In the very end of the previous volume i
peered a deeper look into some african writing systems, which
may be rooted into something rather ancient, and here I
continue that journey:
:here's something from Oceania
The Avoiuli script is
used to write Raga, a Southern Oceanic language spoken
mainly on Pentecost Island in Vanuatu, and other languages
of Vanuatu, such as Apma, Bislama and English. It was
devised by Chief Viraleo Boborenvanua over a 14 year
period starting in the 1990s, and is based on
traditional sand drawings. The name
Avoiuli comes from the Raga words avoi (talk about) and
uli (draw/paint).
Writing direction: left to right or right to left in
horizontal lines, or boustropehedon (alternating from
left-to-right and right-to-left)
Used to write: Raga, apma, Bislama and English
The letters all join together and words can be written
with a single continuous stroke.
I wonder if those six-pointed stars are indigenous to
Raga, or if they indicate the powers standing behind
their movement for independence from european rule,
because their b reminds our B, their t and d are big and
small versions of the same shape, their m reminds
glagolitic m, so is it some genuinely related glyphs or
was it made up by somebody who knew some other writing
systems, so that they influenced his creativity?
Here we have a rare insight into how writing systems may
come into being:
(mirror)
that video has some very valuable information about how
to place a writing system into unicode!
Here's their (completely made up) alphabet:
It is not clear how many of other writings systems they
knew (they said they did, did they?)
Because I can see ש in their Sa and פ in their Pa.
And I see o and ɔ in their o, and I see u (и(и)RU[i]) in their i.
So would it be enough for me to speculate about it? What
made them write them like that? Did that man they met in
the cafe taught them some hebrew, when he initiated them
to the idea of making their own writing system? Should I
contact them for more information? I probably will.. but
not today.
I just o.. noticed, that I tend to curse where I lie: I
do it in my own fucking little fucking way.
It's just one case study, not very scientific, so we
have to find more cases where I curse to see if this
pattern persists. My way is not little. O r is it
leittle and I don't want to admit it.
Танит (финик. 𐤕𐤍𐤉𐤕; Таннита) —
богиня-девственница, особенно почитавшаяся в Карфагене
наряду с Баал-Хаммоном[1][2].
Танит также называли Тиннит или Танк. Название Тиннит,
судя по всему, появилось в Карфагене, хотя им и не
называли местных детей[3]. Являлась аналогом богини Луны
Астарты, а в римском Карфагене ей поклонялись в качестве
Юноны Келестис — локализованной формы римской богини
Юноны[4].
Tanit or Tinnit (Punic: 𐤕𐤍𐤕 Tīnnīt[2]) was a
Carthaginian Punic goddess, and the chief deity of
Ancient Carthage, alongside her consort Baal
Hammon.[3][4]
The name appears to have originated in Carthage (modern
day Tunisia), though it does not appear in local
theophorous names.[5] She was equivalent to the war
goddess Astarte, and later worshipped in Roman Carthage
in her Romanized form as Dea Caelestis, Juno Caelestis,
or simply Caelestis. Before 1955, the only attestations
of the goddess's name were in Phoenician, which is
written without vowels. It was arbitrarily vocalized as
"Tanit". In 1955, Punic inscriptions transliterated in
Greek characters found at El-Hofra (near Constantine,
Algeria) transliterated the name as Greek: Θινιθ
(Thinith) and Greek: Θεννειθ (Thenneith). The
inscriptions indicate that the name was likely
pronounced as Tinnīt.[2] Still, many scholars and
writings continue to use Tanit.
In modern-day Tunisian Arabic, it is customary to invoke
Omek Tannou or Oumouk Tangou ('Mother Tannou' or 'Mother
Tangou', depending on the region), in years of drought
to bring rain.[6] Similarly, Algerian, Tunisian and many
other spoken forms of Arabic refer to "Baali farming" to
refer to non-irrigated agriculture.[7] Such usage is
attested in Hebrew, a Canaanite language sister to
Phoenician, already in the 2nd century CE Mishnah.[8]
The word Tunisia is derived from Tunis; a central urban
hub and the capital of modern-day Tunisia. The present
form of the name, with its Latinate suffix -ia, evolved
from French Tunisie,[28][29] in turn generally
associated with the Berber root ⵜⵏⵙ, transcribed tns,
which means "to lay down" or "encampment".[30] It is
sometimes also associated with the Carthage goddess
Tanith (or Tunit),[28][31] and the ancient city of
Tynes.[32][33]
Baal Hammon, properly Baʿal Ḥamon (Phoenician and Punic:
𐤁𐤏𐤋 𐤇𐤌𐤍, romanized: Baʿl Ḥamōn),[1] meaning "Lord
Hammon", was the chief god of Carthage. He was a weather
god considered responsible for the fertility of
vegetation and esteemed as King of the Gods. He was
depicted as a bearded older man with curling ram's
horns.[2] Baʿal Ḥammon's female cult partner was
Tanit.[3]
Pay attention to how much russian word Бог looks like 𐤁𐤏𐤋, Baal in phoenician
(it's as if the same word, just upside
down)
And it's hard not to suppose that it is the same word.
The cognates if you wish.
A good illustration to e being dotted i:
Basal ~ basalt.
лепо ~ любо
An interesting glyph, being in between Б and В:
In National Museum of Hakassia were some writings found:
I wrote to the museum for the images in better quality and
asked them if they know some linguists who researched it,
I shall update this chapter if they send me something.
On the basis of geography I appl.ly old-turkic runes to
reading it, and that П-like form can be only 𐰊 (and it is
b and v! (in this context, wow))
and I see П in it. What would that П stand fore?
In hebrew pe is mouth, in russian pay (пей) is drink. 𐰊
looks like it could be a depiction of mouth (an opening at
the front bottom side of the head? But they write the
other way around. But then who said they use the faraonic
way to turn face to the beginning of the line? b obviously
tells that 𓃀 can be the other way around. And
geographically they are 50% chance moved via Europe. Or
rather in 50% of all
information coming from the Egypt would come through
Europe. But then there's ocean or a sea between Europe and
Egypt. They crossed that sea alright. But nevertheless, it
was some tradition they had to acquire before they dared
to establish cross-continent travel.
𐰊 (b¹) A letter of the Old Turkic runic (Yenisei
Kyrgyz) script, representing /b/ and /v/, used with back
vowels.
Derived from Sogdian 𐼃 (β, “beth”), ultimately from
Classical Syriac ܒ (“beth”).
so beth, not peh, 𐰊, избушка к лесу передом, к
тебе задом (вход со двора (выход во двор, а не на твой
участок))
If they're from Syriac, they're closer to egyptian.
Avestan:
I brought it here to show you that they had quaternal
numeral system.
here's an image from vol.1,
and what it shows is that boustrophedon was known even in
those prehistoric times of Linear A
and so is the shape of the pawn, which may indicate
existence of some primitive lathes, which is not a crazy
thing to consider, considering the fact of how simple that
technology is, that Адвокат Егоров manages to build them
living in the woods, and that potter's wheel is basically
it. And other terms for potter's wheel may also indicate
this technology being rather basic: throw, throwing,
wheel, and jigger is somewhat less impressive, but it
doesn't negate the others. And I
think it's time for me to be a potter too. and I do.
That right is rule makes left slaved (оставленные,
брошенные набигаторы попадали в рабы (строили что
разрушили и работали за тех кого убили))
I felt left~sleft before I thought of right and reign
(rein is another spelling with somewhat different
I didn't feel left as felt, but it seems I should have.
feeling remains.
We leave what we feel, we left what we felt
lef and fel the probably doublet reverses.
лев is feline. кот is ток. does it make sense that cats
are in the centre of this story? Cult of cats.
cat take
It seems there's a claster of lexics, which we can
cross-link on phonetico-semantic basis.
in pronouns it usually reverses meaning. Or they just
speak like that? spoke like that.
we and you?
вы и я?
russians say we, saying you(вы) communism settled there
because they wanted other to do their biddings, but then
they said ya, but it was not you, but I. it's as if they
say we. The pronoun which sounds the most as me is мы and
it is we. Both russian and englsih use mi, but russian
includes the people in the room, english me excluded them.
And it may whether depict the state of events or programs
it. Either way, it is such a wild problem, that I should
be doing something else. I know how to live forever, but
smoke pot and write this shit instead. Is it honey, no hey
(I wansted to say honey, but wrote no, ad as if automatic
writing kicked in.
Put me in the pot and make me pot. top
pot is top.. I should collect such
cases. and I do it in the Lukashevich chapter of freaks.html
pot uis top
is~with? съ (ъ works as immediate russian tamga, and it is
incredible that that Гd, or rather dГ reversed is Guard ~
Hard ~ Хозяит ~ Host (now this host thing was not expected
(came to me after I wrote Хозяит and it was a typo. Х[h]
X[t] X[z] (HTN хотенье? 欲しい)
that 欲 is ho, the word is hoshii, хочу[hochu(wanna)]
Those h t z from few lines above are from h of the host
and hozain, t is of hosT and that typeo хозяит, and n of
хозяин. back and forth reading of words may indicate
synonymgenous gameplays of boustrophedon texts.
Х is H in russian, Н is N in russian, so basically this is
how I pulled h~n from above (ang graphically these two
play along well)
𐩩 is ancient south arabian T, and thise is how HTN triplet was made,
and z became instead of N by accident or for some
unmentioned reasons, some vaguely appearing reasons of
that thing.
is N 𐩩-like anywhere? it is in runes: ᚾ
And seeing this table in wiki, I can only tell, right on,
That what they call Younger Futhark is Norse Futhark, the
tradition are separated by geography much more than by
chronology.
And according to that table,
ᚾ is more common than ᚿ
but amongst ᛅ and ᛆ wins ..ᛡ
and bornholm's thing tells that when ᚾ is ᚿ, then ᚼ is not
ᛆ, but ᚷ[h]
Is it why H is at the end of line, as if it was some T,
because both are ᚷRU[h] (that RU was supposed to stand for
runes, but now it looks like russian, and in russian Х
is H too) and 𐰓TU[t]
In my book I plased d' as transliteration of 𐰓 so who
knows how based it is.
So does it tell that E-line is runic?
and U-line is old-turkic, and it is the first line in it.
Is ᚷ in the first aet? probably, it seems to be a form of
ᚴ, but it more often than not is placed in the beginning
of the second aet. In so called Younger futhark it is so,
in older futahrkhw, it is in the first aet.
And it goes like this:
ᚠᚢᚦᚨᚱᚲᚷᚹ (ᚻ/ᚺ)ᚾᛁᛃᛇᛈᛉᛊ
ᛏᛒᛖᛗᛚ(ᛜ/ᛝ)ᛞᛟ
and it makes me understand that the order of aettir is not
urth beldandi skuld, but urth skurd beldandi (but I still
have to pull it, and a lot, even though it's fascinating
that ᚢᚦᚨᚱ of ᚢᚱᚦ is in the
first one, but should it make others verdandi and skuld?
All I need is three runes from each other aet, and ᛒᛚᛏ or
ᛒᛚᛞ would make lice nice (nice ~ like?) beldandi (bld is
blood and блядь, both are different yet powerful words)
and thus I'm only left to tailor trigraph of skuld from
aet two, but only ᛊ comes handy, others sabotage.
Remember those patterns built out of final digits of the
Pascal triangle in different numeral systems?
Here's a work I found today, and in wiki it was, all I had
to do is to ctrlF Pascal in the article for Sierpinski
triangle. And it began mentioning it in 2002: A Sierpinski triangle can also be constructed
by starting with Pascal's triangle and coloring the even
numbers white, the odd numbers black.
and link to those guys appeared there in 29 March 2015, and I don't think it is in the article
of Pascal triangle even now, in 2024, it isn't.
and as I started wondering if they were influenced by me
posting that invention not later than 2002 and they
published in 2004, I saw in their references link to this:
It is from an article of Stephen Wolfram, from 1984 (mirror)
and because I knew his both name and face before, I wrote
to the guy, and I should manage my antisemitism (whether
he answers or not; either way, I already recognize the
disdain as a psychosis. Yes, the world is full of jews,
yes they're some separate entity, yes deal with it or
rather get over it. And especially if he answers, that
will prove that they're not as ethnocentric as I imagine
them to be. That Mathloger jew could ignore my email not
because he saw a goy in me, but because he knew of my
"discovery" decades before I shared it with him)
Is french not reading all the endings which keep on piling
up (would be clearer if we still wrote from the bottom up.
Why would they take this tradition if they borrowed latin
or greek?
But lets' dig onto those maths, they fascinate me by how
everything comes to one, the dots they use are hexagons
which are projection of rhombic dodecahedron, and the idea
is so simple, that even a non-mathematician could come to
it as long as he new some numeral system, which was like
from such ancient past, that we can only guess, and we
have written artefacts with mathematical texts (some
summation) from 50 ooo years ago or something.
The smallest element of the classic sierpinski triangle is
a triangle with side of two.
This pattern is so much trinary, that I cannot help but
think how if it was known in the antiquity, and it could
be, no heavy math is needed to discover it. So if it was
known, it could be the root of the story of three norns
around the tree of life.
And this tiniest structural scheme is pythagorean
tetractis without the central five, which reminds the
hidden sphira.
Could serpinski triangle be the original tree of life?
Tetractis has ten sephirot too.
And here you can see mod-5 sierpinski triangle, which
repeats such patterns.
And mod-5 pattern has to be doubled, to show what exactly
repeats:
And Sierpinski triangle indeed was known in the past:
Wacław Sierpiński described the Sierpiński
triangle in 1915. However, similar patterns appear
already as a common motif of 13th-century Cosmatesque
inlay stonework.[19]
as you can see here, mostly they're the same size of the
triangle, which may tell of nine muses, divided into three
groups or three muses from the earlier lore. And muses are
moirae they are, the norns, the same three muses, and
probably other trinary deities.
and there they give another piece of data on even more
antique similar forms:
The Apollonian gasket was first described
by Apollonius of Perga (3rd century BC) and further
analyzed by Gottfried Leibniz (17th century), and is a
curved precursor of the 20th-century Sierpiński
triangle.[20]
and though 3BC is not that ancient in the context of the
source of the belief of Moirae, those are only echoes of
the past. The first discoveries of this sierpinski's thing
are just not heard, and not because they were not heard.
and looking into this abyss a little more, I found what
they call the triangles of the prime numbers, pascal
triangles, they're pascal triangles too. And it seems
Wolfram researched this thing through and long ago:
and it allowed me to see that mod-3 and even mod-2 are
both Pascal triangles, it wasn't simple to see it
especially for the mod-2 pascal triangle, the Sierpinski
triangle.
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
az (Iold-RU?)
by (by? be?)
cx (sex? cakes? socks? cocks?)
dw (do? dew?)
ev (eve? её?)
fu (boo? fuck you? buck you was the previous version, thus
it's closer to еbutt)
gt (get?)
hs (has)
ir (or? 𓁹?)
jq (jack? jerk? jock?)
kp (cap? cop? cub? keep?)
lo (low? law? lo?)
mn (man)
was it b to y?
by sed do eve fuck you get (hers?) eye jack, keep low, amn
man (and that's a nice typo: amn is amen, and man is a
palindrome of amn, which is near ams and amt.
buy sex, do eve fuck you good(gut) his ire jaque and
though keep low man is nice advice, it is all just an
interpretation, and my word is not much better than
anybody else's.
as
by
cakes
do
ev (её, их)
f. u.
isn't us plural form of dutch U? it would make perfect
sense.
we ~ U (we asp lural U too, only now with more eastern
suffix (and to my surprise, the third form, our, has r as
the plural suffix, and it is the norsk way to do it:
aet(Sg) aettir(Pl)))
кровь дракона может быть от крови крокодила до сока
расстения, считавшегося драконом? (подумал про сок или
даже отвар расстения поглядев на люголь столь походую на чягермейстер и обе столь похожие
на тёмную кровь. мог быть рыцарь победителем дракона (не
только мечом - фолрма серпа же - но и огнём, как в
сказках) дракон дерётся? дракон дерёт кожу когда через
него пролезаешь? колючка? сказщки для детей. Для детей
драконы поменьше, колючий куст чем не дракон.
boosty as the opposite of пусти (спусти, отпусти)
b is up, p is down? папа daddy? baba qaqa? oKAsan, haha
papa&dada / baba&qaqa (мама кака? отец мыть
ребёнка не будет, мыть от мать (подобно тому как быть и
будь, выть и вой, ныть и ной, мыть и мой, брать и бери,
красть и кради, класть и клади. класть и красть как
противоположны! L ласково, R грубо, is R associated with
Right today, because might is right?! (кто смел тот и съел
(might не только мощь, но и мог, кто мог ~ кто смел(кто
смёл? )))))
дь~ой? дядя ~ ойой? бабай? страншый? старший~страшный
(дети нестрашны)
дя ~ ть? когда за ухо хватает?
These I and V I met today.
I is Iodine, that's clear, but what is V? Viride nitens
And these are so much basic
(base is ba ce, before a appeared
(was placed there) (when bible started with в
начале, а не а в начаалеб when ogham began as bln, and
that bln~bcd))
I V are 1 and 5 or 4 of roman
numerals, and etruscan V was ᚢ
and it happens that a) it is mostly russian thing, b) it
was invented recently:
In Russia and Ukraine (and much of the
rest of the former Soviet Union), the dilute alcoholic
solution of brilliant green is sold as a topical
antiseptic, also known under a Latin name solutio
viridis nitentis spirituosa and the colloquial Russian
name of zelyonka (зелёнка, lit. 'green stuff' in
Russian),[3][failed verification] which is zelenka
(зеленка) in Ukrainian.
Бриллиантовый зелёный впервые был получен в 1879 году в
Германии. Об антисептических свойствах этого вещества
узнали только в следующем столетии,
когда при окрашивании препаратов для микроскопии
обнаружилось, что один из красителей — а именно
бриллиантовый зелёный — уничтожает микробы.
В середине XX века бриллиантовая зелень, долговечная и
дешёвая в производстве, получила широкое
распространение в Советском Союзе[6][7].
В русский язык название этого красителя попало из
французского языка. В сухом виде бриллиантовый зелёный
представляет собой золотисто-зелёные комочки, по лат.
viridis nitens, — дословно «зелёный блестящий». Во
французском языке было использовано слово фр. brillant
— «блестящий», что на русский было переведено
буквально как «бриллиантовый»[8][9].
