Here, I decided to write in somewhat poetic metre, but
then I get carried away all the time, I told me not to
bother a decade ago or too:
The alphabet is ABC
the name's its structure:
vowels, labials and linguals (for that C's K and S and Ts
and Ч)
The alphabet is ABC
And abc is a b c and d
and follows very similar to this:
e under a, both made with voice,
f ander b, for lips them bring,
and g and h are c and d
(h is softer c the k,
g as ʒ is softer d,
f is softer than b, be it b or v.
and then o p q and t
are like voiceless a b c d
(c was voiced in ancient rome)
or isn't s a form of c?
all q and r and s and t
are under c and d:
if c is g, and g is ʒ,
then s is ʃ, as hebrew shows.
but then what is it doing in this line?
o p and t are definitely voiceless a b d
if c is g, then q should take this place.
But there's no q in greek in russian,
so r or s? I'd say as to place ʃ below it:
in russian after t is ufhc̆čs̆š,
it's like hands down, it's abccccc
c is staveless d, like g and d
are the same
g and g is in latin,
being d in the russian cursive.
And h a g are thus also the same?
Was h voiced, and thus a form of g?
is upside down ꙋ and with one more loop
was there before there, as I somewhere saw?
hitler is gitler, so h and g are c on lower level
not g the c and d, but h for c and ʒ as softer d,
and f used to be voiced, for it's in hebrew.
the opposites of abgd and efhz
(the way we see in greek, for f is θ,
because in russian θ the ѳ is f.
Yes, russian is probably more ancient,
than we're told it to be, for armenian
is not made up from scratch,
though who knows that.
It's neither poetry nor prose, bad poetry they'd say, I
didn't edit it, would I do betters, will it do?
When we speak poetry
Is it not better than
we speak like everybody
speak of nothing?
What was that line
It's neither rhymed
nor what,
nor full of meaning
either neigh and neither
(that line for musical whatever there is)
(I shouldn't rhyme or rhythm, I should deliver what makes
more sense than play of wriming (isn't it russian
т
the т?)
чирик ~ чижик (ж[ʒ] - китайское прочтение символа R и не
во всех, конечно, диалектах, скорей всего в мандаринском,
ведь его русским в первую очередь преподают)
was ~ saw (было ~ видел) it can be used as a mellow
mnemonic tool
(I collect such pairs in my freaks.html, because it is a
chrestomatic quackery in russian linguistics, it is one of
the ideas of Lukashevich, who is considered to be a
cuckoo)
I also added it to my
list of cognates, because of it
being such a good mnemonic tool.
Предложил Гайдуку быть моим научным руководителем (он
филолог, и ему не надо объяснять значение травы в
мыслительных процессах.
A B C D
O P Q T
O P Q S T or O P K S T probably was the previous state of
this line,
because C can be read as K/Q and as S.
R was probably moved to this line to creat the L ~ R
symmetry in the axial symmetry.
And here we find the axial structure useful: it appeared
to explain the position of Y, but it also can explain the
position of R. I wish it could explain the position of M.
Let's see if it does..
And indeed, it could placed between L and N to keep LMN
together
(they say, the word element is coined by that alphabetic
sequence)
So it probably was something of the kind:
And I surely didn't expect to see Merlin in the I-line
Was Imnl of the Immanuel placed there by christians
instead of Merlin? Is Merlin a legendary wizard of the
brits, because he was the guy, who invented the "latin"
alphabet? Out of some syllabary, my guess is from some
paleohispanic syllabary, or rather from some syllabary,
which wasn't excavated yet.
So I predict, that some syllabary, very similar to what we
know as latin alphabet can appear, and Creco-Iberian
alphabet reminds the syllabaries very much. So the same
thing should exist for latin alphabet, for if some part of
europe was literate, the others inevitably was as well,
purely for geographic reasons.
Or, rather it was like this:
(it would be this way by the reason of how messed-up is
the U-line, and for hebrew and some archaic alphabets end
around T, and because the following few lines:
And if P-line reflects B-line (it does) then M line but be
the voiced part of the F-line
Then I can see M as W, R as voiced H, thus what is G doing
there? Doubling the C. And were H and such uvular R
(uvular R as voiced H, could you imagine it? I never had
such hypothesis)
and how would the axial symmetry of such tree of life
look?:
What would be the voiceless form of N? probably, nothing,
for the way there are more voiceless plosives than voiced
plosives, the same way there are more voiced fricatives,
than voiceless fricatives.
E F H could be the e-line's A B C
so..
A B G
E
F
H
I M R
O P K
could be the 12, but then if it was not G, but D, it would
ended with less выебонs, but then what would stand instead
of H and R?
A B D
E
F S
I W Z
O P T
well, the W and Z in the I line is uncanny.
A B D
E Θ Σ(σ/ς)
I W N(ν)
O П T
See, what I'm doing here? I lay out my thought process. I
wished others did it, now I had to show them how to do it.
So could the mistake in Hyginus be in the word septem (or
our understanding of it? could it be sextem?) could ABHITY
be all the letters there were? ABHTIY is the sequence in
the books, and in the third a cross-sign placed between B
and H, as if there's where the O (or whatever the letter)
would be.
ABOHTIY? Nah, let's place the 12 with those six..
A B D
H 𐌚
S
I М Λ
Y П Т
By the principle of labials-doubles have I reconstructed
the 12 out of 6,
placing into the B-claster B𐌚MП[bfmp]
and placing into the T-claster DSΛT[dslt]
And a piece about it should be on the next edition. I
should start listing those.
(the exploration of the account given in Hyginus actually
accurate. if there was O, it would be
A B D
H 𐌚 S
I М Λ
O П Т
Y
and such set sets into no axial symmetry
and is the seven's letter for the 13th month?
Makes sense, actually, but why not some W and V to
oppose the М Λ
like variants of the line the way Y is a variant of I.
Y W V as 6 6 6 or something? V is not even lingual!
unless it's ν
B D
P Q
b d
p q
kust is coast in dutch.
kunst is arts, so arts are what is beyond some border of
reality.
A picture, expanding the horizon of the
room?
I worked at trying to turn my thing into an academic
paper, but I feel like that is some magic to kill the
spirits, christians organized academia in that manner for
their own retarded reason.
We need to create something new which
would be way better.
lk
cd
are those four made of the two like l lc c cl?
an unexpected source to decypher ogham:
КИПАРИС, дерево сие принимается за знак
смерти, печали и сожаления; ибо древние
народы саживали ево около могил, и нашивали при
погребении, чего ради стихотворцы
<Вергилий, Овидий и др. — Е.Ш.> дали ему имя Arbor
Feralis, дерево печальное. Борель
Король Цельтов когда лишился своей до-[с. 53:]чери
Кипариссы, то приказал посадить на
гробнице ее оное дерево, от чево и назвалось оно
кипарисом.
Король Цельтов is what made me think of Celts and their
Oghm,
but then I couldn't find these references anywhere, but
then I found this:
В Ирландии колдуньи используют для помела
палку из бузины, а не из ясеня. Несмотря на то, что
цветки и кора бузины славятся лечебными свойствами,
считается, что запах бузины вызывает болезни и смерть.
Бузина приносит столько несчастий, что Спенсер
сравнивает ее с траурным кипарисом, а Т. Скот пишет в
«Philomythie» (1616):
Проклятье бузине и
тису,
В тени своей приют дающим ведьмам.
Короля Вильгельма Руфуса убил лучник,
стоявший под бузиной. Из бузины якобы был сделан крест
Распятия, а ритуальные кремневые ножи в форме листа
бузины из мегалитических захоронений - свидетельство
того, что бузину издавна связывали со смертью.
Изображения бузины со времен мегалита находят на
надгробиях - как символ смерти (черные плоды) и
возрождения (белые цветы).
По английскому поверью, жечь в очаге -
бузину значит «приводить в дом дьявола».
Красивые белые цветки, распускающиеся в
середине лета, превращают бузину в еще одну ипостась
Белой Богини. Согласно Старшей Эдды, черную бузину
избрала своим домом богиня Фрейя.
Бузина - дерево погибели; 13 и последняя
согласная буква древнего Огама. Отсюда дошедшее до
наших дней несчастливое число 13.
Деревенские маги считают черную бузину
злым деревом, сон под ней приводит к безумию.
Месяц Бузины кончается днем Зимнего
Солнцеворота.
"13 и последняя согласная буква древнего Огама" they said.
If that is true, I'd think that BLN is how it was, and
after that two aicme by 5 letters would go, but I think I
saw 13-letter ogham somewhere..
Somebody is working on putting paleohispanics into
unicode,
And it gave me the vision of o being double a
Yet, I was looking for labials being double shapes of the
linguals, and I only saw it in few examples, using the
paleohispanic tables I used in the booklet, I can only see
Be being double Ge,
but de can be seen as double be, so some bi-consonant
syllabary has to be looked for.
also da can be seen as double ba, but other lines play
this game less and less, until in the U line I can see
𓊪-like shape for bu, which is very similar to p, as
𓊪 is usually transliterated.
And there's also a 𓏚-like symbol for du, which is not
transliterated or translated in my sources, but 𓏙 stands
for ḏj, which could be the double 𓏚, and thus 𓏚 could be
d for this reason. Wha I can see here is a semi-syllabary
reminding me egyptian hieroglyphs more than any other
alphabet. Greeks also have Δ, but not a 𓊪-like shape. And
also Λ of those paleohispaniards is very greek-like, but
at this point I'm rather certain, that it is greeks who
were influenced by paleohispaniards, be them pelasgians or
some other legendary nation mysterious to historians.
literally the spannish greek, texts in this script were
found in Spain, but in Greece, according to what I know.
The B is the same as in norsk runes (ᛒ), so is S (ᛊ), so
is I (ᛁ) and those are in three distinct groups, thus
could be the three mothers. But then that is greco-iberian
I'm speaking of.
but ᛁ-like shape is A in the syllabary, let's post it
again
Ba Ge Di would be great 1 2 3
so would be Ba Da Ga
The guy who works on putting it into unicode also compares
them to phoenician (probably to raise his or her chances)
and the comparison is fair, but in my estimation it only
tells that phoenicians took it from paleo-hispaniards,
because syllabary is more archaic, used before we forgot
what each syllable in the words meant. Here's the
comparison:
Some of the comparisons are rather shaky: phoenician b
doesn't resemble the syllable bi, which reminds pi the
archaic П way more. But the most of the letters indeed
have some resemblance, but what are the M-shapes, they're
not what my table tells. Let's see how does he
transliterates the M's:
and that is what he compared to m:
there are links to that work in those images, but here's
a
mirror
link in case that one evaporates.
so he puts L as if it's Г, then he recognizes h as e (but
here he's correct)
but what does he compare to z? O!!!
ffs! that is quite a pull, so beware of that table: the
latin letters only correspond to the phoenician line and
usually have nothing to do with the paleohispanic
counterparts.
