в еврейском важно было что яйца
хрупкий товар (бьюца бьются)
а айца от того что они как
глаз. глаз тоже штука хрупкая и его надо беречь
бей с одной стороны ай с другой
ай и бей словно
пьеро и арлекин
нигга is knee ga (на колени давай (вставай)) even
if not etymologically, homonymously.
(listener never knows the
difference and cannot tell if one or the other
phrase was spåken)
spoken is spraken, if o in å is read as ⵔ (and
isn't it ⴰ. For vowels are all different in
different nations: notheing would stop ao to move
to ou, if there was no u line: the other vowelsar are ei, and wouldn't ou move to ao, and
wouldn't ao move to ea?
lad
lar & dar the plural suffix is probably of
are, for that verb is used with plurals. But isn't
's both its singular counterpart ans also a plural
suffix.
ir the plural suffix is the basis of those two and
all are thus all closer to are.
A B C are триединая богиня, и скорей всего ей была
луна.
Потому что три фазы луны представляют собой одно и
то же физическое тело. целое
Особенно потому,
goddamnb and godbless
D
and B
D is accompanied by a labial group
B is accompanied by a lingual group
Could those two be the competing representations
of the alphabet
DЭM and BleS and in bless linguals are of two
opposite kinds
(voiced, short, sonor &
voiceless, long, not sonor)
GoD is in both cases added to those words. The
word is rather simmetric. If D had the break of
half a stav I would still see it as D, the stav
can be swash: cursive Д goes d like and procedes
to give the Ↄ stroke above the letter. And yet д
is a simplified shape. So is that Ↄ a swash? Yet
it's antisicgma. and D just across the road from
C. road is the empty space.
road as empty space is "around да"
And it recommends us to do our business around
roads.
goд
боg
бог, бод. по русски боg это бод и бо
в спасибо это тоже, говорят, бог
(м.б. народной этимологией)
и эта мысль привела к тому, что г это гив, а д это
дава(й, ти, (ем?))
И это дало понимание того, что g
читаемое по разному в русском (д) и в английском
(г) не только делают кластер из ГД, но и
привязывают g лексически к словам
give и давай, go и дуй (do)
"давай" буквально переводится и как гив и как гоу
(в~w (в~у))
y is both w & y (у в гроубокс is w)
Are those two the same letter? y[y (й, ы)] &
у[u] and it correlates и looking like
u in italic: и
y & u [i & u]
у & и [u & i]
And are they not I & U.
Речь о себе в третьем лице могла породить личные
местоимения.
У как символ Англии (Yng-lang (Ing-land (language
is of land. d~g, some protoletter? менее точная,
всем языком по всему нёбу вплоть до верхних зубов
быть может (а ing это суффикс инг, который
бросается в глаза в английском (у немцев унг, что
возвращает нас к сходству и & u, у &
y)))))
u is german way to write it, y is english way to
write it. Because Y is for Yngland,
d как дж? вторая g в language.
ge палатализованная gua, подобно тому как ч
палатализованная к в молоточек.
Г, которое Дж, конечно же оно же и Д, она меж теми
двумя. G-d is the same letter. The letter. Lingua,
Dad. God is Dad. Wow. Goddess dead ass? God is
dead thus, deadesse is de death. the death.
Death is she thus? In russian she is. she is her.
Why is her so different in german and english?
herDE as herEN only make sense in the light of муж
~ ma's, and жена ~ joe'на (в слове жена русский
суффикс? логично, для русского-то слова. А в муж
что за суффикс? близко к 's, но это не русский)
Я столь волен в соотношении языков и алфавитов,
потому что использование того или иного алфавита
определяется экстралингвистическими факторами
(политика в основном)
Гром среди ясного неба это выстрел.
Это кеннинг? Нет, он не
разбирается на меньшие составляющие.
(на самом деле не выстрел
(это уже художественное
обращение с языком)
а неожиданная неприятность)
Гром как неприятность, за неожиданное отвечает
среди ясного неба. Т.е. всё же кеннинг?
У кеннинга и ясное небо бы
разбиралось.
среди ясного неба ~ неожиданно, внезапно.
(когда ничего не предвещало)
ясное небо предсказание
сухой погоды.
ясное небо предсказание хорошей погоды.
Но нет, в кеннинге гром был бы передан двумя
словами,
а не два слова заменены одним словом "гром"
облака ~ о-влага! (сверху, самое уважаемое, о!)
влага ~ млеко?
влага ~ волка? волга?
водка ~ волка (это случайно или их таким
манером подсадили на эту дрянь)
whiskey ~ киски? wee-ски, пи-ски. Промывали
висками мочевую систему? Прожаривали?
(разный маркетинг, разные
слова привязаны, и скорей всего рекламные
компании воспользуются, но тогда как в генерэйшн
п платите деньги за рекламу)
волки с волги?
minor has i but it is read as aj, as if it was יا.
and that dot above ا
would make it [i] which is in lighn..
line with indoeuropean consideration of
i-like sounds high, and u-like sounds low in
europe , and they mark i-sound with diacritics
above the syllable sign around india (and u-sounds
are marked under the "letter")
tied ~ tight
light ~ lied? наложен, накладывается свет на
что-то, пролит свет (льёт ~ ложит ~ лужи)
firght ~ feud?
fight ~ fired! or is it something of fir the fur?
forgot? man, I'm trippin, гадаю
flight ~ flied! So the hypothesis stands. At least
in some cases.
slight ~ slied? slight = пренебрежимый,
небольшой, пренебрегать,
sly =
скрытый, тайный, небольной,
озорной, лукавый, коварный (съ lie?)
большой ~ больной (распухающие от воспаления ткани
болят, видимо из-за этого)
sling, the word I didn't know until today, yet it
reminds me string.
l ~ tr? типа R? L. to R = L? to L = R... that is
so weird, that it is most likely wrong.