Кроме России и нескольких стран на постсоветском
пространстве, бриллиантовый зелёный в медицине нигде
больше не используют, хотя, например, в Европе он
входит в список разрешённых медицинских
препаратов[10]. Можно назвать следующие причины этого:
во-первых, до сих пор точно неизвестно, обладает ли
бриллиантовый зелёный канцерогенными свойствами; а
во-вторых, при использовании лекарственного средства
важна и эстетическая сторона, отчего принимаются во
внимание и изменения во внешнем виде пациента при
применении препарата[9].
But on the deeper level, those I and V are from Io
Iodine is a
chemical element; it has symbol I and atomic number
53. The heaviest of the stable halogens, it exists at
standard conditions as a semi-lustrous, non-metallic
solid that melts to form a deep violet liquid at 114
°C (237 °F), and boils to a violet gas at 184 °C (363
°F). The element was discovered by the French
chemist Bernard Courtois in 1811 and was named two years
later by Joseph Louis Gay-Lussac, after the Ancient
Greek Ιώδης, meaning 'violet'.
Iodhs is violet
Viridis is green
and these may indicate, that vowels
were for collouirs, but red in latin is R,
sometimes p and b (rubrum is almost redrum)
Let this messy route of the previous chapter stay here to
see, that I look everywhere I can, and I also keep it here
as a shell of this beauty:
I V are 1 and 5
or 4 of roman numerals, and etruscan V was ᚢ
That beauty indicates that runes were taken from people
like etruscans,
and they who did have their
revenge.
And etruscans were conquered around the same time Tacitus
wrote Germania, telling that germans divinate with runes.
Etruscan culture is dated from 900BC to 27BC:
• Villanovan culture
900 BC[1]
• Last Etruscan cities formally absorbed by
Rome 27 BC[1]
The Villanovan culture (c. 900–700 BC), regarded as the
earliest phase of the Etruscan
civilization,[1][2][3][4][5] was the earliest Iron Age
culture of Italy.
and I was looking their artefacts to see if they
were literate, and some symbols they did know:
And before I even saw all the swastikas, I noticed that
concentric circles which I saw in atztek culture.. and
atzteks also knew swastikas.
The Swastika is an ancient Indo-European
(Aryan) symbol representing luck and prosperity.
Before Hitler's adoption of the symbol made it
politically incorrect to use the symbol here in the
West, it was found throughout Eurasian cultures as well
as Aztec culture.
In short, This symbol was used by the Aztecs to
represent the 4 seasons & the 4 ultimate/eternal
elements/energies(fire, earth, water & air)
but this is just from a comment of a guy on quora,
his word is not better than mine, but the swastikas aztecs
knew.
And looking at that shield I can see those concentric
circles to be tits, and those tits to be covered fixing of
the handle on the other side, it would be something firm
as metal to withdraw the battle.
Jewish
swastica, can you believe it!
Chinese swastica incorporates christian cross in it.
But then there's also such comment about the Aztec
swastica:
There's no "Aztec" swastika like that.
There's a sorta similar arrangement of serpents in a
codex, but it's not the same thing.
(Also to be clear, this codex isn't even
"Aztec", but Mixtec, IIRC, it's one of the Codex
Vaticanus's)
These four biests do look like four seasons or four
elements, but then we should see them in some contexts
which would be telling so.
What is also interesting here is that each beast has
exactly ten circles, even though only two of four have
those circles concentric doubles of which I was speaking
telling of those shield.
And here's the counterargument:
In the Americas, it was In Native American
cultures it has been found in Mississippian Culture
(mound building) sites 800 CE to 1600 CE . Also on
objects from the Southeastern Ceremonial Complex (1200
to 1650). It was used by many unrelated peoples in the
American Southwest. By people in the Northern Plains in
the US and Canada. By the Kuna people of Panama. It is
also found in Peru.
For the Navajo (Dine), it is part of a ceremonial ritual
and accompanying myth and is called tsil no'oli
(whirling logs). A culture hero escapes down a river on
logs and is spun in a whirlpool. Before the hero is
released, Frog teaches Self Teacher how to cure the
illnesses caused by the Water People. When Self
Teacher's whirling log finally arrives at the lake (or
in some versions, a whirlpool) that was his destination,
Talking God, Hastye Hogan, and two Biighaa'ask'idii
rescue him. Often his pet turkey is in the image too. It
is a symbol of healing or abundance. As with many other
cross symbols in Navajo thought there is also the
relationship to the important theme of four directions,
four sacred mountains, etc. Here is from the Nightway
ceremony.
These are Navajo Hataałii (sometimes
called “medicine men, they are ritual ceremonial leaders
and philosophers, like priests). They are making a sand
painting using the whirling logs image.
Before this I only saw it in tibetian monks, but
then we should see in literature who taught whom. And if
it's not in the literature (the process of the education
one way or the other) then those traditions are ancient,
prehistoric. And then
For the Hopi the symbol is related
to the migration and gathering of the clans at the Hopi
mesas.
For the Kuna it is the World Octopus that created the
world and points in the Four Directions.
Here is a Pima ( Akimel O'odham) basket using the
symbol.
Here is a Pima ( Akimel
O'odham) basket using the symbol.
Eve חַוָּה Εὕα
It has been suggested that the Hebrew name
Eve (חַוָּה) also bears resemblance[9] to an Aramaic
word for "snake"
(Old Aramaic language
חוה; Aramaic חִוְיָא)
Old Persian:
𐎭 [d]
𐎨[c]
𐎢 [u] 𐎥[g]
𐎤 [ku] 𐎰[θ]
and in the process I felt like these are not phonetically
motivated forms, but forms from the previous writing
system, like meroitic is of egyptian.
a k x
g c ç j t
θ d p
𐎠 𐎣 𐎧 𐎥 𐎨 𐏂 𐎩 𐎫 𐎰 𐎭 𐎱 𐎳 𐎲 𐎴 𐎶 𐎹 𐎺 𐎼 𐎾
𐎿 𐏀 𐏁 𐏃 𐎡 𐎪 𐎮 𐎷 𐎻 𐎢 𐎤 𐎦 𐎬 𐎯 𐎵 𐎸 𐎽
𐎠a 𐎡i 𐎢 u 𐎣k
𐎤ku 𐎥g 𐎦gu
𐎧x 𐎨c 𐎩j
𐎪ji 𐎫t
𐎬tu 𐎭d 𐎮di
𐎯du 𐎰θ 𐎱p
𐎲b 𐎳f 𐎴n 𐎵nu
𐎶m 𐎷mi 𐎸mu 𐎹y 𐎺v
𐎻vi 𐎼r 𐎽ru 𐎾l 𐎿s
𐏀z 𐏁š 𐏂ç 𐏃h
𐎓 is ugaritic ʿ(this is literally the transcriptionof
ayin) the ɔ (and notice how european moon is growing, waning waxing, when ugaritic and
semeitic ayin is waxing waning.
They are being held accountable, 4
Didn't I know these two words? good
thing is I didn't use them in my book (or if I did, I
would)
𐎂c 𐎃ḫ
𐎇z are г
з ж: г as one wedge, z as two wedges, ж as three wedges.
z also looks like 2
Now we should only find the language which раз два три сам are some газ
заж жигл
but if I didn't know russian, I wouldn't know раз Rah's,
only один Odin.
Youtube algoritms decided to initiate me into gnostic
stuff:
ΙΑΩ is the name for both Yahweh and Dionysus
Several ancient sources record an
apparently widespread belief in the classical world that
the god worshiped by the Jewish people, Yahweh, was
identifiable as Dionysus or Liber via his identification
with Sabazios. Tacitus, Lydus, Cornelius Labeo, and
Plutarch all either made this association, or discussed
it as an extant belief (though some, like Tacitus,
specifically brought it up in order to reject it).
According to Plutarch, one of the reasons for the
identification is that Jews were reported to hail their
god with the words "Euoe" and "Sabi", a cry typically
associated with the worship of Sabazius. According to
scholar Sean M. McDonough, it is possible that
Plutarch's sources had confused the cry of "Iao Sabaoth" (typically used by
Greek speakers in reference to Yahweh) with the Sabazian
cry of "Euoe Saboe", originating the confusion and
conflation of the two deities. The cry of "Sabi" could
also have been conflated with the Jewish term "sabbath",
adding to the evidence the ancients saw that Yahweh and
Dionysus/Sabazius were the same deity. Further
bolstering this connection would have been coins used by
the Maccabees that included imagery linked to the
worship of Dionysus such as grapes, vine leaves, and
cups. However the belief that the Jewish god was
identical with Dionysus/Sabazius was widespread enough
that a coin dated to 55 BC depicting a kneeling king was
labelled "Bacchus Judaeus" (BACCHIVS IVDAEVS), and in
139 BC praetor Cornelius Scipio Hispalus deported Jewish
people for attempting to "infect the Roman customs with
the cult of Jupiter Sabazius".
shouldn't I ignore all this? because it is
interesting, but how does it relate to my own research?
ΙΑΩ is descending triad, and that is why I brought it
here,
just an interesting side of what I
already mentioned
Here are two gods with very similar
names, but of course I can only guess if that is not a
coincidence:
Attis (/ˈætɪs/; Greek: Ἄττις, also Ἄτυς,
Ἄττυς, Ἄττης)[2] was the consort of Cybele, in
Phrygian and Greek mythology.[a]
Hades (/ˈheɪdiːz/; Greek: ᾍδης, translit. Hā́idēs,
Attic Greek: [háːi̯dεːs], later [háːdεːs]), in the
ancient Greek religion and mythology, is the god of
the dead and the king of the underworld, with which
his name became synonymous.[2] Hades was the eldest
son of Cronus and Rhea, although this also made him
the last son to be regurgitated by his father.[3] He
and his brothers, Zeus and Poseidon, defeated their
father's generation of gods, the Titans,[4] and
claimed joint rulership over the cosmos. Hades
received the underworld, Zeus the sky, and Poseidon
the sea, with the solid earth (long the province of
Gaia) available to all three concurrently. In artistic
depictions, Hades is typically portrayed holding a
bident[5] and wearing his helm with Cerberus, the
three-headed guard-dog of the underworld, standing at
his side.
gnostics are gnasty
According to Ammon Hillman, Ιαω means
"to heal", which correlates with the story about vowels
pronounced in succession were healing.
He can be right or wrong, but he surely raised the
interest to study greek to see those other meanings by
myself in the context of understood text to see if any or
both translation is valid. Sacred texts could have
multiple meanings, that would make them special.
Maybe the same way multiple maenings can exist in the
alphabet:
Abe
G-D (the invisible face in the centre? from C to D
the moon goes through the new moon. New moon in the
centre. The baby, the one you cannot see.
Eve
?? gh? zh? hθ?
ΘΙ фей
LMN (element (samekh is s? eLeMeNtS?))
опрст? опрсту? ѹпрощю? опрости? прости? прст?
б-г
G-θ
ilmno элементарно elemen-no ilmn-o
прст прости
imln? imnl?
это очень слабое прочтение, если оно о чём-то говорит,
так это что ..что вторая строка смущает,
непонятна. но Eve же.. а остальное? θεά, Gea (Γαία)ζωή
(that
́ doesn't even mean ́, so why is it
there
in ΖΩΗ they don't place it)
ах боже dea
еva (eu fea) жиза
и мы alone (элементарно)
о прости
Я гадаю? Я угадываю.
б-г and g-d in the beginning and prays~praise~прошу~прости
make abc a prayer.
aFR is toEN,
so abc is to бог (they say that old bible is without
spaces)
a б-г,
ёж зийк леон? nice guessing but M is lost. ёж зи йк лм мн
all these are poetry, and I asked
not to send me poetry, yet I want to write songs, yet I
don't know how, so am I to be a musician, if music is
not what's t ot play in my mind?
I shouldn't also listen no other
scholars, especially when they're openly satanists. He
is a catholic priest, surely he could be an angent to
poison the well for atheists and such.
б-г, devs (and ev do follow d, so is s z? a б-г devz (да
us?) a bog? hey боже?
abe g-d evz?
и коли мы на от он покой рцы .. опору sit?
гада́ю угада́ю
гада́л угада́л
prefix у seems to pull the time of the virb one position
forward.
past to the present and present to the future.
suffix l seems to push the time of the virb one position
backward.
And it is interesting, that у is U the V, and l is л the Λ
past is above, for texts are written from to top to
bottom.
(if it would be the other way around, wouldn't I say that
runes wrote from bottom up? But it is not the case, the
texts of modern kind are top to bottom)
ab б-г g-d de ev vz zi im mn nl lo op pq qr rs st tv? ends
in tu? quelle raise set tu? when all you have is a
screwdriver, everything looks like a screw.
It is not serious, to guess across the languages, start as
greek in english and russian, to go hebrew, to end latin
way, so is it why I cannot see it? бог и god в начале c
прости или praise tu tells that it's both russian and
english, that it's cross-language.
I would ask that antichrist about
what he can read in the alphabets in greek, but then why
would I care.
So I only ask my Muse.
Mem and Samekh could be Muse.
Hans would say Mother, father above mother, is child in
between?
BD батя (bad (bust? бэд))
MS мася (good (путь? музы (and there was music.. and wonderful roses))))
if it was that primitive, there were no in between of firm
male and softer female labial and lingual.
маня-маманя? because if ᛒᚦ is one pair, some ᛘᚿ or rather
ᛘᚴ (for better graphic duality) should be the other pair.
Or ᛘᛚ? моль is moth, so who knows if there's a link
between moth and mother.
moth is мяхка, хрупка, а мама мяхче, дороже?
叫 [cháo] (call) sounds in such a way, that it's hard form
me not to suspect it being Ч(ча) and О written right to
left (they write in columns from right to left, so why
would they not write characters from right to left in the
past? How would I know if they did or didn't?
В D
F Г
M L(Λ)
П Т
and that Г(r?) L thing made me see that T is the final
letter. 𐌚 is F, S and Г are both C
(and that is why ᚦ reminds D much more than Г, and ᚦ is
half ᛒ (as ᚴ is half ᛓ!)
В D
F 𐤂
M Λ
П Т
by egyptian tradition, it is fair to say that 𐤂 [Г (r?)]
looks to the right and Λ[L] looks to the left.
(by egyptian tradition of
hieroglyphs looking at the beginning of their lines, you
know me)
armor is armour
and color is colour
but or is not our
अआइईउऊऋॠऌॡएऐओऔअंअः कखगघङहचछजझञयशटठडढणरषतथधनलसपफबभमव
०१२३४५६७८९
अआइईउऊऋॠऌॡ{एऐ}{ओऔ}अं
अः (these two are not in groups,
so they're diacritics)
in that the line of vowels is mostly redistributed to the
consonantal colours
What an interesting glyph: ॐ॒॑॓॔ॕॖॗ
अं and अः are merely diacritized glyphs, yet they're in
the list
are ईऐओऔ not diacritized? yet these are given their own
glyphs even.
so hindu philology is a mess, but
then I only stepped into the field, I am yet to figure
out what is what.
but then they're not changing the nature of the vowel,
only prolongate it, such prolongations are ॠ to ऋ and ॡ to
ऌ
अं is postfix m (am)
अः is postfix h (ah)
labial before lingual otherwise
and there are also ॲ / ऍ (ê [æ]) and ऑ (ô
[ɒ])
It's hard for me to study this field, because whenever I
read about it, I read it in hindu accent.
(and their philology does sound all messed up, mostly
because of the terminology: aghoṣa is just voiceless, so
why wouldn't they call it that? don't they know english to
properly translate their terminology? so it doesn't help,
but then maybe they wanted us to learn their language? a-
is -less, like of which english also has, so ghoṣa should
be voiced? but it's saghoṣa, and if sa is with, then
russians have a symilar prefix, and then з in звонкие
could be that very prefix, then вон would be phone. but russian is dirty in that вонь is
stench.
so to wrap it for now, here are some tidbits from wiki:
ᛒ Δ
F Г
M Λ
П Т
𐌚 𐌔
thinking of Г and L from the previous of such seances
being гight and left, I cannot help but go
B Dexter
𐌚 𐌔inister
but 𐌔 goes before 𐌚 in the alphabet
поколение по колено (ped being both leg and kid)
But then there are other writing systems from the region,
and some of them are way more systemic:
here's Lampung (some ancient "brahmic" writing system
being in use before the muzzos came)
notice how m is double п,
how г and п oppose eachother with its voice-voiceless
pairs are being its diacritized form (so that the
diacritics stands for neither voice nor for voicelessness,
but for the ..invariants, as I used to say)
and then I can see that m is
not double п, but it's another invariant of it, so that p
is the basis of b and m.
k and s are invarians of g, which is very similar to
european C which used to be G, and now is k or s
n is double г!
their t reminds our t, and isn't ng gt? or rather is it
tg? because it's right-to-left one, and it makes more
sense this way.
But other than being abugida, what is brahmic about it? I
guess they grouped them by geographic reasons obeying the
preconceptions of whatever. Here's brahmic, and it has
nothing in common:
:so it seems at the first side sight
but then some shapes are very similar:
notice how pa reflects kha now, and though most of that
structurality which is preserved by Lampung is gone, yet
some rudiments of it can be seen in ma, but not in ba
And though they seem reflected, it's no wonder: brahmi
goes left-to-right
Brahmi is way more mutated: gha being a double or
otherwise modified pa doesn't make sense.
sa reminds ma now, being a modified pa, so it's all so
much messed up, so I would study Lampung before going into
any other brahmic writing system.
But then trying to make sense of Lampung only brought me
this far so far:
probably la belongs to the ga band, but then ra shows
that they're both,
but L~Г link is legendary: Λ~𐤂, λ~ג, etc (but then, is there more? now
there is)
יוֹדֵעַ [iodéa] is literally knowing or know or something
along those lines. interesting, huh?
and gnostic too.
יהודה [ihudá] is Judea, but then many nations (such as
russians) know Judea as iudéa
which that יוֹדֵעַ pretty much sounds
like.
In french it is Judée[жудэ́] which sounds very much like
жыды.
and here's some more geography:
Rusland (dutch name for Russia) is a village in the heart
of GB (an the only nation we all call
Great)
Great Britain is the
the name of the island that comprises of England,
Wales and Scotland that makes up the country United
Kingdom along with Northern Ireland. Greater China
means the China that is the larger landmass and by no
means the official name for People's Republic of
China.
