and here's some more to it:
The sound of the drums can carry over long
distances. The Kale people of the Congo call their talking
drums ntumpane, which they use for fast communication over
long distances. The process uses a repeating pattern with
help from an expert drummer from each village. Depending
on the where the message is to be delivered, the original
message is repeated by the next drummer until the intended
recipient is reached. In Africa, a drum message can travel
100 miles or roughly 161 kilometers in one hour. Famous
among these are the ‘talking drums’ of West Africa,
followed by East Africa
Here is how it is done:
(mirror)
Communication through drums is not considered a language.
However, the drumbeats are representations of speech
patterns of natural languages. In East and Central Africa,
the drumbeats represent the tone, syllable lengths and
stresses of the specific language they are using.
A B C [e v s (e is the second line, hebrew has v in that
position, russians used to have s around that position:
Є є Ж
ж Ѕ ѕ З з)]
and on wiki it was like this:
so иже еси на небеси значит гармония есть на небесах (это,
видимо к молитве "яко на небеси тако и на земли" (хотят чтоб
земля выглядела столь же безжизненной? медленно движущейся,
мёртвым камнем? глупые големы, враги должны их отозвать,
отменить христианство они не могут, и не они (не эти люди)
создавали его, так что никакой ответственности коллективной..
почему?))
that Ꙁ ꙁ glyph is wonderful in that it combines (and explains)
z~ʒ dualism. but what is it? a book?)
типа знание?
типа צדיק?
צ sorta reminds ꙁ in that lower part, and then it went from
there with one linein the same direction,
and the other line is along those two י's
or what are they.. t and s they should be? as ts that צ
looks, if you separate the left part of צ from the rest of
it.. but they read right to left, so right part must be t,
but it would be more of an s if we took the left part away,
but right part reminds т more.
Anyway it's whether one or the other: chinese write their
columns right to left,
but they still draw the characters (russians call chinese
characters hieroglyphs) left to right.
that Ѕ ѕ the voiceless numeral (isn't it of some reform of
numeral system without agreement with phonetic side?) reminds
me of other numeral, the one which looks the same, but is told
to mean other phonetic value, and they're absolutely right, it
is greek stigma.
ϛ Ϛ The numeral
symbol, originally quite unrelated to the στ ligature,
developed from the letter Ϝ, which stood for the sound /w/
in early pre-classical forms of the Greek alphabet. This
symbol became obsolete as a letter during the classical era
but remained part of the Greek alphabet-based system of
numerals, where its value of 6 corresponded to its original
place in the alphabet. In its handwritten forms, its shape
changed from through to or during the Hellenistic period and
late antiquity. Originally called wau, it was called digamma
in classical Greek and episemon during the Byzantine era. It
was conflated with the στ ligature owing to the accidental
similarities of their shapes. The association between the
numeral 6 and the letter sequence στ became so strong that
today, in Greece, the letter sequence ΣΤʹ or στʹ is often
used in lieu of ϛʹ itself to write the number 6.
In modern practice, the term stigma is often applied to
the symbol ϛ both in its function as a ligature and as a
numeral, whereas the term digamma is normally used for the
ancient letter representing /w/, which appears in modern
print as Ϝ or ϝ (the form has a large number of close
variants).
But it's not right under E, they have Ж (no numeral value,
thus it was added later)
Ж ж живѣтє
živěte ž
zh [ʒ]
Glagolitic Zhivete Ⰶ
live
interesting, that vie is live in french, and english live has
that v, as if it's le vie
энд же сould be the, to be le of live, but le is not after e..
it's right after i.
EV Z H
I Λ Μ Ν (that N is thus under H, makes Z~M thing envoke ᛉ~ᛘ
the Ϻ~M thing.
A B D G? H after Z demands it, because G is more affine to H
than D (which is just nowhere near)
EV Z H
I Λ Μ Ν Λ reflecting V is cool, but why M is off the
labial thing? because of that? who knows..
O P T Q
A B D G
EV Z H
I Μ Λ Ŋ (Ŋ instead of N to be more in line with other
velars. and is it K?)
O P T Q
(in the normal latin
alphabet K is velar of this line)
A B D G (the
comment in the following line is an update, from 164kB of
this volume)
E V Z H V and Z ~ why does lingual double the
labial? it 1.5's it. doesn't П Т and B
D do too?
I Μ Λ Ŋ
O P T Q such thing makes me wonder if A V Λ diagonal
demands some 🜃 in the Q position..
is it Ѳ? θ? ot is Q that 🜃? it looks like that in a way
(the 🜄 for o (here it is v, and, to my
surprise ו is also o)
and the - for the tongue of the Q, which is often written
inside of that O)
AVΛQ is just along the ABDC line I placed in the basis of this
set.
Could it be that ΛAV be all there is? no, 🜃 matters, and
θ-like Д some old fonts draw it,
Ⱚ is glagolitic Ѳ
ⰀⰁⰂⰃⰄⰅⰆⰇⰈⰉⰊⰋⰌⰍⰎⰏⰐⰑⰒⰓⰔⰕⰖⰗⰘⰙⰚⰛⰜⰝⰞⰟⰠⰡⰢⰣⰤⰥⰦⰧⰨⰩⰪⰫⰬⰭⰮⰰⰱⰲⰳⰴⰵⰶⰷⰸⰹⰺⰻⰼⰽⰾⰿⱀⱁⱂⱃⱄⱅⱆⱇⱈⱉⱊⱋⱌⱍⱎⱏⱐⱑⱒⱓⱔⱕⱖⱗⱘⱙⱚⱛⱜⱝⱞ
places ⰂⰄⰊⰎ not far from the beginning of the alphabet
Ⰲ[v] for 🜄 voda
Ⰴ[d] for 🜂 ogon (c~d, g for english g
and russian д)
Ⰺ[i] for 🜃 земля (нижняя часть её изображает (как осевшая
грязь в кубке с водой))
Ⰾ[l] for 🜁 воздух (верняя часть его изображает (как воздух
выше пламени
(ведь пламя растёт из дерева, значит ниже
его воздуха нет.. представления древних представь))
Ⱑ and Ⱖ are candidate to the v/d
sequences..
l for luft?
i for erde? do they say irde somewhere? if they do, let's look
there.
in dannish earth is jord (as if it's our
yard.. and She is)
also the Lord, is it? people lay on earth when they pray,
it's as if they ask this something big, the giant which skin
we inhabit.
luft is also air in dannish, so was glagolitic script invented
for dannish?
but their fire is brand and ild, and though those two have d
in them, that's not good enough.
degt is burn, fire, flame in latvian, but they have no l-words
for air, and their water is ūdens, which is naturally cognate
to water, but it's even further from v. Wasser [vása] is
great v
(and it's literally ваза, vase)
was weight associated with water?
because when object dries up it weighs much less.
wetter ~ weight more
Bet (Put) б
Get (Cut) g
Did (Deed)
put and got are antonyms, and the shape of p and g sorta shows
it, it would be better if g was q, but the p could be b
(put~bet) as 𐤁 (reversed, it's phoenician, it goes right to
left, so as כ is c (and it is interesting, that in phoenician
it is 𐤊, so is phoenician even predecessor of hebrew? well,
latin can have both C and K, why can't hebrew mirror ᚴ? and
indeed if 𐤊 is indeed phoenician k, it is the very ᚴ, which
is another reason to consider norsk runes ancient.
up ~ ab? literally alpha better, at the beginning of the
alphabet,
which is at its top, when it's top to
bottom.
and down is all about w? or is it wn? is
it russian низ shares that n,
actually it shares that wn in вниз
(внезапно ~ вниз UPно? (кверх тормашками?)
drama ~ trauma
bless ~ bliss
tragedy starts with tra, as trauma does, and it's
definitely drama.
comedy is not drama, but what? gag? clownage? clownade?
clown and comedy share c and o, and wn is not far from
m.
circus and comedy is less similar, yet both start with
c.
gag ~ huh? k is for kekeke?
ab is off (it's from latin) and to my surprise it isn't up
anywhere
(according to
wiktionary)
off as off we go? ab v g? and what is the else? де? её?
ёж? жиза? заия? ик? кал? лом? мэн? no? up? pack? queary?
Rise¡ Set! (set and sit are doublet)
so we have our st, but s being hte
final word, for no letter is after T in those times. And if there were no Q, it would be
pair? pare? pear? pyre?
I wonder if Agafangel, Evangel, Rangel (оказывается,
мужские имена греческого происхождения) and Wrangle and Wrangel (датская фамилия, and
considering write and wrong I wonder if Rangel is
Wrangel, if W in Wrangel is not silent) являются
корнем национальности Англы.
В этом свете фоменковщина про британскую монархию
происходящую из византии очень в тему.
Вайшьяс рэйсд the third from the rest of pupulation after
brahmans and kshatrii, and before kshatriis came to power,
we probably had the golden age. Wisemen were in charge. If
it ever was, if Kshatriis didn't come to power first, as
in ape society the bigger monkey rules. But in bonobo
societies better-organized bitches reign, but are they
brahman?
I like th sound for it demands shift of script.
cane can
палка ableка? пал и эйбл противоположности скорее. палка
палица полено поленница (ница суффикс множественного
числа?) т.е. палица это фашина? машина?
rain ran
sane son sun sung song sing (поёт знать здоров)
bane ban (I didn't know well both names, they are very
similar semantically.
ban bane
gun gain (game)
done ?
fun fame? (or fan fame? no, fun is more synonymous to
fame, fan is more antonymous to it)
young?
can cane (Cain)
land lane
man main mane(as on lion)
male
nun nine(nine muses? did they serve
to them?) nein
pan pain? when hot and when wife
beats you with it
pun pain
run(ran) rain
sun shine
(but tine not tin, tine is tooth,
pin.. why would I know that word, tine?)
time tame? That rain ran and sun shine is
great, and that T doesn't play that game may tell, that A
M S indeed, the sefer yetzirah's version may tell of pre-t
times. But then it could also be, that S was sitting on
tree. Holy tree is T, tee. thr as one sound (пердёж?
похожий на скрип дерева, да (та самая фонема скрываемая
пираха? пираха это экзоним, конечно же по этому звуку, по
тому R которого у них типа нет, но который объясняет
единство Р[r] и P[p]))
van vain? (not vane)
vein vine вьюн (значит ли это что глсн лшн? gvss y knw thy
r)
gu ~ qu
guess ~ quest
guest ~ quo..?
guerre ~ quarrel
guard ~ quart? court! co~g? g is c
with ball under it.. go is not juat cock, but cock with
balls at it, not hen, but has that sac under it's beak.
гурт
beak is a funny word, calling the
judges, directors, teachers, superintendents jews and
such
director+teacher=dean(but
it's not in g.t.'s list of translations.)
kurt cobain ~ гурт cobane? because that is what he did,
having cursed the generation with his shit.
Jews surely make sure that people speak different
languages, becauset that is the will of their god.
And I think I just imagined me some friends (imaginary
enemies are even more crazy than imaginary friends, man.
because with friends you imagination is just schizo and
not paranoid, but when you start suspecting those entities
in bad intentions, you get crazier, so let's imagine
friends instead, let's imagine how those jews are
interested in humanity coming as one. I need to invent
such reason for them, if I want them to, and I
do. Let them be as tolerated as gipsies,
let them sing and play kletzmer for my guests.
Different wills make different вилs
devil de вил
Велят вилами? Вилами виляют?
Селят силами? семьями! сёлами!
Делят делами (кто больше сделал, то больше и получает)
Дурят дулями?
Желают жилами?
Жалеют жвалами?
Злят Зловами? Зо́лами? Жалами? Желаниями?
Клят колами (колот колами)
молят млят (млеют) мыслями
полят полами? полыми?
польют пламя? (пламя говорит полей мя)
рулят рулями, ролями, роялями
сулят словами
солят солями
телят телами
хулят хуями (хамят ими же
(что вы мне
хамите ~ что вы мне хуй мне-то? не хами ~ не хуй мне!
тебе ~ ты бля))
мнёте
целят целями силами
чалят чилимами
шалят шалами шалавами шалманами
семья ~ сила? семя? само? стало? село
свадьба?
сватья?
светья? советья по типу совет да любовь?
совесть (в себе есть, у себя есть, съ the со is ся the
себе, сам, свой(is this в б from себя?))
bull co w
бык корова
pig sow
(but then thouw we know that sow is for
female pigs, does it make pig male?)
boar
swine
(somebody has to check it in old texts)
pink съ wine (съ вином ели свиней?)
сat dog (the
opposites? dog dig, cat catch (the reverse of catch is
check))
cunt dick (also one word is
aninversion of the other.. not as b & c (p & s)
get did?
get gate
let late
mad made (довели)
bad bait
food fade (ate? въ ate? по ate? питать, пища fo~пи, od~ща?
road is not роща)
foot path? boot bite? кус shoes?
foot is стопа, feet значит стопы, но гораздо менее
похоже на стопы
foot fight?
good gate guard got get
hood hide? hotspot, hate, fight
loot let (позволили забрать?) or that it lays in lairs?
met mate (знакомого встречал)
mead made (я не жонглирую ли лишь похожими словами? нет
же, какие-то жонглируются, а какие-то нет, и я пробую их
всех чтоб прощупать структуру в языках)
neat net
naught night
pat pet (here I'm glad I started this, because many
similar names appear, this approach preves to be working
(to change suffixes into similar? sure thing, but now it
shows where they're suffixes: where they deliver
synonymity))
pan ~ pen (потому что в отличие от котла сковорода с
ручкой)
land ~ lend (к слову о запрет на продажу землицы)
sand ~ send (использовали песок как наполнитель при
перевозке хрупких вещей? тяжёл же, но может лишь на дне
пару дециметров, чтоб ваза не каталась, но выдумываю же,
но отчего бы нет, но это надо всю литературу перелопатить
про подобные вещи чтоб найти, такое только ии может)
van vend (интересное бизнес-решение, вагончик мороженщика,
работающий как vending machine
wand won? or wane? man needs cane when he wane
wand want? as cane can.
but wheel is not will, but well is pretty wheely
is wh in wheel because it's of whites? is wh in white
because they can ask why
why?
white
wheel is cool, but there's also
whip (white пиздит (white beats with, whips))
whore who-ever?
whool? did whites known for
this more? was we who domesticated sheep for whool? it's
wool
whale
whirl
wheat (for white bread (whites' bread?))
whine~whinge
whisper (что-то speak? что-то надеется (надеется не
спугнуть?))
while
and so on, there are too many wh-words to make any
conclusions, orthography is arbitrary, so maybe wool is
бел (где бе=бешка (wool is 羊毛[ようもう] and sheep is 羊[ひつじ
(also よう)]))
wall? hall? well? hell? wheel heel
wide hide?
B D
П Т
V J
M Л
А Б В Г Д
Е
И
О
У
бе be
ви vie
го go
ду do
А Б В Г Д
Е Ё Ж З
И M Н К Л
О П Р С Т
У Ф Х Ц Ч
А Б Г Д
Е В Ж З (sequence Ц(ч)
Ш(щ) could tell that these are З Ж, for C would be under
З)
И M Н К Л
(but Ж doesn't reflect T much)
О П Р С Т
У Ф Х Ц Ч
five labial to five vowels (and in latin 6 labials
(bfmpvw) correspond 6 vowels (aeiouy) and I expect 6
linguals to be there in the set of 666)
А Б Г Д
Е В Ж З
И M Н К Л
О П Р С Т
У Ф Х Ц Ч
А Б Г Д
Е В Ж З
И M Н Л
О П ТС Р
У Ф Х
А B D
Е V Z
I M N
O P T
U F S such set has A M S in initial, middle,
final positions.
Z N S tell me to leave only those three lines
E V Z voiced
I M N sonor
U F S voiceless
ZNS stands for Zentralnervensystem,
ЦНС
E 3 Z
I M N
U Σ S
but then oh wow, it's nothing
А́ты Ба́ты
Joy достигается Джой (от Джа)
Если if is если, then is f сли, force the сила, силы? есть
сила того-то, то то-то
(makes sense somehow)
Сравни:
жри жру жря
жуй жую жуя
Украинское прочтение буквы И кажется более чётким, сравни:
зла добра
зле добре
зло добро
злу добру
злы добры
но
коня
коне
(конё? звательный падеж какой-нибудь?) конь
коню
кони
(здесь вместо ы имеем и, но все остальные гласные
палатолизованны тоже, что не ок)
о нейтральное окончание?
А Род.п.
Е часть Предложного падежа
И множественное число
О Им.п, В.п.
У Дат.п.
давай попробуем это расставить в традиционном порядке
падежей,
О Им.п.
А Род.п.
У Дат.п.
О Вин.п.
Ом Твор.п. (бог сотворил мир суффиксом ом?)
Е Предл.п.
семь падежей и семь гласных?