But some comparisons are legit, Ta for T, very similar R's
Enough of this obscure subject for today. The link from
paleo-hispanic to egyptian, stronger than in phoenician or
greek, may also indicate that the path of further research
is showing: to demonstrate in what relations are ancient
letters of the european nations prior to roman domination,
and to demonstrate which egyptian shapes correlate with
the others. Egypt is known as a centre of knowledge, so
suspecting them to be a major influence through millenia
is a natural assumption. May further observations confirm
or reject this hypothesis. It will take me some time
unentangling this part of the story.
𓏙 is also
told
to stand for dl, which is fascinating, since Δ is d, and Λ
is l, greek they're. Was it a joke, or do greek shapes
form egyptian forms? They're the same forms. I told you,
that single glyphs predate the alphabets which consist of
them by millenia, and here's the obvious example: both Δ
and Λ are the simplest form, which can be found in some
neolythic graphic, one of those symbols singled out by
Genevieve von Petzinger in her book called "The First
Signs: Unlocking the Mysteries of the World's Oldest
Symbols" and she calls them triangle and open angle.
Some
reports
that armenian alphabet existed before Mashtots:
Emperor Alexander Severus (reigned 208-235
CE), mentions that the Armenians are amongst those
nations who have their own distinct alphabet.
I in voir is ا, and o is u, as both are ו, but then it
raises the question:
I
s AEIOU
it EIA(OU or УЮ? ow and you, o~u
and ju? isn't U Υ?)
(for a is ej, e is ji, i is aj (hands down, o and u are o
and u, for they are ow(oh? oj? oi?) and ju))
(or jo and ju, but is o ö and what am I even doing here?)
Ɔ W C
D
E Ж З
Ɔ M C (here I speak of C being in the C position in
latin and in the S position in russian)
(but I can do better)
ᛆ
W ᚴ
Е Ж З
У M ᚿ
I am definitely a master to find misteries, similarities,
build symmetries was the word,
is every symmetry a mystery? симетри и мистери являются
фонетическими палиндромами (сокрытыми полиндромами)
simmetry ~ similarity (both words are with something, but
one is with metrey and the other is of some ilarity or
larity.. is it clarity?
so many runic shapes in the previous attempt to line
letters around Ж (but Ж should be whether 6 or 3, not 5)
that I decided to play around with the runic
sequences directly:
ᛆᛒᚦᛂ(ᚽ)ᚠᚵᚼ(not ᛡ)ᛁᚴᛚᛘ(even though it looks like ᛉ)ᚿᚮᚱᛦ(if
R, or ᛣ if Q)ᛋᛏᚢ
ᚠᚢᚦᚨᚱᚲᚷᚹ
ᚺᚾᛁᛃᛇᛈᛉᛊ
ᛏᛒᛖᛗᛚᛜᛞᛟ
ᚠᚢᚦᚩᚱᚳᚷᚹ
ᚻᚾᛁᛄᛇᛈᛉᛋ
ᛏᛒᛖᛗᛚᛝᛞᛟ ᚪᚫᚣᛠ
ᚠᚢᚦᚩᚱᚳᚷᚹ
ᚻᚾᛁᛄᛇᛈᛉᛋ
ᛏᛒᛖᛗᛚᛝᛞᛟ
ᚪᚫᚣᛡᛠᛣᛤᚸ
'ᛢᛥ
ᚠᚢᚦᚩᚱᚳᚷᚹ
ᚻᚾᛁᛄᛇᛈᛉᛋ
ᛏᛒᛖᛗᛚᛝᛞᛟ
ᚪᚫᚣ
ᛠ
ᛡᚸᛣᛢᛥᛤ
ᚠᚢᚦᚭᚱᚴ
ᚽᚿᛁᛆᛌ
ᛐᛓᛙᛚᛧ
ᚠᚢᚦᚬᚱᚴ
ᚼᚾᛁᛅᛋ
ᛐᛒᛘᛚᛦ
ᚠᚢᚦᚮᚱᚴ
ᚼᚿᛁᛆᛋ
ᛐᛒᛘᛚᛦ
but none of them seemed to deliver what I was looking
for, but ᚿᛁᛆ is truly the beauty, so it delivers, I only
had to wait.
ᚠᚢᚦᚮ
ᚿᛁᛆ
ᛘᛚᛦ
(whether ᚢ or ᚦ would be in the centre of the
first line, and in the company of ᚠ and ᚮ, ᚢ looks
better, thus first line is line of labials, others are
both lingual, and what am I doing here? Searching! it is
a research, stop bothering me, you know I deliver, let
me work,
also since ᚮ is double ᛆ, isn't ᚠ double ᚿ? more like
double ᚴ, but that's obvious, we call F digamma after ᚴ
being Г, but let's entertain of ᚠ the w being double ᚿ
the νGR[n]
B T × A E I O U = A E I O U BA BE BI BO BU TA TE TI TO TU
these are 15, which is a legendary number in this
account. The alphabet of Carmenta had 15 letters.
And if we add the inversions of those syllables, we'll get
25 letters, which is very close to 24 to 26 of the latin
alphabet. I only consider irish-italian and
english-german-french, and who knows if it is some
catholics vs protestants difference (catholic Ireland and
Italy don't have JK placed into the body of the alphabet,
thus M (for Mary) is closer to the I. is L I? l looks just
like I, almost like I, it can't be a coincidence,
especially in the context of ll being short I, what a
weird story, what had happened here? How can Λ be И?
The way italians and irish just do without J and K:
Gesù CristoIT
Íosa CríostIR
Críost looks like Ghost
Ирландия, Испания, Италия all start with I and the second
letters are R S T, which is rather alphabetic, just in the
order those nations come for shipmen who sail from the
Great Britain?
Q for queenland? P for Prussia? O for what?
Some of the ideas are pretty off, but then only by trying
them all on can we tell, so I shouldn't sweat it.
rationalizing
a typo:
wear ~ weak? You're weaker, if you carry somebody, than
if you weren't.
I aM all
I aM aΛ
Я всё? Но также "я мал", вроде как молитва от слова
умолять~умалять(ся)
уMOREлять? to pour more?
уморять? умоляют "умри" когда ранили зверя? чтоб съесть
его. прикармливали чтоб подло замочить? Тех зверей, кого
замочить проще, те и вкуснее (откуда бы я знал другое, но
кошку есть не хочу, только травоядных едим. но корейцы
едят собак. в тех краях и не такое ядят))
I M L In My Life
I M N L - they placed N to say I'm not lying, when L began
to interpreted not only as life, but also as lie (f is for
facts? f is for всё?[фсё])
I have no idea if L was for life or love, I'm only
guessing here, thus learning to write alphabetic poems.
abcdefghijklmnopqrstuvwxyz
And BeCause
I aM Not Lying or I je keine lie, me – no.
minus ~ mini
What am I even doing here? and why.
Should refocus.
whispering syllable pi feels as if it is ᛈ because corners
of the lips silently click at palatalized p.
But then I can only guess that ᛈ is rotated π, thus ᚲ is
𐤂
and ᛆ is rotated into something ᛸ-like, which is..
Speaking of the inverted syllables, norsk unicode ends
with ᛶ[eh], ᛷ[ac] and ᛸ[aesc]
and before them stands ᛵ[is] and that is the shape I saw
in that pdf of paleohispanic I gave earlier in this volume
(just ctrlF mirror and you see that glyph)
is is the name of the rune ᛁ, which is ba in
paleohispanics, and compared to 𐤌
in the both ᛵ-like and more ᛁ-like glyphs, you
should click that mirror to figure out more, they're way
more specialists on that question than I am, so I leave
you at
taht that.
право права
A B C D
(usually
this way I start when I want to kick-start, let's see
if I can say something new this time)
E F
G
H
I J
K L M
N
O P
Q
R
S T
U
V W
X
Y Z
That G is Ж (for it is in this line) I didn't think before
this moment. See, digging into it again and again works,
new views appear.
If ABC is the mold, then IMN is good if I the ʌɪ is some
A, as in Amen.
Amen and Omen are like Alpha and Omega, good and bad
meanings, ах и ох (от о лицо куксится, так что когда лицо
скуксенное, получается не а, а о.
If R was at the K-position, then it was before L (unless I
and L is the same letter) so then it would say, that
they invented it from right to left. Yet today if we lay
it in line, R is in the right half of the alphabet if the
alphabet is written left to right.
A B C D
E F
G
H
I
J
K
L
M
N
O P
Q
R
S T
U
V W
X
Y Z
A B
C
D
E F
G H
I J
K L M
N
O
P
Q
R
S T
U
V W
X
Y Z
A
B
C
D
E F
G
H
I J
K L M
N
O P
Q
R
S T
U
V W
X
Y Z
I coloured Y green for J is green, I coloured them green
for I separated tehm from the velars, but then Y is not
that far from h the
These other alignments look like a broken tv, distorted
picture of whatever the structure aligned by vowels is.
Yet I had to ignore the semi-vowel status of Y
A B C D
E F
G
H
I J
K L M
N
O P
Q
R
S T
U
V W
X
Y Z
c~t?
i~ċ?
e~n~t?
h looks more like s than s, and sometimes as
g
k~h~f? how do they even read that thing! german
orthography is a rabbithole per se
d is so much ט!
l~e is nothing new,
o~v is also something I saw before, and not just in ו, see
the image below.
r is more s than s sometimes
s~p? like what s~b? what!?
sz is what I always considered to be ss, the ß, but it
seems I was wrong: though it looks like ſs, it is called
eszet for a reason. for it is ſʒ or something. But then
here they
say ß is ss, as I thought.
one of t's lacks the dash, and thus looks like l, I wonder
if it is correct.
u~n̆ and even u~n sometimes
v is what a mess, it even looks more like h sometimes
w~b sometimes, now that is interesting
some crazy x,
y like ij is nice,
z like Σ is also supercool.