Why is Great Britain the only country in
the world with ''Great'' in their name? Actually Great
Britain consists of three countries. England (or
Britain, same place), Scotland and Wales. Put them
together and that is Great Britain.
wieśPO(country, village) sounds as
вещьRU(thing)
Make villages countries!
is poland closer to europe than россия? do they share the
po in the initial position of their names, but read it
differently? possia пастбище? rus is village, wieś
wieś ~ we-ʃ ~ vi-ʒ ~ village
mieszkaniec [мешка́нец] inhabitant (reminds мещанин,
видимо от место(село) или от вмещается, помещается,
мешается.. пользский может ещё чудовее русского быть)
English is way better, yeah, so why don't we forget all
the other languages? To do what exactly? To speak
different languages to be able not to understand the
others, to prevent them from imposing their rule.
We should not allow others to dictate their rule over us,
if we're not doing anything wrong.
According to who? How do you prove
you're not doing anything wrong and to who?
I imagine a perfect society, a state in which I'd like to
be, but then I don't know anything about anything. I
didn't even imagine the consequences of removing an upper
will: that will slows down or moderates wills of other
people. How does your village fight crime if criminals cut
it out? Those perpetrators should be transmitted to the
neighbouring villages, so that those people fight or
flight them.
I am an inventor, testings are needed. First let's try
several regions to implement that new way of doing things
(not to control the regions) and see what happens: other
regions will attack that region to prevent such reform in
their wotchinas (районы, на которых они смотрящие (watchers watchmen))
I want direct democracy, but as they (((politicians)))
say, a conversation with an average voter is the best
argument against democracy.
We should take tv out of hands of jews to have educated
voters, but I can see the power which is against such
reform. I wonder if it ever happens, but then вера города
берёт. I need something stronger, to take over the world.
Magic is the key.
Magic or science? Science is to understand the world,
magic is to change it. Magic is technology.
Be
Do
Five
Four
For oF
iF
Go
He Him His
Here
Hi
High
I
Jack
Kid
Kidding
but at J I began to use words not that basic, I should
have skipped J and K and LK
aM Me My
No
aRe
iS
To
There Then Than
The This That These Those
They Their
Them
(эти две на одном развороте)
Think Thought
Thin Thick
We
What
Who Whom Whose
Where
When
White (незаполненное? what?)
Wild Word Wind West(on this page west-north-east-south
are all given in a compass)
You (bukva V showing at the reader in some spectacular
way)
(also refers to we being its inversion, as for and of are
(as до и от are in russian))
to ты
от us? ons? -off ~ -us?
Be Go Do
Go~See
Do and Die are antonyms because one is Woo! (бу!) and
other is ай (ouch)
aM
aRe
iS
Be c d e f g h i j k l aM n o p q r S t u v w x y z? or Am
Be iS aRe or Am Be aГe iC (as R is before S (and that
makes c staveless d (Ч(4))))
ЗЧ are great 34
I?ЗЧ would be 1234 (and though ? does look like 2, it was
there to tell that I cannot find a good 2, but then.. ɪгзч
and those igzч are somewhat eastern-order (compare to
japanese agasatana)
Aз Вы Сии(they, this(сие))
Grammatic structures within alphabet:
1) A B C ~ Aз Вы Сии(they, this(сие))
2) Ʌ I V [a i u] a(one) I(me) U(you(Вы(V))
and this tells Ʌ to take a walk: I and V are more
fundamental in every conversation. I and V are the first
two digits of roman numerals.
(a i u are the only three vowels in old-persian and most
of filipino scripts, and I have to compare them to
lampung)
3) O eRe eS esT
(whether it is what was actually placed into the alphabets
by their creators or is it a poetic interpretation of it,
it is remarkable)
г and п reflect each other in both system, even though if
lampung.. and wiki doesn't know such script; omniglot
does. wiki though returns something very similar, yet
different:
Rejang:
isn't it lovely! so similar to what I
called lampung, yet so much more distinct.
Very similar!
I think I should compare them
Ngga!
So, I compared them:
And I saw directly identical shapes, just written
differently, and it made me wonder if that gha I didn't
find is that Ngga! (and they messed up by transliterating
the samy glyph and Nya and Nja in Rejang)
And this one has its unicode block: ꤰ ꤱ ꤲ ꤳ ꤴ ꤵ ꤶ ꤷ ꤸ ꤹ ꤺ
ꤻ ꤼ ꤽ ꤾ ꤿ ꥀ ꥁ ꥂ ꥃ ꥄ ꥅ ꥆ
these look somewhat different in my browser, well, let's
compare the order to be sure:
And here it is more difficult for me
to connect gha to ngga,
for the л-shape is the opposite of pa
(but then nothing stopped their Sa to be just sticks
with no hook,
so what would stop the stick to have a hook the other
way around?)
ꤰ ꤱ ꤲ ꤳ ꤴ ꤵ ꤶ ꤷ ꤸ ꤹ ꤺ ꤻ ꤼ ꤽ ꤾ ꤿ ꥀ ꥁ ꥂ ꥃ ꥄ ꥅ ꥆ was tricky,
but they go in this order,
so I did it:
ꤰka ꤱga ꤲnga ꤳta
ꤴda ꤵna ꤶpa ꤷba ꤸma
ꤹca ꤺja ꤻnya ꤼsa ꤽra
ꤾla ꤿya ꥀwa ꥁha
but then the order changes and ꥆa is in the back
and here order also goes differently, which may indicate
a reform, a late addition.
ꥂmba ꥃngga ꥄnda ꥅnja
So rikung-rijang unicode placing ꥆ at the final position
explains that vowels in the eastern-orders are not first,
but the last. In hiragana-katakana they're the first. And
in iroha too, though it's i there.
ꥃ the funniest glyph. I'm gonna make it a meme
and here's some more on this from an academic paper:
Tifinagh and Brahmic remind each other by those dots:
ⴰⴱⴲⴳⴴⴵⴶⴷⴸⴹⴺⴻⴼⴽⴾⴿⵀⵁⵂⵃⵄⵅⵆⵇⵈⵉⵊⵋⵌⵍⵎⵏⵐⵑⵒⵓⵔⵕⵖⵗⵘⵙⵚⵛⵜⵝⵞⵟⵠⵡⵢⵣⵤⵥⵦⵧ⵰⵿ⵯ
𑀀
𑀁 𑀂𑀃𑀄𑀅𑀆𑀇𑀈𑀉𑀊𑀋𑀌𑀍𑀎𑀏𑀐𑀑𑀒
𑀓𑀔𑀕𑀖𑀗𑀘𑀙𑀚𑀛𑀜𑀝𑀞𑀟𑀠𑀡𑀢𑀣𑀤𑀥𑀦𑀧𑀨𑀩𑀪𑀫𑀬𑀭𑀮𑀯𑀰𑀱𑀲𑀳𑀴𑀵𑀶𑀷
and also by tifinagh ⴻ being ə at the position of e, and
brahmic 𑀈 being some i, and in some fonts also looking
like a vertical stick with dots at its sides, only in the
centre those dots are (and that is how FireFox shows it,
SeaMonkey shows it as quadratic ⵆ)
Those are so interesting, but who has time for it?
May be lay out ht e (those are ther) foundations, or maybe my
foundation will be left behind and those who come after me
do it from scratch.
So here's some brahmi
containing the ī I was speaking of:
(and now I wonder what is the text
to the left, like what language, what writing system is
that?)
Whether their culture is ancient or not, it seems to be in
a dismay. All the visual noise in the background, all the
uneven lines, like low culture man, but hey, they have
better:
but still even in this, the best so far, the lines look
uneven. Unless they're all high and see it in 3d, it's
3d, another culture,
let's not judge before we know it.
Kannada script:
it reminds tifinagh a lot:
ರ [ra] ~ [r] ⵔ
ಠ [tha] ~ [s] ⵙ
(kannada on the left, tifinagh on
the right)
ring and sun?
Tifinagh is weird: ⵕ and ⵚ are ṛ and ṣ
(also as ч) r ~ г ~ c?
& s is upside down c?
I wonder why these tifinaghs don't show vowels other than
a (and y isn't vowel)
Because compare them to this:
ⴰⴱⴲⴳⴴⴵⴶⴷⴸⴹⴺⴻⴼⴽⴾⴿⵀⵁⵂⵃⵄⵅⵆⵇⵈⵉⵊⵋⵌⵍⵎⵏⵐⵑⵒⵓⵔⵕⵖⵗⵘⵙⵚⵛⵜⵝⵞⵟⵠⵡⵢⵣⵤⵥⵦⵧ⵰⵿ⵯ
so do tuareg scripts not have vowels or is it a fluke?
The muses are told to be the mothers themselves, nine muse
(those we're taught today) used to be three muses, and
some said it was even one.
Past Present Future
Math Texts Music
A
E U
Lyrics Tunes, Grooves, Loops, cuts? sumples?
(no, kʌts and sempls)
ee~i
Tones (oo~u) o~ɪ? o~ו! but u~ו too, but then is v ע ?וו is
literally o the 𐎓 (double 𐎂? 𐎂 is gamma, digamma is F.
F~V!) ~beware~of~hebrew~(double~vav~is~before~eyn)~
Г the yang
V the yin?
𐤂 & V!
but why in different alphabets? not to see it, the secret
of the Г ~ V duality is probably protected, but I'm sorry,
conspirators, science has rediscovered it, and you
probably don't mind, because the conspiracy (if one took
place) was sugubo in the past.
сугубо has that губо of губить in it. губами губят
выпивая, поедая.
and is it because it can be translated as finally (can
it?) or what is even the etymology of that word?
сугубо~сильно(сгибает? настаивая?)
Сегодня это слово употребляется в значении
«исключительно, совершенно, полностью, всецело», но так
было не всегда. Исконное его значение было совсем
другим. Сугубоватися — существовать в двух вариантах.
Сугубина — двойное количество, парный орган, прибыль,
двоедушие, лукавство.
Three mothers being past, present and future and math,
lyrics, music at the same time maybe because math humans
learnt to write 50 thousand years ago. written texts
hardly ever existed before 5 thousand years ago. Between
those points in time tens of thousands of years of
mathematical texts. What am I talking about? First marks
placed for a reason and first actual textual writing
systems.
A number of anthropological artefacts have
been conjectured to be tally sticks:
The Lebombo bone, dated between
44,200 and 43,000 years old, is a baboon's fibula with
29 distinct notches, discovered within the Border Cave
in the Lebombo Mountains of Eswatini.
The so-called Wolf bone (cs) is a
prehistoric artefact discovered in 1937 in
Czechoslovakia during excavations at Dolní Věstonice,
Moravia, led by Karl Absolon. Dated to the Aurignacian,
approximately 30,000 years ago, the bone is marked with
55 marks which some believe to be tally marks. The head
of an ivory Venus figurine was excavated close to the
bone.[2][3]
The Ishango bone is a bone tool,
dated to the Upper Palaeolithic era, around 18,000 to
20,000 BC. It is a dark brown length of bone. It has a
series of possible tally marks carved in three columns
running the length of the tool. It was found in 1950 in
Ishango (east Belgian Congo).[4]
I believe I saw a neolythic tally-stick with what was said
to be an addition exercise..
Counting in prehistory was first assisted
by using body parts, primarily the fingers. This is
reflected in the etymology of certain number names, such
as in the names of ten and hundred in the
Proto-Indo-European numerals, both containing the root
*dḱ also seen in the word for "finger" (Latin digitus,
cognate to English toe).
Early systems of counting using tally marks appear in
the Upper Paleolithic. The first more complex systems
develop in the Ancient Near East together with the
development of early writing out of proto-writing
systems.
I think that Ishango bone is the one
which is told to be some arythmetic, and they tell that
Lebombo bone is probably a measurement of a month, a
primitive caledar, for women, because it has exactly 29
tallies, but then it is broken as the marks went, so who
knows if it didn't have more. Or is it was broken,
because somebody erroneausly added more (as we have 30
and 31 in our months, totally out of tune)
So math we know from the past, texts we write are current
technology. And probably they only wished to have musical
notation, and before Pythagoras we probably didn't have
any. Or probably we had some. five vowels + B&T could
be that musical notation, ba would be different from ta by
the instrument maybe. Ba is барабан, Та is string, струна,
рука! бит ногой, 𓃀! and other wave is made by hand, thus
𓂧!
B and D
and if we wrote from bottom up, as runes and ogham can,
then we'd have them as
D
B
and if we wanted to show C for Спина, then
D
C
B
or
Δ
Γ
Β
or, really, when there were only B and D (B&T)
ᚦ could we draw hands that bad? there
were times when we couldn't paint
ᛒ well, most of humans cannot paint well
to this day, but they would draw better hands
so tongue and lips is much better interpretation. And that
is why they look differently in different nations: norsk
runes show ᛒ & ᚦ as lips and tongue (were they
beatboxing what egyptians played and thus showed them as
𓃀 and 𓂧?)
Buddha, what a word!
I wonder if Dispilio Tablet is text,
They say, that it's some random decoration, but I can see
some peculiar moments: it is not carved all over, but with
some short strokes it's carved, and the strokes are of the
same depth, which means systemity. And I can also see the
horizontal lines made of those strokes in the very centre,
as if they wanted to separate two texts one from the
other, so that is a строка. My guess, brand new, I didn't
see anything in it before, as many don't. Let's keep on
looking into it and study cuneiform and linear B, maybe
some ten or twenty years later I can see it for what it
is.
Math ~ Path ~ Past ~ Mast
Myth ~ Miss (and Missis) Mist?
Mus ~ Muse (but then are they all three not?) Must! or is
orthography disinforming me?
Moth? Meth? (there's no muth, but these two are)
Muth is mouth in Old-Frisian and Old-Saxon [ˈmuːθ]
Muth being mouth makes perfect sense, for music is of
mouth, when ᛒ and ᚦ are lips and tongue.
Math is of Marks, Myth is in images? as churches are
covered in their myths. I-mages?
Math (mind)
Myth (eyes) Mith, My eyes!
Muth (mouth)
A
I and this would look more to the point
as 一ー [i:] (or was it just 一 the ꟷ? one бров one love?)
U
あ
い
う looks more to the point,
with あ being hair (with a hair pin at the top (A is the
forehead with the hair tied together))
with い being two eyes (the strokes probably show that they
(as the eye-lids) open and close up and down, and う is an
open mouth with a moustache above it (or is it a nose? m
and n are nasals)
We can distinguish tongue's vibration of N from lips'
vibration of M, even though all air flow goes through nose
in both cases.
what a great way to study japanese:
I didn't catch the second one, but nakanaru like naku of
nai (no) and naru (become) is awesome.
also how noEN is naJA
the same way soEN is saJA is almost incredible.
Тула and Тверь have so similar names they could be
cognates.
(Tvl and Tvr)
And if you look from moscow to the Europe, tuLa and tvRь
are literally L & R.
And this is a good example of what this story gives: the
look at the world from some unexpected level. You would
never look like this to see the next European Capital.
tvL and tvR (good Left & good
Right? only jews would know tov)
Великие Луки (великие руки (длинная
рука москвы))
A heAd? the Aid is in the head (the memory of sinful
events torturing the sinner?)
I eyes are I's
U уста [ustá] is mouth in russian
устье реки = river mouth
and what is even more pardoxical is that исток реки is her
head (also springhead, fountain,
source)
source has that ur sound which combines u and r, is it
some specific phoneme of Ur? could the name of the centre
of civilization of a moment be influcening
influenting such deep words of other languages?
кроме как бессмысленной пары париж и впарить (как в
анекдоте про пизу) может по праге прогуляться, но это лишь
поэзия не более того. хотя, стоящие часы дважды в день
правы.
B D E F Г I
meat taking off the body so that B is Body, D is eДа? 𓏏
as a loaf of bread.
E is skElEton
F is Forward, Future (even some bone is gone)
Г is Gone
I is итог, исчез, иссох, ice
I wonder how Google's motto (first being "Don't Be Evil"
now being "Do The Right Thing" is not
"Be GooD" since they rebranded as Alphabet.
Also check the L looking like S:
I'm watching Marie Cachet's videos on runes, which I
wanted her to make, and her approach is unique, she's not
retelling the common knowledge, she dares to give her own
interpretations, and though they're dubious, it is an
encourageable effort, good for her. Let's talk to her now.
so many cognates can be seen:
valda is of will and владеть
róge is of rogue and rude and red and ру́гань, руга́ть
Fehu and Fé.. not so much. Are they of some other
language? Of some more ancient language?
The other word for antler is buckhorn, and that is a name
of a plant. Could runes be associated with plants the way
oghamic alphabet is? And I can google: "Two of the runes
are specifically linked to trees. Eiwaz represents the yew
tree and Berkana, the birch tree. The yew tree is a symbol
for Yggdrasil and is linked to death and the everlasting
realm beyond death. The tree is poisonous and its wood was
used to make long bows for hunting and war." well, you may
know more.
er is of are (and est is closest in russian and latin (rus
is village in latin, which is in accord with that word
being used in the sense of oblast they call kievan rus and
novgorod rus now.
frænda is friend or friends(?)
róg is tears, рвёт, as with a horn
is ok = og (and (nd~ŋ?))
flóð = flood
viti = ? свети? увидь? vision? ведать?
graf = grave
seiðs = sage?
gata is way, from "go" then.
fylkir probably has something to do with fuhrer, and
probably with follow and вел (вёл is the opposite of
followed, but probably it's the dual process, and where
one tells follow, others say вели́ (this word is both "led
(the past tense of lead)" and "command")
aurum is latin for gold alright
But why do you translated it as an entity separate from
the poem?
In other sources they translate Fé as Wealth, and then
the double words by which Fé is described are kennings,
gold's leader is a wealthy man. Fire in the flood is a
successful guy, who manages to keep his spark up even in
disaster, maybe because the castle is on the hill.