в глаголах три гласные играют:
ища ищи ищу
Обрати внимание на разницу в окончаниях у склонений
существительных и спряжений глаголов:
мха мхе мхи мху
мча мчи мчу
у глагольных окончаний нету Е
императив соответствует именительному падежу
множественного числа
единственное число первого лица соответствует дательному
падежу единственного числа
причастие соответствует родительному падежу
единственного числа
не так оно у местоимений с глаголами:
мо́я моя́ (причастие соответствует
именительному падежу женского рода)
мой мой (императив соответствует
именительному падежу тоже, но ед.числа, мужского рода)
мо́ю мою́ (ед.ч. 1л. соответствует
винительному падежу женского рода)
И в столь разных соответствиях
возникает вопрос а есть ли соответствия
или всего лишь совпадения
Working on my list of short russian words, I noticed, that
свей и сбей схожи, приставкой, но и корнем тоже.
семантико-артикуляционное соответствие наблюдается.
(но что-то другое хотел записать)
а, то что гласные проще считать как
аоуеи, на огама манер
(аеиоу меня путает, потому что в русском ещё и ё есть
меж ними, и ещё пачка,
проще их парам рассматривать: а,я, о,ё, у,ю, е,э и,ы
(ого, палатализованные первичны в е и и (части
стандартного набора, но вторичны у а о у, ибо те
первичны в своих парах, тоже потому что в натуральном
наборе идут.
(в общем наборе, в каноне аеиоу)
но катарская песня упрощает перебор гласных
(задача с которой я столкнулся чуть ли не впервые, но
собиратели словарей однозначно с подобным сталкивались
на протяжении многих веков)
cathars co-tzars?
Let there be light. And there is light. and life and later
we appeared, but is it right? They write it, but whatever,
they wright all sorts of things, in laws and fairytales,
they matter more or less, but never the exact same truth
unless the word of law is layed in the basis being low.
Life
Live
Lief
(lieves)
L'Eve?
Лев? The
lion-headed goddess Sekhmet is one of the most common
deities in Egyptian collections worldwide. Thousands
of amulets depict her, either seated or standing and
holding a papyrus-shaped scepter.
Love!!!
Laugh!
A U I has its
naturality touch by being the basis of
"Oh Yeah!"
Oh yeah is what american girls may scream during sex,
russinas cry davai!
(дави? да ёшь? да ёпт, да еби ты
например, в зависимости от интонации)
Женщины интонациям придают несравненно большее значение,
чем мужики.
Но как изложить интонацию на письме?
бубубу это интонация?
ляляля это тоже такая.
дедеде это тоже может
к-к-к, как срут когда какака?
очень неприлично звучит, если гортанными звуками, как
это во всём мире быть может передаётся
непечатным вот это так уж точно, даже буквы такой нет.
Так что теперь у нас два
три неприличных звука:
губной (пердёж губами)
губно-язычный (пердёж губами с языком меж ними (самый
грязный из ртом произносимым, звучит как пердёж и язык
как какаха, жесткач))
гортанный: изображает кряхтение, которое срущий
человек иногда произносит когда тужится.
бебебе вот это интонация, а дедеде это что
вообще..
няняня это язычная форма бебебе
(бебебе как овца произносит (на
самом деле быстро бе-бе-бе, а не беее-беее,
но отвечая на бебебе можно сказать что бебебе это как
овца))
дедеде было формной няняня, бебебе (есть разница между
няней и лялей:
ляля такая ля-ля-ля, бегает беззаботно
а няня после ня-ня-ня, типа ну-ну-ну, типа говорила
тебе, назидательно
нанана
зизизи
дадада
тельно
(больно?)
бубубу это тоже форма бебебе?
бубубу и ляляля грубо говоря две противоположных
интонации, и b как быэд, а
l как Гуd
бубубу это няняня, потому что бу это китайское не (ня)
а ляля это дадада.
ляля дядя да и да
бабу папа? бу и по (по:попе (по это и по и попа? по это
попа? попу попе? попы, но попой (ой)))
отец is o-тыц (уважительный суффикс, но
тыц его сущность, е в отец та же что в нет
(а в мама а как в да))
творительный падеж: когда сотворил то все падают такие ой,
когда родительный падеж: попы попъ и (т.е. в творительном
ой, а в родительном и?)
а в дательном: попе попъ есть? естъ? имеет?
в именительном попа, но не попо (и не бубу (или всёже таки
да?))
а это же тоже слово.
попъ а (им.п.)
попъ и (род.п.)
попъ е (дат.п.)
попъ у (вин.п.) у!
попъ ой (тв.п)
о попе (предложный падеж тоже дательный? нет, есть
разница, не у попы е, а около попы е,
"о попе" заглавие для обозначения кто
автор, тот кто был близок к какой-то попе
(т.е. может книжки про попу писать. что за попа?
просто случайное слово, для рассмотрения падежей))
Начал гуглировать звательную форму, и там люди
рассказывают про тринадцать падежей в русском (потому что
один и тот же падеж может иметь разные суффиксы.. но такой
у них дательный: не на носе, но на носу. такой дательный?
но не но́су, как у истинного дательного, который у этого
слова тоже есть, а носу́, т.е. какой-то другой падежный
суффикс? или тот же? вот это меня грузанул интернет..
и. носъ
р. но́са
д. но́су
в. носъ (нас винительный падеж у мы (японцы на нос
показывают при произнесении ихнего я))
т. но́сом
п о но́се ..или про нос? о человеке, но про человека; о
носе, но про нос.
про подразумевает винительный падеж, а о подразумевает
падеж предложный.
про ...ъ
о ...е
Звательный падеж начал отмирать ещё в 11-м
веке, он начал смешиваться с именительным. В 14-15-м
веках он использовался лишь в качестве уважительного
обращения: «господине», «княже», «отче». А в середине
16-го века звательный падеж исчез из живой речи.
Правда и в современное время можно услышать такие слова
как: «бо́же», «го́споди» - эти междометия и есть примеры
звательного падежа.
Также существует неофициальный так называемый
«новозвательный» падеж. К нему можно отнести
существительные первого склонения с нулевым окончанием:
«мам», «пап», «бабуль», «Вась», «Кать», «Ванюш» и т.п.
т.е. поп is
новозвательный for попа
А Е И О У
каАснА бЕлЕй жЕлтЕй сИнИй зельОный.. или лучше
жОлтый.. перепишем
каАснА бЕлЕй сИнИй жОлтО чУрнУю нючть? чурка от слова чурный? чудной?
чӧрно было
чüрно?
как чиркаш?
как чифирь.
но первой ассоциацией было гУлУбУю
У это вав, за неимением цвета с У игнорируем его
и удивительно как русский язык окрасил буквы:
████████████ крАснA
крАш? ржав! (рыжеват, рж is
literally red (Δ[ð]))
████████████ бЕлEй бЕлъ
████████████ сИнИй сИнь
████████████ жОлтО жОлтъ (но жёлтый же, но раньше вроде
было жолт, или охро)
Холландский флаг, который Пётр Великий привозил в качестве
нашенского.
и Хохландский флаг, который Вiльна Україна сподобилась
принять как родной.
или всё же зЕлЕнь буква Е. зЕлЕнЕЕ,
но получился такой вырвиглаз, что даже рисовать не буду,
бЕлЕЕ тоже весь в Е, и двусложен как остальные.
Но в нидерландском
████████████ blauw
[blAw] or [zwArt] zwart ████████████
████████████ geel
[hEjl]
████████████ wit
[wIt]
████████████ rood
[rOd]
████████████ groen [hrUn]
or [zwArt] zwart
████████████ и имперочка явилась очень неожиданно
здесь (blAw или zwArt)
████████████ geel
[hEjl]
████████████ wit
[wIt]
████████████ rood
[rOd]
████████████ groen
[hrUn] поверх флага
беларуси, ахуительна
████████████ blAck
████████████
yEllow (or rEd?)
████████████
whIte
████████████
Orange
████████████ blUe
████████████ blAck
████████████ yEllow
(or rEd?)
████████████
whIte
████████████
Orange
████████████ blUe
and let's try one more variant:
████████████ orAnge
████████████ yEllow
(or rEd?)
████████████
whIte
████████████
gOld (or
rEd?)
████████████
blUe
a being between e and o is surely
interesting, but not that interesting
and now let's work with Ukrainian:
████████████ помАрАнчевий
чтоли?
████████████ зЕлЕний
████████████
сИнІй(блакитний дуже складне слово,
але тож блакИ́тнИй) или білий
████████████ жОвтий
или зОлОтий или чорний (але ні,
білий та чорний то не колёри)
(да и выглядит так дуже красиво, а белое с чёрным сразу
мрак и жах)
и Е зелёного меж жовтим О и
синим И ещё более интересно, и тем не менее, сыро.
Готовлю: в русском тоже О жолтого и И сини дают Е и Ё
зЕлЁного. Итак, мы нашли место зелёного, под крАсным,
как во флаге бЕлÅрУсИ. В русском похожий флаг (с красным
вместо помаранчевага
а с У цветов у них (как и у нас)
немае: рудий значит рыжий, о цвете волос, но не о цвете
не знаю что это за упражнение, может поможет цвета
выучить, посмотрим.
A B C D
E F G H
Н for
haim(life in hebrew)
I J K L M N
O P Q R S T
U V W X Y Z
А Б В Г Д
Е Ё Ж З
З for
zoo(life in greek)
И Й К Л М Н
О П Р С Т
У Ф Х Ц Ч Ш
Щ
(эти значения наугад, но гаданием и
отгадывается)
Ъ Ы Ь Э
Ю Я
(просто поразился
сходству EF с ЕЁ и G с Ж (и H c 𐌆))
now it's almost obvious to me, that the letters used to
stand for some objects, when the alphabets spread
eight is acht, probably numbers and colours are connected
as well, I should sheck it.
H being so much similar to ハ the 八 (which is both ha and
ya, which reminds us of J[h~j] and ᚼ~ᛡ)
But ᚼ and ᛡ have 6 ends. 6 visible ends. imagine two in
the viewer's axis. If they're 8, they must be going
ortogonally, but to see them more symmetric, I imagine
them under some angle, so that other two bars are in some
angle to the plane, so that they go upwards on the top,
and downwards at the bottom. What figure do we get then..
I have to use some toothpicks to see it more clear.
And I saw that ᚼ and ᛡ of three sticks may make cartesian
(in russian it's dekartian(dekartovy) space, when such
figure made of 4 sticks make non-cartesian space, with two
planes not having their axes aligned.
In bornholm's alphabet ᚼ is 7th, but then if each line
were three-runes long, it would be 6th, ᚵ would go.
If H and ᚼ depict the same thing, then it's fascio,
вязанка чего-то
Halm
Haulm (I didn't even new these.. cognates of
Home (соломенная крыша, издалеа крыша видна первой) I was
thinking of Hay (and that it a good name for H)) and maybe
also for хлеб (hlaf)
Now this is culture! we, russians have
nothing of the kind.
Another word is sheaf the sheave (compare
to staff and stave (sheaf didn't
need to double the consonant, because ea made the
syllable sorta closed, the dyphtong doesn't go open
when the syllable is on, so, writing this text I also
research the language)) which may
correspond to H being called ʌʃ
and if H is tighed up I's, then it reminds me of egyptian
I the 𓇋, which is then not a
feather but some reed, but it is a feather, yet it is
officially recognized
as reed
(and also I, me, my, which reminds
english I like you wouldn't believe)
If ᚼ the ХRU[h]
was not 8, but 6 (or who knows maybe it was 7
sometimes) then V would be 3, thus Y, and let's look at IVXLCD from that
angle: 1 3 6 18 36 108 (sums up to 172, which is simply
nothing)
and that leads nowhere
ᚼ is definitely three sticks. Like teepee is made of three
sticks with boughs, limbs, arms to them, intertwining into
one the other, or/and tighed by a rope (just in case of
moving they don't fall apart, but can be taken with the
teepee in one piece.
ᚼ is for ᚼᛋ
(хаза, хаус, and maybe also home
(house/home is the Ϻ/M (san-чи[di]-man case(свой и мой))
ᚼ is for ᚼᛘ
house is literally к себе (хаза к кому, his, house is not
home to me)
home is literally to me. dome, до меня, дом.
if ᚼ is to, which it's arrows to one point tell, as it is
a city, a node, a central point. animal with tail (not
human (thus if ᚼ is the target of the hunt, 5 would be
unlucky. Commies are satanists. Or were russians before
them as well? If October Revolution (brights my soviet
heart, to be fair) was the counter-revolution played by
russian aristocracy, nigga that's crazy, that little
indicator could tell. Why else would commies want to
control Finland and such, they would lead by example, but
they all were whether shills or sheer incompetence. The
world is stage, they said before me.)).
I am utterly incompetent in many accounts, so who am I to
blame, but then, man.. some still would try.
So I'm to expose the history of the attempts and their
atrocious poverty and other atrocities,
practice is criterion of the truth, the
only good of their sayings.
a very self-ironic one too, similar to know them by
their fruit
but how can ᚼ be to? isn't 2 to?
one, an, a
to
thru?
for
five? fine? пива? is it fi of
fist? isn't fi in fist the same as in finger? fing-er
includes fing (f-ing) finger is literally the one doing
the fucking. Girls fingered themselves before guys came?
Girls wouldn't dare to fist themselves before they gave
birth, why would they break themselves before prince
charming came?
fi of fist? five fingers in one fist? is V in five the V,
the 5 (or, in some numeral systems, 4 (thumbs were not
numbered, they were pointers))
I II III could be names for index, middle and ring
fingers. I M R!!! yes, that's alphabetic.
pinky was V? pink~Violet? p~v(both labial, but different:
pink is less violent, calm, voiceless)
voiceless (in the context of letters)
is deaf in russian: глухие[gluhie]
if V depicts the pinky in its right strokeme, with left
depicting the palm. Thumb being depicted this way would
made more sense, and if thumb was V the 5, then pinky
would be numero uno?
вот так королёк.
Pinky Ring Middle Index.. P and R so conveniently went in
PRST pattern. Middle finger is Sredniy in russian (both
средний и средние) Index is Ukazanelny. It Touches though,
Trogaet.
трогает [trogaet] could be read as mpozaem
(russians and englishmen share vowels more exactly,
but then I thought of tough touch)
(doesn't sound like toukh at all)
T though is always T
but В is read V in russian
It seems to be both, just one reading is accepted in one
areas, and the other is in the others.
ת is not only t, but also θ to s something.
Thus those legendary B and T were also V and S and let's
continue.. B and C
W and C
W and S
wee and ass
P and S??
pee and shit
пися попа? но почему с и п инвертированы? но п и с же.
писа и срака
пипа и кака
пипи и кака
письпись и какай
(пипи=письпись as pee=piss)
(caca englishmen also know, as international as mama)
so we have two international words now. One is tabooed.
Should I untaboo it.
Only in this obscure edition. Please do not make it
widely known. Why though? Taboo.
Fuck it.
Seriously, not recommended.
Why would you, oh reader, be associated with such
dirt. No good.
Why me? I have other too big things,
only retards consider Mendeleev great because he
invented vodka,
which he also probably didn't.
Ещё ужаснее то, что эти пи-пи и ка-ка,
пережедшие видимо на жидкое и твёрдое,
стали основой для слов пить и кушать.
пить и писать разные вещи, писать имеет в себе с (off)
какать и кушать вообще непохожи же, только первая буква.
именно она и есть твёрдое, произошедшее от ка, которое и
в камень.
Ка - первая буква у индусов. Не потому ли они настолько
проще обращаются с го-ом?
Са - не помню индусский порядок, потому шпарю по
японскому, его помню, он тоже с ка
Та - но погоди, у японцев А предшествует Ка. Похоже на
европейское влияние, есичесна
Кака и Саса? сака [saka] is piss in russian. К[k] и С[s] -
два способа прочесть букву C[k,s]
Tata - Тятя?! я своего кака, а не
папа называл.
или Тётя? Тётя из ряда Тяти/Дяди/Daddy/оТЧе (тётя это и
тити? тити более откровенное слово)
Тата (папа
Тити~Сиси (если С значит жидкий, то смотри как С похоже
на П (Сиси дают смысл жидкого))
Тятей и Систрой заменяли неприличные К и П?
кака и сака видимо второй этап: двусложные слова.
ЯпонскаяКитайская
иероглифика односложна, что говорит, что так было
(у них так есть. хелло. уот иф зэй бастардайзд э
компликэйтед джапанис райтинг энд рерот хистори? Японцы
переписывали бы (Япония не была оккупирована Китаем. С
чего так?
(в общем дело тёмное, или это всего лишь я
(но я не тёмный, я свечусь, и в этом контексте я сведущ,
просто бросаю вызов известному
(подобно тому как боятся
неизвестности) известности)))
кака пипи мама папа тятя тётя дядя дети?
дети дяди и тёти.
дети (принадлежат) дяде и тёте.
Как одно
слово может у других
падеж-то изменить с родительного на дательный!
Со~Cи
СиСи сок, соси, не от ссу ли? в значении мочу? именно что
мочу (I wet, urine (both translations are possible))
we in wet is wee? why would it be we? we is plural wo.
homonym, purely accidental.