And here the v-like o
I love how they're basically two forms reflecting one the
other and corresponding to their articulatory side: l~e
for both are lingual, they as if
д-fish-Yang and
both o~v are labial, and look like Б-fish-Yin
Is it this much true that LOVE IS ALL YOU NEED
дббд (что-то будет, бабу? даму!) love is даму буду?
evolution is дббдбддб?(the last symbol is arbitrary,
because in russian it's эволюция, дббдбдд?(now evolutio
doesn't let me place я to e's, for it's reversed e on
stave. Rreverse, thus ᚢ? ᚱreversed, thus ᛋ)
I think I went at some wild territory. She.
shemale makes female lingual, male. she is he? Herr, her
GE, her
EN, хер
her
~ husband (house-bend,
house-bond)
more l'eau
[mo lö]
(молю(?))
but then of course normal people
may say how is it one word is english and the other is
french, but who knows, maybe some flemmish or what not
can have lexics containing both those words? Either
way, it's poetry and nothing else.
ready-made ~ 'ready made ~ already made
measure twice, cut once: in russian there's a mind fuck,
the saying goes 7 раз отмерь, 1 отрежь.
boat
~board
~port
LE
OV these four are so
obvious, others I should pull to them: c to l (see
Г/L
dychotomy) and b to v, for В is russin V, for graphically
it has the bubble at the right side. for l and e start
with bubble, and are followed with a stick, while o and v
and b for that matter start with stick, which then ends in
bubble.
abcdefghijk
lmn
opqrs
tuvwx
yz
a~d were added for they start with bubble, and are
opposites of b and u.
as B/D, F/Г, M/Λ, П/Т, 𐌚/S, so U/I (is u~a? bus[bas]) a
may look like ee (more e than e) but actually e looks like
i without dot in cursive, and cursive is archaic.
A/Е? A as double E? æ?
A B C D
E F G H
I J K L M N
O P Q R S T
U V W X Y Z
should be made standard of tabling the alphabet.
A B C D
E F
G
H
I J
K L M
N
O P
Q
R
S T
U
V W
X
Y Z
A B
C D
E F G
H
I J
K
L M N
O P
Q
R
S T
U
V W
X Y
Z
is another standard. all three or more should be present
on the board.
I LoVe MaMa
But I love mama and papa sounds like I love mama, end
papa, which pretty much what in my case came to be.
Looking at it like this became obvious, that some name of
god for example was in the I-line.
I M K L N or I M K N L? L N, there would be no need to
overcomplicate it, besides L~Г, so that position is fit.
K~L? Both are C in a way. Isn't
n~
Ŋ~
D~G I wanted to say. C~D?
as the opposite of B (is B and З connected? isn't it why
we say в where it is written г in его. he used to be evo,
the male gender of eve, thus the ultimate god, the eye.
в кенинге
говно is мухин мёд
(слишком graphic, and thus negleted obsolete (are ed and ete not cognatic morphemes? ed and te))
глупый glue-пей (пьющий клей)
умный умён Ом~он (М before N, and maybe that's how we kept
this order, though other forms of N: K J L were before M,
and here compare J and L to cursive נ (having no upper
dash and the lower dash larger, as if it was L (naturally,
reversed, because they write the other way around)) and
the actual נ to כ, as if the two are invariants of the
same letter)
УмНый? имеющий Ум. Ум-own (была лексика разведена меж
языками дабы сокрыть смысл слов? это не является
невообразимым, т.е. подобные реформы могли иметь место
быть, тёмные века не сами по себе такие, там злая воля
целенаправленная работу согласованную проводило на
протяжении тысячелетия быть может даже
(никто на самом деле не знает сколько
мы здесь, это полнейший BLAME!))
позволить в каждом пространстве (будь то помещение или
природа) видеонаблюдение, архивируемое, чтоб можно было
воссоздать 3д-изображение любого события, таким образом
позволив нам же в будущем заглянуть в каждый уголок (не
закрытый желанием владельцев собственности) в каждую
минуту записываемого времени. Фотография это начало, видео
продолжило, архив мира - по направлению к машине времени,
которая не запрещена необратимостью физических явлений, и
следующим этапом будет запись состояния сознания во все
эти моменты у всех, тогда можно будет и в персонажей
вселяться, чтоб их мысли прочитать. И подобно тому как
живопись предвосхитила фотографию, художественные
произведения предвосхищают ту самую технологию, и в
видео-формате, снятый ии по промтам и документальным
кадрам, с воссозданием мыслей окружающих по воспоминаниям,
чувства тревожным или весёлым фоном поверх всех остальных
звуков из того человека (и помимо разного настроения, у
каждого своя пара ушей, у каждого своя музыка)
Musical notes, letters and digits seem to be the same
symbols: A is letter and musical note, a is letter and
number, 1.
So are B and b, 2, so are C and c, 3, so are D and d, 4,
so are E and e, 5, so are F and f, 6,
so are G and g, 7 (yet there's H, h 8 (check how silmilar
H~Х and 8! compare it to gothic B and R, compare it to
roman M numeral) yet if ABCDEF ~ IVXLCD.. are they? the
first five can be pulled, but D obviously looks the other
way from F.. digamma? well, what a pull is that?
And in such context, alphabet of 21 letters would be nice,
and it's italian, no less:
but let's cut it right:
or was cut not in threes, but in
sevens:
and such structure doesn't tell much.
Maybe because it only hides the way it actually was?
A
B C D
E F G H
I L
M N
O
P Q
R S T
U
V Z
it's rather impressive as it is, I should memorize it,
it's weird I still didn't.
This demands rectangular more than any of them.
and naturally I would make S = Z to get 20 instead of 21
(21 could be of some perfectionists, claiming to be 110%
or something, so that could be memed to mean lucky, if 20
was the 100)
A
B C D
E F G H
I
L
M N
O
P Q
R
U
V S T
Italian doesn't have the Y-bs, it goes almost directly in
the structure, having only two reforms, so it seems: the
M-reform and the S T reform. Or is hebrew correct? Was T
the final letter? then they would have it 4×4, which is
supercool, and maybe how I have to try rearranging the
younger futhark.
ᚠᚢᚦᚬᚱᚴ᛬ᚼᚾᛁᛅᛋ᛬ᛏᛒᛘᛚᛦ
ᚠᚢᚦᚭᚱᚴ ᛬ᚽ
ᚿᛁᛆ ᛌ
᛬
ᛐᛓ
ᛙ
ᛚ ᛧ
and here it comes to me᛬
ᚠᚢᚦᚭᚱᚲ ᛬ᚽ
ᚿᛁᛆ ᛌ
᛬
ᛐᛓ
ᛙ
ᛚ ᛧ
symmetry of the centre, of the ᚿᛁᛆ, and similar ᛐ
ᛓ
ᛙ
ᛚ in the other aet, makes me look for
such symmetry in the first aet, but to no avail, unless ᚢ
and ᚴ reflect each other that way (the other pairs were
inside, outside, and this one is up and down. Were the six
the initial group? Were there six notes? did composers
conquer new notes (knew, key-new (or didn't know, if k is
not, as one cardboard suggests)
notes-nots-knots,forget-me-knots)
And then I look at ᚽ and ᛙ, but there is no reverse ᛙ for
the third aet.
what do you call ᛍ? ᛌ, not ᛁ
ᚠᚢᚦ
ᚭᚱᚲ ᛬ᚽ
ᚿ
ᛁᛆ ᛌ
᛬ ᛐ
ᛓ ᛙ ᛚ ᛧ and standard interpretation
doesn't shine through such sequence
so I colour them my own interpretation,
to get ᚫᚢᚦᚭᚱᚲ ᛬ᚽ ᚿᛁᛆ
ᛌ ᛬ ᛐᛓ ᛙ ᛚ ᛧ
crazy at first, such pull of ᚠ into ᚫ, and ᚱ into a
variant of ᚢ, as if some wr-sound, and some read r as w,
then ł is w.
So, that double pull allows me to see I-line in the ᚿᛁᛆ
ᛌ ᛬ ᛐᛓ ᛙ ᛚ ᛧ, the sequence I do not know by heart,
unlike the rest of it.
nias ᛬ lbmty
is it a command to love someone?
father
khnias
lvmty
(father love me? Father Khnias?
lb m ty (люби мя ты)
ᚠᚢᚦᚭᚱ? not ᚫᚢᚦᚭᚱ?
ᚫᚢᚦᚭᚱ would be closer to word узы, от которых слова
суженый.
суженный.
(на уздечке, свобода движений его съужена, husband ~
house-bond)
ᚫᚢᚦᚭᚱ
avzef?
abdev?
abdefkh?
ᚱᚴᚼ ~ FGH?
ᚱ~П?
PQR?
r ~ h?
(in cursive) r ~ ч!
I thought that structure may allow me know alphabets
better, so can I learn alphabets of all european
countries? Of all countries who ever used them? No, only
those who use them now, only that account cannot be
messed-up by the scribe.
Let's build not in 360, but in 365¼ for 10²+11²+12² =
13²+14² = 365, а 8²+9²+10²+11² = 366
it could be important to acquire, 360 could be a
simplification and as a result loss of magic.
Probably nobody knew those two things
were connected, so they didn't reverse?
or, more likely is statement that I'm doing some
para-sci-fi-fantasy
if
A
B C D
E F G H
I L
M N
O
P Q
R S T
U
V Z
was
A
B C D
E F G H
I
L
M N
O
P Q
R
U
V S T,
it would also end with T, but would be better than hebrew
in that it has five lines and only 20 letters.
if Z is צ, what are the others?
A
B C D ~
א ב
כ ד
E F G H ~
ה ו
ג ח
I
L
M N ~
י ל
מ
נ
O
P Q
R ~
ע פ
ק ר
U
V S T ~ ט ס ש
ת (everything they have left, and a) for the first time
have I noticed the graphic symilarity of ט and ס, b) ט
does look like v, ס looks like o, which, as u and v are ו
the F which is פ)
and ס stands right after n, so who knows maybe עס ~ Ѹ, and
ס was transliterated from o to σ the way M is Ϻ.
ᚼ the ᛡ could be h~r~ʒ~ʃ as if the readings echo хорошо,
as if it is Horus+Jah
Horus, in ancient Egyptian religion, a god
in the form of a falcon whose right
eye was the sun or morning star,
representing power and quintessence, and whose left eye
was the moon or evening star, representing healing.
search for Horus Cronos returned
Chronos, Hours, and Kairos
Crucified Horus
search for Horus Kronos returned
Kronos "Hammer of Horus" [serdjek art] :
r/Warhammer40k
Naturally the similarity of the names intrigued poets
before me, so what is reliable? Only structures built on
similarities, while some of them are inevitably
accidental, but further analysis, synthesis, whatever
these words stand for, thinking on and on and on is the
way onwards, and scientific inquiry bring fruit.