But let's criticize others too:
Is there a chance that ᚠ of ᚠᚢᚦᚨᚱᚲ(ᚷᚹᚺᚾ)ᛁ is (ᚨᚩᚪᚫᚬᚭᚮᚰᚯ)
of ᚨᛒᚦᛂᚠᚵᚼᛁ (B is V in russian, ᚢ is V, ᚦ is at the same
third position, ᚨ and ᛂ are both vowels, and englishmen
read a as e, so it seem it didn't matter which way the
glyph was turned, letter was a letter, or, it's merely a
speculation. but ᚹ is amongsht h's and both ᚺ and ᚼ are
h's and ᛁ there follows, and after I's we have
ᛃᛇᛈᛉᛊᛏᛒᛖᛗᛚ(ᛜ/ᛝ)ᛞᛟ in futhark and in the alphabetic
runestone from Bornholm ᚴᛚᛘᚿᚮᚱᛦ(if R, or ᛣ if Q)ᛋᛏᚢ and
both end in ᛟ and ᚢ who are similar letters (oo is u in
english) and ᛞ(d) (double ᚦ?) is not that different from
ᛏ, and that very ᛏ in "futhark" order goes right after ᛊ,
which is another shape of ᛋ and ᛋᛏ in one sequence is ᛊᛏ
in the other, and ᛇᛈᛉ looks like OPR, and ᛃ after ᛁ is
literally j, so the sequence has very many rudiments of
alphabet sequence, but is it possible that they
mistransliterated ᚨ as ᚠ (many amateurs confuse the two,
or do they copy some other artefacts?) ᛗ and ᛚ being
placed past T could tell that they are of later origin,
but then this research is only in its infancy, but I felt
like sharing it to tell that if you're wrong, you're not
the only one who's wrong. The different order, and
it being broken into ættir, thus keeping the connection to
Norns, who are known all over the cultures under different
names, and in the greek myth about the creation of
alphabet they're the creators of it as well, and the way
that myth holds in the norsk tradition, and graphic
similarity of runes to archaic italic scripts predating
latin, and to paleohispanic syllabries, which are
structurally more ancient than runes, and could be the
source of all european alphabets, and not phoenician,
which is in no way different from modern alphabets in its
structure, it even fell further from grace by forgetting
vowels, even though rudiments of them still can be met in
the letters, standing at the position of vowels, when you
compare the alphabets.
(two words) and (two words) and (two words) yeah, those
are kennings
if Fé is wealth, fee is a great cognate to it. If it's
antler, what are the possible cognates to Fe of Feoh? If
it's wealth, it is also the root of pay (and being the
first letter probably also of buy, and here the short-twig
ᛒ the ᛓ come in handy. Are ᚠᚢ actually ᛓᚢ and in direct
relation to russian БВ [bv] in their abecedary order
ABVGDE.. they started telling to us about abecedaries and
their origins long befor they knew something about them. I
think only few scholars ever did comparative analysis of
the writing systems, and those works are rudimentary and
it's fair to say that we humans only started to understand
these things. And about the B being the first letter, it
probably was the first letter: it is the first letter in
ogham; it is the first consonant, and as such it would be
the first when it was syllabary, and is it a rudiment of
syllabaries, that they to this day teach as as ba bi bu,
or was it ba bu bi (in ogham vowels go not in aiu order,
but in aui order) and there's a joke about babubi, the
joke was presented to me as "how the first language
appeared: three ..neanderthals gathered together, one said
ba, the other said bu, the third say bi (the joke is that
in russian бабу бы is "I would have a woman" or "we would
have a woman" it's "woman would be nice" and it's only two
words because babu is Accusative case of baba (which is
both granny and a rude (probably by being archaic) form of
woman (not necessarily rude, some people are that rude at
their normal settings) and a cognate of babe (which would
be Genetivus of baba) and bi (бы (in ukrainian it would be
би, if they didn't reduce it to б, they write ы as и and
in russian и is i in aeiou vocalization of аеиоу (now
there's vowel ё after е, but it is rather recent
addition))) so I got distracted, бы is would
wood
if vowels were endings in different colours of cases, then
o would be u, because ending o doesn't mean anythiong, but u does: баба, бабе,
бабы, бабу (and и would be read in ukrainian way)
but then comes out ablativus: бабой
and in japanese vowels are endings of the verbs. I think I
should compare the two vowel-sets and their semantic
symilarities if there are any.
and is it a similarity, that ба́бы of singularis genetivus
(there's also plural nomenativus бабы́) is a double of
бабий, and that い is directly ий for as russian adjectives
end with й, so that い also makes adjectives in japanese,
but not directly a similarity, proximity though, affinity.
бабу is no way a simple form, but бабе could be an
imperative (hand it to her)
so it's hard to say, but it surely may facilitate
memorization of e-form.
and that pdf had the other part:
it is a great educational material, only I'm not going to
delve into it right now, let's talk our stuff instead:
БВ ГД
BV GD
of russian alphabet may tell something.. bo vu gi da?
bhagavadgita?
The Bhagavad Gita (IPA: [ˌbʱɐɡɐʋɐd
ˈɡiːtɑː], Sanskrit: भगवद्गीता, romanized: bhagavad-gītā,
lit. 'God's Song'),[a] often referred to as the Gita
(IAST: gītā), is a 700-verse Hindu scripture, which is
part of the epic Mahabharata. The Bhagavad Gita is dated
to the second half of the first millennium BCE. Even
though Hinduism includes several denominations, the Gita
holds a unique pan-Hindu influence as the most prominent
sacred text. It has been noted that if there is any one
text that comes near to embodying the totality of Hindu
thought, it is the Bhagavad Gita.
From B to Ta (त is the first letter of the last lingual
group)
प and त reflect each other as other b and d pairs, only
here it is p and t, similar to f & t.
(you can see it more clearly, if you know that the upper
stroke is the stave, and in this sense not a part of the
letter.
But if it's called the god's song, then could this word be
attributed to something else at first? Because the text of
it doesn't even start with b, nor is it very oh-wow, I
didn't dig into it, excuse me.
गीता [gita] song
From the root गै (gai, “to sing”). Cognate
with Avestan 𐬔𐬁𐬚𐬁 (gāθā, “form of strophe, metre,
namely the collections of Zarathustra's songs, the
Gathas”).
The Gathas (/ˈɡɑːtəz, -tɑːz/)[1] are 17 Avestan hymns
traditionally believed to have been composed by the
prophet Zarathushtra (Zoroaster). They form the core of
the Zoroastrian liturgy (the Yasna). They are arranged
in five different modes or metres.
The Avestan term gāθā (𐬔𐬁𐬚𐬁 "hymn", but also "mode,
metre") is cognate with Sanskrit gāthā (गाथा), both from
the Proto-Indo-Iranian word *gaHtʰáH, from the root
*gaH- "to sing".
and these songs also didn't touch
my heart today, maybe later I return to them, it takes
many approaches before you can grasp something that big.
And the image is important, because Mazda (the Ahura
Mazda) asks asha (knowledge) something, and there asha
is described as what it is basically, and as some early
philosophy it is surely is interesting. I definitely may
give it another try. The quote on the title page is also
bad-ass.
Ameretat as a cognate of russian Неумерание
неумер неумирание неумирает, неумер
неумирать is very cool.
So is this double triangle zoroastrian? Solomon's seal is
five-pointed, as their grammar of sefer yetzirah separates
the alphabet into five groups. And because old-persians
had only three vowels, I cannot help but think of
two-vowel system of triangles: ABG & EFJ (literally
EFI.. and where's Г? is G Г? or is it ABD? the only
alphabet, in which the first-line is tirliteral, tells
ᛆᛒᚦ)
ᛆᛓᚦ [abd]
ᛅᚠᛄ [efj] (
why is ᛄ[j] so similar to ᛳ[oo]? not more than
ᛡ and ᛄ are both staved forms of ᛃ
(but then some ᛡ-like runes are actually ᚼ, but that is
all J, it behaves this way.
ᛁᛃᛇ in elder futhark is
ᛁᛄᛇ in old-frisian
and after that vowel claster what follows is pi and ti
(and with an R betwiin
between them)
ᛈᛉᛋᛏO-F and ᛈᛉᛊᛏE-F
are literally PRST
are they two different runes? this subject is rather
complicated,
ᚠᚢᚦᚩᚱᚳᚷᚹ ᚻᚾᛁᛄᛇᛈᛉᛋ ᛏᛒᛖᛗᛚᛝᛞᛟ ᚪᚫᚣ ᛠ ᛡᚸᛣᛢᛥᛤ:
Later Anglo-Saxon Futhorc (8c.~12c.) is said to be 33-type
Fuþorc, but it has 34 runes
ᚭ and ᛓ reflect each other as a and б
Abe
Б-г
G-d
DEuͣs (and
ity under us)
Eve?
Fag Gah (thus g is
zain (z stands in the place of g in greek and russian
merges z & g as as z
& ))
z=ass=S (AMS (амиши (они узнали еврейский секрет и живут
по старинке (глупый секрет? (не знаю, может дело вкуса и
генетически-обусловленных предпочтений (всё смесь генетики
и впечатлений))))))
Hi
Ik
call
l-m?
man.. Now let's try to play with
IMNL
Hi
I'm
Man
No
L? не мир но меч? no
love? pray to remove something?
Up
pick
querre
(guerre)
Rasta! (выращивапй
(п was some истая autowriting, it felt as if I would
hicked inside (hick is a single hiccup!) ))
This second part (also L is missed, with L it would play
even that) tells that it's quite random, so the magic
alphabet goes not further than
Was jay placed to make that call joke call? to sweep
dilettants from the line?
I-j(I[ай]) j-k(joke) k-l(call)
K-M (come) would be a good sequence, and was this changed?
This sequence is different in differnt nations. Call LaMb?
LaMb = La Mb (m~ا ,𐩣~l (I don't know how your browser
shows what's in the previous brackets, but there should be
m~ᛒ-like south arabian 𐩣[m] and after comma arabic Aleph the ا[a] being compared to
L, just as Ʌ is a, and Λ is l))
is LamB the key to IAWB
(it came from T the L being opposite to B the B, and am
being aum the a and the u (W~M, v~ν))
All is an abstraction such
that jewish El is quite that thing,
I think, as creation is a continuation of the creator.
alef is L and F (1 & 2) and they could easily be
the T and B (but it's later mindless addition is exposed
by the inverted order. The direct order is B and T, and B
and C, B and D are just in that order.
BeTa tells B & T. Delta is porbably a later addition.
And what about gamma? Г𐤂
and M?
is beta B-D
is gama 𐤂-M ?
a line of normal (including B, V, P, F, D, Z, T, S, G, K,
H)
an a line of sonor (including M, L, N, R, molenaar? miller
in dutch)
but that 𐤂 is not L, but Г, which I saw as Ŋ, thus some
sonor G, and it would explain K amongst sonors (I didn't
place it there by the line of reasoning of how g
is both д and g, but who knows really) J is also
sonor sometimes.
Wanted to explore what is behind 𐌵 𐌷 𐌿 𐍁 symmetries,
𐌵 𐌷 𐌿 𐍁 are q h u ? 𐍁 is also q, for it is told to be
From Ancient Greek Ϙ (Q) (koppa),
but it is also told to be The eighteenth letter of the Gothic
alphabet, with a numerical value of 90 and no phonetic value.
so what is the 𐌿 anomaly? or is it directly from ᚢ? but
is the order genuine? for there it is at the valid,
pre-labial position, but in Bornholm's alphabet ᚮ is in
that position, which makes the union of Ɔ and U in ѹ and ꙋ
and Ꙋ and ו! making so much more sense.
𐌿 and 𐍀 look so similar, that it's hard not to think
that labiality was presented that way.
and even 𐌷 being h reminds labiality in that ha gives
birth to wa, ba, pa in japanese
So 𐌵 and 𐍁 oppose them as q opposes b?
so is 𐌷 a form of b? the gothic way, the way they also
don't close loops in 𐌱 and 𐍂
(telling that K~R the way B is b? R is Р, and P is П, gosh
it is complicated, andп(п) looks like n(n))
Speaking of signatures, check the funny mess of Bill
Hicks's one
s is recognized in the end, unles that loop isn't x, well,
those swashes are artistic, you should have seen my
signature, you'd think I'm illiterate.
Be Do
Eat Go
Meat God (got is past form of go? no, of get. is get past
form of go?)
drink ~ dr?-ing ~ during (drink we should during the day)
milk? (I drink milk, luckily for me I can drink up to two
litres a day, and so my belly doesn't hurt, it seems we're
in some symbiosis with the cows)
Bharat is a silly-sounding name,
but it is an alphabetic name.
(maybe resemblance of Borat gives it
that silly vibe)
татарское зур (зур рахмат, зур беляш) is a cognate of
deutsche sehr (sehr gut)
Аллах ~ Араб
Jove ~ Jew
jhvh (h is some vowel? silent when do not know the vowel?
omitions in texts are to test foreigners and dumb natives?
Why is jewish name for god is so much roman? Because
romans are their superstrate.
(romans occupied palestine for.. I
think centuries. one century)
Palestine under Roman Control: 63 B.C.
to 66 A.D.
but then they answer differently if you ask it
the way it told you when you searched for it the way
they told you to after you typed in "how long did romans
occupied (britain
Pompey conquered Judea in 63 BC. The Sasanians
conquered it in AD 614. So the Roman empire ruled it
for 677 years.
different sources give different stories.
I think I know this because Rome was strong for
centuries in that region, so they influenced that region
good.
Русь ~ Род (Россия ~ Родина (Едина ~ Eccия(Мессия)))
это к тому, что поскольку бог относится к народу, который
в него верит, то и имя бога сродни имени племени. Потому и
Я ~ Jah, что народ по местоимениям могли определять
(отражения местоимений вроде ya (you in english and dutch
and I in russian and such; we is we in english, but you in
russian (вы))
Naм & Им have this symmetry, and in russian N used to
look like N (now it loos like H: Н) and this lexics is
definitely from the period, when russian Н[n] looked like
N n ~ п? n ~ п! then p[p] = р[r] and then n~r (so
fire is fine (naturally fire was named by
fire-worshippers. Fire is fine. shine shаR (𒊹) and sun is
sur, šur (are all sonors the same? probably not, but we'll
see, yet l and r is the same in the east, and thus l is n,
but I think these oppose m, and j is with them, a form of
l probably, the ll, a dot is doubling? ё всегда ударная,
но wut)))
ring ning? ring sing. s and r are at the same line, so
it's only natural to consider them the same:
q=r=s=t?
all (but r) are voiceless. r and s are fricative, q and
t are plosive.
They would all be voiceless, if r was placed to the
sonor line.
And here I see how R and K are linked: they're Rei, Roi
and King.
And Rei is french, King is english, so by placing K
instead of R, England have dominated over france, but it
only proves that France was keeping the tradition. Roman
tradition, I think.
And I like my french: roi is king indeed, and Rei is
portuguese
in spanish it's Rey, they use different orthographies to
make addresse known by the language of the letter
(grammata, буква)
In lating King is Rex
So brits've overcome the romans. Rome doesn't
influence them even in religion.
But how ancient is this story? When did we place K
instead of R?
I never saw an abecedary with R instead of K.. unless
I didn't check, I will check it from now on.
Rex ~ Rome (Romulus and Remus, names of the guys, some
rare names.. probably because they were theirs, I
don't know.. and Romulus is normal roman name,
Romulus Silvius (said to r. 873-854
BC), purported ancestor of the founder of Rome.
Romulus Augustulus, the last Western Roman Emperor
so just the way Dans live in Denmark and Ruslans in
rusland, rome is of ромы, рома это буквально имя, но
во всём мире они сегодня известны как Romans, and
Romulus is only popular in Romania. Is it genuine?
Very genuine, their language is very similar to Latin.
An island of Western Roman Empire, which somehow
managed to survive. I should visit Romania. Nobody
thinks of Romania, like why?
limbaRO
linguaLA
This pair tells that nobody notice that consonants can
be divided into labial and lingual, because it doesn't
matter much. Or rather m~n, Მ~Ნ (мы ~ нас)
So what even matters in that sense? limba and lingua,
how would such transfer happen? And limba tells it
better: l is lingual, but mb is labial, which is all
there is in consonants, and vowels are a and i,
basically the basal pair (an unpalatalizing and a
palatalizing)
But then it doesn't negate everything, it just tells
that mb is a form of ngu
кинг конг = король всяких конго и ему подобных
comb is not congo, and combo is not.
not congu
Note what you need (notDE)
Bronze is 10
parts of copper to 1 part of tin, and such proportion
could also influence the decimal system, X for copper, I for tin? in what
language?
Greek:
χαλκός (copper)
but tin is τενεκές and many other words, but none
begins with i, unless tin is дин in один &
единица?
right, as an ammount of fingers
would be not enough a reason.
The other source tells 9 parts of copper to 1 part of
tin.
And wiki tells that in included even more of tin than
that: Bronze is an alloy consisting
primarily of copper, commonly with about 12–12.5%
tin and often with the addition of other metals
(including aluminium, manganese, nickel, or zinc)
and sometimes non-metals, such as phosphorus, or
metalloids, such as arsenic or silicon. These
additions produce a range of alloys that may be
harder than copper alone, or have other useful
properties, such as strength, ductility, or
machinability.
Could this inconsistency be relative to X being
whether 8 or 10?
Tin is 1 part of the bronze, thus it is I (and T
instead of I on those clock could speak about it) and
then X the χαλκός would be whether 8 or ten depending
on whether it is 12.5% (literally 100/8) or 10 (1 part
of tin to 10 parts of copper is a little more than 9%
But then I'm looking at a wrong bronze:
In the Bronze Age, two forms of bronze
were commonly used: "classic bronze", about 10% tin,
was used in casting; and "mild bronze", about 6%
tin, was hammered from ingots to make sheets. Bladed
weapons were mostly cast from classic bronze, while
helmets and armor were hammered from mild bronze.
I'm such a humanitarian, I didn't know difference
between Tin and Zink, and tin they use for Brass
Bronze and Brass are Aereus and Aeris in Lain Latin, which reminds me
how air is metal in chinese five elements.