Could be possible only when we forgot that W is wee, Pee..
thus is Bee pee? is mead пить? Did people drink urine? To
answer that we should look if some apes do, and even I saw
apes drinking their own urine, so I guess the answer is
yes (I don't look at apes often, so I guess piss-drinking
is rampant in their savage societies)
Са is both Caca and Saca. unless they distinguished S as
long C, ContinuouS (as the word)
A Ka Sa Ta Na Ha Ma Ya Ra Wa (N is Wu (as N's are in
Wu-Tang Clan, probably how they
named it)
A is just a vocalization, actual first saying of a child.
Ka is кряхтение при каканьи непроизвольное.
Sa ка второе прочтение буквы С (было B отправлено назад
или всегда там было. С чего бы двойная буква была первой?
Но в латинском это традиция, что первая двойная (губная)
стоит.
Как это могло произойти? Проще предположить, что ..что?
ничего, продолжим мысль про A C D E(H) M(W(vav)) N stands
before M, is it related to LMN? but N is always after M in
european alphabets. R and W are after M as in european
alphabets though.
Out of my guess that hiragana's order is related to
alphabetic order, that I tend to find the similarities,
and indeed there are many: even Sa before Ta just like S
and T. But I speculate that K and S are C, and that Ta is
Da, which technically it is. that Ta column contains its
voiced variants, but what if ゛is a recent invention, and
before that they went without it, as hebrew was without
dagesh? They used to write in chinese hieroglyphs before
they simplified them into kana, and I can't see how it's
wrong.
So mostly I'm
just being contradictory. For a good reason too.
Interesting, how similar to K and S both being the
readings of C,
H and N are the ways to read H(Н)
and russian т looks like m in cursive: т and basically Y R W are all that's left,
and in my Futhark As Mistransliterated Alphabet..
I speculate that ᚱ(R) is a form of ᚢ(W)
and that ᚢ looks like П, which is russian P, and their R
is Р
and thus it links them like this,
and thus all come in pairs, and only Y and A left,
and both may be considered vowel.
2 and 3 have an interesting relation: when you want to
increase something 1½ times, you add ½, but when you want
to inverse that, you have to remove ⅓,
even though it will be not called to divide something 1½
times.
Obviously it is because the whole is different at those
two operations, but how addition of ½ makes it so, that
now it's ⅓? because it is one in both cases, only in one
case there are two of ones,
in the other, there are three
Let's try and do it their way, by feeding them one tidbit
at once:
Let's sell them the K-column. Let's not feed them all,
let's just offer "gradual changes in our understanding of
the world", not to overwhelm them.
1 What is known (our understanding of the world)
Many
noticed, that latin alphabet has too many letters for k:
C, K, Q and then X contains k.
2 What is unknown (what's the gap we want to fill)
But the explanation of that phenomenon
is lacking, so google only returned "The letter K was not
part of the original alphabet but was added later as a way
to make Latin look more Greek (bearing in mind that in
classical times the Greek language was the language of
culture). Essentially when Latin borrowed Greek words,
they would be spelled with a K instead of a C."
And where they took it is not clear, because even in
hebrew alphabet (we look at it here also because it is in
the classical phoenician order, the only modern alphabet
repeating that order) before L(ל) stands K(כ) and yet כ
looks like C, so some truth is in their words, but then
that כ looks like 𐤊 in phoenician, so the consensus
google output makes even less sense, so we have to start
from scratch, which I pretty much did. But it doesn't
answer the question.
3 How and why should we fill the gap (your rationale and
purpose/hypothesis)
I found a 2-dimensional structure in
the alphabet sequence, and it explained that phenomenon
well.
4 METHODS (what did we do)
I researched writing systems for years,
getting high and thinking about what I learnt for decades
actually, during some of such seances I made sense out of
the repeating pattern of the alphabets (though k-column is
distinct only in latin alphabet, which may be explained by
legends describing three elements of the alphabet (vowel,
labial, lingual, as the further research made clear) so
the era of those legends didn't distinguish between two
readings of C, be it back-lingual or front-lingual (velar
or coronal)
5 RESULTS (what results did we get)
Recognition of velars as a group
distinct from other linguals may explain the abundance of
K's, representing metal, extracted out of earth, which was
symbolized by the common lingual group, before it was
separated into organic and inorganic chemistry, if I can
compare understanding of the ancient wizards with modern
scientific knowledge (zemlya has
labial m in it, but earth also contains water, so it's
great representation. Earth is more purely lingual,
earthy.
почва поить чево (то что надо поить)
6 DISCUSSION (how do the results fill the gap)
They fill it almost perfectly (X is
shifted by doubling of the labial)
Discuss.
7 CONCLUSION (what does this mean for us going forward?)
The theory which have grown out of the
discovery of the structures within alphabets revealed many
such tidbits, which apparently I have to feed you by one,
and there are many.
Those structures allow more convenient
tool for comparison of the alphabets (and other writing
systems too: so this structure was found even in ethiopean
abugida and roman numerals, the picture of the world our
alphabets contain predate even the religion, which
predated christianity, and it contains some symbols, which
we know from christianity: trinity, JK, IMNL, and triple
six too, which allows a deeper perspective from which to
look at the world of words and beyond.
And those are slightly different, but very slightly, they
both k and q are different only in that q is before u, and here I realize, that q is cu, k is
probably ki (c would turn s before i) but q is in the
o-line, which may indicate that they only had 4 lines:
as hebrew does, hebrew is a corner stone, one of several
corner stones of this building of european civilization.
c k q
𐤊 looks like K in firefox, but seamonkey shows it as ᚴ,
and that could be another argument pro runes being more
ancient than greek and latin (if the seamonkey glyph is
truly historic)
The ᚴ shape is not seen in old-italic
scripts,
and Ч links to ᚴ not less, thatn Ж to ᛡ
Г and Ч both remind ᚴ (and we know Γ из Греческого)
Д reminds ᚦ more than Δ, but not more that D (yet Δ
sounds more like ᚦ)
Ѕ reminds ᛋ, but that's not needed: latin (but not
greek) has S
(but then there's a rune similar to Σ: ᛊ, which is
equivalent to ᛋ the same way Σ is S)
П as ᚢ and ᚱ is yet to be proven, it's a wild
hypothesis.
Х is similar to ᚷ, actually the same glyph, but that
could be borrowed either way.
Actually Ч and Ж are the only russian letters unique to
it and yet reflected in runes.
I wonder if В in ukrainian був and T in ukrainian бути are
those primal B and T
showing past and present (or past and
future in larger sense
(though future is буде, but it reminds бути дуже рішуче))
Knossos ~ gnosis
Manu (Sanskrit: मनु) is a term found with
various meanings in Hinduism. In early texts, it refers
to the archetypal man, or the first man
(progenitor
of humanity).
The Sanskrit term for 'human', मनुष्य
(IAST: manuṣya) or मानव (IAST: mānava) means 'of Manu'
or 'children of Manu'
मन is mind (in both Hindi and Sanskrit, so it seems (g.t.
sometimes guesses words he doesn't know, but w.p is
usually more accurate, and it tells yes:
मन मस्तिष्क की उस क्षमता को कहते हैं जो
मनुष्य को चिंतन शक्ति, स्मरण-शक्ति, निर्णय शक्ति,
बुद्धि, भाव, इंद्रियाग्राह्यता, एकाग्रता, व्यवहार,
परिज्ञान (अंतर्दृष्टि), इत्यादि में सक्षम बनाती
है।[1][2][3] सामान्य भाषा में मन शरीर का वह हिस्सा या
प्रक्रिया है जो किसी ज्ञातव्य को ग्रहण करने, सोचने और
समझने का कार्य करता है। यह मस्तिष्क का एक प्रकार्य है।
मन और इसके कार्य करने के विविध पहलुओं का मनोविज्ञान नामक
ज्ञान की शाखा द्वारा अध्ययन किया जाता है। मानसिक
स्वास्थ्य और मनोरोग किसी व्यक्ति के मन के सही ढंग से
कार्य करने का विश्लेषण करते हैं। मनोविश्लेषण नामक शाखा
मन के अन्दर छुपी उन जटिलताओं का उद्घाटन करने की विधा है
जो मनोरोग अथवा मानसिक स्वास्थ्य में व्यवधान का कारण बनते
हैं। वहीं मनोरोग चिकित्सा मानसिक स्वास्थ्य को
पुनर्स्थापित करने की विधा है।
सामाजिक मनोविज्ञान किसी व्यक्ति द्वारा विभिन्न सामाजिक
परिस्थितयों में उसके मानसिक व्यवहार का अध्ययन करती है।
शिक्षा मनोविज्ञान उन सारे पहलुओं का अध्ययन करता है जो
किसी व्यक्ति की शिक्षा में उसके मानसिक प्रकार्यों के
द्वारा प्रभावित होते हैं।
जिसके द्वारा सब क्रियाकलापो को क्रियानवृत किया जाता है।
उसे साधारण भाषा में मन कहते है।।
Mind is the ability of the brain which enables a person
to think, remember, make decisions, intellect, emotions,
sensory perception, concentration, behavior, insight,
etc. [1] [2] [3] In general language, mind is that part
or process of the body which works to receive, think and
understand any information. It is a function of the
brain.
The mind and its various aspects of functioning are
studied by a branch of knowledge called psychology.
Mental health and psychiatry analyze the proper
functioning of a person's mind. The branch called
psychoanalysis is the method of revealing those
complexities hidden inside the mind which cause
disturbance in mental illness or mental health.
Psychiatry is the method of restoring mental health.
Social psychology studies the mental behavior of a
person in different social situations. Educational
psychology studies all those aspects which are affected
by the mental functions of a person in his education.
Through which all activities are carried out. In simple
language it is called mind.
so the etymology of man is that sanskrit man, the mind.
and it is not something new, at least they knew, but I
didn't, and you probably didn't too,
they don't teach us sanskrit
Oh wow, it seems man is dutch
orthography which influenced english, which was more
german?
so I read it
Махди которого муслимы ждут это Махадев.
(ди is a part of deus, dei as in deity)
Dev is Devil in arabic world, so I heard (never tested
this word of mouth, to be honest, or did I?
did you?)
и да, ислам очень сатанинск (во всяком случае со стороны
тех, кто его не исповедует)
и говорят, он сам своё падение пророчествует, а христиан
учат что много кто сатане поклонится, но в финале сатана
падёт. Т.о. нам предлагается картина будущего, согласная с
картиной будущего соседей. Это пьеса, которую евреи
разыгрывают, чтоб держать гоев в повиновении: чёрных учат
убивать неверных, а неверных учат им не сопротивляться,
белые неверные рабы, всё бунтуют, то ли дело черныши,
глупые как бараны, такими жидам сподручней управлять. В
Израиле вроде бы великолепно справляются. Но не всё так
однозначно: в одном вопросе два еврея имеют три различных
мненья.
ь как краткая и (как краткая ы?)
a pure chance brought me ꯅꯨꯄꯥ man [nupa] in мейтейлон
(манипури)
The original 18 letters used in the Meitei
Mayek writing system
In the following line (in the image) 𐤊 (reversed k (or
ᚴ!))
But then that כ looks like 𐤊 in phoenician
or ᚴ:
в соавторы
Гайдука зазываю, очень вкусно дядька пишет.
(пока что отмораживается)
म and न are like m and n differ in just one stroke (but I
always saw न as n on the ا stroke of its a)
म also looks like ם
t in heat typoed up front. as for temperature, but isn't
temp time? isn't termperature rotation of time? But no,
they typo erm is of warm. termы are roman saunas.
term~тёпл(warm (and olol, that's TV))
warm ~ тёпл? (and term is the middle ground between them
(latin influenced both brits and russkies))
ryss is ruth, but I was thinking of рысь, bobcat, and they
say those beasts ruth humans: If you see
a bobcat near your home, there is no need to panic.
Bobcats rarely attack people, and most human attacks
have been related to rabies
(Rabies is a viral disease that causes
encephalitis in humans and other mammals.[1] It was
historically referred to as hydrophobia ("fear of
water") due to the symptom of panic when presented with
liquids to drink.
And isn't it where the legend of holy water is coming
from? Rabies is naturally demonic posession, spreading as
zombie apocalypse is, and I think we should film a film
about rabies, framed as a horror movie staged in the
medieval times: Army Of Darkness
worked very well. I wonder how many people with rabies
treat eachother, do they attack eachother? I wish that
movie is accurate in scientific sense, that those who
watched it know how to treat rabies (the movie has a
wizard who helps a knight to save his bride (and in the
end of the movie, she bitches at him, showing symptoms
of rabies, in the comedic bit they show после-титров)))
but unless some reader of ancient doctors contributes to
this, there was no treatment for rabies until recently.
Maybe the wizard was present as the girl was bitten, or
contacted the same day by the prince rushing her on a
back of the horse with him.
Rabies has been known since around 2000
BC.[134] The first written record of rabies is in the
Mesopotamian Codex of Eshnunna (c. 1930 BC), which
dictates that the owner of a dog showing symptoms of
rabies should take preventive measures against bites. If
another person were bitten by a rabid dog and later
died, the owner was heavily fined.[135]
In Ancient Greece, rabies was supposed to be caused by
Lyssa, the spirit of mad rage.[136]
Lyssa is probably Лиса (russian word for fox)
In Switzerland the disease was virtually
eliminated after scientists placed chicken heads laced
with live attenuated vaccine in the Swiss Alps.[82]
Foxes, proven to be the main source of rabies in the
country, ate the chicken heads and became
immunized.[82][116]
Italy, after being declared rabies-free from 1997 to
2008, has witnessed a reemergence of the disease in wild
animals in the Triveneto regions (Trentino-Alto
Adige/Südtirol, Veneto and Friuli-Venezia Giulia), due
to the spreading of an epidemic in the Balkans that also
affected Austria. An extensive wild animal vaccination
campaign eliminated the virus from Italy again, and it
regained the rabies-free country status in 2013, the
last reported case of rabies being reported in a red fox
in early 2011.[117][118]
Ineffective folk remedies abounded in the medical
literature of the ancient world. The physician
Scribonius Largus prescribed a poultice of cloth and
hyena skin; Antaeus recommended a preparation made from
the skull of a hanged man.[137]
Rabies appears to have originated in the Old World, the
first epizootic in the New World occurring in Boston in
1768.[138]
Rabies was considered a scourge for its prevalence in
the 19th century. In France and Belgium, where Saint
Hubert was venerated, the "St Hubert's Key" was heated
and applied to cauterize the wound. By an application of
magical thinking, dogs were branded with the key in
hopes of protecting them from rabies.
It was not uncommon for a person bitten by a dog merely
suspected of being rabid to commit suicide or to be
killed by others.[22]
and that can be used in the movie
In ancient times the attachment of the
tongue (the lingual frenulum, a mucous membrane) was cut
and removed, as this was where rabies was thought to
originate. This practice ceased with the discovery of
the actual cause of rabies.[38] Louis Pasteur's 1885
nerve tissue vaccine was successful, and was
progressively improved to reduce often severe
side-effects.[23]
In modern times, the fear of rabies has not diminished,
and the disease and its symptoms, particularly
agitation, have served as an inspiration for several
works of zombie or similarly themed fiction, often
portraying rabies as having mutated into a stronger
virus which fills humans with murderous rage or
incurable illness, bringing about a devastating,
widespread pandemic.[139]
and they say that the idea is not that new, but then I
should balance it on the scientific side. That would make
this allow us to get few zombie-inspired scenes.
cold & холод are more obvious cognates. Warm &
Term
Т looks like hammer. Топор is it not?
Ax and Axe look like Топор because I know they're. Палач
как Туз? (that was about Ace~Axe)
ꯃ (eye) looks like a part of the ꯀ(head)
ꯃ also reminds ꯆ (lips, which it does)
ꯆ reminds ꯋ (navel, instead of which lips work now.)
Poor hungry.. indians.. of some Assam.
Meitei (ꯃꯩꯇꯩꯂꯣꯟ, Eastern Nagari script:
মৈতৈলোন্, [mejtejlon] (IPA), romanized: meiteilon) ,[4]
also known as Manipuri (ꯃꯅꯤꯄꯨꯔꯤ, Eastern Nagari script:
মণিপুরী, [mɐnipuɾi] (IPA)), is a Tibeto-Burman language
of northeast India.
It is the official language and the lingua franca of
Manipur and one of the official languages of Assam. It
is one of the constitutionally scheduled official
languages of the Indian Republic.[5] Meitei is the most
widely-spoken Tibeto-Burman language of India and third
most widely spoken language of northeast India after
Assamese and Bengali.[6]
see how thin their chicks are: ꯆ depitcs lips.
ꯋ depicts navel, so their babies were also thin.