KHRONOS (Chronos) was the primordial god
of time. In the Orphic cosmogony he emerged self-formed
at the dawn of creation. Khronos was envisaged as an
incorporeal god, serpentine in form, with three
heads--that of a man, a bull, and a lion. He and his
consort, the serpentine goddess Ananke (Inevitability),
enveloped the primordial world-egg in their coils and
split it apart to form the ordered universe of earth,
sea and sky. After this act of creation the couple
circled the cosmos driving the rotation of heaven and
the eternal passage of time.
These data are like those coincidences can be accidental,
a
fluke flume of someone's
imagination.
The figure of Khronos was essentially a
cosmological double of the Titan Kronos (Cronus)
("Father Time"). The Orphics sometimes merged Khronos
with the creator-god Phanes, and also equated him with
the Titan Ophion. His equivalent in the Phoenician
cosmogony was probably Olam (Eternal Time) whose name is
written Oulomos in Greek transcripts.
Khronos was depicted in Greco-Roman mosaic as Aion
(Aeon), eternity personified. He holds a wheel inscribed
with the signs of the zodiac and Gaia (Mother Earth)
usually reclines at his feet. The poet Nonnus describes
Aion as an old man with long, white hair and a beard but
mosaic-art presents a youthful figure.
LM order could be dictated by Olam.
And it is not some flume, it's more of a fluke,
they
(
mirror)
give sources I never heard of:
Nonnus, Dionysiaca
The Dionysiaca /ˌdaɪ.ə.nɪˈzaɪ.ə.kə/
(Greek: Διονυσιακά, Dionysiaká) is an ancient Greek
epic poem and the principal work of Nonnus. It is an
epic in 48 books, the longest surviving poem from
Greco-Roman antiquity at 20,426 lines, composed in
Homeric dialect and dactylic hexameters, the main
subject of which is the life of Dionysus, his
expedition to India, and his triumphant return to the
west.
Aeschylus, Agamemnon
Aeschylus, Libation Bearers
The Oresteia (Ancient Greek: Ὀρέστεια) is a trilogy of
Greek tragedies written by Aeschylus in the 5th
century BCE, concerning the murder of Agamemnon by
Clytemnestra, the murder of Clytemnestra by Orestes,
the trial of Orestes, the end of the curse on the
House of Atreus and the pacification of the Furies
(also called Erinyes or Eumenides).
The Oresteia trilogy consists of three plays:
Agamemnon, The Libation Bearers, and The Eumenides. It
shows how the Greek gods interacted with the
characters and influenced their decisions pertaining
to events and disputes.[1] The only extant example of
an ancient Greek theatre trilogy, the Oresteia, won
first prize at the Dionysia festival in 458 BCE.
Aeschylus, Prometheus Bound
Prometheus Bound (Ancient Greek:
Προμηθεὺς Δεσμώτης, romanized: Promētheús Desmṓtēs) is
an ancient Greek tragedy traditionally attributed to
Aeschylus and thought to have been composed sometime
between 479 BC and the terminus ante quem of 424
BC.[1][2] The tragedy is based on the myth of
Prometheus, a Titan who defies Zeus, and protects and
gives fire to mankind, for which he is subjected to
the wrath of Zeus and punished.
and that thing is
accessible in full, unlike the following one:
Prometheus Unbound (Ancient
Greek: Προμηθεὺς Λυόμενος, Promētheus Lyomenos) is a
fragmentary play in the Prometheia trilogy
attributed to the 5th-century BC Greek tragedian
Aeschylus, thought to have followed Prometheus
Bound. Prometheus Unbound was probably followed by
Prometheus the Fire-Bringer. It is concerned with
the torments of the Greek mythological figure
Prometheus who defies the gods and proceeds to give
fire to humanity (theft of fire), for which he is
subjected to eternal punishment and suffering at the
hands of Zeus.
The text of the Unbound survives only in eleven
fragments preserved by later authors.[1]
Nevertheless, these fragments, combined with
prophetic statements made in the first play of the
trilogy, allow the reconstruction of a broad
outline.
A lengthy fragment translated into Latin by the
Roman statesman Cicero indicates that the play would
have opened with Prometheus visited by a chorus of
Titans. Though Zeus had imprisoned them in Tartarus
at the conclusion of the Titanomachy, he has at long
last granted them clemency. This perhaps foreshadows
Zeus's eventual reconciliation with Prometheus in
the trilogy's third installment. Prometheus
complains about his torment just as he had to the
chorus of Oceanids in Prometheus Bound. As the
dramatis personae of Prometheus Bound erroneously
lists Gaea, it has been suggested that she is next
to visit Prometheus in this play, in a sympathetic
role that echoes Oceanus' turn in the first play.
Finally, the faulty dramatis personae mentioned
above and several fragments indicate that Heracles
visits the Titan just as Io had in Prometheus Bound. Heracles
kills the eagle that had been torturing Prometheus
by eating his regenerating liver every day and frees
the Titan.[2] Again mirroring events in the previous
play, Prometheus forecasts the travels of Hercules
as he concludes his Twelve Labours. The play thus
concludes with Prometheus free from the torments of
Zeus, but the Titan and Olympian have yet to
reconcile.
It inspired the play of the same title by Percy
Bysshe Shelley.
Apollonius Rhodius, Argonautica
and this name tells me that it is where I should start
my excavation of the extant classical works.
The Argonautica (Greek: Ἀργοναυτικά,
romanized: Argonautika) is a Greek epic poem written
by Apollonius Rhodius in the 3rd century BC. The only
entirely surviving Hellenistic epic
the sources that page used are truly magnificient:
they're all the only extant something.
the longest poem, the only theatrical trilogy, the epic?
but isn't that longest poem also an epic? or is it not
surviving in whole? Either way, all three interest me to
actually learn greek, or at least to read it with some
help from ai.
And there are many more classical
texts in the references of that webpage,
a publication much more respectably made than any
academic publication is.
It's hard for me not to suspect Io to
be some mighty deity, considering the shape of it's
name, it's as if the epitome of all vowels.
heritage ~ heresy?
Hi!
Do you know Argonautica? Can you quote the places
where it describes fleece?
Sure, I'd be happy to help! Here are some passages
from Argonautica that describe the Golden Fleece:
"There is a fleece of gold, shining and bright, / That
hangs upon an oak, guarded by a sleepless dragon."
(Book II)
"And so they reached the
grove of Ares, where the Fleece hung high, / Shining
and golden, on the branches of a mighty oak." (Book
II)
"And so they came to Colchis, where the Fleece
was kept, / A wondrous thing, with a power to heal all
manner of ills." (Book III)
"The Fleece itself was
wondrous to behold, / Its golden fleece gleaming
like the sun, its power beyond all measure." (Book
III)
"And the Fleece itself, a thing of great beauty
and worth, / Was richly adorned with threads of gold,
gleaming and bright." (Book IV)
"And Jason took the Fleece, with the help of Medea's
charms, / And fled the land of Colchis, with the king
and his men in pursuit." (Book IV)
Двоеперстие говорит "инь и ян" (ты и я)
троеперстие знает и их, про него не забывает
isn't there somebody you forgot to ask situation, go-ts
and such.
government is go-to? goto? иди на? идина? идина раисия
В современной грамматике три времени и три рода и три
числа (сегодня обычно используется два, и это может быть
паттерном для остальных категорий (видимо, сначала их было
две, а третья потребовала и в остальном троичности,
гипотеза, но перед трёми идёт два, а сначала их вообще
нет, потому что всё едино, и видимо первое представление о
грамматике было двоичным, а потому форма букв принесла
противопоставление инь-ян, но разве V Г L не
V L Г is rotating them clock-wise, and ВоЛГа is
essentially ВЛаГа, WaTeR.
it it interesting because речь is related to река
o влага оврага!
у берега. в берегах.
is г in овраг tells ов+р(наоборот)? г как согни, не
вертикально, а горизонтально (тоже двоичность)
and indeed it is enough to invert the order of letters by
turning it 90° (be it counter-clockwise, when it's written
horizontally, or clockwise if they're write/read
right-to-left (left~read? somebody left we read?)
we read what is left, what was leaved ливает
пи́сать-писа́ть?) the same way vertical lines invert
direction being rotated left or right.
L R were D and V? П~ᚱ~R~Р~P~П? musical notation went
in a ring, because what? Because numerals are. Are letters
ringed too? does some 0 comes after 9?
0 is a, if it is ⴰ
ⵏ then n is surprisingly good one, but two? it is two, as
japanese ni, but then that is not an easy pull.
ⵜ is t in tifinagh, which is both for two and three. ⵜ as
T! I told you they're related, by the order of theirs I
saw it.
ⵜ- • (t-) f
she (third person feminine singular
verb subject affix)
ⵓⵔ ⵜⵙⵙⵏ
ur tssn
She doesn't know
feminine prefix
second person prefix
From Proto-Berber *t-, from Proto-Afroasiatic *-t.
Doublet of -ⵜ (-t).
IPA(key): /t-/
IPA(key): [θ-] (Ayt Ndhir)
ⵜ- -ⴷ • (t- -d) m or f
thou (second person singular verb
subject affix)
ⵓⵔ ⵜⵙⵙⵏⴷ
ur tssnd
You don't know
ⵜ- -ⵎ • (t- -m) m
ye (second person masculine plural
verb subject affix)
ⵓⵔ ⵜⵙⵙⵏⵎ
ur tssnm
You don't know
ⵜ- -ⵜ • (t- -t)
feminine circumfix
diminutive circumfix
ⵜⴰⵡⵡⵓⵔⵜ (tawwurt)
ⵜⴰⴳⴳⵓⵔⵜ • (taggurt) f door
tawwurt напоминает английское door и русское дверь
настолько, что нет смысла разделять эти языки по разным
ветвям. Многие берберы белые (видимо, как у индусов по
кастам отличаются)
and because they have that t- grammatically explained, if
the words are related, northerners borrowed this
technology from africa, so in this sense coming out of
africa is a good tradition.
ⵜⴰⴳⴷⴰⵣⴰⵍⵜ •
(tagdazalt) f equivalence
as if its так сказал, но без циркумфикса агдазал, словно
отгадал, что в equivalence может быть заложено for similar
is familiar, or something of the kind. Yet, I'm not sure
it's more than mnemonics.