But Bronze and Brass are two different metals:
Bronze is бронза (сплав меди с оловом (о котором речь
идёт выше))
Brass is латунь (сплав меди с цинком (до 50% цинка))
Во времена Августа в Риме латунь
называлась орихалк[источник не указан 1413 дней]
(лат. aurichalcum — буквально «златомедь»)
By the 8th–7th century BC Assyrian cuneiform tablets
mention the exploitation of the "copper of the
mountains" and this may refer to "natural"
brass.[65] "Oreikhalkon" (mountain copper),[66] the
Ancient Greek translation of this term, was later
adapted to the Latin aurichalcum meaning "golden
copper" which became the standard term for
brass.[67] In the 4th century BC Plato knew
orichalkos as rare and nearly as valuable as
gold[68] and Pliny describes how aurichalcum had
come from Cypriot ore deposits which had been
exhausted by the 1st century AD.[69] X-ray
fluorescence analysis of 39 orichalcum ingots
recovered from a 2,600-year-old shipwreck off Sicily
found them to be an alloy made with 75–80% copper,
15–20% zinc and small percentages of nickel, lead
and iron.[70][71]
and earlier I speculated about
Here, I checked the dictionary, and romans used those
words
aeris aeneus aheneus aenus ahenus aereus aeratus for
both bronze and brass,
chalceus for both copper and brass,
auricalcinus aurichalcinus aurochalcinus oricalcinus
orichalcinus (всё прилагательные) orichalcum
(существительное) for brass only,
auricalcum and oricalcum for brass, golden metal,
brassware.
gold is aurum chrysos chrysus chryseum aureus aurarius
copper (and mostly also bronze) is cuprum aes aeramen
aeramentum (this one for copper only, according to
g.t) chalceus aeneus aheneus ahenus aenus cypreus
aercus
orichalcum as brass shows this thing:
Orichalcum or aurichalcum
/ˌɔːrɪˈkælkəm/ is a metal mentioned in several
ancient writings, including the story of Atlantis in
the Critias of Plato. Within the dialogue, Critias
(460–403 BC) says that orichalcum had been
considered second only to gold in value and had been
found and mined in many parts of Atlantis in ancient
times, but that by Critias's own time, orichalcum
was known only by name.[1]
Orichalcum may have been a noble metal such as
platinum,[2] as it was supposed to be mined, but has
been identified as pure copper or certain alloys of
bronze, and especially brass alloys[3] in the case
of antique roman coins, the latter being of "similar
appearance to modern brass" according to scientific
research.[4]
to indicate, that in the early iron age not only have
they forgotten old writing systems, but they've also
forgotten of brass (I'm not sure if they didn't forget
about bronze)
russian vowel endings may tell some story of how male
and female words change with grammatic changes:
мама
мамы (в русском, как и в латыни, форма родительного
падежа единственного числа совпадает с формой
именительного падежа числа множественного.
маме
маму
мамой
(разве предложный не дательный с предлогом (маме ~ о
маме, мне ~ обо мне, тебе ~ о тебе, ему ~ о нём (вот,
для подобных примеров и нужен отдельный предложный
падеж)))
отецъ
отца
отцу
отца
отцом
об отце (ого, как в ему (сравни с ей ~ о ней (тогда о
нём подразумевает ём в значении ему, и тоже дательный
падеж (является ли фонетическая мутация причиной
придумывать дополнительную грамматическую категорию?
Да, ведь граммата=буква, и буква имеет фонетическую
составляющую))))
אָב [av]
Good sir ~ Милостивый государь
го is явно сродни уважительному предлогу о (в японском
и ещё где-то, в английском как междометие о! в русском
в той же форме, но го в виде приставки может говорить
о дублете с более древнего ho, где h просто
местохранитель для создания слога.. где-то я такое
видел)
עם [im] is with in hebrew
But by the position of ע within alphabet, it is o,
thus the fundamental with, the feeling of unity, is Om
Israel, Irusalim, they do like i in the initial
position, so אִמָא is read by g.t. as íma, but aleph
is a.
אֵם [эм] and האם [хаи́м] are all three words for
mother, and אֵם sure looks like it was Ma written the
other way around. It's as if they're active satanists.
And you're a retard, if you think it is a joke.
(хаим is used in constructions such as Mother Church:
כנסיית האם [knesiyat haém]) эм, нот им.. хм.. because
it is literally "the mother")
возвеличивать нужно бога, а не умалять (омонимы звучат
как одно и то же слово. если такая коннотация, то
отчего бы не поменять слово? если только оно не
специально там. молись = умоляй себя? умаляй себя!)
praise he who prays
so не молись, а проси (про себя? (да!))
press, and this purely poetic association made me
think "yes, why don't I publish in the regular press?"
MKT are the only three consonants the same in english
and russian
(and it is surely nice that they're from the three
different columns.
AEMKO (ёмко?) are all the letters being the same in
russian and english.
(and it is surely nice that vowels are all of
different groups (a (ei) (ou))
and I forgot the T
AEMKOT (I am кот? emo kat?)
modern alphabetic order aekmot delivers much less, and
that is also why it's false.
IMNL! not K?
no and не are can be due
to for french manner not
to read final t's. Thus initially no was bnot? un-est?
est & да are meeting in еда (yeah! да!) I should
remember this example, so that when I see something of
this kind, I collect them in some bilingua_words.html
АЕМКОТ
aemkot
ame kot
kotame (knorozov said that cats (koty) helped him
decypher maya.
take mo
КОМЕТА!
и в значении совместная мета, met, did meat.
met = meet did, as fuck is furi kuri
t is the suffix of the past? no, meet also has t, is
past shorter? as we look through the lense ans past
present and future and we're in the and moment, int e
present and (представил и (представляю. и? (and future
is described in such moment)))
Did I access the knowledge of the comet?
комета значит "встретились?" об купол разбилась? на
основании подобных явлений представление о куполе,
видимо, выстроилось. как-то же к такому представлению
пришли.
ракета (rocket (русское ета переходит в английский et.
Название греческой буквы? французское et? et=and,
comen=comend? command? commend!
comet = to mend? на ремонт!))
ко=то=со
до
ко
со (the three prefixes for three lingual
syllables. но по моей таблице получается да ко сы? and
I can accept it (they could be like that, and later
unified by reduction or whatever they call that
process)
I made some pull there, not liking ki like к, I
pouylled it to q, but then those tables above do just
that. for п and т, к belongs here, leaving R up there.
I believe somebody pulled R down to make this silly
Left Right symmetry.
So was Right higher than Liberties? It should be!
I M R L N (I am right-left(правой-левой) and N is and
(or NO!?)) and that sequence is too much not to
suspect Tamerlan beneath it. and to my surprise,..
ΘΙΜΡΛΝ [timrln] (timur-tamerlan)
And those RL tell that they wrote right to left,.
ΩΨΧΦΥΤΣΚΠΟΞΝΛΡΜΙΘΗΖΕΔΓΒΑ
Something along these
lines.
e pluralizing this into these is like s pluralizing
line into lines,
and it reminds me of etudent being student, and many
such cases.
and those ΛΡ are almost in the centre,
it takes one change to make ΛΡ exactly in the centre of line
ΩΨΧΦΥΤΣΚΞΠΟΛΡΝΜΙΘΗΖΕΔΓΒΑ
(I don't know what made me place Ξ at the צ spot,
maybe the wish to start new type with new line)
but that broke the ΘΙΜΡΛΝ charm, but then Tamerlan
could be why they placed N after those, but then if
R and L are the centre of it all, as right and left
halves are one directly next to the other,
and then M and N would be great at the sides of them
as one the reflection of the other.
t and f are like . and , (, is of? , is for!
(in texts , can be substituted for
for in many cases:
i didn't meet her, she wasn't there
= i didn't meet her for she wasn't there))
and how is . t? in russian т. = точка (сокращение
которому детей в русских школах обучают (что довольно
символично: точка = конец, и т это не только
tombstone, но и the final letter. that's it.))
as and but are not the best a and b to start the
sentence with, probably because people expect their
own name to be said first. ass and butt are not very
good starts.
and and but are a pair of a and b
I am having a dialogue, it made me change one image,
so I share it to see the context of academic
correspondance.
Здравствуйте, Сергей Юрьевич,
на сайте aeiou.ru я выложил своё открытие, которое
выглядит диковинно, но при этом вполне себе научно
(обладает предсказательной силой)
Новаторский подход не позволяет его напечатать в
академических журналах, хотя бы потому, что, вместо
списка литературы, страницы из работ, которые в него
бы вошли, помещены непосредственно в толще текста. И,
поскольку работа междисциплинарная, в глазах
рецензента список литературы её бы забраковал: как
сказал специалист из alma mater (вуз я не закончил,
играю на сложном уровне) "Вы используете ссылку на
Роберта Грейвса, а он не научен" (при том, что в целом
ему моя работа понравилась, но помочь ничем не может,
всё время уходит на преподавание, а у Вас вроде как
научно-исследовательский институт) при том что Роберт
Грейвс, в том месте где я его цитирую, пересказывает
миф из списка Гигина, просто делает это более чётко.
В общем, к сути работы: я демонстрирую, что в
алфавитах обнаруживается структура, которая, возводит
их к слоговой азбуке, из которой они, видимо,
происходят. В исторической литературе следов этого
перехода не осталось, но мифы (я использую еврейский,
греческий и норвежский мифы, которые все говорят об
одном; но это (использование мифов в качестве
исторических свидетельств) тоже, скажем так,
неортодоксально)
С надеждой на понимание,
Дмитрий Александрович Окольников
Глубокоуважаемый Дмитрий
Александрович!
К сожалению, присланные Вами материалы не имеют
признаков научной работы. Так, в тексте не
сформулирована цель исследования и исходная
гипотеза, непонятна методология исследования,
отсутствуют выводы, стандартно оформленные ссылки на
источники и необходимый библиографический аппарат.
Никаким «новаторским подходом» все это не может быть
оправдано. По указанным причинам содержание текста
практически не воспринимается. Также в тексте
постоянно встречаются ничем (кроме мнения автора) не
обоснованные утверждения: «Маштоц не является
создателем грузинского алфавита, потому что
христиане не были инициированы в понимание
алфавитных структур, во всяком случае не в эти две»,
«раз пошла настолько либеральная наука, замечу что
имена еВа и аДам созвучны английским словам even и
odd» и т.д. и т.п. Вывод, который может быть сделан
после рассмотрения присланных Вами материалов,
неутешителен: они не являются научным исследованием
и не могут быть оценены или отрецензированы в
качестве такового.
С уважением
С.Ю. Дмитренко
Ваше Высокопревосходительство, Сергей Юрьевич!
Стандартно оформленные ссылки не являются признаками
научной работы (кризис репликации должен быть тому
наиболее явным подтверждением) и "Маштоц не является
создателем грузинского алфавита" следует за "таким
образом", т.е. имеет под собой обоснование. И
обоснование это выглядит следующим образом: его
ученики (Корюн и Хоренаци) оставили свидетельства
(которые можно найти найдя эти имена по ссылке,
приложенной в том же самом предложении) о том, как
создание армянского алфавита происходило: Маштоц был
отправлен к некому Даниилу, у которого были книги с
"похоронеными письменами" (по всей видимо имеется в
виду палимпсест) по которым был восстановлен армянский
алфавит, который повторял (согласно тем же ученикам
Маштоца) греческий порядок. Через три года Маштоц
добавил к тому алфавиту неуказанное количество букв,
которые разрушили структуру, существование которой
лежит в основании представленной работы. Но гипотезой
это основание было до того, как объяснение армянскому
феномену было обнаружено (и то, что оно было
обнаружено, и является примером "предсказательной
силы" (а именно она, а не стандартное оформление,
является признаком научности работы)) сейчас я считаю
её наблюдением, имеющим свойство повторяемости.
с надеждой на продолжение сотрудничества,
Д.А. Окольников
(if you read it past year 24,
you may have seen it the same way in volume one, but
in archived versions of this site there was a worse
one)
we'll see what he answers..
(I hope he was tas.. testing me for the knowledge of
the material (it is the way to see if I'm truly the
author of it (and the good and miraculous thing that I
answered within an hour)) but then chances are he's
purely administrative people (that letter of
disapproval may also be a test to test if I sperg out
at disagreement, to prevent dealing with a psycho (so
he's good, yet it's yet to be seen, to be
continued..)))
Jewish heads are twisted (перекручены) от того, что
для них не АМS, а SMA:
their past is in the right hand.
past~left. Right is the ride (the rite? the road!)
middle ~ minute? (anybody can meditate for a minute,
to be in the moment, to mind, to find)
english endings
d and n for the past tense reflect them being the last
letters of their lines
slept is slipped into a sleep?
The artistic depiction of golden fleece. They whether
knew something, or they didn't know shit (them are
soviet functioneers, because it is from a soviet
animation from 1971, two years past 1969, the last
year of шестидесятничества, и такой насыщенный, но и
70е не промах: письмо вождям советского союза вышло в
1975, аквариум ещё раньше образовался.
шарики с моноскелионами, а выше нечто похожее на tree
of life, both are completely random until proven
otherwise, b ut since we dared to bring it here, let's
looke deeper itso its splendour: the fleece is
symmetric, with the spirals within the rings going one
way on the left side and the other way on the right.
And it gives us image of a ram in the centre.
The fleece looks like a herd of rams. This way (by
being curly) we can see that it is of ram and not
lion, even though it is of colour of lion. But then in
the previous frame we were shown the fur with the ram
head to it, which it probably didn't have in reality.
Here is some more random artistic imagination:
it's mouth expression repeats both graphic and
phonetic side of the letter, so the same way we can
tell that o repeats the shape of the mouth when you
pronounce it only as poets, not having sufficient
historic account to tell that it was the intention of
the creator of the letter.
Interesting, that it reminds chinese 嗎[ma] (what?) and
that mouth is as if asking "м?" which semantically can
stand for "what?", "what can you tell in your
defense?" and this is universal! I know it as russian,
and I also saw it in american movies. I think Michael
Caine uses it in Quills.
The flegmatic eyes of that M do not express it, but
the mouth is to the point.
וואס is yiddish way to write german Was (what) and it
could be the key to understaind W
哪 [na] what, which (похоже что китайское ма и на
подобны русским что и то)
(но это не точно, я тот ещё китаист)
阿啦哪矣 are all named final particles, but what do they
have in them [Ā la nǎ yǐ (yǐ is told to be for yes,
yet what do I know)]
okólnikoff is ffokin lóko
когда понесут на руках будешь ли решать куда?
Академия душит науку, когда требует унификации.
Некоторые их вопросы прямо контрпродуктивны: методы
работы (что там указать? можно просто сказать "научный
метод" или как в той легенде о мальчике, который умел
летать: его спросили как он это делает, он задумался,
и больше не умел?
Так что я использую и поэтические приёмы поиска, и в
более широком смысле художественные. Озарения как
способ познания не доступный всем, а потому, видимо,
не являющийся научным (они хотят чтоб все могли (хаха,
нуну (нет, я бы и не против, но удачи (no chance (is
it poetic or humoristic? (ic is 's))))))
But let's try it, taking these questions with a grain
of salt:
не сформулирована цель исследования и
исходная гипотеза,
Книга демонстрирует рудименты силлабарии в
алфавитах. Исходной гипотезой исследования была
неслучайность схожести абвгд и опрст (после опрст идёт
уфх, что сходно с efh of efgh (g was introduced later,
so I heard, greeks have Z instead, what resonates to ц
following уфх))
Но исходной гипотезой книги выступает
небессмысленность греческого мифа о создании алфавита.
непонятна методология исследования,
Научный метод: наблюдение, предположение,
проверка
отсутствуют выводы,
Да, книга демонстрирует наличие структуры в
алфавитах, подобной той, которая могла остаться от
слоговой системы, из которой алфавит, по всей
видимости, эволюционировал. И хотя в книге эта
структура реконструирована по примеру палеоиспанской,
и на основе формулы ΑΒΓΔ, графическая сторона
отдельных графем свидетельствует об изначальном
соответствии слоговой азбуки описанию, взятому из
греческих мифов: пять гласных и две согласные,
заключавших в себе все губные и все язычные, сохраняя
принцип удвоенности губных относительно язычных:
B D, F Г, M Λ, П Т, притом то, что в русском курсиве
принято писать Т с тремя ножками, говорит о том что
значение имеет именно нечётность язычной (что
соответствует символизму, традиционно соотносимому
чётным и нечётным числам: чётные считаются женскими, а
нечётные – мужскими, что и оправдывает уместность
каламбура про Адама и Еву.
Библейские мотивы были обнаружены в английском
алфавите и ещё в одном месте: в самом центре алфавита
находится "блуждающая" пара JK (присутствует во многих
европейских алфавитах, но отсутствует в ирландском и
итальянском of all languages) и, если вернуть М в
столбец губных, то тот же самый исторический персонаж
превращает всю строку сонорных в своё прежнее имя:
ИМНЛ~Иммануил (факт мало известный, отчего может
показаться, что я выдумываю) какое значение имеет этот
богословский вывод покамест не ведомо. Либо алфавит
сформирован христианами (но это слишком дикое
предположение) либо эти волшебные формулы
первоначально относились к чему-либо дохристианскому,
и были заимствованы христианами (но это тоже ещё
предстоит подтвердить или опровергнуть) либо это всё
невероятные совпадения (но вероятность этого тоже лишь
предстоит выяснить, и не мне, first of all I would be
biased, and statistician is not my specialty)
стандартно оформленные ссылки на
источники и необходимый библиографический аппарат.
Сначала противился, но оказалось как минимум
небесполезным: оказывается, в книге я обозвал
Дирингера Гардинером.
1) Грейвс Р. Мифы древней Греции. Москва. Изд-во
«Прогресс», 1992 г. 624 с.
2) Sefer Yetzirah The Book of Formation: The Seven in
One English-Hebrew Edition - New Translations with an
Introduction into the Cosmology of the Kabbalah by E.
Collé, H. Collé
3) JPS Hebrew-English Tanakh: The Traditional Hebrew
Text and the New JPS Translation
4) Мовсес Хоренаци, “История Армении”, 2003 г., книга
3, гл. 52
5) Корюн. Житие Маштоца, гл. 6
6) Johannes Bureus. RVNA ABC Boken (1611)
7) Д. Дирингер. Алфавит. М. 1963
8) The Poetic Edda. Hovamol.
9) E.A. Wallis Budge. An Egyptian Hieroglyphic
Dictionary (1920)
10) Heinrich Karl Brugsch. Wörterbuch, vol.1 (1867)
11) Vicomte E. de Rouge (s. dessen Note sur la
transcription des hieroglyphes in der Zeitschrift für
ägyptische Sprache und Alterthumskunde, 1866, S. 69
flgd.)
12) Черноризец Храбр. О письменах
13) Информация из открытых источников (т.е. из
интернета, предлагаю не делать вид, что этой
технологии не существует, многое из того, что я
говорю, не сопровождается ссылками на источник (вроде
того, что ه в курдском считается буквой Е: неведомо
обычному читателю, но запросто подтверждается даже
самым поверхностным поиском в интернете)
14) Тацит. Германия.