I claim, that those syllables are hieroglyphic, and ꯅ for
an ear tells me "sure do"
So I wouldn't know of Meitei, if my friend didn't send
that Roman
The Meitei script (ꯃꯩꯇꯩ ꯃꯌꯦꯛ, Meitei
mayek)[78] is one of the official scripts of the Indian
Republic. Meitei mayek is also known as Kanglei script
(ꯀꯪꯂꯩ ꯃꯌꯦꯛ)[79] or kok sam lai script (ꯀꯣꯛ ꯁꯝ ꯂꯥꯏ ꯃꯌꯦꯛ,
romanized: kok sam lai mayeke), after its first three
letters.[80][81] Its earliest known appearance is on 6th
century coins.[82] It was used until the 18th century,
when it was replaced by the Bengali script, and then
revived in again massively in the 20th.[83] In 2021, the
use of Meetei Mayek to write Manipuri was officially
adopted by the Government of Manipur, alongside Bengali
script.[84]
они путают науку с академией (академия - это подразделение
католической церкви, которое подчинило себе всю науку,
совратило её, подменило её собой, подмяло под себя) в то
время как разница науки от ненауки - научный метод
(наблюдение-предположение-проверка)
The longer they do not accept me the more wild my rants
become. Maybe that is what every of them want: the total
obliteration: they all came into science to do science,
but they are enslaved by academia instead.
So I have to write another book.
Academia inserted A into Alphabet.. A Ca De Mi A is rather
alphabetic. Yet in the eastern canon.
So the name itself may be an ancient formula usurped by
those who didn't know what the word meant.
So my, the true Norwegian Science (imagine Norway to
conquer russia by the will of its citizenry, a political
firm, политическая фирма, я начинаю это движение из
россии, норвежские политики в отставке, секонд-хэнд
политишнс, сам оф хум мэй би уонтинг зы чэнс ту трай ту
чэйндж ит фром зы аза сайд) will be called A Mi Ca De A?
Amica Dea? Good Gooddeess
dd~N? ddess ~ ness? goddess ~ goodness?
d~n? Z~N! те же (яйца) только вид сбоку.
Amica Dea makes perfect sense, in comparison to academia
(demonia, and aku is bad in japanese)
acu demia as the opposite of amica dea!
(acu = плохое, а м = me, demons have
you inside them, they eat you)
A Mi Ca De A places A's around the Mi Ca De, which reminds
me that ancient greeks were
Микенская цивилизация (греч.
Μυκηναϊκός πολιτισμός) или Ахейская Греция (греч.
Αχαϊκή Ελλάδα) — культурный период в истории
доисторической Греции с XVI по
XI век до н. э., конец греческого бронзового
века. Часть крито-микенской культуры, первая
цивилизация, основанная собственно древними греками.
Получила своё название по городу Микены в Арголиде на
полуострове Пелопоннес. Другими важными полисами этого
периода были Аргос, Тиринф и Пилос.
В противоположность минойцам на Крите, культура
которых достигает расцвета благодаря мирному
существованию и оживлённой торговле, микенцы были
завоевателями, однако также принимали участие в
торговом обмене по Средиземноморью. Поселения
микенского типа также появлялись в Эпире, Македонии,
на островах Родос и Кипр, западном и юго-западном
побережье Малой Азии. Керамика и прочие находки
указывают на присутствие носителей микенской культуры
на побережьях Леванта (сиро-финикийском Восточном
Средиземноморье), Египта, Сицилии, Южной Италии.
Население Микенской Греции — ахейцы — принимали
участие в переселениях «народов моря», эпизодом
которых иногда рассматривают Троянскую войну, вокруг
которой строился позднейший греческий эпический цикл.
О военной нестабильности в этот период (XIII век до н.
э.) свидетельствуют восстановление и возведение
укреплений, включая стену поперёк Коринфского
перешейка.
Исчезновение микенской культуры в контексте
«катастрофы бронзового века» связывают с Дорийским
вторжением около 1200 года до н. э., после которого
начались «Тёмные века» древнегреческой истории.
Несмотря на падение микенских центров, её традиции
прослеживаются в ряде поселений последующего века.
Также предлагаются теории, дополняющие эту картину
факторами природных катаклизмов и климатических
изменений.
Mycenaean Greece (or the Mycenaean civilization) was the
last phase of the Bronze Age in ancient Greece, spanning
the period from approximately 1750 to 1050 BC.[1] It
represents the first advanced and distinctively Greek
civilization in mainland Greece with its palatial
states, urban organization, works of art, and writing
system.[2][3]
Russian and English wikipedias disagree on whether
MyCeNaean civilization began in 18th or 16th century BC.
This work is so weird, I am so weird, I will not make it,
for I am alone.
But God is working it out for you. Bad
god? Bud gud? Booze goods?
Buzz.
I want to keep on working, in the material world.
In few hours the action of weed passes away and I may go
welding, now let's give this time to this book.
Let's return to where we stopped, let's decypher the
glyphs of Meitei Mayek.
ꯀ [kok] head with messy hair (клок волос тоже кок)
ꯁ [sam] hair hand hang
around head like this (даже прямой пробор изобразили)
ꯂ [lai] forehead: it would make greak mouth, or is it
десница ока со лбом над ней?
ꯃ [mit] eye is the square
ꯄ [pā] eyelash, obviously the depiction of it.
ꯅ [nā] ear, depiction of it, thise and the ꯄ are the most
obvious depictions so far, but wair for ribs.
ꯆ [chil] lips (on a thin face of a hungry man how they may
look)
(and surely then further on the way
I find that some translations are wrong somehow, who
knows)
ꯇ [til] saliva, looks like a drop on that right end, and
the direction where it goes is shown: вырабатывается
спереди языка, проглатывается вниз, и дальше (последий
завиток может животных скоерее означать, или что по кишкам
оно туда-сюда, кто знает..)
ꯈ [khou] throat/palate/neck, it reminds ꯆ, so could be
schematism added to the hieroglyphs.
Allow me call all them that, because egyptian hieroglyphs
shouldn't be considered separate only because we got
interest in them first, for they're the most obviously
depictions, bad painters shouldn't be discriminated
against in the domain of texts.
ꯉ [ngou] pharynx/larynx is less obvious, but the track the
right part could be,
pharynx/larynx is the inner part of throat, as far, as I
understand it. And it's lowermost part reminds me of the
chinese/japanese hieroglyphs (I dare call them that)
ꯊ [thou] breast/chest/ribs obvious ribs
ꯋ [wai] navel/heart ~ it is navel, on a thin belly
ꯌ [yang] spine (probably a joint of the back looks like
that, or it's back and not just spine, no nipples)
ꯍ [huk] joint (depicts joint or something, not
firmly attached)
ꯎ [un] skin (движением руки по коже показали? странный
иероглиф, слабый
ꯏ [i] blood видимо поток крови из раны (сверху
который порез) показаню
ꯐ [pham] anus/bottocks/uterus (if it was an animal, then
it is the back of it, rhyming ꯉ
(rhyme ~ remind)
ꯑɐ (ꯑꯇꯤꯡꯉꯥ[atinga], ꯑꯇꯤꯌꯥ[atiya])
immortality/heaven/divinity/birth
I am stunned by how much ꯑ and ɐ look alike, and how ti in
atinga and atiya reminds die, totDE(dead)
ꯑ and ɐ both remind e, which is recognized as a happy
face, and immortality gives one a happy face.
ꯇꯤ is one glyph ꯇ is t(til (they used first letters of the
words))
their numerals are rather messed up, but then those 4 and
7, not making a part of the sequence with their neighbours
are suspicious of being rudiments of octal being
transmutated into decimal.
why mal? that is very suspicious
hair~hand~hang
(speaking of the Meitei numerals:
after IVXLCD I am ready to look anywhere)
aMa aNi aHum?
maRi maNgā
taruK tareT or tarUk tarEt? why discriminate the vowels?
Nipal Mapal
It rings something, but it reminds a man who only has
the hammer. Do I have one hammer?
But let's get onto more firm ground,
A B C D
E F G H
I J K L M N
O P Q R S T
U V W X Y Z
A B G D
E V J Z
I M N L
O P K T
U F H S
C Q R W X Y are off its scope, and for a good reason: C is
backed by K and S, no blind zones without it, Q is just K
before U, what is the point, I wonder if somebody knows (I
do, the CGKQX-column)
R is backed by L, but more likely by D (not only that it
is for Dextrus, but for D belin beling the other
opposition to L.
Wis backed by U and V,
X is basically KS (and in
that duality it is a great representitive of the
cgkqx-column)
Y is basically I, and it is very weird, that in greek Υ is
υ
Okay, welding is calling me, I must do it (the take is a
double of something previous, which tells that my head is
somewhere else. Делу время, потехе час? придёт час потехи,
определённый час, не когда угодно. Делу время (всё что
есть? почти))
белый~бедный?
красив~expensive? (красив~красен(крашен as the opposite of
белен))
Have finished welding for today, shall get high and return
here.
us ~ ours?
us ~ we's? or us ~ U's
(yours) ?
мы has no trace of U
we and мы seem to be connected in me and wo
We has very strong trace of U
We seems to be a plural form of U: e~c: E~Σ: ы~s (and this
argumenation is circular in the best sense: U and ы bothe
can be transliterated as Y.. and I just noticed that that
bothe is a plural form of both, as I supposed, but then
what is the singular form of both? both.
U is you in nederlands, d=th, also
because of Δ[ð] thing (I would say "because of Δ", if I
wrote for myself, but I write for ai-enhanced brains of
the future (it liberated me from bothering myself with
"who do you write it for? nobody understands"
We is the opposite of that, why would I equate you and we?
because of we ~ вы?
мы includes вы? мы и вы могут означать одно и то же в
контексте обращения к кому-то с общим делом. Мы более
прикольная тема. более прикольное слово в контексте
убеждения, пожалуй (говорил уже,
что разница между мы и вы это разница между лидером и
боссом (и тенденция к пережёвыванию старого без
добавления какой-либо новой информации есть явный
признак ненакуренного состояния))
Aren't B and D
F and Г
M and Λ
П and Т
Ф and q
or something (𐌚 and 𐌔 or 𐌚 and S, and isn't it the
sixth pair? or 7? ᛝ and 𐌔? ŋ as a labial?)
(was it when they confused labials with
nasals?)
what about V and X?
B F M П Ф 𐌚 ᛝ? neither V nor W?
A to U? to V.. so what is it's half? J!
B D
F Г
M Λ
П Т
U J
are they basically two letters?
isn't М П?
isn't П U?
П and Г are also a pair.
But why isn't Г and Т are pair?
П is пара
Т is actually три (три)
isn't F П?
see, the same letter:
isn't ᚠ ᛓ?
when there's only two letters, many more words meet in
their meanings:
party ~ пить, из этой оперы, но менее очевидное: party ~
fart, march, mark, work? (work and party m,ay meet in a
ritual)
Comparing Rite and Party at first I didn't notice rt in
both words..
rite is might, r is of w? it's of both w and j, V and J
Party is по ритуалу, и питие проводится по ритуалу.
итие ~ ритуал? ит в обоих один и тот же? rite (might,
fight, white, bite?)
bite
fight
might
right (р is r in russian (r as a half of п))
white
died?
goed?
light, night (la in light is Rah, isn't it? ray~луч)
sight, tight
/x/ite
Light Might Night with Right are all sonors. White is also
sonor, the other one. but no yite
Right and White are connected (and w was changed to r by
some rrr people, I guess, гайс, нот галс.
й and л are very similar letters: both sonors, but J is of
Joe, while L is of Lisa, Louise, Leya, but also Luke,
Louis, and J is for Joan, Janet, Jasmine, Julia, so this
hypothesis doesnt work well)
Let's compare that ight to other set:
Lala Mama Nanna Papa is closest to Right we can have at
this stage. Wawa can be anything.
Mama is the mightiest figure. Nannies are often hired for
the nights. Papa rules (even though mothers have more
influence on us, we love them more) White can be anything,
anything can be white.
Lala is the lightiest of the creatures.
Lala ~ Light
Mommy ~ Might
Nanny ~ Night (nun~nan? nun are more grim)
was Papa Rara? as in Hulk by Ang Lee?
The three goddesses are they внучка, дочка, бабушка? (две
из них мать? так и дочками тоже являются две (триединство
с одной скрытой фигурой
(матери они все (даже если одна из них
лишь в будущем))))
Papa ~ Caca, as I spoke that word as a child, and Rara is
Caca, way more than Papa is.
PQR are as is of of otets, and looking at those ST of
otets(отец) I say, Father is PQRST (педераст? пизды даст)
PRQ is porc, and father is way more boar than mother,
mothers are way cleaner.
MLNKJ is Mother's line or Boy's line, as I saw маленький
when I aranged JMKLN in that unusual manner.
Alphabet being a man's story, from Baby to Tomb is not a
new idea here, so let's ponder on it further:
Ma Le Nь Ky
I-line.
Вы первый pronoun?
(местоимения грязное слово)
Аз когда-то было таковым, и Вы было вторым лицом,
каковым оно и является.
I is A then? ا!
Те и Сии прекрасное третье лицо.
Дуализм ש ת, или даже дуализм ת (которая без точки
читается S-образно)
Т это не только Те, но и ты.
Аз Ты Мы? Аз Мы Ты Те? А М S T?
I surely like where it is going: A M S
T E R D A M
and AMST sequence, common in Amsterdam and Amstel (its
river) is alphabetic.
Amsterdam is Amstel's dam.
And that is a great example of L and R being the same
letter.
(before people knew right from left, they had arm and alm?
leg and reg? interesting, that legs are to the left, and
arms are to the right reminds, as if the beast depicted
should look to the right. To look right.
Art Alt (искусство высшая тема)
Rock Lock?
Rob Love (поиметь? выебать?) I'm not an english speaker,
why not lobe?
I have to feel my own language first.
Рука Лука (нарисовать её можно дугой (лук~луг~дуга))
(разве бы нерусский знал что такое лука? излучина, знал
бы?)
Резвый Лезвий (красотой стяжаю в полон, я
девчонка резвая: у меня коса до пола да пол-метра лезвие)
Ребята Лебеда? Лебёдушки!
Лебеди Ребята?
Что делает лебеда? Без знания её
свойств невозможно провести семантическую связь к
похожим словам (может она заставляет ребячиться?
лепетать? лепестки особенные? с бедой как-то
ассоциируется в ту или другую сторону? без понимания
предмета как слово понять? никак
ромб ломб?
роза лоза? вовсе нет же? куст розы называли лозой? если
да, то в литературе неизбежно будет отражено, но как
понять как давно? может так
как здесь встречается в литературе, трудами поэтов
современности.
река лека? liquid?
лекарство рекалство? рекарство? лекалство?
рецепт лекало
лекарь,
очевидно
recall
пекарь
аптекарь
царь?
пескарь
Archanes script is told to be the earliest form of cretan
hieroglyphs.
The development of hieroglyphs passed
three important stages:
Archanes script (signs look like
pictograms, although their number and frequency rather
suggest a syllabic script); this script was only
described as a distinct stage in development of the
Cretan hieroglyphic in the 1980s. Most of these seals
contain a repetitive "Archanes formula" of 2–3
signs.[21]
Hieroglyphic A (best represented in
archaeological records; similar to Archanes, but images
of animals are reduced to heads only)
Hieroglyphic B (mostly on clay,
characters are essentially simplified, may have served
as a prototype for Linear A and possibly the
Cypro-Minoan script).
Only this latter
version of the hieroglyphic includes signs that can
possibly match ideograms known from Linear A.
[𐤁𐤉𐤌𐤌 ? 𐤋𐤉𐤓𐤌𐤇 ?] 𐤁𐤔𐤍𐤕 𐤀𐤓𐤁𐤏 𐤖𐤖𐤖𐤖
𐤋𐤌𐤋𐤊 · 𐤌𐤋𐤊𐤉𐤕𐤍 [𐤌𐤋𐤊]
[bymm ? lyrmḥ
?] bšnt ʾrbʿ 4 lmlk · mlkytn [mlk]
[On day ? of
the month ?] in year four (4) of King Milkyaton, [king
of]
[𐤊𐤕𐤉
𐤅𐤀𐤃𐤉𐤋 𐤎𐤌𐤋] 𐤀𐤆 𐤀𐤔 𐤉𐤕𐤍 𐤅𐤉𐤈𐤍 · 𐤀𐤃𐤍 ·
𐤁𐤏𐤋𐤓[𐤌]
[kty wʾdyl
sml] ʾz ʾš ytn wyṭn · ʾdn · bʿlr[m]
[Kition and
Idalion: this is] the statue which was given and raised
by Lord Baalro[m,]
[𐤁𐤍
𐤏𐤁𐤃𐤌𐤋𐤊 𐤋𐤀𐤋]𐤉 𐤋𐤓𐤔𐤐 𐤌𐤊𐤋 · 𐤊 𐤔𐤌 𐤒𐤋
𐤉𐤁𐤓𐤊
[bn ʿbdmlk
lʾl]y lršp mkl · k šm ql ybrk
[son of
Abdimilk, to his go]d Reshep Mikal, because he heard his
voice: may he bless.