ⵜⴰⴷⴷⴰⵔⵜ • (taddart)
f house
Synonym: ⵜⵉⴳⵎⵎⵉ (tigmmi)
ⵜⴰⵃⴱⵓⴱⵜ • (taḥbubt)
f unit of any fruit, grain, pimple,
etc berry
ⵜ & ⴱ are so obviously the T
and B, that I must compare these writing systems to see
the most common, thus most ancient letters.
ⵜⴰⵎⴰⵣⵉⵖⵜ • (tamaziɣt)
f (construct state ⵜⵎⴰⵣⵉⵖⵜ) Tamazight
language
ⵜⴰⵎⴰⵣⵉⵖⵜ • (tamaziɣt) f
(construct state ⵜⵎⴰⵣⵉⵖⵜ, plural ⵜⵉⵎⴰⵣⵉⵖⵉⵏ, plural
construct state ⵜⵉⵎⴰⵣⵉⵖⵉⵏ, masculine
ⴰⵎⴰⵣⵉⵖ) free woman
female Amazigh, Berber
ⵜⴰⵎⵓⵔⵜ • (tamurt) f (construct
state ⵜⵎⵓⵔⵜ, plural ⵜⵉⵎⵓⵔⴰ, plural construct state
ⵜⵎⵓⵔⴰ)
country, region,
countryside, the ground
ⵜⴰⵔⴱⴰⵜⵜ • (tarbatt)
f girl (child) See
also: ⵍⵄⵉⵍ (lɛil)
ⴰⵔⴱⴰ (arba) ⵉⵛⵉⵔⵔⵉ (icirri)
ⵜⵉⴳⴷⵉⵜ • (tigdit) f (masculine
ⵉⴳⴷⵉ) bitch (female dog)
ⵜⵉⵏⴰⵡⵜ • (tinawt)
f conference
ⵜⵉⵏⴳⴻⵍⵉⵣⵜ • (tingelizt)
f English language
Englishwoman
why do
they call language woman? because not английский,
английская, бо мова)))
ⵜⴰⴳⴷⵓⴷⴰ • (tagduda)
f republic
ⵜ- -ⵏⵜ • (t- -nt)
f ye (second person feminine plural
verb subject affix)
ⵓⵔ ⵜⵙⵙⵏⵏⵜ
ur tssnnt
You don't know
ⵜ- -ⴷ • (t- -d) m or
f thou (second person singular verb
subject affix)
ⵓⵔ ⵜⵙⵙⵏⴷ
ur tssnd
You don't know
ⵜ- -ⵎ • (t- -m)
m ye (second person masculine plural
verb subject affix)
ⵓⵔ ⵜⵙⵙⵏⵎ
ur tssnm
You don't know
ⴽⵏⵉⵏⵜⵉ • (kninti)
f ye (second person feminine plural
independent pronoun)
ⴽⵓⵏⵏⵉ • (kunni) m ye (second person
masculine plural independent pronoun)
ⵏⵉⵀⵏⵜⵉ • (nihnti)
f they (third person feminine plural
independent pronoun)
ⵏⵉⵀⵏⵉ • (nihni)
m they (third person masculine plural
independent pronoun)
this one is
interesting in that the letters could be easily mistaken
for greek,
but they read completely different
-ⵏⵜ • (-nt)
f ye (second person feminine plural
verb subject affix)
ⵓⵔ ⵙⵙⵏⵏⵜ
ur ssnnt
They don't know
ⵏⵜⵜⴰⵜ • (nttat)
f she (third person feminine singular
independent pronoun)
what
rationale can I bring to this one? та!
ⵏⵓⴽⴽⵏⵉ • (nukkni) m or
f we (first person plural inclusive
independent pronoun)
what
rationale can I bring to this one? нас, мы?
ⵜⴰⴳⵔⵙⵜ • (tagrst)
f cold season (equivalent to winter)
ⴰⴳⴰⵎⴰⵏ • (agaman) (masculine
plural ⵉⴳⴰⵎⴰⵏⵏ) natural
Maybe my recognition of these languages related was
a little hasty though.
ⴰ a, but looks like o
ⵓ u, but looks like aa, which is o, and I think it stands
at the o's position, and indeed:
ⴰⴱⴲⴳⴴⴵⴶⴷⴸⴹⴺ
ⴻⴼⴽⴾⴿⵀⵁⵂⵃⵄⵅⵆⵇⵈ
ⵉⵊⵋⵌⵍ
ⵎⵏⵐⵑ
ⵒ
ⵓⵔⵕⵖⵗⵘⵙⵚⵛⵜⵝⵞⵟ
ⵠⵡⵢⵣⵤⵥ
ⵦⵧ⵰⵿ⵯ
tifingah
it definitely shows vowels at the all right places,
but then it has labials all over the
place half of the time.
Russian word хорошо maybe exposes Horus, or Гор-Ра-Джа?
if
A
B C D
E F G H
I L
M N
O
P Q
R S T
U
V Z
was
A
B C D
E F G H
I
L
M N
O
P Q
R
U
V S T, then
it wouldn't lay into the axial symmetry, into which modern
italian lays into as if it was a rhombus on a platform
keeping it upstraight:
A
B C
D E F
G H I
L M
N O
P
Q R
S T U
V Z
and isn't it why not 20, but 19 are the golden number?
A
B C
D E F
G H I L
M
N O P
Q R U V S
would make a deeper dip, with a promise of it being
symmetrical as
A
B C
D E F
G H I L
M
N O P
R S
V
for example, and it is not far from actual italian, with
an archaic shortness.
but what is 17,
Are there alphabets, consisting of only
17 letters?
While there are many different alphabets and writing
systems used around the world, I'm not aware of any
that consist of exactly 17 letters. However, there are
some alphabets that have fewer than 26 letters, such
as the Cyrillic alphabet used in Russian and some
other Slavic languages, which has 33 letters, or the
Hebrew alphabet, which has 22 letters. It's also worth
noting that some languages, such as Chinese and
Japanese, use logographic writing systems that are
based on characters rather than letters. These writing
systems can have thousands of different characters,
and they operate in a very different way than
alphabetic writing systems.
17 are two 8's and a divider, which I is perfect
A
B C D
E F G H
I
L
M N
O P R S
V
(ars ~ artis, so probably S/T, any of the two would work,
or rather I'm too early in it to say)
such augmented square lays into the axial symmetry. and to
my surprise 4×4 would do too, but it would be circumcised
in a way, as if a piece chipped by a tricky kike to make
it stand, and he would rationalize the stealth, the
breaking of the artefact could happen by such imaginary
cause.
ᚠ
ᚢ ᚦ
ᚬ ᚱ ᚴ
᛬ᚼ ᚾ ᛁ ᛅ ᛋ᛬
ᛏ ᛒ ᛘ
ᛚ ᛦ
and a 4×4 writing system I know of lays graciously well
into the axial rhombus of such kind,
with the second aet taking exactly the central diagonal,
with ᛁ also in the centre,
which enforces, endorses the idea of ᚠ ᚢ ᚦ ᚬ ᚱ ᚴ being ᚫ
ᚢ ᚦ ᚬ ᚱ ᚴ
(and if it is father or other, ᚴ is probably a suffix,
as if батька instead of батя)
that is interesting, that we have 16 letters of younger
futhark, 15 letters of Carmenta, 18 letters of Bornholm's
alphabetic runestone, but not 17 letters, pi.ai doesn't
know such writing system neither in present nor in the
past.
I wonder what silent letters do they mention, because the
link leads where they also have 18:
but then it's just gaelic,
but further surch returned this set titled directly
Scottish Gaelic,
so the mistery remains,
and I wonder if the next image holds the key,
for here they have as many dotted letters as there are in
each exact half of the main set.
Which makes me wonder if those two halves are the aicme or
aettir, for L and A meet as Λ~Ʌ,
for B & M are the closest and
staveless B would be m rotated clockwise,
c and n are also one the rotated form of the other, only
now they rotate in the other direction,
though they rotate into one another without removals of
some hypothetical stave.
O & D looks pretty similar,
and to some extent e and p do too.
F and R have some graphic symilarity,
and even more so do G and S,
their particular shaper of H can be rotated and mirrored
into their particular shape of T,
I and U reflecting each other close this comparison (i
is и in russian, ו is u in hebrew)
To compare similar lines to non-similar lines, try to pull
the third (the dotted) line to any of the two.
подстригся (себя)
подстригли (les (ли~они?))
I Ik Me оН?
Je Ik Me?
Je Me Ik?
Ñ~Й? (thinking of not Ŋ, but Ñ being the velar sonor:
it is not that different
phonetically-articulatorilly from Й)
Э Ю Я how old is this sequence? isn't it a,
you, я? e u a they'are i u a then. I U a would be first,
second and third grammatic person. BF CG DH IJ
KL(суффиксы?) МN(moon? man? money? many?) OP(up?)
QR(queer?) ST(set? Seth? Seth? as the signature of the
creator of the writing sistem? are IU Io? it is.
I and O are the two vowels, and a became later, first they
knew me and you. I and U.
o and you? o and you are both ו, and obviously there's
inconsistency about what is ring and what is stick.
ЭЮЯ is the rudiment of vowels. IUA they're IV is how
IVXLCD begin (most people know only IVX)
IVX are I(I) U(you) X(something)
X as E? X as А: Ⰰ, ᛅ, ᛂ,
E~Ⰰ. Their common and complete form is Æ. and what could
it be? some scientific instrument of the path maybe. I
think of
секcтант sextant.
сексот сектант секстант
sect~sex_там?there!тут! s~t, so sect is secs, literally
sex.
So this shape only proves that A was new. Some structure,
not just hole under it.
is eye of that E? aй! I! A~E~I? Æ when in working
position, I when it's folded?
Æ~I
Æ is like a swiss knife. They both are like swiss knife.
How old is such shape of a knife? How old can be knives of
such kind? Probably half as old as knives (they could
appear almost anywhere during their history: nothing more
than wish to disguise a knife is needed to bother)
The earliest known
pocketknives date to at least the early Iron Age.
A pocketknife with a bone handle was found at the
Hallstatt Culture type site in Austria, dating to
around 600–500 BCE.
Which is pretty much the period where would
expect A to be added.
And I'm thinking of early latin, early greek alphabets,
which would be only few centuries old, and that knife is
probably not the oldest pocket knife they knew.
I is likely to be knife, doesn't i look more like ז than
ו?
зв as in звон? зван? зови is all it
takes.
Of what syllables does
i is in knife, but not in нож. but isn't it малоросское
ниж ніж?
is reading | as o instead of i khazars'
influence?