15) Hyginus, Fabulae (использованы несколько изданий,
в каждом из которых присуствуют различия)
16) Андрей Степаненко (тот самый "фрик из
альтернативных историков", которому принадлежит
гипотеза, что римская система счисления была
восьмеричной)
17) Антон Платов. Практический курс Рунического
Искусства. (тоже сомнительный источник, но его
наблюдение про "Четырехчастные центральносимметричные
символы на центральноевропейской керамике V тыс. до
н.э" является десятым подтверждением того, что
руническая традиция гораздо древней, чем принято
считать)
18) Genevieve von Petzinger. The First Signs:
Unlocking the Mysteries of the World's Oldest Symbols
19) https://roouh.livejournal.com/133411.html (ещё
один неакадемический источник, но именно оттуда было
позаимствовано наблюдение, что в русском алфавите
буквы для звонских звуков имеют явную тенденцию
находиться в первой половине алфавита, которое в
сущности факт, вне зависимости от всего остального,
что тот парень говорит)
20) King, Charles William (1864). Gnostics and Their
Remains: Ancient and Mediaeval. London, England: Bell
& Daldy. ISBN 9780766103818.
Now I gave him time to think, but the outcome is easy
to predict, so I shouldn't keep my fingers crossed.
In a month I should bother him speaking of
I used pi.ai (which banned me, but I use private mode)
to translate my work into some epic poem, the way
ancient greeks did:
With foundation firm in primal letters
lie
The world's true form, concealed within its eye.
As letters join to form a single word,
So too the world a tapestry unfurled.
In essence, pure as elements combined,
The alphabet in harmony we find.
This is a poetic translation of the following line:
В основе алфавита лежит представление о мире как о
соединении первичных элементов, подобно тому как слова
являются соединением букв, из которых он состоит.
> Is "concealed within its eye"
placed there just for rhyme or is it a translation
of something?
The phrase "concealed within its eye" is not a
direct translation of anything in the original text.
I added it for poetic effect, to create an image of
the world's true form being hidden or obscured,
waiting to be discovered or understood. It also
serves the purpose of creating a rhyme with the
previous line, as you noted. Poetry often involves
taking some creative liberties to create a pleasing
rhythm and flow, while still conveying the intended
meaning.
Three lines from Robert Graves:
> the mystical
Bull-calf formula and the
two Tree-alphabets which
I introduced
into King Jesus
are not 'wanton
figments' of my imagination
but logically deduced from reputable ancient
documents.
> The language was tampered
with in late Minoan
times when invaders from
Central Asia began to
substitute patrilinear for
matrilinear institutions and
remodel or falsify the myths
to justify the social changes
Moira, Hithyia
and Callone—Death,
Birth and
Beauty—formed a
triad of Goddesses who presided
over all acts of generation
whatsoever: physical,
spiritual or intellectual.
Birth Beauty and Death are Hithyia Callone Moira (but
the three are called Moirai[ˈmɔɪraɪ, -riː (my guess is
those who don't know how to read it, tell мойрай, and
those who know, мойры (или был там спор, породивший
слово рай? ибо ры звучит совсем не как рай, скорей
наоборот (буду говорить мой рай, раз написано мой рай.
"мойры" это русское прочтение (а греческий полон
диалектов) а русские не особо в раю, как мне
кажется)))]
HCM are the eastern order, for of the three H is the
closest to vowel, it is literally vowel in modern
greek.
согласно названию,
> is there word or phrase synonymous to "in", which
would begin with b?
While there isn't a direct synonym of
"in" that begins with "b", there are some words or
phrases starting with "b" that could be used in
certain contexts to mean "in" or something similar.
For example:
"by" (as in "by the sea" to mean
"in the vicinity of")
"between" (as in "between the
pages" to mean "in the pages")
"before" (as in "before my eyes"
to mean "in my eyes")
Remember, the suitability of these words will depend
on the specific context you're using them in.
It is some superhuman mind, it is so good that it
changes everything.
but let it not change the importance of my work. I
will integrate it into my work, and that is how it
doesn't disrupt me, for I become a part of its scope
or whatever.
Comparison of japanese to european
A I U
E O
A E I O U
tells that A I U is the common order, and E&O were
added later,
but then why wouldn't it tell that
A E O
was the first order,
and then they added I after E and U after O in
Europe,
and they added I&U right after A for what readon
in Japan?
yes, what reason?
To sugest that they placed E&O at the end of
initial order,
while europeans placed e between A and I doesn't
seem such a stretch,
so they separated O and U later, for e hebrew tells that AEI+ (+
is some fourth letter) was.
So japanese added O line the last, which may sugest
that U was before O. That ע is actually У.
And old-persian cuneiform sugests that AIU were the
three vowels
(but when yiou don't distinguish e from I i, and when you don't
tell o from u, who can tell if it's one or the
other?)
Comparison of latin to ogham vowel order
A E I
O U
A
O U
E I
A O U were the order. then EI were placed before or
after OU,
(it's funny how I called latin
european when I didn't have to be more precise, yet
had to be specific when started working with two
european alphabets)
or..
and here I see that I assume that the position of the
first three vowels were not changed in them all, but
what do I know, maybe there was no A?
bcde
fghi
jklmno
pqrstu
vwxyz?
Were lines ending in vowels and z was added later,
when they threw it out of the second line?
Was it when they lost all-voiced order of the first
half of the alphabet? Wasn't Ϝ w(в)? Isn't Z voiced?
was Η vowel? was Θ voiced or at all? Because hebrew
doesn't deliver such obvious voiced-voiceless
separation as russians does and probably did (was Ѳ
there? or was it removed, because of the
voiced-voiceless being constructed within the russian
alphabet, and wasn't placed there before? Russian does
tell us that such symmetry exists, but who knows if
some vowels were whispering variants, such that o is
whispering a, and that u is whispering e, which
doesn't make sense, but what if u was и? no, doesn't
make sense. More informative than this chapter is my
letter to Александр Андреев, which I place here next)
А есть ли ещё что подобное теме
про звонкие-глухие?
(знаю что есть, движение первых согласных по
спирали, но поскольку дальше такие спирали не
повторяются, кажется очень сложным, но в
индийской филологии согласные расставлены в порядке
изнутри рта к наружи: на примере японского:
а-к-с-т-н-в-м-w (は формально ха, но будучи отдельным
словом читается как ва, потому порядок изнутри наружу
(как речь и течёт) между м и w воткнули й & r
(куда же ещё тоже сонорные воткнуть) чем разрушили
порядок, но он там. Надо будет это включить как главу
про японский в следующую редакцию моей книги, в которую может и порядок спирали
русского алфавита включу, если сможешь убедить, и
может что другое есть касающееся, могу так же (и
можно ли Имя и Фамилию включить, когда буду ссылку в
библиографию помещать, если решу всё же оформить со
всем этим как академии требуют) дать ссылку, и если
материала будет очень много, посмотрим как совместно
что-нибудь создать, впрочем, к этому в любом случае
открыт)
Хорошее странное письмо, но забавно как я индийскую
филологию на примере японского раскрываю. Давай всё же
собственно индийскую азбуку исследую:
अआइईउऊऋॠऌॡएऐओऔअंअः कखगघङहचछजझञयशटठडढणरषतथधनलसपफबभमव
the reddish letters are vowels, then k-like, the
greenish three are t-
Interesting, that that one (in unicode and in
philologic table I discussed earlier) is not the only
way to line them up:
This one places them as
अआइईउऊएऐओऔऋॠऌॡअंअः
कखगघङचछजझञटठ
डढणतथ(*)धनपफबभम
यरलवशषसह
* there they seem to have a symbol my unicode doesn't.
Some द, also recognized by ctrlF in द्
instead of some
अआइईउऊऋॠऌॡएऐओऔअंअः
कखगघङहचछजझञयशटठडढणरषतथधनलसपफबभमव
(this is placed here to
facilitate the comparision)
But then unicode has that द, right where it belongs, I
wonder what made me not to have it:
ःऄअआइईउऊऋऌऍऎएऐऑऒओऔ
कखगघङचछजझञटठडढणतथदधनऩपफबभमयरऱलळऴवशषसहऺऻ़ऽाि0ीुूृॄॅॆेैॉॊोौ्ॎॏ
(the grey ones are those not present in the previous
set, thus maybe they're newer additions)
but then in this unicode ह is only present in हऺऻ़
it also sends य further into the other group, right
after the labials,
ळ is in the unicode, but not
in the other two sets. I expected some Ohm from
something so ∞-like, but it's something special, some
guttural (for the lack of a better word) l-like or
r-like, you have to hear
it to get it.
ळ (ḷa) a Devanagari
consonant, primarily used in modern Marathi,
Gujarati, Odia, Rajasthani, Konkani and as well as
in Vedic Sanskrit; almost completely absent from
Hindi. The sound is also preserved in
Dravidian languages
but = but not (!)
но = но нет
(in this position not and no are both possible,
even though not feels more correct:
everything
but a girl
beverything but not a
girl
everything but no a girl
(yet no, this sentence demands some there's to
it)
Wondering why vol.11 has relatively so few images,
I looked into it and found something I managed to
forget:
Α Β Δ Ε F Ζ
[a b d e v ʒ]
Ο Π Τ Υ Φ Χ
[o p t i f ʃ]
but then, isn't it a step back from BD FГ ПТ 𐌚S (and
it doesn't even include ΜΛ, what was I thinking!)
so I made some path from vol.11 to vol.38, yet that
was a step to where I am.
So I forgot that greek thing righteously, as something
raw and now obsolete.
I wonder what are the chances that ABRAXAS used to be
ABC? for then S would stand for Snake, and A is for
Anthropos, B is for bird, but then the order is BAS,
BaS the B and T crossed with AMS, Mas as in Mother,
and Master is a slave-owning pederast, of the "я ваша
мама, но сиська только одна, так что сосать будете по
очереди"
The Nine Lyric or Melic Poets were a
canonical group of ancient Greek poets esteemed by
the scholars of Hellenistic Alexandria as worthy of
critical study. In the Palatine Anthology it is said
that they established lyric song.[1]
They were:
Alcman of Sparta (choral lyric,
7th century BC)
Sappho of Lesbos (monodic lyric,
c. 600 BC)
Alcaeus of Mytilene (monodic
lyric, c. 600 BC)
Anacreon of Teos (monodic lyric,
6th century BC)
Stesichorus of Metauros (choral
lyric, 7th century BC)
Ibycus of Rhegium (choral lyric,
6th century BC)
Simonides of Ceos (choral lyric,
6th century BC)
Bacchylides of Ceos (choral
lyric, 5th century BC)
Pindar of Thebes (choral lyric,
5th century BC)
and when all you have is a hammer..
I couldn't help but noticed, that
three of them have names starting with A,
three of them have names starting
with S
and three of them have names
starting with B, P and I, yet that I is followed
by b,
so could they be A B C?
a weird passage from the bible, calling God evil:
וְהָיָ֗ה בִּֽהְי֚וֹת רֽוּחַ־אֱלֹהִים֙
אֶל־שָׁא֔וּל וְלָקַ֥ח דָּוִ֛ד אֶת־הַכִּנּ֖וֹר
וְנִגֵּ֣ן בְּיָד֑וֹ וְרָוַ֚ח לְשָׁאוּל֙ וְט֣וֹב ל֔וֹ
וְסָ֥רָה מֵעָלָ֖יו ר֥וּחַ
הָרָעָֽה:
And it would be, that when the spirit of God was
upon Saul, that David would take the harp, and would
play with his hand, and Saul would be relieved, and
it would be good for him, the spirit of evil would
depart from him.
וְהָיָ֗ה is an interesting word, similar to יהוה and
translated as "and it was" [вэ хайя́]
so is יהוה a typo? For וְהָיָ֗ה is a great way to
start a story. ו as B? ו[V] ~ и[I]
[ИВ] EVE (ЕВА[eva])
eve is канун, вечер, and being the root of evening
makes even eve. Yes, I even
noticed it in the first booklet I actually published
(the Eve~even (Адам~odd(уд)) part)
if Eve is eve, night is KNight
(and probably the silent k is there to remind them
that they're not just nights by themselves, that they
are king's nights, knights.
morn is for morning, moan, yawn (or
is mourning also there, if every night was carnage?)
moon? man? moron?
day is deity, ni, hi, He
How cool is that that 日 is both Hi and Ни[ni] in
japanese (and it is я in russian, because nihon and
nippon are япон, and also because of ярко, ясно, и,
как оказалось, ядерная энергия, о
is it Z~N or H~S̆ or 日~C or 日~S, or 日~ but Солнце,
Zonne, Sun are semantically fit.
Do and M look so similar, because Son Sun and Moon Mom are very similar too.
Сын затмевает мать, но лишь тень матери может затмить
сына.
И то, что луна закрывает солнце, говорит о том, что
луна ближе солнца, но это ещё сообразить надо, что
солнечное затмение это именно оно, для того следует
следить за фазами луны, и быть может задача мудрецам
разгадать природу солнечных затмений породила лунные
календари? нет, календари знали раньше, ведь это столь
удобный способ засекать,
засечь от слова секунда? засечки секунды отмечали?
означало слово секунда что-то другое? вторая засечка,
после пяти секунд, которая больше. прима как цикл
луны, секунда как цикл солнца? тогда циклом солнца
считали бы день. Это ещё сообразить нужно, что солнце
как-то за год перемещается, когда сам возле экватора
живёшь. Но это лишь вопрос, проверить появление
годовых (а не только месячных) календарей следует у
археологов.
That 17) Антон Платов.
Практический курс Рунического Искусства. (тоже
сомнительный источник, но его наблюдение про
"Четырехчастные центральносимметричные символы на
центральноевропейской керамике V тыс. до н.э"
является десятым подтверждением того, что руническая
традиция гораздо древней, чем принято считать)
is a weird way to give a link, but let's dig in, let's
find where he found it, so that I can provide a more
well-reputed source. I cut the following image into
four pieces and try search by those images,
Четырехчастные
центральносимметричные символы на
центральноевропейской керамике V тыс. до н.э. –
праобразы будущих «Шлемов Ужаса» he tells,
but what are his sources, what are the names of
those ceramics?
The first one wasn't found, but similar form was
called Nordic Cross and Wolf Cross.
второе изображение принесло
крест судьбы (cross of fate, cardinal cross, crux
fati) in astrology, an obscure concept at best,
and there's also a Grand Cross, but I am not into
astrology, so I dunno..
третье изображение принесло мне лишь ставы да
снежинки,
четвёртое тоже не доставило ничего нового
загуглировал центральноевропейской керамике V тыс. до
н.э и узрел
и она и впрямь из 5000 до н.э, по крайней мере
согласно подписи:
Чаша из Бань-По. Культура Яншао.
Провинция Шэньси, Китай, конец V тысячелетия до н.э.
Музей Бань-По (Китай)
т.е. не европейская, а китайская (но ᛉ-образные формы
подобные платовским присутствуют)
В общем, настало время докопаться до Платова не
предмет исходников.
Докопался. Если ответит, сообщу
и до Андрея Георгиевича Степаненко докопался, до того
парня, который узрел восьмеричную систему в римских
цифрах, тоже если ответит расскажу.
Впрочем, продолжил копать самостоятельно, и обнаружил
крест в центре тарелки:
Schypynetska group ceramics of the
Trypillian Culture Complex (after T. Tkachuk).
The Schypynetska (SHY) group (BII/CI, 3900–3450 BC)
was originally categorised with the Central group of
the Painted Pottery culture of south-eastern Europe
(Childe 1923), along with the Bilche Zolote group
(to which Verteba belongs) and the Cucuteni group
(Childe 1923). The pottery of the Central group
typologically belongs to the Eneolithic stratum of
the Cucuteni site (Cucuteni II) and is characterised
by grooved pottery with spiral ornamentation (Childe
1923, Kandyba 1937). The SHY pottery was painted
with deep red, black or brown and creamy white
colours on a red wash or whitish primer (Childe
1923). The same colours are found at the
Bilche-Verteba sites. The pottery shapes are
represented by conical dishes, deep bowls, bulging
and bi-conical urns, and binocular-shaped vessels.
The first cultural horizon of Verteba belongs to
this group
и на этом, собственно, всё (посмотрим, ответит
ли Платов)
stawy is body joints in polish
(in russian it is sustawy(суставы))
stawy is ponds in polish (according to another
source))
pond is staw, but staw is not recognized by g.t.
neither as pond, nor as joint, which is rather
weird.
demon ~ de moon
(dmitrij is of demetra, de metre? de mother? (whether
Demetra id Dea Mythra or ))
so angels were alients (spirits) from other planets?
before we thought of venus and mars, we'd think of Sun and
the Moon (son and mom? Jesus and Mary, two people to pray
to, patriarchal and matriarchal traditions are beaming
through the modernity (obsolete for centuries, if it ever
was to be, like communism (today there're many more
reasons not to try it, but is it obsolete? much less than
christianity in that sense, but if it's not worth keeping
(thus obsolete) then why is it so popular? people are not
very bright, even the most intelligent people are rather
dumb)))
в русско-украинском ещё больше расхождение: год. в русском
a year, а в украинском a minute or minutes. year is рiк in
ukrainian.
година ~ частина?
не по дням, а по чесам (часы чешут? быстро идут? идут.
вибрация передаётся на грубых механизмах. часы считают же,
четают чатают часают? час часть дня. один подход, один
урок, одна встреча)
для англичан мы сами те ещё хохлы: сравни сын и son
(здесь речь о том, что хохлы часто произносят и там где
кацапы произносят о: кот is кіт)
(кацап обидное слово, потому что it's кац up (жиды сверху
(и это обидно потому что правда)))
(а хохол вроде с любовью, за чубы казацкие (да, интересно
как они это воспринимают, может на их языке это слово
имеет иные коннотации, может они и не знают что чуб это
хохолок (может для них там слышится ох лол или лол лох,
huh-lol (but I'm hardly ukrainian, so I can only guess
(thus inventing the mean connotations which хохол probably
never had (кацап и есть (скорей всего украинец слышит в
этом слове что-нибудь иное, быть может тоже доброе и
любящее (hello russian! хуёво окрашено? или who is
it? хуй ссыт (голландцы при встрече говорят хуй, конфликт
неизбежен (you gotta keep em
separated (fuck, I hate that song, that band)))))))))))
(и даже в этом безобидном случае англичанам может
показаться, что мы каверкаем их слова,
а нам что они)
Here I figured the way Rimbaud coloured the vowels:
A noir,
E blanc, I rouge, U vert, O
bleu
сейчас смотрю, и первые две буквы чёрное и белое,
остальные три дают основные цвета, где синий и зелёный
столь же близки как О и U, зелёный противостоит красному
как U противостоит I, в последовательности совпадающей с
последовательностю в радуге. Может он что-то знал?