I can only wonder how would he manage to decypher one by
the other.
here, in better quality:
+*
these two typoed themselves or were typoed by some powers
when I was peeing, so whatever caused them to appear here,
let's speak about them. 2 and 3 or 4 and 6
+ and × are т and ks and h.
+ is T, no other letter in european alphabets (but in
ogham it's A, and in glagolitic too)
× is ks to kh to h, and as h it is the ᚼ without stav
stav kak stvol, поставлено, т.е. руны русские? аэты что
тогда такое? это что-то западнее, датский, исландский, та
чусть рун оттуда. Да и став скорей всего они тоже могут
понимать. (stand is not to far from stav)
+ as T reminds japanese [to]と(and, (if? jisho says that と
is also if, but if and [i]и(and) ))
と reminds ע and צ (and to
is not far from ts (and I'm not the first one who noticed
the similarity between japanese and hebrew, but that take
was rather freaky, I believe in more complex connection,
some more complex resemblances between japanese and
different european writing systems))
× ~ * but the common reading of х and ᚼ, the h, doesn't
ring a bell.
* reminds ж[ʒ] and * can be read as жды[ʒdi (if you can
unpalatalize that i)]
is it coincidence or is it ..either way it doesn't matter.
Mostly because I ddin't find much.
Japanese-european mnemonics is all that is, a tool to
memorize, doesn't prove anything.
and this * as ж of жды is rather weak too. I had ю, and
isnt ᛡ it?
and it is literally ё(io, the closest
to ю one could be)
ᛡ From earlier ᛃ (j).
A letter of the Runic
alphabet.
present in the Anglo-Saxon Fuþorc (called ger or ior),
representing /j/ or /jo/.
present in transitional period Elder Futhark and
early Younger Futhark, representing /a/
as if these two
lines were one line going from left to right.
Here I just wanted to see if I would
easily read the line upwards,
(why would I
though)
+ as [da]да(and) т ~ д (see it in
paleohispanic script))
endlish to is also good と, for to is add (and that
is what + also is. Now I must read where
5 + 5 is 5 to 5.. but isn't five to
one 12:55? no, it's one in five. 1/5, some other
arithmetic operation.
5 * 5 are good as 5 ю 5 and as 5 жды 5, but not as 5 на 5 (but then russian Н[n] looks
like H[h], which links it back to ᚼ
0 1 2 3 4 5 6 7 8 9
O I г З Ч S б Z В g
It transliterated like this reminds eastern order (as
indians are these numers (without english В key on this
keyoard I can see them all eing dum, num, russians would
say deaf? no, russians would say dead? no, russians would
say voiceless. Interesting, that Β isn't used much in
english. As if C indeed was the first letter.)
without Β and C, as in etruscan, what we have is A E
sequence (there's no D in some etruscan sets (ut not in
Marsiliana!))
Β is just Βut, но. And as no it's new? It's just no, that
is why it is not used much.
Dum doesnt even dum-dum-dum
Deaf.. m,ay, I guess
Βlind speaks normally, usually, I guess,
Βut then it has that Β in the initial position.
In the set of old-italic scripts the one coming from A
right to E is called East-Raetic (and in East-Raetic they
placed ᚲ etween A and E. Thought
what does it matter, if that tale is academic
(what was I talking of here
(comparing taΒle to tale, how would I
guess that if the key didn't fall off)
That triple ᛒ.. I'll remember (I forgot tht the lptop I
use s the monitor hs its own keyborrd.. but it's A key
only works from time to time.
And it's funny, that the first of the key o rds lost its
A, and the other - it's B (I have another keyoard at home,
and how funny would it e, if it lost its C.
describes turn into descries ..reminding that scribe s-cry
(s is writing, literally
the script? ссать in писать?)
of is ab in about (this came from needing the synonym for
about in the context of b-less keyboard (I now use two
keyboards as if I'm some Bernie Worrell
Уменьш тельно-ласкательные суффксы tick and chick are they
literally tick and chick?
Thos things are tiney
Hands down, my book is satanic. гад and sад? рад and
sad?!!
(г
and s reflect eachother, like those states)
Satanic for me, ecause it distracts me from the utero
thing (the capsule of immortality I also invented)
invent is triple in? in v en & 't as verBal suffix
(how wicked is it t push shift on one, and B on the other
hekye.. keyboard..
in в into
When I live with my parents, I подстраиваюсь под их режим (switching to english, because it has
way less b's than there are и's in russian) и это
мешает мне творить эту книгу (но помогает капсулу
создавать, итак, решение: жить с родителями)
лейка как лебедь, но лейка от лить, а лебедь водная птица (птиться)
бить
вить
дееть? деять
жить
знать? зять мог быть из знати только
быть? право первой ночи и всё такое
know~knight
лить
мыть?
ныть? (с появлением стекла эта буква явиласть?
пить
рыть
сеять? сееть
тить???
л & п look very similar, and words лить и пить очень
про воду.
л не только liquid, но и лить
быть
мыть
ныть
рыть
What was I trying to find here? The meanings of the
letters.
Maybe I did? м of мыть is м of море, м~w, for w is for
water? for women. M is also for Moon.
Н[n] as in annoying? moaning tells that м~N?
Р for рыть? но также и для резать, рубить, рвать.. так
давай эти суффиксы исследуем"!
рыть
резать З scissors? zgizzorz? З is nož (z can be an
onomatopoeia whether to the cutting sound or to the sound
of a person cut)
рвать.. В.. рву и рою когнаты? побуквенные кальки? are
both words the forms of pure R?
разница меж бить и рубить, указывает на жёсткую правду
буквы ᚱ (остро ~ most Ro?(ρGR[r]))
Double letters should have been six: B/P G/K D/T
Sefer Yetzirah speaks about it and it was in front of my
face all the time. But then I think I have noticed it
before, I just repeat this round, and I can see that Resh
does not belong. Which may tell that it is a newer letter,
inserted into it, and was integrated into the
lucky-number-set into doubles to make 7 out of 6. and thus
22 out of 21. Raus is an anomalous aus.
Now I wonder if 21 is the most
likely combination of cards
Саакянц и Саакашвили, обе фамилии в соседних нациях
происходят от какого-то легендарного Сааки. Для русских
смешное имя, неприемлимое.
Здрасте как более древняя (более основная, лишь основа
осталась) форма слова здравствуте.
Сопоставив здравствуте с чувствуте, получим, на основе
здрасте, чу-с-те (чуете)
здравствуте
"в твою" выбрасывается из задора с те (с тобой)
здравие
задор въ je? задор въ я?
здоровье
здоровое
задоровое? самое дорогое?
здорогье? с дороги здороваются (здоров ли? потому что если
чуму мог принести, ложись в карантин на всякий случай)
Вчера принял 25 и разморозил Гайдука. Очень плодотворно
пообщались: он указал на то, что сразу отморозит любого
академика: они не знают про книгу сотворения, они думают
что речь про книгу творения, бытие, надо указать в
скобочках (сефер йецира, и номер издания, как положено)
т.е. это не они неспособны понять the reference, это я не
умел его указать.
He righteously said that in the Songs of The High One
there's no mentioning of Norns in the process of acquiring
of the runes. And I was shocked to find, that indeed there
were not. There Odin tells explicitly that he took them
from his own grand-father. So it was some tradition, only
describing a process of the initiation into runes? Was it
secret? It was magic. How old is magic? Nobody knows, but
real old. How old is written magic? Marks are ancient
thing, how could they be avoided by magic? When there's no
scientific picture of reality, everything is magic.
He also told, that Robert Graves is not considered
reliable, for his безудержный верификационизм.
But during the debate, I also found that Graves could have
used in the epigraph of mine translation of some Mary
Grant, so what was her source I wonder. And then Graves
added about Io, syster of Phoroneus, to which pi.ai told
to check these books:
The "Bibliotheca" by
Pseudo-Apollodorus, a Greek writer from the 2nd century
AD.
The "Homeric Hymn to Apollo," a Greek
poem from the 7th or 6th century BC.
The "Metamorphoses" by Ovid, a Roman
poet from the 1st century AD.
The "Library" by Apollodorus of
Athens, a Greek writer from the 1st or 2nd century BC.
Verificationism is a term new to me, and reading russian
wiki to it, I didn't find anything wrong about it. To read
the english wiki on it shall take me some time (оказалось,
гуманитарии используют критерий поппера по отдельности,
либо-либо; я же считал (и считаю) что научное
выссказывание должно быть и доказуемо, и потенциально
опровержимо.
Гипотеза про связь алфавитов с книгой перемен (двойное
женское, мужское язычное единое) которая про BD FГ MΛ ПТ
(и, возможно про 𐌚𐌔 или 𐌚S) и про ᚠᚴ и 𐎁𐎄 made him
say "А вот это уже эклектика и антиисторизм", на что я
ответил "дык история же не наука, а служанка идеологии,
так что и пусть" и "Считать, что системы письма возникли
независимо друг от друга - абсурд. Если были торговые
связи, то был и обмен информацией. Но идеология диктует
"разделяя властвуй", и историки этот заказ отрабатывают,
но я не историк. Я рассматриваю структуры такими, какие
они есть, как можно менее обращая внимания на то, что о
них понаписано."
Книга состоит из 64 символов — гексаграмм,
каждая из которых выражает ту или иную жизненную
ситуацию во времени с точки зрения её постепенного
развития. Символы состоят из шести черт; черты
обозначают последовательные ступени развития данной
ситуации. Черты, также называемые яо, бывают двух родов:
или цельные (их ещё называют девятками), или прерванные
посредине (шестёрки) (встречается также и цветовое
различие черт, так, «девятки» обозначаются белым цветом,
«шестёрки» — чёрным). Это связано с тем, что первые
символизируют активное состояние, свет, напряжение (ян),
а вторые — пассивное состояние, тьму, податливость
(инь). Принято считать, что черты читаются снизу вверх
(хотя встречается и обратное толкование); их
последовательность описывает развитие ситуации.
Каждую гексаграмму также можно представить как сочетание
двух триграмм. Вообще же комбинации черт яо имеют общее
название гуа. Каждой гексаграмме, а также каждой черте в
гексаграмме сопутствует набор афоризмов, которые и
должны дать совет гадающему.
Обычно гадание происходит при помощи трёх монет, которые
подбрасываются 6 раз. Если, после подбрасывания монет,
все монеты ложатся на одну сторону — на свитке (или
просто листе бумаги) рисуют цельную линию. Если же
монеты ложатся на разные стороны, то рисуется линия с
разрывом по середине. Как только все 6 линий получены,
гадающий может обратиться к Книге перемен и получить
толкование своей гексаграммы[8]. Также существует
вариант гадания с использованием тысячелистника, который
подробно описан в комментарии к книге перемен «Си цы
чжуани» (кит. трад. 繫辭傳, упр. 系辞传, пиньинь Xì cí chuán),
который входит в состав так называемых «крыльев книги
перемен».
Черты, также называемые яо, бывают двух
родов: или цельные (их ещё называют девятками), или
прерванные посредине (шестёрки) (встречается также и
цветовое различие черт, так, «девятки» обозначаются
белым цветом, «шестёрки» — чёрным). Это связано с тем,
что первые символизируют активное состояние, свет,
напряжение (ян), а вторые — пассивное состояние, тьму,
податливость (инь).
девять - нечётное число, в то время как шесть - чётное.
формы 6 и 9 в явном виде напоминают инь и ян в тай чи, что
говорит, что esoteric yin-yang is simply ignorant, and is
the most popular shape of it
is also the most accurate?
Or should it be mirrored, so that 6 and 9 are as they
are in our font?
But fish would flow counter-clockwise then, so no;
it would be also rather unpopular shape of it.
Yin yang is the most popular order, because
Принято считать, что черты читаются
снизу вверх
(also so that light trumps darkness)
I think we should focus on trigrams first and foremost, so
let's get them:
999 sky 699 lake 969
fire 669 thunder 996
wind 696 water 966
mountain 666 earth
hEaven? Море?
Огонь? thUnder? Wind?
H? П? II?
(well, at least as mnemonics these can work (H2O?
Hydro! Памир? Πέτρα!,
ij? aarde as ااردع?
funny that they also don't connect
γη is transliterated as gi, but it is read just as
йи[ji])
buy these three examples are just coincidences, for
other words don't turn into the letters ))
But let's look for better ways to
memorize it
(that piece came
before the hydro and petra and yi were found, that was
an update, so..)
Look like mountain as if draws a
mountain, earth coming to heaven?
Look like thunder opposes it and as if heaven coming to
earth.
But then I identified heaven to yang (for it's big yang)
and earth to yin (for it's big yin)
fire is strong as razor on the outzide, but is ethereal
inside (why is heaven yang? was it seen as твердь, which
you cannot penetrate, while earth is diggable?) whil
water is soft on the surface, but can crush walls. Wind
and lake are more difficult, but then lake is of spring
(for it's unfrozen, and of that spring which flows into
it) and wind is of fall, something to ponder on, some
better way to understand them sure must exist.
Let's try and make more sense of it, by imagining 6 to
be б and 9 to be g, exactly what they look like:
heaven as bbb (baby B (baby jesus, who taught to be like
kids))
lake like bbd (baby D? Deva of the lake? Now that's pure
mnomonics, niothing more)
fire like bdb (bad B? bad god? bad бог? am I not just
crazy? I never liked mnemonics, it's too chaotic to my
taste)
now let's stop, it doesn't bring us anywhere closer to
the understanding of this stuff, but 6 the Б and 9 the g
are surely a spectacular comparison.
another example of near-illegible hand-writing:
it is supposed to say Robert Graves
gauge [geidʒ (who would have thought)]
are cotton and curtain the doublet words
is woman truly a wife-man? or is it womb-man? is wife
womb?
bog is also quag
24 and 31? chaotic numbers, made me think of 24 7. 24 31
measures not by weeks, but by months.
Do week and women share the we?
60 is 5 times 12 (5 times 4 times 3 (3 is 2 plus 1))
360 is 6 times 60 (6 times 5 times 4 times 3)
did they have 6 60-day months or 12 30-day months per
year? Was 60 considered two half-an-hours?
12 30-day months is more natural to us, it's more modern
maybe?
12 is christian, 6 is satanic (in common mind it is pretty
much so, at least in european domain)
Was it the transition? Was 666 earth from before yi-jing
(g is ъ here. Funny, that both have that lower bubble, and
even funnier is that upper half of ъ reminds г, which g is
pretty much is half of the time)
Trigrams are read from bottom up, as runes and ogham.
BaGua could stand for ⚍ .. or..
they read it from bottom up: ⚎ (B ~ ⚋ and G ~
⚊)
But actually it is 八卦 (and that is a
cool way to memorize these two)
Interesting, how what I suspected to be Ba, reminds its
character so much: ⚋
~ 八
(one is 6 and the other is 8 (but then 八 is just some
double shape, who konws what those strokes are))
g.t. translates 八卦 as gossip, but also as 8 trigrams,
which it is.
卦 is translated as hexagram,
but reverse translation returns 卦象[гwа сян]
象 is elephant, ressemble, seem, appearance, shape,
jumbo, take after
(so basically it is elephant and look like, for the
character does look like elephant)
Weren't there three elephants at first? Trigrams are the
three elephants.
(more telegraph-friendly style would be "there are three
elephants at the basis of the world")
Three elephants of two kinds: they are either male or
female.
Thus hexagrams, 卦象 are literally
reminding trigrams.
I can recognize in the right part of the 卦 the stick for
divination (I read about this radical somewhere) and
thus the left part of it determines the type of the
divination, and let's find what it could be..
圭[Guī] jade tablet
English wiki doesn't even know what it is:
圭,為中國古代用來祭祀之玉器(上尖下方)、瑞器、禮器,為官位最高者所執。在玉器
中,主祭東方[1]。皇帝的圭稱為鎮圭,正面刻有描金四山紋,分上下左右排列,象徵東南西北四鎮之山,表示「江山在
握,安定四方」之意。朝鮮半島、越南、琉球也有以圭為禮器。
The gui is a jade object (pointed on top and square on
bottom) used for sacrifices in ancient China,
auspicious objects, and ritual objects. It was held by
the highest-ranking officials. Among jade objects, the
main object is the east.[1] The emperor's gui is
called the zhengui. The front is engraved with four
gold-painted mountain patterns, arranged up and down,
left and right, symbolizing the mountains of the east,
south, west, and north, which means "the country is in
your hands and the four directions are stable." The
Korean Peninsula, Vietnam, and Ryukyu also use gui as
ritual objects.
If that jade tablet was
something related to trigrams, is not clear,
if you look it up, you may see korean emperors holding
that tablets as if they were their erected penises
maybe they were protoknives, the sharp top and
existance of stone knives support this guess.
interesting, that water has radical of
earth, not water
⚊ ⚋
yang yin
⚌ ⚍ ⚎ ⚏ are summer, spring, autumn, winter, thus they
should be in the other order,
Spring ⚍
lesser yin, a principle in Chinese
and related East Asian philosophies associated with
dark, cool, female, etc. elements of the natural
world.