малоросским украинский раньше
называли.
малороссия это маленькая россия? хохлы отделились и
стали другою русью.
Независимость Княжеств не позволит собирать большие
проекты в одного.
лишь до тех пор, пока прогресс не удешевит те сложные
продукты
при помощи новых технологий.
ніж knife
ж and f only meet in gh (isn't it Θ)
k is what not or cut? isn't k~n as Г~L? c~n (rotated the
same way.. no, differently. unless n is u, ν (which is
only showing that Ν~Λ. isn't Μ~Ν? then Μ~Λ? ł, but come
on!))
are M N L not Me Ni Les? (the li from earlier session, in
постригли (but postrigli is not exclusively they (thow
when used separately, that is exactly what it means. We
did would be podstriglis (postrigless? less like без
(without (isn't it the fundamental difference between лей
и less? they are from different languages, eaven though
лить is cognate of leak, but what is the cognate of less?
без! L~Б? because
B~C and
L~Г (c~г, naturally, yet it's
hard for me to say that с[s] is г[g] ж is in between, but
it doesn't prove anything)))))))
Me Ni Les are english, japanese, french. The way I combine
those languages as some poles of the same language is bold
and isn't approved by academia for a good reason. But then
I recognize what they don't, let's play this game my way
to see if it proves to be a fruitful path, whether in this
particular case it delivers or not.
L ~ l ~ I (ł (we))
M ~ Me
N ~ Нас
k is of ik
אֲנִיHE[ani]
остойчивость - морской теримн означающий устойчивость
судна
означает ли это что о и у один и тот же предлог? у меня ~
о(около) меня, а приставка?
Ulcinj (today Uncinj)
Writing on my white board for who knows what time. DON'T
CUT (about my hair)
I write it so large, that 'T doesn't come up, and I almost
immediately see that Kadyrov's DON is
not
(he tells что есть шутка с нет)
Ш утка ~ Ш алость? is it what Ш is? Tooth. Штука. Што-та.
Што?
W is in english Што, What, but is Шутка in those W's?
Wonders are the closest I could find. So W is not Ш
J is Ш? Joke, but not WHat. Jak in ukrainian though, and
so on, to look what is joke in ukrainian, then to go from
there comparing it to words in other languages, jumping
from letter to letter to show if there's some structure or
not.
Ж is Ш, yeah, sorta. even though Ж looks like double Ш and
thus would make a great labial, but the double Ш labial
is.. Ф!
Отправил очередное письмо к Будейко:
То
чем я занимаюсь лингвистика вообще?
Может
имеет смысл культурологам каким-нибудь показать?
Или
это вообще поэтическое переосмысление?
На
счёт этого ты был совершенно прав, я "взял" (впервые
увидел)
𐌚
в этрусском, не сразу сообразил, что он тоже
старо-италийский, и забыл что в марселиане её
впревые увидел
A B D
E F
Г I? F
читается как V, как в иврите,
I M Λ Г
она же G читается как Ж, которая тоже стоит
где-то в этой позиции
О П Т или
как З, судя по тому, что она противопоставлена
S.. или S читается как Ш?
U 𐌚 S
И
не знаю проявление ли это предсказательной силы этой
теории, но зацени: Ш Ф
(есть
пары, которые в шаблон двойные губные / одинарные
гласные не попадают: W V, Ш Ц, К v, но при этом aa в
датском, в рунах, в огаме означающая о при удвоении
тоже огубляется)
W
V и Ш Ц могут показывать удвоением долготу, а К v и
вовсе могут быть совпадением.
(но
утверждать подобное гораздо меньше оснований, чем
то, что буквы для губных согласных имеют тенденцию
иметь форму удвоенных язычных согласных из той же
строки)
O
P
S
T
Old: Пожилой Старый Труп
Jack of all Arts,
Master of One. None is even closer that O, but ..this is
inyrtrd interesting
(ah, I recalled why I was inserting typoes into my book:
they invite the
other taboers tapoers)
One None Para Quinta R(100?) Sто Тhousand.
ʃ: H ~ S in Hundred ~ Southand.. Сто I was to say.
Thousand is The sand? so many sand in one hand? "The
southern" I was to say, but "the sand" is the thought
which came to me before I had chance to write down the
previous thought)
Some brackets are broken, figure them out by the simplest
form of them when typoed ( or ) appear.
brakets brake the text to add something.
text ~ takes сюда
text ~ takes то
text ~ takes to
takes two to text, not only tango
Is tango take?
Is tango text?
Tango is touch!
Is touch teach tease тыч
ок
ок is okay, not too much, не сильно, не больно, маленько
(уменьшительно-ласкательный суффикс 子JA)
Finally I found the way to distinguish the hieroglyphs:
in which reading it is that reading I mark like this
And I found a new way to form sentences: a sentence per
line.
And I found a new way to form
sentences:
a sentence per line.
maybe even like that,
to split the text in clauses.
This way I don't mess with the neighbour (as the guy above
di
ed)
Will I adopt such way?
Time shows
It takes more vertical space though
(and I don't need the dots anymore, for return button is
a dot enough)
button~letter? flowers! бутоны это собственно цветки и
есть. Букеты.
And should I go long where no neighbours from the other
side of the screen comes?
Yes, this hybrid way of splitting may be used to make
long lines less dense, as if they're less important.
And here I may use just one extra space between chapters,
for they come from different sides of the screen now.
(but I tried and it looks ugly, this way is the canon)
canon = gun
ano = u? no, Can = G? Yin? Kin? Tin?
If that J in
g is not j but נ[n]
if we rotate hebrew line into a column, it will come in
the n-like orientation.
and it actually reflects פ into п
но כ is just C, which may tell that such pairs (and is ז
the ʒ in that newer category, category of the new column,
the one between fire and water, the steel. Whihc uesd to
be air, the gap, which naturally has to be in fire and
water, or both fall.
ב reflects into п. Too many coincidences, thus I declare
that:
whether hebrew text always was right to
left,
and it gave birth to n and п
or the initial text was from top to bottom
and chinese read it in their own particular way which
gave them their right to left order.
As eastern canon is more consistent by its order in the
account of our mouth - does it tell that it's the
original way they did, or did somebody reform it into
this consistency?
See, I cannot even be sure there, I can only divide that
this or that
(and who knows if I missed the third opportunity))
ты так старашесь словно кто это будет читать.
So then let's assume that hebrews took the נ and פ from
chinks,
Let's see if chinks knows n- and п-like n and п.
at first it was like falling flat:
ל-like en, cursive-נ-like eng, u-like yu, л-like el,
but then i is rotated too.. but I thought I was
looking for n and п.. and are they not:
I didn't even notice, that the JP
is cut short there
mo and fo? (more
and for?)
fo as п may path pass
though, for פ is
both
is four indeed more? more than three.
You may take three pieces by your hands and your breath breast
(if you hold the third piece by the two pieces you hold
in your hands)
But some people want more.
Everybody does, some people may take it.
but that chinese phonetic system shows fo as reversed פ,
and once again see how פ would remind Ф if we rotated it
90°
Another somewhat Л-like le.
The systems definitely shared glyphs. Chinese probably
understood them still.
Are they originally chinese? The letters of ours? What
simplified writing systems did chinks use to teach their
colonies to communicate with them?
Naturally they couldn't teach adults китайской грамоте
(expression used in russian to say that text is
incomprehensible)
so naturally they would give them some basic vocabulary.
And here I may address chinese philologists about their
knowledge of such..
I should ask them of the suppressed of their schools:
like do they have freaks who quote some ancient texts
which would say that european letters could all come
from chinese characters.
ㄇ the me (П ~ M in a loose hand) they have the unicode for
htat that beauty.
This chart is originally from the Ministry
of Foreign Affairs. I've made it easier to read,
corrected the original spelling of "Wade-Gilos" to
Wade-Giles, and done things to considerably reduce the
file size, which was originally 500 KB. The Chinese text
notes that the Ministry of Education promulgated MPS2 on
Jan. 28, 1986, making it Taiwan's official romanization
system.
They lay it out like that (I wrote that
it has some roots into previous system before it became
its modern form, and the question remains:
Who influenced whom?
For if it's recent indeed, that naturally
ㄐ is Ч
ㄦ is R the Л
ㄩ is ü the U
ㄙ is S, come on!
At least use this parallelism as a mnemonic device.
and who knows, maybe ㄇ and M or П are related,
but I suspect ㄇ to be the common between the two, the 𓊪
for ㄒ as hs remind me of X being T in 𐤕
I think the best way to analize them is to transcribe
them with the comments:
basically the strokes needed for b (yeah, but the whole
south-west is gone) [b(p(p))] ㄅ
(and it's funny how rarely south-west is mentioned, is
it because elite likes that side?)
(naturally it's warmer side of the mountain, the city is
on the mountain)
(and it gives you more beautiful evenings and quieter
mornings too, no sun, can sleep)
(no similarity, unless it's some messed-up ф of f)
[p(pʰ(pʻ))] ㄆ
(((their words, not mine)ㄇ with syllabic stroke)
[m̩ m] ㆬ) [m] ㄇ
[f] ㄈ
[d(t(t))] ㄉ
t [t(tʰ(tʻ))] ㄊ
[n] ㄋ
[l] ㄌ
(double く? double ㄑ!) [g(k(k))] ㄍ
[k(kʰ(kʻ))] ㄎ
[h(x(h))] ㄏ
[j(tɕ(ch))] ㄐ
[q(tɕʰ(chʻ))] ㄑ
[x(ɕ(hs))] ㄒ
[zhi, zh- (ʈʂ(ch))] ㄓ
[chi, ch- (ʈʂʰ(chʻ))] ㄔ
[shi, sh- (ʂ(sh))] ㄕ
日[literally Ri (but sounds as [ji])] [ri, r-
(ɻ~ʐ(j))] ㄖ
T and s or T and russian с inverted? [zi, z-
(ts(ts))] ㄗ
ᛋ and ㄧ ligature [ci, c- (tsʰ(tsʻ)] ㄘ
s, сi [si, s- (s(s))] ㄙ
Y-like Ygdrassil, is it what A
could be? [a] ㄚ
similarity to the ㄜ makes me suspect its being of ё [o]
ㄛ
something e-like is definitely in it [e/(ê/o)] ㄜ
(isn't it the shape uniting ה?) H, e [ê/eh] ㄝ
[ai] ㄞ
[ei] ㄟ
[ao] ㄠ
[ou] ㄡ
(doesn't it look like upside-down ao?) [an] ㄢ
[en/ên] ㄣ
[ang] ㄤ
[end/êng] ㄥ
(but it is vowel!) ел [er/êrh] ㄦ
[i] ㄧ
[wu] ㄨ
[ü/yü] ㄩ
[v] ㄪ
[ŋ(ng)] ㄫ
[ɲ(gn)] ㄬ
[ih/ŭ] ㄭ
[ɤ (e)] ㄮ
[ n̩ ] ㄯ
these two are only described on wiktionary, not on
wikipedia,
and without them first and second halves of this
writing system are 20's
and there's more:
(what the chapaigne-drinkers say (is
it female language, like good penis for them is good
luck))
chin-chin is probably chinese STAR: 星星[Xīngxīng]
(in japanese star is just 星[hoshi])
(and 欲しい[hoshī] is хочу (as if star tells to make a
wish, which it does))
chin-chin in japanese is
penis
(did they see stars as where the rain
is coming form from? (была
роса божьей мочёй))
In the context of ㄖ[r] how cool would it be if ⵙ was r,
but it's only s. ⵔ is r.