Also a and e make sense in the way I decyphered ☯ as happy
e of yeah and some a of ah
U and O is not the alphabetic order. Did Arthur change it
to keep it as in the rainbow and to oppose I and U at the
same time? Or does he tell, that sea.. blue became more
important for us later, for before that we didn't sail,
and thus didn't distinguish location by the colour of the
sea, and yet we could tell red and green both fruit and
leaves. So red and green didn't stand for bad and good,
for red fruit is good, red leave is bad; green leave is
good, green fruit is not good yet. Bad is bu-yet? not yet?
A noir, E blanc, I
rouge, U vert, O bleu : voyelles,
but then taking the whole line didn't help: the word
voyelles ..voice-elle? femelle? syllables ending in vowels
are considered female.
Were there so many more males than females?
I guess in the realm of gods there are much more male
deities than female ones. And it correlates the
patriarchal takeover: in the previous stage of the
alphabet
When there were female deities, le
dies.. la dies! we had five vowels and
only two consonants.
Who would those two male entities be? Apollo? I like the
name, it's very alphabetic. AOI? if we take the vowels
after which those A P L stand. A is the vowl herselv. B
and T.. Бог и Toefel! Teufel!
Thus somewhere between russians and
germans the roots of Yggdrasil are.
Which is only natural: two distinct sub-species of the
whitest Europe, they are competing to this day, and are
contributing to the progress of civilization
evolving of the specie the most.
evolving siounds much better as evolution.
less of v's, thus no the stutter effect.
[больше похоже на бу́зе чем на бёзе]
Böse ~ abuser? бузатёр?
Rimbaud lists the vowels not in alphabetic, but in the
rainbow order.
Is he saying thus that U predated O?
I just speculated about Green being more important than
Blue in those ancient times
(or it really depends on many factors. Blue is also the
colour of the sky)
But green and red are the opposite and are telling us if
we should eat it or not
(well, only in fruit and berries. Veggies we can eat
even green. Did we always do?)
Wolfram's office sent me this book after I've shown them
my triangles:
and 1110 reminds me the multiplication pattern
It looks like the repeating pattern of a man running along
the other side.
It looks like it's in 3d. is multiplication a projection
of the 3d world?
Actually yes, multiplication is planar
actually, it was more man-like when I at first took a more
noisey picture:
but then I checked it, and this was the closest to that:
(somewhat similar, but very
different patterns)
there number-bases in which such hair grow and can reach
quite a size, and there are number-bases in which the
chaos is complete. And they go in groups.
If somebody told me that it reflects in plants on some
level, I would say yeah, probably.
and in this particular case the pattern isn't just
repeating up there too, it goes growing and changing:
It is as if that blue element is not changing per se, but
he fucks with different species of it's kind.
It is like us spending the third of our life in bed.
Pay attention to the blue person when it is shown the
first. It is a bably. Instead of two legs гусеничка.
So when the added person is longer are those orgies or the
person is pregnant? or the other blue elements of that
other person are in it too (but never separated, though
who knows where it evolves the everchanging)
The light-blue is also a colour which doesn't repeat
anywere else too but in the very beginning look at it, a
mistery, a mystery, мистерия, mystery-play
(mistery and misery are they etymologically connected?
the light-blue is five. five doesn't survive in the deep.
those colours are 12345 repeating, at the borders, and
they are multiplyin, and only the first number of the
result is placed into the colour under them. For such task
rhombic monitors would be great. Rotating monitors,
rotating round this axis too. round monitors. attached to
the lower (also round) part by magnets. Now this invention
I lay down here for everyone to see, because I will never
do it myself anyway, I have so many projects going on.
Even though I know that focus is the key. Well, I don't
give them up, that's the spirit!
But I have to reprioritize somewhat, this language book
went so far, and it will take some mind-extension for most
of people to get it anyway, and when they have such
technology, it can do this work for me that's for sure,
that's like Wolfram has shown the whole class of those
patterns by bruteforcing them all. Not all, even in base
three he gave some enormous number, and I research this
thing by another axis, yet I don't know may be he found my
thing closer to the end of his book, I'm yet at the
beginning of it. Should I keep on reading feeding this
third passion of mine or should I scroll it through
looking for my thing and to answer them so that they don't
have to wait? Okay. but not today, I should focus on this
second thing, because it's too late in the day to do the
first one.
At? Add! Be See Do
Eat Find Go Hide Higher?
so guessing works: doing this experiment over and over
again, I found the interpretation making more sense than
the others, thus I inevitably find the real one by mere
перебирание, перебор (о, какое слово (и я не знаю как
перевести ни одно из его значений. g.t. gives overkill and
plunk, but I'm not sure that is right. wiktionary usually
does a better job: search, rundown, exhaustion, exhaustive
search was the meaning I had in mind, but the word has
some others: the one I had in mind is fingering, arpeggio,
running over the strings. And it has another one: excess,
surplus, and I also had it in mind, when I said oh what a
word: many words have double meaning this one is triple,
arpeggio! and there's a meaning I
didn't know of: funeral bells in church, but I never
knew it, and hardly it is far from the arpeggio thing;
but then happy bells are перезвон. бор как забор? вывоз
трупов? когда скотину держали, наверное много было
мертвяка. В городах-то наверное меньше? Кишки хоронили?
Говно из кишок? Кишки кости всё в дело шло, кого
вывозить? ох блин, снова бред рандомный протёк, в серое
его, если вообще не вырезать))
This азбука-set is interesting in that Find and Hide
reflect eachother, and together with Go they make a successive narrative.. what the.. coherent
story.
We should have play on instead of jumping to the analysis.
So..
I Kan Like More Not
I KiLl My eNeMy?
I Kid My Light Night.. Light and Night are also a
good opposition.
And this line is tricky: every other has labial after
vowel, but this one does not, and it is a line, different
in italian and irish, both are claimed by catholics if it
matters,
I L M N or I M L N or I M N L?
I Love My Nun
I Make Love Not War (not срам, if there was samekh)
I aM Not Lying (this one is eveng more
beautiful than the previous one, because IMNL are Immanuel
(is it poetry? yep, poetry as a
scientific method. Isn't poet also running down the
variants of words until he finds those which make sense
and rhyme and rhythm? an ai when it writes poems maybe
may perform exhaustive search for each word, which
reminds me what they say it is actually doing)
OPen, QeeRS!
Open queers.. AMS tells there was no ת, or is it a form of
ש, for without the dot it is rather s.. is ת upsided down
ש? but actually it looks like upsided down ע, and thus is
it ש~ע the way a~d reflect eachother in different fonts
(Д~А (Дмитрий Александрович, наконец-то вы пишите это
правильно))
Looking at ש~ע, I cannot help but wonder are the A~Д
somehow А~Ѧ? от А до Я is a meme, but come on! A~Ѧ ~ ש~ע,
the way a-to-d reflect a-to-t (Ⰰ to T? as above so below?)
Isn't RST rasta? not in this variant.. but what is before
rasta?
opq? there's no q in russian and greek.
опрст
о, просто!
о, прости!
это замечательное завершение молитвы!
(but then this reading I saw before, a food one indeed)
and F is diГamma for Food is twice as good as Гood
Eat Food Good Hood!
I aM No Lie is the champion of this line.
but then ох прости doesn't make much sense in the context,
unless somebody tells you that you lied somewhere. Is
alphabet ligned into not just a coherent story, but a holy
scripture with short advice and Go, as they say, was added
later, for before Ruga there was Z.. as for Zoeken.
Eat Feed G/Z? Hide (to hide a child you feed after you
ate?)
It seems, jewish ritual words, the words not present in
other cultures and thus to be preserved word of mouth,
they must have preserved the original readings of the
hebrew letters, because check this out:
מוֹהֵל read as моэль shows that הֵ is e, and not because
the double dot is beneath it (I think single dot is i,
which is the opposite of the european tradition, where ee
is i.
And returning to the blue figure, it is 3, and just as 5,
3 doesn't survive in the deep, swimming at the surface,
yet 4 being the result of 2's are right there. And why
don't 5 and 3 survive? because they would have to be
carried further but the 1's and that is exactly what
happens with the light-blue in the beginning, but then it
never gets away, though how would I know it? the first
five lines are always the same. And that's exactly where
the everlasting creature lives, protected by the 1's:
the triangles of the ones.. but they never seem to grow
the overall pattern seems to be perfectly random within
the range of 1s, 2s and 4s:
yet in the closer look 1's and 2's are do tend to create
their own specific triangular shapes, while 4 has to take
whatever is left, but on the other hand 4's creat the same
triangles the 2's are having.
Okay, I guess I have two hemispheres, and they can work in
turns.
Big Good Dad (that is some beginning of the prayer ending
in о прости.. but why would it begin in english to end in
russian. So what I'm doing is writing some alphabetic
poetry, so I have to write many, at least two, both
languages may be hiding something, or I reinterpret it in
the way that what.. And it is not such an off-the-wall an
idea, so whoever performed reform in the alphabet, they
would easily have a similar idea, so let's see what they
could have put into this simingly meaningless sequence.
Maybe, if the meanings behind letters were obvious to lay
them as letters, maybe some poems show the meanings of
theirs persistent within the lexicon.
So exhaustive search amongst all the possible poems we
should do, and this trick neuronets truly master
Abe Б-г G-d D-e(us, a, um)
Eve? Vogue? Guh!
High I(ik) KL can be only
kill, come on, as verb that is, but it is also cool, so
keep it cool. No other word is a verb here. See, calm
down, amigo (also call is kl: orthography never knows)
AMiGo is an alphabetic word! Good God
is a super-amigo!
I am cool
Big Good Daddy is made by other rule, so more than one
poem for each language may appear.
B~G for both are BiG? БиГ are
similar letters,
b&h are both high letters, but then d is also high.
but when abc was the first line, there was no d.
f is a big letter, in some fonts bigger than any other
one, but maybe that is one it is tabooed in greek and
sorta tabooed in furs russian?
before h, g is the only one going into the deep, and it
being a modified c, introduced late, it makes me think
that p and q are also of some later genesis, telling that
b and d are also b and g, for g is both (I wish
you see that g right, as an upside-down Б)
Ik kool lune? Ik come man? this is me trying to find the
i-line built by the rule of the abe б-г g-d d-e, which is
in hebrew, russian, english, latin saying pretty much the
same thing. So shouldn't the rest of the poem be this
multilingual synonymy?
Speaking of opposite letters, L and R are perfect example.
L лежать and lay, R работать
aRbeiten.
So let's see that Left and Right in the context of ..Бог и
ТeUfell (te U is to you in
dutch, but fell is viel (to fall is vallen, in more
russian way: both dutch and rutch are using suffixes
instead of prefix to. And it gives a deeper meaning: te
vallen is не просто падать, а чтобы упасть. in english
both are "to fall" and thus english gets this vagueness
making its words multidimensional, allowing to make texts
with different reading (as dna can be read in different
frames. The same text of our dna literally can be read
differently, so I heard and read, I think this is the
consensus (but don't trust consensus, yeah, for I felt
malfunction in the place on my arms where doctors pierced
their needles (sanctity of the body is broken by doctors.
they made me sick and sucked my blood for two years, and
actually much more, they made us give blood in soviet
schools. It was painful, and honestly it was child abuse.
It probably was the legacy of Bogdanov. Red because they
sucked blood, they bathed in blood. Bogdanov literally
was, he was studying bloods and took blood from his son to
inject himself, he died at 55, so hardly would the
momentum go on after that. Most of them were idealists,
but why else would they sticked needles into children to such suck their blood, it's
obvious, they're satanists, )))))
I, me, call, noprst? no pqrst не покорюсь тебе?
тебе = Т Б (ты бери, ты будь, ты be)
мене = M N (me own)
бе ~ не? both are not exactly m. and is it why greek n (ν)
looks so much as latin v (v)
В is v in russian.
в = in! =win? yes!: you win when you're in the castle
(well, not always, but "U in" (you're in) is Win)
and that is how they could spell it before they invented
W.
thus тебе́ is you-in (you own, you take it in, at your
place)
and мине́ is me-in (me own)
не=в? as prefix un-? as a the ã (the
prefix a-)
в может быть звукоподражанием мычанию с зажатыми губами
или что, когда пытают или просто настойчиво просят рот
раскрыть, которое в сущности означает нет.
áa = no
aá = yes
(at least in russian it si so, I suspect it to be
international, and thus how can one tell that that is not
the proof that humans are all culturally related (that we
genetically related genetics obviously tell))
áa = ís ɪt?
aá = ɪt ís'!
áa = не́а
aá = ага́
(and it could be a chapter in the "birth of language"
movie. before that they would only have natural
exclamations, like oh! or ha!
so, the protowords:
serie 1: a/e ~ ah/yeah (yeah ~ не ах?)
á = ахъ? then
áa = á-а (ах(ов)а)
aá = ага́ (не ах) но у Высоцкого "не ах" значит
плох. но либо прав, либо нет
aaá = хорошо́
áa = плохо
áa = ah-o(во)
aá = a ha (and probably that is what a-ha means: ага́
(different spelling of the same word))
ha is ha or hahahá, so why is it
usually written as ha-ha?
ах ~ бах ~ бух ~ бох
бах вверк и всюду, бух вниз
ба́хнем = бухнё́м (и надо проверить на эмоциях случайных
прошожих, как им кажется, а то для меня очевидно, что
ба́хнем звучит гораздо позитивней, чем бухнё́м (хотя, в
контексте áa и aá не известно как связана, вполне
возможно что это бессвязный бред всё, мозг же тоже устаёт
я его сегодня притянул за то что получается по полной.
отдыхай!))
(and after that I took a bath where
I wrote 12 cardboards on both sides)
т. точка
c. centre (also O (but then how can I know that it's
ancient? ))
C is a form of T
ничтожества те кто уничтожают. создающие ничто.
превращающие в ничто. ничто действа
ничтожить уменьшать, уничтожить полностью уменьшить.
Что за приставка у? подобна голландской
ge.
geheim is secret in dutch
das Heim is home in
deutsch
house is the ours, for in dutch house is huis, at home is
thuis[taus~θaus]
(dutch confirmed
that thuis is at huis, I talked to them)
В собственно Скандинавии в относительно
позднее время двенадцатиконечный крест нередко
рассматривался как объединение четырех рун Maðr,
развернутых под прямым углом друг к другу. По большому
счету, это и есть простейшая форма символов ряда «Шлема
Ужаса». В позднесредневековой Исландии этому знаку
приписывали самые разные свойства: от «охраняет от всех
несчастий» до «завоевать любовь девушки».
Со временем (по большей части – в Исландии) возникли и
сложные формы «Шлемов», развившиеся из простых за счет
усложнения «ветвления» каждого из лучей, а также – за
счет удвоения числа базовых лучей (восемь вместо
четырех). Некоторые из таких символов называются в
исландских рукописях непосредственно Эгисхъяльм, другие
получили собственные имена.
It is from Platov, but he doesn't give his sources, so
take it with a grain of salt, if at all.
I thought about it, that just the way Moon has four
visible stages, new moon, waxing moon, full moon, waning
moon. And the way you separate it is up to you, but both
new moon and full moon are dots of the days, all the other
month is whether waxing or waning.
And the way they draw cross with four ends, and that each
of the four ends is divided into three may explain the 12
months and 12 hours thing, even though there are more like
13 moons. 12.
wtf! I read that a month is not 28, but 29.5 days, and
here's the opposite:
The sidereal month is
the time needed for the Moon to return to the same
place against the background of the stars, 27.321661
days (i.e., 27 days 7 hours 43 minutes 12 seconds);
the difference between synodic and sidereal lengths is
due to the orbital movement of the Earth–Moon system
around the Sun.
here, wiki explains:
The synodic month (Greek: συνοδικός,
romanized: synodikós, meaning "pertaining to a synod,
i.e., a meeting"; in this case, of the Sun and the
Moon), also lunation, is the average period of the
Moon's orbit with respect to the line joining the Sun
and Earth: 29 (Earth) days, 12 hours, 44 minutes and 2.9
seconds.[5] This is the period of the lunar phases,
because the Moon's appearance depends on the position of
the Moon with respect to the Sun as seen from Earth. Due
to tidal locking, the same hemisphere of the Moon always
faces the Earth and thus the length of a lunar day
(sunrise to sunrise on the Moon) equals the time that
the Moon takes to complete one orbit around Earth,
returning to the same lunar phase.
While the Moon is orbiting Earth, Earth is progressing
in its orbit around the Sun. After completing its §
Sidereal month, the Moon must move a little further to
reach the new position having the same angular distance
from the Sun, appearing to move with respect to the
stars since the previous month. Consequently, at 27
days, 7 hours, 43 minutes and 11.5 seconds,[5] the
sidereal month is about 2.2 days shorter than the
synodic month. Thus, about 13.37 sidereal months, but
about 12.37 synodic months, occur in a Gregorian year.
Since Earth's orbit around the Sun
is elliptical and not circular, the speed of Earth's
progression around the Sun varies during the year.
Thus, the angular velocity is faster nearer periapsis
and slower near apoapsis. The same is true (to an even
larger extent) for the Moon's orbit around Earth.
Because of these two variations in angular rate, the
actual time between lunations may vary from about
29.27 to about 29.83 days.[citation needed][6] The
average duration in modern times is 29.53059 days with
up to seven hours variation about the mean in any
given year.[7] (which gives a mean synodic month as
29.53059 days or 29 d 12 h 44 min 3 s)[a] A more
precise figure of the average duration may be derived
for a specific date using the lunar theory of
Chapront-Touzé and Chapront (1988):
29.5305888531 + 0.00000021621T − 3.64×10−10T2 where T
= (JD − 2451545.0)/36525 and JD is the Julian day
number (and JD = 2451545 corresponds to 1 January AD
2000).[9][10] The duration of synodic months in
ancient and medieval history is itself a topic of
scholarly study.[11]
sidereal: of or with respect to the
distant stars (i.e. the constellations or fixed stars,
not the sun or planets).
A sidereal day on Earth is approximately 86164.0905
seconds (23 h 56 min 4.0905 s or 23.9344696 h).
The etymology of Korea delivers:
Корё — государство на Корейском
полуострове, появившееся после падения государства Силла
в 935 году и существовавшее до воцарения династии Чосон
в 1392 году.
Название «Корё» является сокращением от Когурё, одного
из трёх раннефеодальных государств Кореи, объединённых
Силлой в 668 году. Современное слово «Корея» происходит
от «Корё».
Наиболее известные достижения государства — гончарное
искусство Корё и Трипитака Кореана — буддийский канон
(Трипитака), вырезанные на десятках тысяч деревянных
досок. В Корё в 1234 году была создана первая в мире
металлическая печатная матрица (см.
Чикчи).
Когурё (кор. 고구려?, 高句麗?,[koɡuɾjʌ] кит.
трад. 高句驪, упр. 高句丽, пиньинь gāogōulǐ, палл. Гаогоули,
устар. Гао-Гюйли ; 37 до н. э. — 668) — государство
народа когурё, говорившего на когурёском языке.
Существовало в период Трёх корейских государств.
Современное название «Корея» происходит от названия
средневекового государства Корё, которое, в свою
очередь, является сокращением от «Когурё».
koryo is ko-ryo of koguryo the 高句麗[Gāojùlì(kaw-kow-li)]
高 [каw] high
句 [Jù(чюй)] sentence (what sentence? no matter this word
was later removed)
麗 [li] Korea
li is Li, the dynasty which ruled Joseon, the state
existing in Korea many centuries later, but that is only
so in the russian wiki, english wiki doesn't tell it, it
seems North and South have different history.
But actually, more like different orthography or
pronunciation (I only started to learn korean, so take it
lightly, or rather skip it)
The House of Yi, also called the Yi
dynasty
is
Корейская императорская семья (кор. 대한제국의
황실,황실, кит. 大韓帝國皇室) — общее название для обозначения
корейской монаршей династии Ли после провозглашения
империи в 1897 году, в роли правящего дома Кореи (он
просуществовал от создания государства Чосон в 1392 году
до свержения империи японцами в 1910 году).
beware, because in english dynasty Li is something
completely different:
The House of Li
(Chinese: 李; pinyin: Lǐ; Wade–Giles: Li)
was the ruling house of the Western Liang dynasty and
the Tang dynasty of China.
and that 李 is some different Li, rather Lii, for
that is how Lǐ sounds,
but then 李 is plum, so are those Li's that different?
Here's one of the emblems of Yi dynasty:
The Imperial Seal of Korea or Ihwamun
(Korean: 이화문; Hanja: 李花紋) was one of the symbols of
the Korean Empire. It was originally the emblem of the
royal family and was subsequently used for the coat of
arms of the short-lived empire. The symbol features a
plum blossom (Korean: 이화; Hanja: 李花; RR: Ihwa; MR:
Ihwa), also known as Maehwa, which signals the
beginning of spring in Korea.[1] Plum blossom was
taken to symbolize courage in the face of hardship,
especially in something so physically delicate, and
has been long admired by the Korean and Chinese
literature.[2] As the Plum tree blossoms between two
seasons, it is also seen as a symbol of spring -
bringing warmth, transition and the promise of
fruitfulness.[3]
Since ancient times, plum blossom has been filled with
meaning and mystery. Plum blossoms bloom at the end of
the winter, and because of this, they are called the
herald of spring. They also symbolize perseverance
because of how they can possibly bloom during the cold
winter. Since they are considered the first flower of
the year, they also represent purity and renewal. Plum
flowers have five petals which are believed to carry 5
different blessings such as: wealth, health, virtue,
peaceful and natural death.[4]
and it is quite a rabbithole, as probably every
culture:
that sword looks like a machinegun, and the whole world
in the other hand, as if it's ready to cut it in two,
which they do. And those yang-yin thing, why would it
rotate counter-clockwise?
Is such orientation of the tai-chi circle (I still suffer with not knowing a
better term) what curses them?
But then I cannot find it anywhere else, yet russian
wiki sorta confirms, calling it Эмблема,
встречающаяся на марках Корейской империи
and indeed:
and yet there are cases of those rotations being the
other way around:
and then it seems they don't care too much about the
direction,
or what did they think about it or what they still do, I
dunno:
but honestly, the counter-clockwise rotation seems to be
more popular amongst koreans today, but then it seems to
be depending on the era they're in, probably they
intentionally rotate it back and forth:
and right after that:
but then what do I know?
Pepsi in this sense were always rotated
counter-clockwise,
and you cannot consider them unlucky.
But then their customers sorta are: that shit makes them
fat.
Was that corporation trolling them selling them
something evil intentionally?
Well, the world is prone to reinterpretations, so that's
just my hypothesis, not even an opinion.
but then it is the same way with Coke
(it's so evil, it is named after
cocaine, which they used to add to it!)
but then what is happening to pepsi at this moment?
are they reversing it?
(guh, it is so offtopic, it makes
it cringey. I have to create a separate file for the
rotations: the further this thing goes the harder it
will be to do it. Unless I have neuronets I can ask to
help)
To finish the Koguryo thing,
their motto is: 천제지자 (천제의 자손) (天帝之子) "Son of God"
But then why finish it? This book is to deliver things you
never knew, and here's another one:
The Cheolli Jangseong
or Great Wall of Korea may refer to either of two
massive fortifications built between medieval Korea
and the Chinese to the west and other tribes to the
north. The first is a 7th-century network of military
garrisons built by Goguryeo, one of the Three Kingdoms
of Korea. These are now located in Northeast China.
The second is an 11th-century wall built by Korea's
Goryeo dynasty, now located in North Korea.
Red: Goguryeo's Cheolli Jangseong.
Blue: Goryeo's Cheolli Jangseong.
After Goguryeo's victory in the Goguryeo–Sui Wars, in
631 Goguryeo began the fortification of numerous
military garrisons after the Tang dynasty, the
successor to the Sui in China, began incursions from
the northwest.[1] Its construction was supervised by
Yeon Gaesomun during the reign of King Yeongnyu. The
preparation and coordination was completed in 647,
after which Yeon Gaesomun took control of the Goguryeo
court in a coup. The network of fortresses ran for
approximately 1000 li in what is now Northeast China,
from Buyeoseong (부여성, 扶餘城) (present-day Nong'an
County) to the Bohai Bay.
A second Cheolli Jangseong is the stone wall built
from 1033 to 1044, during the Goryeo dynasty, in the
northern Korean peninsula. It is roughly 1000 li in
length, and about 24 feet in both height and width. It
connected the fortresses built during the reign of
Emperor Hyeonjong, passing through these cities,
24 feet in both height and width for 1000 li, it
seems enormous, impossible to build even in 11 years,
but then I pondered on it, and maybe fifty thousands
workers working for 11 years probably could build one.
And they had millions of people, I wonder how it all was
financed, maybe some guest-workers were hired for their
own money? Maybe it is a historical legend of the
glorious old days. Anyway,
Li (Chinese: 里, lǐ, or 市里, shìlǐ), also
known as the Chinese mile,[citation needed] is a
traditional Chinese unit of distance. The li has
varied considerably over time but was usually about
one third of an English mile and now has a
standardized length of a half-kilometer
and why are both walls told to be 1000 li, when one is
shown three times longer than the other?
There's different 里, japanese 里, Ri, which is 3.927 km
In South Korea, the ri currently in use is
a unit taken from the Han dynasty (206 BC–220 AD) li. It
has a value of approximately 392.72 meters, or one tenth
of the ri. The Aegukga, the national anthem of South
Korea, and the Aegukka, the national anthem of North
Korea, both mention 3,000 ri, which roughly corresponds
to 1,200 km, the approximate longitudinal span of the
Korean peninsula.
give/hide? a nothing or some basal
antonyms?
трын-трава is a bilingua: трын is grass in sanskrit
(तृण)
Here, check how ⰀⰁⰂ look like
upside-down ᚠᚡᚢ
and how Ⰱ~ᚠ too!
it mandates a comparison of the rest
ⰀⰁⰂⰃⰄⰅⰆⰇⰈⰉⰊⰋⰌⰍⰎⰏⰐⰑⰒⰓⰔⰕⰖⰗⰘⰙⰚⰛⰜⰝⰞⰟⰠⰡⰢⰣⰤⰥⰦⰧⰨⰩⰪⰫⰬⰭⰮⰰⰱⰲⰳⰴⰵⰶⰷⰸⰹⰺⰻⰼⰽⰾⰿⱀⱁⱂⱃⱄⱅⱆⱇⱈⱉⱊⱋⱌⱍⱎⱏⱐⱑⱒⱓⱔⱕⱖⱗⱘⱙⱚⱛⱜⱝⱞ
ᚠᚡᚢᚣᚤᚥᚦᚧᚨᚩᚪᚫᚬᚭᚮᚯᚰᚱᚲᚳᚴᚵᚶᚷᚸᚹᚺᚻᚼᚽᚾᚿᛀᛁᛂᛃᛄᛅᛆᛇᛈᛉᛊᛋᛌᛍᛎᛏᛐᛑᛒᛓᛔᛕᛖᛗᛘᛙᛚᛛᛜᛝᛞᛟᛠᛡᛢᛣᛤᛥᛦᛧᛨᛩᛪ᛫᛬᛭ᛮᛯᛰᛱᛲᛳᛴᛵᛶᛷᛸ
here I can see how ⰃⰄ remind ᚦ (and eachother, never saw
them this way.
Isn't ᚨ Ⰵ?
isn't ᚱ Ⰸ? quite a stretch, and it had to be Ⱃ,
upside down like the Ⰰ and Ⰲ (or are they runes
upsidedown? what if they were read from the other side,
not to obstruct those who watch the picture?
Идёт коза рогатая за малыми козлятами,
забодаю-забодаю-забодаю (знаком козы "бодает")
Мишка косолапый по лесу идёт, шишки
собирает, песенки поёт,
вдруг упала шишка прямо мишке в лоб,
мишка рассердился и ногою топ (топает ногой)
Ладушки-ладушки, где были - у бабушки, что ели - кашку,
что пили - бражку
попили-поели-полетели, на головку сели (делает вид что
руки это птички или птичка)
(бражку! такое древнее, что даже
незнали что алкоголь детям нельзя? его никому нельзя
так-то)
Этнографы полагают, что кашка и бражка в
потешке – это поминальная еда, которую относили на
могилу умершему родственнику. Бабушка в этом случае
могла быть тем самым усопшим предком, к почитанию
которого детей приучали с пеленок.
Сейчас поясню. «Кашка» (читай: «кутья») употребляется
вместе с «бражкой», как правило, только на одном
семейном мероприятии - поминках. Так что ладушки –
это, по сути, общение с почившим (шей) (той самой
«бабушкой»).
алкоголь это христианская наркотик. это приучение
молиться руки совместив, энергентику на саму себя с
другой стороны зщаземлив. Ветрувианский человек
показывает как надо жить (голым в шаре, с руками и
ногами в противоположные стороны (в идеале с
восстановленной плацентой, но для начала хоть
как-нибудь))
Но обычные русские подобного не знают, не вызывает человече когнитивного
диссонанса этот стих лишь когда бабушка его читает, или
когда действительно у неё в гостях (сейчас или, ещё
лучше, если только-что были)
Обратил внимание, что ИМЛ алфавитно, и что МИЛ будет более
приятное прочтение.
И начать с мишки было самое естественно, затем коза (если
начать с козы, ребёнок и убежать может, а мишка
прикольный, это танец который и ребёнок может исполнить,
то всё были три танцевальных движения, Терпсихоровы стихи.
Первый стих на ногу, пинаться дети умеют и в утробе, а два
последующих на руки: сначала показывает что человек умеет
руками вытворять, а затем показывает птичек, которых и
ребёнок может изобразить, очень
педагогическое. Надо
посмотреть, повысится ли интеллект какого-нибудь
африканского племени, если им показать эти потешки, чтоб
померить у тех, кто согласится снимать то, как детям
такое показывают, и затем (лет через десять) измерить
интеллект детей и сравнить с общим по племени (и у тех
кто согласился снимать тоже, может согласятся лишь
наиболее умные, любопытные, интеллектуально смелые, в
любом случае, сверить четыре средних iq: родителей, их
сверстников, детей, их сверстников (и если интеллект
детей будет выше чем у сверстников, то рекомендовать
комплекс из этих трёх потешек для повышения интеллекта
(русские же не самые тупые? они белые, камон! ну так
может и потешки белым интеллектом произведены. Надо
найти потешки у других народов, и не нужны никакие
эксперименты, раз мета-анализ возможен, начать следует с
него)))))
Учат не бояться медведя, но бояться козу, а птичек тоже
можно не бояться, даже если на голову сядут.
В козе ещё и ритм ускоряется, вербальные способности
демонстрируются, мотивируя развивать.
И если каждой букве соответствует стих, то значение положение стихов имеет
значение:
имл гораздо более слабая комбинация, чем мил: мишка и коза
пугают, и ребёнок ожидает подобного от третьего стиха, но
его в сущности нежно по голове почти погладили.
МИЛ (мишка косолапый, идёт коза рогатая, ладушки-ладушки)
оно же и МКЛ (медведь, коза, ладушки)
азбука раньше называлась абевега
(либо, что скорей всего, это креатив Чулкова) abe Vega
В 1 в. до н. э. Лукреций,
используя сравнение атомов с «буквами», впервые передал
греч. как elementa, от «эл-эм-эн» — ср. рус. «абевега» и
т. д.), а Цицерон первым применил новый термин к
«четырём элементам» Эмпедокла.
Diels H., Elementum, Lpz., 1899; Burkert W., ,
«Philologus», 1959, Bd 103, ?., 3/4, S. 167— 197
(лит.).
Философский энциклопедический словарь. — М.: Советская
энциклопедия. Гл. редакция: Л. Ф. Ильичёв, П. Н.
Федосеев, С. М. Ковалёв, В. Г. Панов. 1983.
Чулков интересный тип, сейчас смотрю его "Новое и
полное собрание российских песен" и там на А лишь те, что
начинаются на Ахъ (только в четвёртом томе одно
начинающееся на Ай, ау)
Could prefix ab be both a and b? (Is it cognate to russian
об? no)
abd
ab is kinda of, for it is from (f of futhark? same word
read differently in diffferent languages? written
language, as sign language are not tied up to the spoken
language, even though written language follows grammar of
the spoken one, technically one is in sound, and the other
is in writing, so technically we can translate speech into
text, but there's no even firm connection between sounds
and letters: г и к могут звучать одинаково, а с может
звучать по разному, ugh могут вообще не звучать (про себя
сказал ugs (sorta oh) когда это слово произносят? though?
thought (thought is literally про себя) and the two words
are pronouncing o differently (though sorta reads the u,
and thought does not. And I thought
of though being like go, and in thought ugh is even more
silent))
Though and Thought are so similar, because we say "though"
when we had a thought, sorta thought is thoughed. In laugh
whole ugh is read as f, so see, sorta different languages
spoken and written.
for yes es would suffice, but somebody had that y and that
e in suffice (but what if there was no e in es, would s be
yes? si? c. is for certainly, cure~sure, совершенно
справедливо, согласен,
ab is from, and what a great way to start it.
ab ovo? a bo vo? А Б В?
Good
Efgh and in the context
of ugh, I looked fore words with egh, and there I found
only frekay words, such as driegh which is a double of
dry. And egh is also silent! And it's a natural thing to
say about a well.
And what egh does, it closes the dri syllable, and makes
it not drʌɪ, but dri:
ogh isn't silent though, neither is agh, none is the
ending, in brogh it's a root or something, like in ring is
ing ending? well, duh. well, whatever, brogh is broch
(generally ring, whether of stone as a foundation of a
castle, or in the sky around the moon to be an omen of bad
weather, but that moon broch is not told to be spelled as
brogh, that gh is scottish, I guess, because they say
those are in Scotland)
in Eight gh is silent. what is gh? ugh and egh (ух и эх)
one two three four five
six seven eight nine ten eleven twelve
wʌn tu θri
fo fʌɪv siks seven
eɪt nʌɪn ten eleven twelv
seven, ten and eleven follow the speech exactly, others
- not so much
See how different the writing from the reading: ʌɪv ~ I've
(both have v, but what are the vowels?)
though = хотя, does it mean that thought grows out
of wishing? It makes great sense, actually.
vamos [вэ́мос] пойдём (выход-смещение,
выметайся, mos is definitely as motion,
neh? nah, is't its it's of
va, go, and mos is мы, nos)
(one of the tasks of this journal is to demonstrate how
the learning is done. But what's the use of it, if I also
do not log all the input data? but then nos and мы were
placed into my head centuries
decades ago, so I only somewhat log the new data, and as
for old knowledge, I guess you have to trust me, yet
everybody has false knowledge from time to time, so take
only what makes sense, and test even that part.
So here I just compared, and м is пойдём is grammatically
reflecting the m in vamos.
love before money, brains before force (speaking of ♠️ ♣️
♥️ ♦️ the ♠️ ♣️ ♥️ ♦️ ♤ ♧ ♡
♢ being 40 60 100 and 80, I wonder who placed
them this way to the unicode, probably somebody understood
that love comes before money. Also and maybe that was done
so that ctrl shift u2666 is not love, but money
u1666: ᙦ (carrier Cha)
u666: ٦ (The Eastern Arabic numeral representing the
number six)
so, surprisingly ٦٦٦ is not 777, but 666
٧٧٧ is 777
٨٨٨ is 888 and that may tell, that russians used to use
arabic letters, for in their language seven is semm, and
eight is vosemm (but then they would use ᚢ instead of V,
duh, complicated)
исповедую (кого-то, как на исповеди) и исповедаю (сам, как
веру)
у как U и а как аз (от а до я? a to z? ams and russian
alphabet tells that it's likely to be a to s)
отъебись ~ отцепись
отце пись
ебать ~ цепать? ~ цеплять! ~ ципать ~ щипать? Эй,
девчонка, пора отдохнуть, настало время тебя за клитор
ущипнуть (но в целом синоним вообще не полный,
ассоциативно-то можно что угодно притащитьт. )
И поскольку том начинает лагать, и только что там ٦٦٦
упомянали, по доброй традиции имеет смысл завершить здесь,
переходим в том 39