(spring.. dark, cool, female, as весна is она)
Summer ⚌ greater
yang, a principle in Chinese and
related East Asian philosophies associated with
bright, hot, masculine, etc. elements of the natural
world.
Autumn ⚎ lesser yang, a principle in Chinese and related
East Asian philosophies associated with bright, hot,
masculine, etc. elements of the natural world.
Winter ⚏
greater yin, a principle in
Chinese and related East Asian philosophies associated
with dark, cool, female, etc. elements of the natural
world.
and it seems that
source describes yin and yang, not lesser or greater yin
and yang, here, check it:
⚋ yin, a principle in Chinese and
related East Asian philosophies associated with dark,
cool, female, etc. elements of the natural world.
⚊ yang, a principle in Chinese and
related East Asian philosophies associated with bright,
hot, masculine, etc. elements
of the natural world.
⚍⚌⚎⚏ is animation of a movement from bottom up. And if
anything, it is a mnemonic tool to memorize which one is
spring and which one is
autumn.
в единственном числе "заканчивающееся"
во множественном числе "заканчивающиеся" (словно это то
самое и, может быть так и есть)
(скорее всего)
Isn't вах[vah] another transliteration of the interjection
also transliterated as ох[oh] and ух[uh] the way шаурма
and шаверма are the same thing?
A Б В Г Д what if this is a more correct shape? What
if before it was wevn even
some
Æ А Б В Г Д ?
А Æ Б В Г Д ?
this, because A being before Æ looks better, because Æ
is softer than A,
just as В and Д are softer than Б and Г
The doubling seems to be a natural way to modify them
after they were ABC[aбg]
е is a natural continuation (graphically)
This image made me think that doubles are out of order,
and I saw that if ק opposed גד, it would be in order.
if
it was 3+6+12, it would be 21
and it would stand at the Resh's position, and would resh
bring lamed to oppose it? They're both voiced, so no, and
I looked at cheth and thought "doesn't it oppose כ? or ק?
isn't Qoph וכ? then Q is Cv, which it pretty much is..
especially with a swash, thus v is ו with the swash. Why
would five look like one?
Is there ר amongst doubles, so that ל and נ stand under
it? The twelve simple double the six doubles, but then
there are 7 doubles, if I include ר, and why does ר look
so much as 7? is פ.?7 פ
(I cannot place number to the
right from the hebrew text, so I have to use such
tricks)
So are there some missing letters? in the simple letters,
which could be there before sonors came?
א
מ
ש
ב
ג
ד
כ
פ
ר
ת (here I
colour vowels grey and linguals grey)
ה ו ז ח
ט י
ל
נ
ס ע צ ק (did I fell
for that א for air plot?)
I took some liberty colouring the simple letters,
but I did it like this: first I painted vowels, and here I had to accept ו as vowel, then
I collected those who have some hint of labiality, here it
took the stretch:
ט as θ the Ѳ,
ל and נ as rudiments of מ,
ק for that ו in it, the ו I just declared vowel, or is
it the other side of ו in ק?
And the rest were thoroughly lingual, even though I had
to include ח, which is of כ, and ק is labial? wut?
no,nonono,
א
מ
ש
ב
ג
ד
כ
פ
ר
ת
ה
ו ז ח
ט י
ל
נ
ס ע צ
ק
now it seems more alright, for sefer yetzirah considers
vowels guttural. Throat they saw as place of birth for
both velars and what I consider vowels. Velars are
lingual, yet somehow we don't feel the tongue, because its
tip silently lays, we think it's soft palat working.
Couldn't look into the mirror or something? Did I?
Honestly? I don't remember, could I trust that chink
blindly? Probably not, let's go and look once again.
ל and נ being amongst labials is the biggest stretch, but
are they not the same ל and נ I placed under ר? are they
all to be grey of the earth? then the doubling is gone.
And shouldn't it be gone? Shouldn't reality be dominant to
theorizings? It should. So, it is a failed experiment, but
I performed it, just to know how far it goes, for what if
it did? I'd have to take this one into consideration too.
Now I shouldn't. I may think of bpgkdt of the doubles
though. זסצ are natural continuations of ד and ת, and what
would be the fourth? should there be the fourth? ח and ק
would naturally follow ג and כ, but what else? ה to ג is
as ח to כ.
And what is ק to ג? no ק to ג? also three instead of
four? Gosh.. why am I still playing thiw this with this thing? I
would have cut it out to cutouts, but it's too well worked
out not to be saved as an example of how we search and how
we let go of the takes which came to be not so good. Who
knows, maybe some day I take one more look, what I found old And in it, I'll find
something new
א
מ
ש
ג
כ
ר
ב
פ
ד
ת
ה ח י ע ק
ו
ט
ז ל נ ס צ
I keep on working with this thing.
And why wouldn't I? If it explains the trinity, why
would it not describe the other stages of the alphabet's
development? So why would it not be reliable in the rest
of it?
So if (as I even wrote in my book, but truly first
realized when the tv-guy asked me about it directly) at
the first stage of the alphabet we had only three
letters, why not describe the periods at which the other
stages was grasped by the researcher of sefer yetzirah
א
מ
ש
ג
כ
ר
ב
פ
ד
ת
ה ח י ע ק ל נ
ו
ט
ז
ס צ
And as the complete set, the set of the latest stage,
includes them all, so must the stage of doubles included
the three mothers in their set.. Let's see what it could
be:
א
מ
ש
ג
כ
ר
ב
פ
ד
ת
it is ten letters. Were there just 9? ר is pretty much
out of it's place.
It would be nice, if the three mothers turned into three
vowels.
Then they would ba be א (aА) מ(mW)
ש(шИ)
and these mu and shi eimmediately have shown me them as
good and bad gods, as cow and snake.
So by such mental gymnastics I have got me the
proto-protoalphabet of
BA BI BU
GA GI GU
DA DI DU
PA PI PU
KA KI KU
TA TI TU
and then probably also RA RI RU
(though I don't like this R, considering it a
borrowing from the neighbours, just as some letters of
the paleohispanic syllabary are non-syllabic)
Those are 18 (and with RA RI RU
they would be 21!)
777 vs 666
(that could be quite a reason to introduce the R to this
nice cet set of
five
Pi.ai keeps on contributing. Here, some good critique and
reference:
Is Graves a reliable source?
Robert Graves was a well-respected author and poet,
known for his works on mythology and the historical
novel "I, Claudius." However, when it comes to scholarly
accuracy, his interpretations of myths in his book "The
Greek Myths" have been criticized by some experts for
being overly speculative or for relying too much on his
own poetic imagination. So, while Graves can be a
fascinating and thought-provoking read, it’s important
to keep in mind that his interpretations may not always
align with the mainstream scholarly consensus.
Wha was Mary Grant who translated Hyginus?
Mary Grant was a translator and editor known for her
work on the "Fabulae" of Hyginus. She translated and
edited the work, which was published by the University
of Kansas Press as part of their "Publications in
Humanistic Studies" series. Grant's translation is
widely regarded as a valuable contribution to classical
studies, and is still widely read and cited by scholars
and students today. It sounds like she was a pretty
impressive scholar!
How did she reconstructed the hyginus account of seven
letters the Moirae (Mothers?!) gave from the one which
was given in Hyginus with one letter missing?
Mary Grant’s translation of Hyginus’ "Fabulae" was based
on the best available manuscripts of the text. In some
cases, these manuscripts may have had errors or lacunae
(gaps) in the text, which translators like Grant would
have had to work around. In the case of the section
about the Moirae and the seven letters, it’s possible
that one of the letters was missing in the manuscripts
that Grant was working with. Translators often make
educated guesses or use cross-references with other
texts to reconstruct missing or damaged sections. So
Grant may have used her knowledge of Greek mythology and
other sources to fill in the missing letter.
I should include it into the referenced version, the new
reincarnation of the book I have to start working on. In
the comment to the very first page, explaining the first
page. well.. let's do it right here.. shall we.. Nah, not
here, some other place. Here we only write high, and that
kind of text is some work, it should be made with less
ammount of artistic creativity, sober.
That thing with M being W the U(u)
and with Ш being И(и) can blow my mind,
what is it all about? W like Ш and M(m) like Т(т)
not to mention whole the M~Ϻ thing.
avec and with are definitely cognates: the vec in avec is
literally with
(it became obvious to me, when I watched a french lecture
with english subtitles)
And is Qatar somehow related to those Cathars? Was it
where the last cathars refuged to start speaking arabic,
as the people in the area, but to give the name to the
country, as they say Medea did too?
If ᛈ the peorð used to represent a horse, then it's shape
is clear, if you look at it rotated 90° with its legs bent
back and forth. Then it would look pretty much like π (as
in ίππος) ba
caballoES [кава́йо]
is Б~В as бачити~видеть? were B always vidi?
bog is not just swamp, it's a toilet, and to shit and
shit, wtf, hahahaha, russian god is sheitan for bongs!
(as I said, the god of your foe is your
satan)
Let's apply the jewish mid-term of AMSBGDPQT (and maybe R
is there.. was it the first off-syllabary part of some
proto-paleo-hispanic? then it would be
AMS
GBD
KPT
or
AMS
GBD
KRPT (карпаты не далеко от места, в котором нашли культуру
Винчу)
Винча (Турдаш[1], Градешница) —
северобалканская археологическая культура эпохи неолита,
распространённая на территории современной Сербии,
частично Болгарии, Косово, Македонии и Румынии (Старая
Европа, 5700—4500 либо 5300 — 4700/4500 лет до н.
э.)[2][3][4].
Градешница является эпонимом для местного варианта
археологической культуры Винча эпохи неолита. Близ
Градешницы в 1969 году обнаружена табличка со знаками,
напоминающими протописьменность[1].
We should always take archaeologic findings with a grain
of salt (that field must attracts forgerers, because such
findings cost lots)
The image on the right could be a map of a castle. And the
room with no entrances to it must be the hidden central
hall.
The image on the left does look like a writing. To try and
read it (how lucky that I'm russian and that place is
close to us, so my ancestors could easily live there (or
they could be some non-indo-european inhabitants of the
continent. But then who knows who lived where, ancestors
of russians definitely existed, wherever they were, could
easily be there, more likely to be there than wherever
else, because that's the last place we saw them (afaict))
The wiki tells that yes, they were non-indo-european:
Пиктограммы оставались в ходу до
наступления бронзового века (нашествие индоевропейцев),
после чего вышли из употребления, и на смену им не
пришло никакого подобия письменности.
But then how would they know that they were not
indo-european, if there's no texts decyphered from that
period? Maybe indo-europeans would know and kept on using
them?
Let's return to the firmer ground:
(and hey, it's not the same image as
the one from before!)
(but actually it is, it's just upside down (or rather
this one is normal, it's just that one is)
and where I found it, there they offered their own
reading:
Well, it's too bold of them to recognize some 𓋦-like
shape in one set of lines, but 𓊹𓊹𓊹 in another one, they
also imagine lines where there's no lines, but they ignore
some obvious lines where they are. And the site says
http://institutet-science.com/, but it's some Institute of
Transcendent Science,
and that 𓋦-like shape (I have to use
this one, because I don't see that hieroglyph amongs
pharaonic unicode) is in their logo, thus they're as
freaky as they come.
Seeing 𓈖 in N is Nice though)
But they seem to be correct, that those are hieroglyphs,
not likely the egyptian hieroglyphs though, but
hyeroglyphs nevertheless, by the time those things are
dated, it would be too wild to see something phonetic in
there.
Let's look at it independently:
First I thought that shapes don't repeat, but they're: the
Ⱂ-like shape is on the second and the third line.
And in the first! In the first (in the context of it's
repeating) it is as if the name of the text. The title.
Thus the triple lines at its sides are shust graphic frame
for it.
But then all three Ⱂ-like shapes are different.
So, it was my first approach to this table. I dare to
document them as they come, not only the end result. I
always wanted to see the inside of the scientific work, so
I publish mine.
The bottom right shape sorta repeats in the leftmost side
of the previous line,
So if they're all somewhat different, could this be some
proto-abecedary?
The man who only has a hammer..
Well, I am hunting them, so sure thing.
And then the vertical bars are the frames between the
shapes.
The bottom left one looks like reversed Б
and then cannot the bootm bottom
right be Г with the frame getting a swash in its closing?
Could those vertical bars be vowels, be it i or o, and
thus the final word is big or бог.
Or were those vertical lines there to fill in the empty
space?
Why would there be that empty space in the first place?
The bars are different in the last line and in the others
in that they touch the other bar only in the lowest case.
But then they always come in doubles, so they would make
great frakem frames, as in
between words.
Why would one place borders between the letters of the
same word? So the two in the right side of the second line
are probably one biliteral word.
Okay, some more of that style, of the same period
These are the same image, rotated 180 degrees.
I can recogize the same inverted Б sign in one of these
four words, and something ᚱ-like can be seen in the same
word and in another one. Other shapes are more eluding.
БRЪ? hard to tell anything other than that it's insane to
apply modern letters to read it. What else?
Then I see РЛОЯ in the other one in which I just saw R in
what is now Я.
Would they have both R and Я or did they not care which
way to write it, which they did?
They wouldn't divide it into blocks if it was just a
figurative pattern. What would be the meaning? To imitate
writing? If that's not writing, they wouldn't know
writing. The title I recognized is definitely a
title. How fast have I been certain of that! Don't I jump
to the conclusions too fast?
This one has different separation of the words, and not
II's tell that those II's are frames too.
Okay, now it was my first approach to this one too.
And here's the one identical to the one from before, in a
better quality:
But then this one looks different than that other, it's as
if this one is the original, and that one was it's replica
of a sort. So since we recognize the title in that
replica, let's rotate this original the right way:
Now that earlier copy is rather well made, but it's way
more true to work with the original things.
But I have to leave it at this.
Those frame-bars could also serve to prevent any later
attempt to modify the writing by sticking some letters in
between by scratching or something, as it would be
+ under л turning сила into сифа may be not something new:
ф the ph could be lt.. could it? no. doesn't ring any bell (and will it be it's own
bell from now on? is it how this fractal grows?)
any is ad adverb from an! from a! n is a соединительная
согласная (watch teh fourth page (the second leaf) from
the purple file-book (well, I can repeat: ес (is) in
человеческий was recognized by me as such consonant (it
grew out of a somewhat wilder guess that step and pace are
invertion of the same word, and thus t of step and й of
pace do not matter, and serve there as a facilitation of
the articluation, as s in chelovechesky stands between two
k's, one of which palatalized (probably by that is) and
человечки is taken by another meaning (are человеческий
and человечки formally morphologically the same ))))
Thinking with that for
Haidux edition I need to number pages to make it easy to
self-reference
with ~ to the? въ the? (if that for
is what I used it for) (paperback reader
cannot ctrlF)
And thinking of how first page is usually not numbered,
and that numbering of the pages start with number 2, which
remindid me that b was the first letter, that 2 looks like
ב too.
And here I realized, that arabic numerals are arabic
letters used for numbers, as latin letters are used (even
in russian texts) as greek letter work as a way to number
(and literally name) something geometric.
So are arabnic numbers actually abjd? is j и(and)?
ا ب پ ت ث ج چ ح خ د ذ ر ز ژ س ش ص ض ط ظ ع غ ف ق ک گ
ل م ن ه و ی
And I recall that they're going right to left, so inverse
the glyphs too:
ا ک ع گ ح was the best I could do, no distinct Ч,
and Ч for 4етыре tells me that the numbers are russian.
Were russians known as arabs? Some tatars of Tartaria?
Some mongol-tatar who conquered the arabic world to take
their customs (so who conquered whom? Half of them was
infected by islam, the other half stayed true to tengri,
it's as it was in the west, where roman empire fell when
half of it became christian (so jews are good to spread
their religious poison? it fights empires? russian empire
it didn't fell. oh really? what was communism if not
another religion))
the numerals being russian allows me to see
Зри (С for see)
Четыре (?)
5ять (пять ~ сядь? зять! Ѕ is [z] in slavics (isn't it
similar to C being [g] in the past?))
(does it tell that slavics preserved some antique features
in their alphabet, the ones not saved in others?)
АБВГДЄЖЅЗИІКЛМНОПРСТѸФХѠЦЧШЩЪꙐЬѢꙖѤЮѪѬѦѨѮѰѲѴҀабвгдєжѕзиіклмнопрстѹфхѡцчшщъꙑьѣꙗѥюѫѭѧѩѯѱѳѵҁѶѷѺѻѼѽѾѿꙊꙋꙀꙂꙄꙆꙈꙌѾꙎꙐꙒꙔꙖꙘꙚꙜꙞ
По-старославянски называется «ꙃѣло»
(произносится «дзяло́»), по-церковнославянски — «ѕѣлѡ̀»
(произносится «зело́»; означает «весьма, очень, много» и
т. п.).