ⵙ[s] is synonymous to ⵖⵔ[ɣr] and both stand for "with" and
"to" and russian "with" is с[s]
ⵙ[s] is synonymous to ⵖⵔ[ɣr] as if ⵖ is the central dot.
And here behold how much ⵖ~ɣ
Tifinagh is an interesting field, ⴰⵍ [al] is like
он=the(he, ال[al])
but ⴰⵍ [al] is "until, up to" and also a synonym to
ⵖⵔ(to)
Did Ekaterina rename Yaik to Ural to
make it Oral? Was Aral Sea renamed with the same pun
(сасать!)
yaiki are balls (like those balls (and also eggs
(something to lose? (as in case of a woman))))
Ɔ B З D
E F Г I
Ɔ B D E
E F Г I
Ι
ΚΛΜΝ
(but then isn't K double Λ?)
and isn't O has to be at the end of it?
I and O opposing each other
O П Т U? U opposing П?
Ɔ П Т U would go better, with one T among Ɔ П U (or would
they be Ɔ П С U )
Ɔ П С Џ ? now that's a good one, though a stretch,
but Џ even has the
т in it.
Ɔ П С ϒ ?
was ϒ confused with T?
ϒ the Y looks pretty much like ㄚ, which reminds me of Ⰰ
and ᚐ looking like t.
are Ⰰ and ᚐ literally the same glyph?
(swashed and not)
там (terra ate[ам (russian т is
т in cursive)])
тут (terra от (отдаёт, представляет, исторгает,
раскрывает))
(да, это всего
лишь гипотеза, но, согласись, любопытная)
(дальнейшее рассмотрение покажет в
точку она или мимо)
ты то та те ту (любопытно, что при переборе гласных лишь
та имеет флексию (ту) а ты имело тя, вроде бы (но это не
точно))
сии(си) сиё(сё) сия(ся) сие(се) сию(сю?)
и это почти повторяет ты то та те ту, только тогда не сии,
а thee? но и сие в единственном числе, а те во
множественном. сии во множественном, но в т- с подобной
гласной ты.
Ты = те во множественном?
You smile (trying your best to be friendly) when you talk
to a crowd.
You smile even wider when you want to be really sweet (and
maybe to show your teeth too)
(it's also just a hypothesis)
(and sure thing only further endeavour
diligance may show it to be true or false)
интересный кусочек попался:
cow be, seriously?
муру ~ мудру
удала ~ лягушка?
очень сходно с русским
Уменьшительно-ласкательный суффикс та:
сравни: коня конята (кони конята)
кота котята
суффикс лу подобен суффиксу но
пун as pun? as pawn! as pwn
дэп is the only orok morpheme I cannot see much of есть
in
(unless it shares д with еда)
Мог орокский (это экзоним, кстати) быть суржиком русов с
сахалинцами?
and now to something completely different,
Meitei script
What made me bring it here is its canonic indian order is
rationalized by the words for the parts of the body going
consistently from brain to.. well, it started well, but
then it broke so that butthole is up the eye, which
reminds me russian meme "глаз на жопу натянуть" (but then
is it a genuine meme, or given to us by some modern
author, by someone who could see this in meitei?)
The Meitei script (Meitei: ꯃꯩꯇꯩ ꯃꯌꯦꯛ,
romanized: Meitei mayek), also known as the Kanglei
script (Meitei: ꯀꯪꯂꯩ ꯃꯌꯦꯛ, romanized: Kanglei mayek)[5]
or the Kok Sam Lai script (Meitei: ꯀꯣꯛ ꯁꯝ ꯂꯥꯏ ꯃꯌꯦꯛ,
romanized: Kok Sam Lai mayek), after its first three
letters[6][7] is an abugida in the Brahmic scripts
family used to write the Meitei language, the official
language of Manipur, Assam and one of the 22 official
languages of India. It is first known from engravings on
6th century CE coins and copper plate inscriptions.[8]
as verified by the various publications of the National
Sahitya Akademi.[1] It was used until the 18th century,
when it was replaced by the Bengali alphabet. A few
manuscripts survive. In the 20th century, the script was
revived and is again being used.[9] Beginning in 2021,
the Government of Manipur began to use the Meitei
alongside the Bengali-Assamese script, per the Manipur
Official Language (Amendment) Act, 2021.[10]
ꯀ ꯁ ꯂ ꯃ ꯄ ꯅ ꯆ ꯇ ꯈ ꯉ ꯊ ꯋ ꯌ ꯍ ꯎ ꯏ ꯐ ꯑ ꯒ ꯓ ꯔ ꯕ ꯖ ꯗ ꯘ ꯙ ꯚ ꯛ ꯜ
ꯝ ꯞ ꯟ ꯠ ꯡ ꯢ
ꯣ ꯤ ꯥ ꯦ ꯧ ꯨ ꯩ ꯪ ꯫ ꯬ ꯭
꯰ ꯱ ꯲ ꯳ ꯴ ꯵ ꯶ ꯷ ꯸ ꯹
ꯑ, the immortality, may become my favourite letter.
[ɐ] as in words ꯑꯇꯤꯡꯉꯥ[atinga] and ꯑꯇꯤꯌꯥ[atiya]
some meitei letters remind devanagary:
meiteis ꯂ [l] reminds hindi ट [Ṭa]
meitei ꯚ [bʱ] reminds even more hindi ग [Ga]
So whether they stand for the same hieroglyphs read
differently in different nations,
ꯚ and ग look pretty much unique to the region.
Some meitei letters are even graphic:
ꯄ for eye-lashes
ꯅ for year
And here I notice, that unicode gives them in somewhat
different order than that table above it:
head or brain [k] ꯀ
hair [s] ꯁ
forehead [l] ꯂ
(compare to 目[meJA, muCH]) eye [m] ꯃ
eyelashes [p] ꯄ
ear [n] ꯅ
lips [t͡ʃ] ꯆ
saliva [t] ꯇ
throat, palate, neck [kʰ] ꯈ
pharynx, larynx [ŋ] ꯉ
breast, chest, ribs [tʰ] ꯊ
navel, heart [w] ꯋ
spine [j] ꯌ
joint [h] ꯍ
skin [uː] ꯎ
blood [iː] ꯏ
anus, buttocks, or uterus [pʰ] ꯐ
immortality, heaven, divinity, birth [ɐ] ꯑ
(evolved from (head)ꯀ[k]) [g] ꯒ
(evolved from (hair)ꯁ[s]) [d͡ʒʱ] ꯓ
(evolved from (forehead)ꯂ[l]) [ɾ] ꯔ
(evolved from (eyelashes)ꯄ[p]) [b] ꯕ
(evolved from (lips)ꯆ[t͡ʃ]) [d͡ʒ] ꯖ
(evolved from (saliva)ꯇ[t]) [d] ꯗ
(evolved from (throat~neck)ꯈ[kʰ]) [gʱ] ꯘ
(evolved from (breast-chest-ribs)ꯊ[tʰ]) [dʱ] ꯙ
(evolved from (anus-bottocks-uterus)ꯐ[pʰ]) [bʱ] ꯚ
(some lonsun form of (head-brain)ꯀ[k]) [k] ꯛ
(some lonsun form of (forehead)ꯂ[l]) [l] ꯜ
(some lonsun form of (eye)ꯃ[m]) [m] ꯝ
π would perfectly continue the ꯄ ꯞ
sequence (some lonsun form of (eyelash)ꯄ[p])
[p] ꯞ
(some lonsun form of (ear)ꯅ[n]) [n] ꯟ
(some lonsun form of (saliva)ꯇ[t]) [t] ꯠ
(some lonsun form of (pharinx, larynx)ꯉ[ŋ]) [ŋ] ꯡ
(some lonsun form of (blood)ꯏ[iː])
[iː] ꯢ
the unicode set seems to consist of three somewhat
different repetition of the same body-sequence,
the first is 18 letters, the second is 9 letters, the
third is 8 letters.
only head, forehead, eyelashes and saliva is in all
three groups: ꯀ[k] ꯂ[l] ꯄ[p] ꯇ[t]
which makes them good in pkt +
l(whatever it is here) representation.
and some other shapes you can see in the tables in the
png form,
ꫠ ꫡ ꫢ ꫣ ꫤ ꫥ ꫦ ꫧ ꫨ ꫩ ꫪ ꫫ ꫬ ꫭ ꫮ ꫯ
꫰ ꫱ ꫲ ꫳ ꫴ ꫵ ꫶
but they don't seem to have semantic form, so I don't
look at them this time.
And to close this subject, let's have another
representation of meitei, just in case:
Be Go Do
aM
aRe iS
Went
was it why M was removed there? To be above aRe and iS?
Be
c Do
f Go h
j k l aM
n
p q aRe iS
t
Mars?
are rappers wrappers? в смысле могут завернуть
(в другом значении, но очень близким
по смыслу "закрывает тему" (and
now I checked, and indeed it is the final track, even
the bonus track it is on their second album)
Бутси доставил в Love is Everything, и как я умудрился
узнать это слово, у меня и сомнений не было, что это
wrap, а не rap, was it some elusive nature of the vowel
or was it some other nature of the R? some special wR?)
But then urbandictionary doesn't understand this term
that way. I'm pretty sure it's a wrapper is what Bootsy
says.
плот-ней
плот-нее
плот~прот~протекает?
т.о. я разобрал слово плотнее на пло т нее
неё ~ на её? what else could it be? Even on has that n. So
do not and не.