Первоначальное звуковое значение буквы Ѕ отличалось от З
— это было мягкое [дз] или [з], чаще всего происходящее
из [г]: мъногъ/мъноѕи, нога/ноѕѣ, растръгати/растрьѕати
и т. п.[3] Однако уже в старославянский период различие
между Ѕ и З начало стираться, и в церковнославянской
письменности с середины XVII века носит совершенно
формальный характер:
буквы различаются как числовые знаки
(Ѕ=6, З=7);
Ѕ используется в корне слов ѕвѣзда̀,
ѕвѣ́рь, ѕе́лїе, ѕла́къ, ѕлы́й, ѕмі́й, ѕѣлѡ̀ и
производных от них (иногда упоминается также ѕѣни́ца, но
наиболее надёжные источники дают для неё З);
во всех остальных случаях пишется З;
слово зеле́ный и его производные не
считаются однокоренными со словом ѕе́лїе и также пишутся
через З.
В первоначальном варианте русского гражданского шрифта
Петра I букве Ѕ было назначено единственной представлять
звук [з] — так что буква З была отменена в 1708 году.
Однако в 1710 году, во втором варианте гражданского
шрифта, З была восстановлена. Ѕ была отменена Академией
наук в 1735 году.
В русской деловой документации буква продолжает
использоваться ещё в середине XVIII века и выходит из
употребления окончательно только в 1760-х годах[4].
Буква Ѕ изредка использовалась до середины XIX века в
сербской гражданской печати. При установлении
македонского алфавита 4 декабря 1944 года буква была
введена по результату голосования членов «Филологической
комиссии по установлению македонской азбуки и
македонского литературного языка» (10 голосов «за», 1
«против»), причём в македонской азбуке Ѕ следует за З,
тогда как в старо- и церковнославянской было наоборот.
Звуковое значение в македонском языке — аффриката [d͡z].
АБВГДЄЖЅЗИІКЛМНОПРСТѸФХѠЦЧШЩЪꙐЬѢꙖѤЮѪѬѦѨѮѰѲѴҀ
АБВГД
ЄЖЅЗ
ИІКЛМН
ОПРСТ
ѸФХѠЦЧШЩ
ЪꙐЬѢꙖѤЮѪѬѦѨѮѰѲѴҀ
А
БВ
ГДЄЖЅ
ЗИ
(and here the symmetry breaks)
ІКЛМН
ОПРСТ
ѸФХѠЦЧШЩ
ЪꙐЬѢꙖѤЮѪѬѦѨ
but let's try to consider І short И, and thus Й
(but in the sudden ЗИІ, as well as in single Ѹ it is
broken by the inconsistency)
А
БВ
ГДЄЖЅ
ЗИІ
КЛМНОПРСТ
Ѹ
ФХѠЦЧ
ШЩЪ
(and here this structure breaks again)
(hands down, orthodox church didn't know these
structures)
(it seems catholics knew something?)
(no, it was only the protestants who rediscovered this
stuff)
(old european alphabets don't follow the symmetry too)
ꙐЬѢꙖѤЮѪѬѦѨѮѰѲѴҀ
(the tail ѲѴҀ is alright to be axial, for Ѵ is vowel)
ѵvν are ivn, which is vwovowel-labial-lingual
The name Иван, is it basically ѵvν? is it 666 in the
way? or 555? or 444?
(considering that v is 6 in hebrew, 5 in roman numerals,
4 in the hypothetic protoroman)
(and that is rather consistent, and actually sets hebrew
alphabet after roman numerals)
(as if they added some letter before it, and thus came
to being later)
(but runic alphabet from Bornholm sets the ᚠ at the
fifth position (it also stands for f, as in five))
(and that places that runic set at the times of roman
numerals)
(and numerals predate letters by many millenia, maybe
tens of)
(but then those are now discovered findings, who
knows..)
(some sporadic, non-systematic attempts to convey
literary meaning could exist)
(but unless they're found, that is merely a speculation)
And how could the alphabet look when F was for four?
ᛒᚦᛂᚠᚵ(ᚼ)
g for five? ح[h] (sixth letter of the arabic alphabet)
Have just updated (improved) my bornholm's set:
ᛆᛒᚦᛂ[e](not ᚽ[h])ᚠᚵᚼ[h](or ᛡ[й, а (e(ᛂ)?)])ᛁᚴᛚᛘ[m](not ᛉ[z, ks])ᚿᚮᚱᛦ[r](or ᛣ[q])ᛋᛏᚢ
that previous speculation allowed me to see ᛡ[й] in ᚼ[h]
and thus making ᚼᛁ or ᛡᛁ the cluster, also because russian
И is I
the previous fact that в македонской
азбуке Ѕ следует за З, тогда как в старо- и
церковнославянской было наоборот. allowed me to
see that claseters (laying in the same "closet") may
shuffle within their "closets" so ий or йи can vary too,
don't you think?
I may want to use statistical methods to look up all forms
of latin alphabet to see if they tend to follow the axial
symmetry more than chance would tell them to, if they at
least tend to follow the symmetry and how well, they may
well disapprove of it, but then too many of them seem to
do:
ABCČDEFGHIJKLMNOPRSŠTUVZŽ
ABCČD
EFGH
IJKLMN
OPRSŠT
UVZŽ
A
BC
ČDEFG
HIJ
KLMNOPRSŠ
TUV
ZŽ
(well, this one does it inconsistently)
(but then that inconsistency tells Hij)
(which could be some patriarchal modification)
It is slovene
Let's check slovak:
A
Á
Ä
BC
ČDĎDZDŽ
EÉ (here it breaks in the russian (её) way)
FGHChIÍJKLĹĽ
MNŇOÓÔPQRŔSŠTŤUÚVWXYÝZŽ
maybe let's ignore all diacritics of it, let's give it
another chance,
but without diacritics it's just normal latin alphabet
with no omissions:
AÁÄBCČDĎDZDŽEÉFGHChIÍJKLĹĽMNŇOÓÔPQRŔSŠTŤUÚVWXYÝZŽ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
It's weird how some letters are two letters (speaking of
DZ, DŽ and Ch)
slovak children should be freed from this pedagogic
atrocity and taught normal alting
latin
instead
And I was looking for another alphabet placing й before и,
and I recalled where I might see it:
Ⰹ, Ⰺ I Izhe
Ι, Ї /i/, /j/
Iže Izhe
which is/the
Ⰻ I
I
И /i/, /j/
I/ižei I/izhey
and
and I can clearly see in them ї and і (only glagolitic ї
has three dots above it)
and here is a possible source of my mis- or
under-conception:
В глаголице, как и в кириллице, для звука [и] имелись
две буквы: Ⰻ и Ⰺ. Обычно считают первую из них
соответствующей кириллическому И, а вторую —
кириллическому І, но есть и противоположное мнение.
I checked if slovene fits the axial
table even without the diacritized letters:
A
BC
DEF
GHIJK
LMNOPRS
TUV
..but, no, solitary Z spoils it
(I may only guess if that caused Ž next to it)
((as in berber ⵣⵥ))
(and if it caused Č and Š to appear)
(well, that can be tested by seeing which letter in the
region appeared first)
(unless texts from the transitionary period are not
existant)
(unless what we think of as them are forgeries)
(but boring texts are hardly them)
(forgers want sensation)
(boring text is harder to sell, I guess)
(now this is some boring text: speculation of probably
testing of a wild guess, come on! I can do better than
this_
(but then it is how we learn))
G and K
stand around
HIJ
as in Gospodd Khristos
does other alphabet grow from this claster?
FGHIJKL
fag & кал?
some satanic reading?
(satanic is adversary, and because these are cursive,
they're adversary_)
efghijklm
евку он колом?
defghijklmn
девки he cool man
cdefghijklmno
с девкой cool man oh
and further on it became even more obvious that this
interpretations are pretty much arbitrary the more I
descend off the hij
That "russian digits" are another freaky project, but
let's continue it:
шесть looks like Б, what could it be? w? like in what~што
and went~шёл
west? весть? sex as the central part of tsext the text? as
in весть?
7 as Z zi.. Sieben (g.t. reads seben as сэйбн and siben as
сибн, but it reads si зи,
and it reads sie as зи too)
Early Маяковский played this trick
printing too large lines in his poems and breaking them
like this,
then I think he played with the rhythm. What a tragedy
it was when he became working as a propagandist. They
say not to work as an interpreter or a journalist not to
damage your talent,
but what about a propagandist? That's working directly
for satan.
(secure) sicher [зэ́йха (but translation tells ˈzɪçɐ,
though that ɪ is very close to эй)]
who on earth sayd that german is read as it is? russian
education, I guess.
(If line is too long, let it break
at the semantically conditioned spot, at a largest
comma)
g.t. reads dannish bøjet as boil, like what are the
boundaries of those letters. It would be much more insane
if it was loib, because the fact that I know only few
cases of a vowel and labial being depicted by the same
letter(чего́[чиво́]) but miriads of cases for one lingual
letter being read as another lingual, or labial being read
as another labial (russian B is V, why don't I recall the
similarity of w and ш, of m and т, of n and п? P and R
(russian Р is R) I came for letters, and they're the mess.
Can I even tell that m&n are double and single, if п
and т (п and т) [p and t] are the other way around?
And that should be shown in the list of counter-arguments
(it may become a great tradition, where writer does his
best to disprove himself (who can do it better!) and then
such ways of thoughts are collected as examples of ways of
thought, so after ai checks its consistency it is indexed
by the level of consistency and is being treated
accordingly (too much of an inconsistency will initiate
the process of education into logic or, in more general,
reasoning so that he whether learn how not to make such
mistakes or leaves the profession. Or does it in his free
time, filling in the bank of such inconsistent examples.
To show what stretch of imagination may make it different,
so literally invented worlds, more concrete than mere
fiction.
(If line is this long, it would be a
challenge to break it into semantically conditioned
lines.)
o p qr
s t
у ф х ц ч шщ
Jewish ע looks like У for a reason. Notice that russian У
is never Y (the Y shape is never used in russian texts)
Though yiddish ע is at the place of o, it is also at the
place of u (the final line, ф, ц, ш, like come on, o and u
are the same line.
עиפ
иצ иקиר иש иת
o
p q
r s t
у ф х ц ч
шщ
and comparing the three we can see that (опрс)опqs-уфчш is
probably the abcd-like base of that line.
s being the final exposes c as being the final letter of
the abc (d is c with stave?)
as B is both b and v, so is פ both p and f, thus Æ used to
be one letter. sextant isn't it?
nope, sextant only appeared in 1730
post-t lines seem to be coming in two waves: first one
placed
υφχ is how it goes in greek. and that is probably where
russians borrowed their х after ф
υφχ goes well, but then the mess begins: ψω are instant
wtf, two times.
english also does that:
uvx used to be their thing before they added w.. they say
vx it was.. but I'm dubious. Did somebody intentionally
placed v after u, because they knew the
vowel-labial-lingual thing, Petrie writes of
vowel-labial-guttural-dental as (I think (afair)) he puts
it. x is both "guttural" and dental, so it could be that,
c is both k and s, g is both g and dʒ, q is not though,
nor k, but then i-line has ס for s, not only כ for k.
and the q line has s, so qs was it so? what is r between
them though?
opqs? was it what caused d?
yz are not ψω, hardly do they have much in common, other
than the shapes of y and ψ
Знаю, что архаичная латынь имеет лишь четыре строки
ABGD
EFZH
ILMN
OPST + V(то ли рудимент, то ли почка пятой строки)
pyf
let's rewrite it into IMNL:
ABGD
EWZH
IMNL
OPST?
ABGD is great for two reasons: that's what ABCD was, that
is voiced plosives of all three types.
EWZH is like this because of G being taken by the previous
line, buyt I only read that it was like that, I didn't see
the artefact, or rather I do not remember it.
And here I realized that I never saw a genuine latin
abecedary, that they're always academic tables, and I saw
two probable forgeries in a toilet building on the
territory of Roman Forum.
Or could they really clean it so good? I will tell this
story when I stumble across those photos I made of them.
But in the internet, it seems we saw greek abecedaries,
but closest to Latin abecedary I ever came across was
this?
But then I googled it real well.. I found something
etrurian
(but something etrurian I didn't see
before)
and somebody extracted the alphabetic sequences out of it:
(somebody rewrote it or something? why are they not
exactly the copy of the one from above? I guess, they're
both rewritten from the vase, not built from the
photograph directly)
It is so called Formello Abecedary (the images lead to its
wiki, as usual)
and arranging it this way it became obvious to me, that
the upper one (here is left) has at least two mistakes:
the k is messed up, and F comes before E. The one on the
right (lower on the vase) draws Σ the other way around.
And I wonder which of them will lay into the axial
symmetry..
and neither of them does.
On wiki they compare it to marselliana:
and they are identical in order, only differ in the
direction and in how different letters look.
I have to remind myself that ANY artefact can happen to be
a forgery, so I have to find whatever I find relying
mostly on something more in the culture, something that I
can experience today in practice, on modern stuff. The
idea is that there are so many of it,
And soon I realized that I already saw these abecedaries,
they're in my collection of abecedaries.
Well, sorted it out a little today.
And where I found the first image in the serie, there were
more:
A bold, yet obvious idea. I wonder why haven't I compared
how they recorded constellations to the shape of the
letters:
and Orion as צ is nice, but what is with Aquarius?
(I wondered which star maybe could it be, and wut? instant
fail. I should do it myself..
Hah, the shape I was looking for, both are in ancient
egyptian: 𓍱𓍲
musing.. what a word!
and amusing is thus a negated form of
it
𓉐 stood for house, and also for pr, and because it looks
very much like П, I wonder if that is the origin of both P
and R..
𓉐 also reminds ᛈ, which is the runic p
Because 𐦃 is o in meroitic, and even more because
egyptian 𓃾 is told to be the origin of a (which it is
not, 𓃾 is kꜣ (cow? really? yep) so, I feel like looking
deeper into Meroe:
gosh, it is complicated, I painted
grey the glyphs not present in the images one way or the
other
da to
te
ta q ka se
s,š ẖ ḫ
l r
ne
na
p b w
y o i e a
so if some of those glyphs stand one
under the other, it doesn't mean anything
and hey, here's a disagreement in which is te and which is
to:
and it's incredible how little does
that script has in common with Egyptian:
They seem to agree on Y the (𐦤) 𐦄 though.
and where I took one of the previous images they also
had some samaritan, so let's keep it here as well:
Back to the freakier things:
(freakier on my side, her side is perfectly legit)
here japanese reminds russian very much: ka for mosquito
is as if the first syllable of russian
комар[kamar]
sasu for sting is as if the first syllable of russian
сосать[sasat']
even though it's to suck, not to sting,
it fits well
(at least as a mnemonic methog)
ku for eat is as if the first syllable of russian
кушать[kuʃat']
kamu though is nowhere near жувать, which is probably the
cognate of english chew.
Isn't chinese questionary postfix ma (嗎) a cognate of
hebrew what (מה)?
מה אתה עושה ~ what are you doing? [meh ata osha (ма ата́
осэ́)]
Are you okay? ~ 你還沒有什麼? ~ 你還好嗎?~ 你冇事嗎?
[Nǐ hái
méiyǒu shé me? ~ Nǐ hái hǎo ma? ~ nei5 mou5 si6 maa1?]
Trying different question sentences, I finally found where
they meet:
What do you want? ~ מה אתה רוצה? ~ 你想要什麼
[meh ata
rotza? (ма ата́ роцэ́?) ~ Nǐ xiǎng yào shénme]
That 麼[me] they used here instead of 嗎[ma] is literally
translated into hebrew as (what)מַה?[ma]
麻[ma] is hemp
And there's something maybe even more wild than kanji in
China: Yi script:
and that is only one variant of it.
There are also logograms.
They could have removed several lines, if they just noted
that final x adds a stroke above the symbol;
final p is way more complicated
ꀀꀁꀂꀃꀄꀅꀆꀇꀈꀉꀊꀋꀌꀍꀎꀏꀐꀑꀒꀓꀔꀕꀖꀗꀘꀙꀚꀛꀜꀝꀞꀟꀠꀡꀢꀣꀤꀥꀦꀧꀨꀩ
ꀪꀫꀬꀭꀮꀯꀰꀱꀲꀳꀴꀵꀶꀷꀸꀹꀺꀻꀼꀽꀾꀿꁀꁁ
ꁂꁃꁄꁅꁆꁇꁈꁉꁊꁋꁌꁍꁎꁏꁐꁑꁒꁓꁔꁕꁖꁗꁘꁙꁚꁛꁜꁝꁞꁟꁠꁡꁢꁣꁤꁥꁦꁧꁨꁩꁪꁫꁬꁭꁮꁯꁰꁱꁲꁳꁴꁵꁶꁷꁸꁹꁺꁻꁼꁽꁾꁿꂀꂁꂂꂃ
ꂄꂅꂆꂇꂈꂉꂊꂋꂌꂍꂎꂏꂐꂑꂒꂓꂔꂕꂖꂗꂘꂙꂚꂛꂜꂝꂞꂟꂠꂡꂢꂣꂤꂥꂦꂧꂨꂩꂪꂫꂬꂭꂮꂯꂰꂱꂲꂳꂴꂵꂶꂷꂸꂹꂺꂻ
ꂼꂽꂾꂿꃀꃁꃂꃃꃄꃅ
ꃆꃇꃈꃉꃊꃋꃌꃍꃎꃏꃐꃑꃒꃓꃔꃕꃖꃗꃘꃙꃚꃛꃜꃝꃞꃟꃠꃡꃢꃣꃤꃥꃦꃧꃨꃩꃪꃫꃬꃭꃮꃯꃰꃱꃲꃳꃴꃵꃶꃷꃸꃹꃺꃻꃼꃽꃾꃿꄀꄁꄂꄃꄄꄅꄆꄇ
ꄈꄉꄊꄋꄌꄍꄎꄏꄐꄑꄒꄓꄔꄕꄖꄗꄘꄙꄚꄛꄜꄝꄞꄟꄠꄡꄢꄣꄤꄥꄦꄧꄨꄩꄪꄫꄬꄭꄮꄯꄰꄱꄲꄳꄴꄵꄶꄷꄸꄹꄺꄻꄼꄽꄾꄿ
ꅀꅁꅂꅃꅄꅅꅆꅇꅈꅉ
ꅊꅋꅌꅍꅎꅏꅐꅑꅒꅓꅔꅕꅖꅗꅘꅙꅚꅛꅜꅝꅞꅟꅠꅡꅢꅣꅤꅥꅦꅧꅨꅩꅪꅫꅬꅭꅮꅯꅰꅱꅲꅳꅴꅵꅶꅷꅸꅹꅺꅻꅼꅽꅾꅿꆀꆁꆂꆃꆄꆅꆆꆇꆈꆉꆊꆋ
ꆌꆍꆎꆏꆐꆑꆒꆓꆔꆕꆖꆗꆘꆙꆚꆛꆜꆝꆞꆟꆠꆡꆢꆣꆤꆥꆦꆧꆨꆩꆪꆫꆬꆭꆮꆯꆰꆱꆲꆳꆴꆵꆶꆷꆸꆹꆺꆻꆼꆽꆾꆿꇀꇁꇂꇃ
ꇄꇅꇆꇇꇈꇉꇊꇋꇌꇍ
ꇎꇏꇐꇑꇒꇓꇔꇕꇖꇗꇘꇙꇚꇛꇜꇝꇞꇟꇠꇡꇢꇣꇤꇥꇦꇧꇨꇩꇪꇫꇬꇭꇮꇯꇰꇱꇲꇳꇴꇵꇶꇷꇸꇹꇺꇻꇼꇽꇾꇿꈀꈁꈂꈃꈄꈅꈆꈇꈈꈉꈊꈋꈌꈍꈎꈏꈐꈑꈒꈓꈔꈕ
ꈖꈗꈘꈙꈚꈛꈜꈝꈞꈟꈠꈡꈢꈣꈤꈥꈦꈧꈨꈩꈪꈫꈬꈭꈮꈯꈰꈱꈲꈳꈴꈵꈶꈷꈸꈹꈺꈻꈼꈽꈾꈿꉀꉁ
ꉂꉃꉄꉅꉆꉇꉈꉉꉊꉋꉌꉍꉎꉏꉐꉑꉒꉓꉔꉕꉖꉗꉘꉙꉚꉛꉜꉝꉞꉟꉠꉡꉢꉣꉤꉥꉦꉧꉨꉩꉪꉫꉬꉭꉮꉯꉰꉱꉲꉳꉴꉵꉶꉷꉸꉹꉺꉻꉼꉽꉾꉿꊀꊁꊂꊃ
ꊄꊅꊆꊇꊈꊉꊊꊋꊌꊍꊎꊏꊐꊑꊒꊓꊔꊕꊖꊗꊘꊙꊚꊛꊜꊝꊞꊟꊠꊡꊢꊣꊤꊥꊦꊧꊨꊩꊪꊫꊬꊭꊮꊯꊰꊱꊲꊳꊴꊵꊶꊷꊸꊹꊺꊻ
ꊼꊽꊾꊿꋀꋁꋂꋃꋄꋅ
ꋆꋇꋈꋉꋊꋋꋌꋍꋎꋏꋐꋑꋒꋓꋔꋕꋖꋗꋘꋙꋚꋛꋜꋝꋞꋟꋠꋡꋢꋣꋤꋥꋦꋧꋨꋩꋪꋫꋬꋭꋮꋯꋰꋱꋲꋳꋴꋵꋶꋷꋸꋹꋺꋻꋼꋽꋾꋿꌀꌁꌂꌃꌄꌅꌆꌇ
ꌈꌉꌊꌋꌌꌍꌎꌏꌐꌑꌒꌓꌔꌕꌖꌗꌘꌙꌚꌛꌜꌝꌞꌟꌠꌡꌢꌣꌤꌥꌦꌧꌨꌩꌪꌫꌬꌭꌮꌯꌰꌱꌲꌳꌴꌵꌶꌷꌸꌹꌺꌻꌼꌽꌾꌿ
ꍀꍁꍂꍃꍄꍅꍆꍇꍈꍉ
ꍊꍋꍌꍍꍎꍏꍐꍑꍒꍓꍔꍕꍖꍗꍘꍙꍚꍛꍜꍝꍞꍟꍠꍡꍢꍣꍤꍥꍦꍧꍨꍩꍪꍫꍬꍭꍮꍯꍰꍱꍲꍳꍴꍵꍶꍷꍸꍹꍺꍻꍼꍽꍾꍿꎀꎁꎂꎃꎄꎅꎆꎇꎈꎉꎊꎋ
ꎌꎍꎎꎏꎐꎑꎒꎓꎔꎕꎖꎗꎘꎙꎚꎛꎜꎝꎞꎟꎠꎡꎢꎣꎤꎥꎦꎧꎨꎩꎪꎫꎬꎭꎮꎯꎰꎱꎲꎳꎴꎵꎶꎷꎸꎹꎺꎻꎼꎽꎾꎿꏀꏁꏂꏃ
ꏄꏅꏆꏇꏈꏉꏊꏋꏌꏍ
ꏎꏏꏐꏑꏒꏓꏔꏕꏖꏗꏘꏙꏚꏛꏜꏝꏞꏟꏠꏡꏢꏣꏤꏥꏦꏧꏨꏩꏪꏫꏬꏭꏮꏯꏰꏱꏲꏳꏴꏵꏶꏷꏸꏹꏺꏻꏼꏽꏾꏿꐀꐁꐂꐃꐄꐅꐆꐇꐈꐉꐊꐋꐌꐍꐎꐏꐐꐑꐒꐓꐔꐕ
ꐖꐗꐘꐙꐚꐛꐜꐝꐞꐟꐠꐡꐢꐣꐤꐥꐦꐧꐨꐩꐪꐫꐬꐭꐮꐯꐰꐱꐲꐳꐴꐵꐶꐷꐸꐹꐺꐻꐼꐽꐾꐿꑀꑁ
ꑂꑃꑄꑅꑆꑇꑈꑉꑊꑋꑌꑍꑎꑏꑐꑑꑒꑓꑔꑕꑖꑗꑘꑙꑚꑛꑜꑝꑞꑟꑠꑡꑢꑣꑤꑥꑦꑧꑨꑩꑪꑫꑬꑭꑮꑯꑰꑱꑲꑳꑴꑵꑶꑷꑸꑹꑺꑻꑼꑽꑾꑿꒀꒁꒂꒃ
ꒄꒅꒆꒇꒈꒉꒊꒋꒌ꒐꒑꒒꒓꒔꒕꒖꒗꒘꒙꒚꒛꒜꒝꒞꒟꒠꒡꒢꒣꒤꒥꒦꒧꒨꒩꒪꒫꒬꒭꒮꒯꒰꒱꒲꒳꒴꒵꒶꒷꒸꒹꒺꒻
꒼꒽꒾꒿꓀꓁꓂꓃꓄꓅ ꓆
Classical Yi or Traditional Yi is a syllabic logographic
system that was reputedly devised, according to Nuosu
mythology, during the Tang dynasty (618–907) by a Nuosu
hero called Aki (Chinese: 阿畸; pinyin: Āqí).[7] However,
the earliest surviving examples of the Yi script date
back to only the late 15th century and early 16th
century, the earliest dated example being an inscription
on a bronze bell dated to 1485.[8] There are tens of
thousands of manuscripts in the Yi script, dating back
several centuries, although most are undated. In recent
years a number of Yi manuscript texts written in
traditional Yi script have been published.
The original script is said to have comprised 1,840
characters, but over the centuries widely divergent
glyph forms have developed in different Yi-speaking
areas, an extreme example being the character for
"stomach" which exists in some forty glyph variants. Due
to this regional variation as many as 90,000 different
Yi glyphs are known from manuscripts and inscriptions.
Although similar to Chinese in function, the glyphs are
independent in form, with little to suggest that they
are directly related. However, there are some borrowings
from Chinese, such as the characters for numbers used in
some Yi script traditions.
not that it tells me something, just a random stuff
illustrating once again how fucken complex the world of
writing systems is.
Imagine if a dog's admirer saw
цербер and ran to him to pet him (even if it was her)
and they don't tell that цербер eats souls, only that he
doesn't let them out. Maybe there's a reason for it, or
maybe he does eat them, that I just didn't read that,
but then whatever I read would be somebody's fiction.
But are all myths fiction? Myths about what
people could experience may be true. Myths about the
creation or acquisition of alphabet are pretty much to the
point? Greek myth tells of five vowels and two consonants.
This book reveals meanings of the myths
about creation of alphabets by some newfound structures in
alphabets (humanity knew about it somewhat in some obscure
books, but then you, reader, probably never would hear
about it, if you didn't come across this book)
Эта книга интерпретирует мифы про создания алфавитов так,
что они обрели смысл.
Упрощай
@
Повторяй
Дано:
Два мифа о создании алфавита, описывающих алфавитную
структуру, о которой мало кто знает.
Найти:
Эту структуру во всей её полноте.
Зачем нас учили так записывать? Даже
я никогда этим не пользовался
(вот,
воспользовался же. ещё нет, ща)
Решение:
Греческая версия алфавита описывает семь (или шесть) букв:
самая старая из известных версий этого мифа: ΑΒ*ΗΤΙΥ
(записано Гигином около двух тысяч лет назад (* is where
they think the text was damaged)) and some translations
give them as ABEIOTU, thus five vowels and two consonants.
B and T are present in both versions of this myth. Or four
vowels and the same consonants? Greek Η is vowel. Hebrew
has only four "vowels (now this one difficult to explain,
though it's totally legit to say so)": when you compare it
to latin side-by-side, you can notice, that it ends at T,
thus only has letters where in greek A E I and O stand.
Notice that the next vowel is the only one sorta different
from one in latin: they also have Y, but at the place of
greek Υ stands U and V next to it. Was it a coincidence
that after U V was placed? V instead of U used to be the
final letter, following right after T, but then a whole
line grew after it, and a not-necessary line. And now I
just guessed that those who wanted to see
vowel-labial-lingual sequence added that line, but then
whoever wanted to see the sequence being
labial-lingual-vowel, he or she, or rather they, added Ω
after that line.
What do we do at this stage? What is our method? We roll
the facts about writing systems we know, we roll them
around to see if those pieces of reality fit. The way
James Watson did with nucleotides.
Suddenly I thought of Greco-Iberian, having Η for E-sound,
but not having Ε letter.
If you ignore the '-ed R (or rather un'-ed R) you may see
fifteen letters, and are they not the alphabet of
Carmenta?
The three Fates created the first five
vowels of the alphabet and the letters B and T. It is
said that Palamedes, son of Nauplius invented the
remaining eleven consonants. Then Hermes reduced these
sounds to characters, showing wedge shapes because
cranes fly in wedge formation and then carried the
system from Greece to Egypt*. This was the Pelasgian
alphabet, which Cadmus had later brought to Boeotia,
then Evander of Arcadia, a Pelasgian, introduced into
Italy, where his mother, Carmenta, formed the familiar
fifteen characters of the Latin alphabet. Other
consonants have since been added to the Greek alphabet.
Alpha was the first of eighteen letters, because alphe
means honor, and alphainein is to invent.
Is Pelasgian Phoenician?
They're rather similar words. But I doubt it.
There were 18 characters at the Palamedes stage. Why would
with carmenta there were 15?
Were cubes (falling stones of Bureus) such alphabet? Did
Palamedes add 11 neither to seven or six, but to four?
Hebrew myth gives only three letters at the first stage,
so naturally some intermediate stage must have happened,
and myths are not limited to books, au contraire, myth is
just a writer's fantasy if they are not being told from
grandparents to grandchildren in the people to which that
myth belongs.
Let's play with that greco-iberian,
Here I aranged them into how it would be closer to modern
alphabetic order.
Here I thought if the double-single order can be applied
here, even though no trace of labiality in the doubles, B
is the only labial here (other than O and U)
And I wanted to place R' to the position of S' in the name
of futhark or something, but instead I forgot about
alphabeti corder, and did it like this:
If it is anything than a silly
mindgame, I cannot tell
Probably it's nothing, I called these files hypothetic
so that I do not make more mess in the field that I have
to, now let's try and compare these 15 to the falling
stones.. but that is a task even more daring, the set is
all different, there are definitely many more labials
for one.
What would we claim to be the M? N? S?
And S I used, for honestly it looks like M the most, and
because there's a history of M and S being confused one
for the other, or whatever the M~Ϻ & ᛘ~ᛉ thing?
But other that that it went surprisingly well. The other
stretches were R' for U~V (because of the futhark
hypothesis, and because of ..both being sonor is not very
good, there was something else, and ł[w] is also too long
a stretch, r being read as w I want to remember, but I
forgot where I could hear it. Well, come on that R' looks
more like ᚢ than ᚱ!
U for F, quite a stretch (both meet in V, but come on)
and г for r is rather challenging, and other than these
..four actually.. four stretches it sits well. And we
ignored one R, so maybe it's Г that has to go (ᚵ is just ᚴ
with a dot) but then I have to stop for now, just a silly
game, but that is how I learn paleo-hispanic. Starting
with greco-iberian. But then maybe I shouldn't learn it, I
saw they have different schools of this field, different
transliterations. I should wait for the consensus (even
though I fuck consensus with a huge purple dyldo in this
club)
I tend to type of instead of or.
That's dutch.
A good example of f~u: stiffkey[stjúki] (that all labials
used to be the saem letter)
it is from this source of many weird readings:
and me being a native russian speaker never even heard
that inhabitants of Mtsensk are Amchánè.
and the inhabitants of Torzhok are
Novotóry
I collect here everything linguistic, and it seems to be
detrimental to the main point of this work:
to decypher the origins of alphabets
I came to BD, FГ, MΛ, ПТ, so why do I want something else?
something which would explain their forms. Something even
deeper. Righteous wish. Let's dig that possibility deeper.
What avbout pairs such as CЗ? see, just as CS they're not
at the same axis, so some different tradition doubled them
(possibly, doubled them) but then isn't pair 𐌔𐌚
disregards the direction (the axis, as I called it) too?
Well, maybe that's why I didn't use that pair, because
etruscan shapes are not known to many, and because they're
past-T, and there are no past-T letters in hebrew and some
other archaic alphabets, though I think even archaic latin
placed V after T (as if a rudiment to bcde sequence, which
would come from before A was placed up top, the masonic
eye, the all-seeing eye of the all-seeing Father of the
jewish religion. Even though in hebrew פ and ש (the
analogues of 𐌔 and 𐌚) share one line? Because neither CS
nor CЗ share one line (unless C is G and З is greek Z or
russian З)
Ц shares a line with Ш and Щ, but neighther
is labial.
Where did I see FГ pair though? Г is in the previous line
in both greek and russian. Latin has the analogue of Г the
G in the same line as F, but is it ever Г there? nope.
It's as if somebody changed it so that this structure is
not seen to plebs, so that they can only memorize, but not
understand.
Today I heard, that Crowley also said that Satan is a god
of people you don't like.
Some Bethsheba Ashe on academia.edu said:
There are parts of Exodus 7 which were
written in the bronze age with the early name of God:
YHW, which was later changed to YHWH in the Iron age,
most likely at the first temple scriptorium - and we can
tell that through the ancient formal system of
mathematics which is embedded into the text.
and that YHW is non-repeating sequence now and those
letters add up to 21 now, not 26
ieu, as if a descending scale
Yet back to Crowley, in the same source I also heard that
Bathomet is Sofia, if you read it in hebrew and use the
atbash code to decypher it. Atbash code is something very
similar to what I call k-symmetry (and indeed it is a key)
and in that atbash thing m and i also stand across
eachother, so בפומת reverses into שופיא
so how's that for 666 to finish this volume? It used to
lag, not anymore, but anyway, let's move on.