So it's too early to tell whether languages come from one
centre or many (if there is or isn't centre)
So sefer yetzirah tells that first chapter of bible is not
about the creation of the world, but about the creation of
the alphabet. And it seems it does, for they used the
history of the alphabet as the history of the world,
probably believing that how above so below.
что неё (на неё? в неё? с неё? но к ней! о ней, при ней,
под ней, над ней (вот она великая разница меж на и над. на
неё, но над ней! is д до? но до неё. не её вообще без н
пред ней, т.е. это что? не её, на неё! that н[n] is both
не и но, but~不Bù[Bu[pu (and it reveals in п being exactly
the n in russian)]]))
and no & pu meet in no! boo! ну! фу! ну(well..) is
thus но(but) and не(no)
ну и фу return ν (which might be toe-down, NO U (наше и
ваше? для одних это n(nos) для других это v(vos))
Для греков это ν [n(nos)]
Для римлян это v [v(vos)]
Т.е. римляне дали v как n грекам? или греки естественным
образом имели v-форму в своей
лекции
лексике для "down with us" and here I need help
from somebody who speaks greek..
v is vs the us
δεν [ðen] not (sounds exactly as then, and it has n, it's
the n)
μη [mi] not (and it seems to be the closest cognate to no,
before I saw n in the previous one)
English then and greek δεν, I asume such cognates are the
most important one. the short one.
then as no? после. post-ne? t and n became л? is t that
swash on the left hand of the л? is n the п of other half
of it? so N is indeed ן different from ו in that very
sense of its coming down.
or are they (ן/ו) the same v-shape of
ν[n] and v[v]!
v~1?
✓~ |, which ν/v and ן/ו show
both shapes go down, but in different sense: for | we draw
a straight line down. for ✓ is the arrow down.
the tip of the arrow looking down.
but at first I
sa so thought
(what a gothic cathedral of words) that ו is верх and ן is
низ
(and a part of me still does)
Something is going on here, and now I need knowers of
hebrew to know it.
cat is the ultimate C in russian form of kitty-kitty:
кис-кис, and in those cognates t~S
does dash reverse the l part of the t?
are l and ſ the opposites?
or are they the same? (han! h nah!)
I think ſ looks more like the opposite of J
(or are they the same?)
or are they two halves of the ʃ ?
is ʃ-like shape of f in some fonts telling that all them
are the great Θ?
she and fe
ʃe and fe (fe should be ʃ-like in this comparison..
But then isn't it arbitrary? It is a speculation, sure
it's arbitrary
to some point. it is determined by the shapes and
pronunciation's variations.
Suddenly it came to me that most of the potential
readers may even not know such simple term as
pronunciaion. But it's the simplest of the terms I use.
But it is the most sophisticated word in this page.
And it is also nice, because I try to write as simple as
possible.
Yet list of terms would be nice at the front page or on
the other side of it.
Instead of giving the terms at the end of the page in
alphabetic order, we give them at the beginning of the
book as the list of containeds (contents) given in order you can meet
them in the book.
And if the book is large enough, that list of words is
mirrored at the end of it in alphabetic order.
If contents is
containeds
then
governments are governmaineds which is much less
obvious
The quesion is should I list simple terms such as alphabet
in there. And in the alphabetic order of terms, I should
not forget to list them as many times as they're in the
text (thus it should be made the last, when I can ctrlF
the words of the contents to see where they're met)
I'm the other form of tree, I should cut my leaves to fit
the standard of those oaks.
Ash shouldn't cut his leaves to look like Oak
Ash for A?
Oak for O?
Ель for Е? F for fir?
such
speculations, what are they good for?
for looking good for good ones.
The good ones are often met in such arbitrary
speculations.
be am are is (notice that bmrs is the alphabetic order,
and it correlates the grammatic order)
grammar and grammatic are literally letter and letter's
(ic = is (both C))
ce [tse] of(or) ce[ke(que)]
Be
aM
aRe iS
looking for the basic words of English I may find the
basis of alphabet, if it was in English.
My hope is this level is so basal, that it is reflected in
every language, especially in such powerful as E.
And the question here is "was there Q or is r enough г per
se?".
Then I can see that aM aRe iS are laBial velaR coroNal
Because two of three end with al, I naturally want to
reverse velar into veRal
And it gives me (viral?) the
corresponding letter standing exactly before that
suffix.
Thus are previous shapes merely prefixes?
la Bi'al (Vial is a word, and because B~M is of
water(вода~море) vial makes great sense)
ve R'al (is ve before ra showing the order? or is ith the
R'al? al = all? al = of?
le Ngu'al
French grammar oozes through labial and lingual (for
labials are indeed symbolically female, and lingual –
male)
velar (whether it was veral and rolled to keep R to the
right.. both R and L are in this column!
I J K L M N
O P Q R S T
exactly one under the other. Isn't velar column KQ? it is,
but what is LR if not the addition to it.
isn't C the centre? why would L and R
be associated with it?
to the left and to the right from the centre, what'd
make me think
('d is would or had depending on if it's make or made
(is there a connection between will and have))
Have and Will are definitely in the same category of be's,
for they're also auxilary verbs.
Be Do
Have
ł→('ll) aM
aRe iS
Will
were
A Are
E Em (am)
I
Is, will
O
Was
Were Analyzing this
thing I noticed that Rimbaud's approach is meddling with
it.
U
Would
like his approach is
based upon what?
maybe on some piece of folklore upon
which he based the poem
But then is it not correct in the sense of colours? Red is
ready, thus he is and will; O is yellow as oh, U is Blue
for should have done it, and only if he would, that is an
epitome of a sad thought.
But U is green in his poem, just as U is the opposite to
I, so the opposite to Red (Jed? Iodine!) is green, V for
бриллиантовый зелёный, which makes not too much sense, but
may say that even broken clock show right time from time
to time.
O is blue? so they show me, the image.
Why would I right them to be in the rainbow order? They're
not in the rainbow order.
My order, which made sense were
I red (this one linked to Iodine is good find)
O yellow (but this one doesn't make sense, oh is sad, and
yellow is a cheerful colour)
U blue (for the word blue, but Rimbaud had it green, for
the opposite to red is green)
red yellow green would make sense in both rainbow and
red/green ~ i/u sense,
but o is breaking the pattern.
Rimbaud didn't care for the rainbow order, which is bold,
but why?
I O U is me (this was a piece of
automatic writing, and YOU is indeed could be me)
AE IOU
ME YOU?
a is both M and W in that
is it АЗ? аз is I in old-russian.
is Æ I in some language?
Is Æ a word in some language?
I don't know of any language where Æ is a word, but it
is a letter in some languages. For example, it is used
in Danish and Norwegian. The closest equivalent to it in
English is the letter A. Do you have a reason to ask
about it?
I do, but here's a better one: Is ae a word in some
language?
Yes, ae is a word in several languages. For example, in
Latin, ae is a diphthong that represents the sound "eye"
(as in the word "my"). It is also a word in Scots, where
it means "always" or "ever," and in Scottish Gaelic,
where it can mean "one" or "someone." In English, ae is
not used as a word, but it is a common abbreviation for
"age" (ae.
æ is a word (or maybe even two words ("ah" and "always")
in Icelandic. Isn't it so?
I'm not aware of any Icelandic words that use æ as a
standalone word, or of it being used to represent "ah"
or "always". I am aware that the Icelandic language uses
the letter æ to represent a particular sound, but it's
not used as a standalone word in Icelandic, as far as I
know. Perhaps there are some local dialects or slang
words where it is used that way?
Wasn't æ a separate word in old-english?
You're right that æ did exist as a separate letter in
Old English. It was actually a diphthong—a combination
of two vowel sounds—that was represented by the letter
ash (Æ, æ). In Old English, the letter ash was used in
words such as "dæg" (day) and "bær" (bear). So while æ
wasn't a standalone word in Old English, it was an
important part of the language and represented a
specific sound that is not found in modern English.
Wiktionary tells that æ was a stand-alone word for law,
marriage, rite. Isn't it true?
Interesting, I haven't come across any information that
suggests æ was a standalone word meaning "law",
"marriage" or "rite" in Old English. However, I'm aware
that Wiktionary is a collaborative project and may not
always have accurate information. So I can't confirm or
deny this information, but if you have a specific source
that you trust, it might be worth looking into further.
Either way, it's clear that æ was an important part of
the Old English language and had a unique role in the
written and spoken form of the language.
æ is always in Icelandic
ǣ is law, marriage, rite in Old-english (and as
prefix it is also always(?))
æ is ever, eternally, at all time in Old-norse (and
also "eat" in "I eat" and "eat!" (or feed))
æ is "be!" in old-swedish (second-person present
imperative of vara(to be, ot occupy place))
æ is the in dannish
æ is I in jutish!
But since we're at it, let's comb through other languages
too:
æ is have in "you have" in ligurian
æ is yes in middle english (I wonder how "law" of
old english could become "yes" in middle english, but then
it could be something like "word" is used today to say "of
course")
and another one:
æ is I in norwegian nynorsk!
but we continue,
æ is river, running water, stream in Old English.
it is interesting that it has complete cognate in an
austranesian language:
ae is water in Aore (was it somehow borrowed from
the next line's sailors?)
but then ea is eau in modern english too: (UK dialect or
archaic) A river or watercourse.
ae is mother in Abinomn
ae is eye in Bislama
ae is to stroke, pat, caress in Danish
(interestingly enough, the past tense is aet)
ae is water in Eastern Ngad'a,
and in Aore, which I mentioned before, and in Ende, and
in Li'o
ae is liver (not river) in Irish
ae is tree in Kala and in Lote
ae is chicken in Khumi Chin
ae is go up in Lavukaleve
ae is current, pool, coolect, gather in
Marshallese
ae is emphatic particle in Mbyá Guaraní
ae … ae is either … or in Middle Welsh
ae is hey and oh in Niuean
ae is wasp in Pará Arára
ae is oh yeah in Portuguese
ae is bird in Sardinian
ae is one, only, about in Scots
ae is to dig, to hollow up in
Teanu
ae is father(and such) in Touo
ae is to laugh in West Makian
ae is foot, leg in Wolio
ae is to caugh in Zhuang
But then what was it all about?
iou is I (not you) in Aromanian (that's in Europe)
and Macanese (that is not, but sorta, it's Creole)
and nothing in any other language, according to
wiktionary, so what is it all about? Is it an example of
pronouns' antonymy? it definitely is, but then ae is I and
iou is I? I&I?
Just wrote a feed-back to
RobWords: